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Laemmle Glendale Update: Sign Installation Video and Residential Loft Leasing Info

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Way back in 2014 we talked to the L.A. Times about our company’s 75th anniversary and what we had up our sleeves for the future. That’s when many of you first learned of our project located at Wilson and Maryland Avenues in the heart of Glendale. How time flies! We’re happy to report the Laemmle Glendale is expected to open in time for the holidays in late 2017!

Yes, seeing is believing, so we submit this short time-lapse of the “LAEMMLE” sign installation on our building:

https://www.youtube.com/watch?v=aCpDuAkhhOg

If just visiting a Laemmle theater isn’t enough for you, how about living atop one? Lease applications are now being accepted for the 42 luxury lofts above the theater. Visit lloftsglendale.com for more information. The ‘L’ is for LAEMMLE!

For updates, follow @LaemmleGlendale on Facebook, Twitter, and Instagram. Admittedly, there’s not much to look at right now… but there will be soon!

Two Courtroom Classics For the Price of One on May 2nd in NoHo, Pasadena, and Beverly Hills

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Laemmle Theatres and the Anniversary Classics Series present two acclaimed courtroom dramas celebrating their 60th anniversaries as the second attraction in the popular Twofer Tuesdays program. 12 ANGRY MEN and WITNESS FOR THE PROSECUTION, both 1957 Academy Award nominees for Best Picture, will be paired as a double bill (two movies, one admission price) on May 2nd at the Ahrya Fine Arts, NoHo 7, and Pasadena Playhouse 7. Presented on Blu-ray.

Click here to buy tickets to the 5:15PM show of 12 ANGRY MEN, admission to the 7:15pm WITNESS FOR THE PROSECUTION is included. Click here to get tickets to the 7:15PM show of  WITNESS FOR THE PROSECUTION, admission to the 9:35pm 12 ANGRY MEN is included.

12 ANGRY MEN, about the deliberations of 12 jurors in a murder trial, was adapted by Reginald Rose from his 1954 teleplay, and directed by Sidney Lumet (Serpico, Dog Day Afternoon, Network) as his film debut. Henry Fonda, who also produced, heads a formidable cast of award-winning actors including Lee J. Cobb, Ed Begley, Jack Warden, E. G. Marshall, and Jack Klugman. Both Lumet and Rose were Oscar nominated for their work.

The film, as timely as ever, challenges an audience to confront ethnic and social prejudices in considering innocence or guilt based on reasonable doubt.

Roger Ebert called it “a masterpiece of stylized realism,” enhanced by the expert black-and-white photography of Boris Kaufman, making the most of its one set in the jury room. Ebert further opined, “In its ingenuity, in the way it balances one piece of evidence against another that seems contradictory, 12 Angry Men is as meticulous as an Agatha Christie thriller.” The movie was added to the National Film Registry in 2007.

WITNESS FOR THE PROSECUTION, based on an Agatha Christie play, is a spellbinding courtroom thriller about a murder suspect (Tyrone Power) defended by a wily barrister (Charles Laughton) against the testimony of the suspect’s wife (Marlene Dietrich).

Billy Wilder, collaborating with writers Harry Kurnitz and Larry Marcus, strengthened the characterizations and added a surprise twist at the end, heightening the suspense throughout.

Laughton received one of the film’s six Oscar nominations as Best Actor for his delightfully animated portrayal. Elsa Lanchester as the barrister’s no-nonsense nurse afforded comic relief and copped a supporting actress nod. Wilder nabbed the sixth of his eight career directing nominations.

The film was a critical and commercial hit, with Bosley Crowther of The New York Times applauding “Wilder’s splendid staging of some splintering courtroom scenes and a first-rate theatrical performance by Charles Laughton.”

Audiences at the time were aghast and delighted by the film’s wicked surprise ending, which they were urged to keep secret. Even the film’s cast did not know the ending until the last day of shooting. Both films were later cited in the all-time top ten of the AFI’s Courtroom Dramas category.

The Twofer Tuesdays double feature of 12 ANGRY MEN (shows at 5:15 pm and 9:35 pm) and WITNESS FOR THE PROSECUTION (shows at 7:15 pm) plays May 2 at three Laemmle locations: Ahrya Fine Arts, NoHo 7, and Pasadena Playhouse 7.

55th Anniversary Screening of Akira Kurosawa’s YOJIMBO on 4/19 in Encino, Pasadena, and West LA

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Kurosawa’s YOJIMBO (1962) screens Wednesday, April 19, at 7PM in West LA, Encino, and Pasadena. Presented on Blu-ray. Click here for tickets.

Laemmle Theatres and Anniversary Classics Abroad present a 55th anniversary screening of Akira Kurosawa’s YOJIMBO, a vivid tongue-in-cheek samurai Western. Kurosawa’s favorite actor, Toshiro Mifune, plays an amoral samurai in 19th century Japan. In a setup reminiscent of many classic Westerns (Shane in particular), Mifune’s Sanjuro strides into town and tries to reconcile a battle between two warring factions. But in this case both of the gangs are equally corrupt, and our hero is no more upright. He eventually wreaks havoc on all the combatants. The swordfights have visceral force, and the violence is always leavened with humor. As Pauline Kael wrote, “Yojimbo is a glorious comedy-satire of force… explosively comic and exhilarating.”

The film also proved to be enormously influential to a later generation of filmmakers. It inspired another perfectly amoral Western, Sergio Leone’s A Fistful of Dollars, in which Clint Eastwood’s The Man With No Name became the spaghetti Western equivalent of the cheeky samurai killer. Later directors Walter Hill and Quentin Tarantino also cited Yojimbo as an influence.

YOJIMBO is the second installment in our Anniversary Classics Abroad series, presented on the third Wednesday of each month. The series continues with Pietro Germi’s DIVORCE ITALIAN STYLE on May 17 and Ingmar Bergman’s SMILES OF A SUMMER NIGHT on June 21.

For more about our Anniversary Classics Series, visit www.laemmle.com/ac and join our Facebook Group.

45th Anniversary Screening of THE RULING CLASS with Director Peter Medak in Person April 25th in West LA.

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Laemmle Theatres and the Anniversary Classics Series present a 45th anniversary screening of THE RULING CLASS starring Peter O’Toole followed by a Q&A with director Peter Medak on Tuesday, April 25th at 7 PM at the Royal Theatre in West Los Angeles. Presented on DVD. Click here for tickets.

This biting black comedy, in the tradition of such British classics as Kind Hearts and Coronets, focuses on a fierce battle for succession within an aristocratic family. Peter O’Toole plays a paranoid schizophrenic nobleman who believes himself to be Jesus Christ. When he is elevated to a top position, his relatives scheme to have him declared insane. O’Toole called the film, adapted from Peter Barnes’ play, “a comedy with tragic relief.” In addition to O’Toole, who earned an Oscar nomination for his vibrant performance, the cast of superb British thespians includes Alastair Sim, Arthur Lowe, Harry Andrews, Coral Browne, and Caroline Seymour.


Leonard Maltin called the film a “hilarious, irreverent black comedy…overflowing with crazy ideas, people bursting into song, boisterously funny characterizations, and one-and-only Sim as befuddled bishop.” Time magazine’s Jay Cocks had high praise for the film’s star: “Funny, disturbing, finally devastating, O’Toole finds his way into the workings of madness.” Over the years since its release, the film has turned into a cult classic.

Peter Medak directed such films as Negatives with Glenda Jackson, A Day in the Death of Joe Egg with Alan Bates and Janet Suzman, The Changeling with George C. Scott, the popular spoof, Zorro: The Gay Blade, and two acclaimed British crime stories, The Krays and Let Him Have It.

For more about our Anniversary Classics Series, visit www.laemmle.com/ac and join our Facebook Group.

Our New Twofer Tuesday Series Begins April 4th with a Double Dose of Bette Davis

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Laemmle Theatres and the Anniversary Classics Series present Twofer Tuesdays, a classic movie double bill that will screen on the first Tuesday of each month as a recurring event at three Laemmle locations.

Our first attraction celebrates Hollywood legend Bette Davis in one of her most beloved roles, NOW, VOYAGER (1942), on its 75 th anniversary. As a bonus feature, we are pairing it with MARKED WOMAN (1937; 80th anniversary) starring Davis and Humphrey Bogart. Both movies will show as a double feature (two movies, one admission price) at the Ahrya Fine Arts in Beverly Hills, NoHo 7 in North Hollywood, and Playhouse 7 in Pasadena.

Click here to buy tickets to the 5PM show of MARKED WOMAN, admission to the 7:15pm NOW, VOYAGER is included. Click here to get tickets to the 7:15PM show of  NOW, VOYAGER, admission to the 9:45pm MARKED WOMAN is included.

NOW, VOYAGER is considered a consummate “woman’s film,” a genre that was Davis’ forte in her heyday in Hollywood’s Golden Age of the 1930s and 40s, an era that she ruled as a top box office star.

The plush melodrama, based on a novel by Olive Higgins Prouty (author of “Stella Dallas,” another classic tale of a self-sacrificing, independent woman), was adapted by Casey Robinson (Dark Victory) and directed by Irving Rapper (Deception).

The film was nominated for 3 Academy Awards, including Davis as Best Actress as a repressed spinster who emerges from her shell in one of the screen’s most dramatic makeovers.

Co-starring Paul Henreid as her suave romantic partner, Oscar nominee Gladys Cooper (Supporting Actress) as her domineering mother and Claude Rains (one of Davis’ favorite actors), as a paternal psychiatrist; the film was a huge commercial hit, the biggest box office success for Davis in that period.

In “The Essentials: 52 Must-See Movies and Why They Matter,” author Jeremy Arnold calls it “a movie that has stood the test of time for its high entertainment value, romanticism, and subversive theme of female empowerment.”

Featuring a lushly romantic Oscar-winning score by Max Steiner, and with one of the most memorable closing lines in movie history, Now, Voyager was added to the National Film Registry in 2007.

Our bonus feature, MARKED WOMAN stars Davis as a nightclub “hostess” who becomes the target of a vengeful mobster (Eduardo Ciannelli), who in turn is prosecuted by a crusading district attorney (Humphrey Bogart). Co-written by Robert Rossen (All the King’s Men, The Hustler) and Abem Finkel (Jezebel, Sergeant York), and directed by Lloyd Bacon (42 nd Street), the movie is notable for its “torn from the headlines” realism that characterized Warner Bros. style in the 1930s.

Because of the censorious Production Code, the brothel employing Davis’ character was disguised as a clip joint. Davis’ assured performance and the film’s success contributed to her rise as queen of the Warner’s lot, a position she held for the next decade.

The Twofer Tuesdays double feature of NOW, VOYAGER and MARKED WOMAN plays April 4 at three locations: Ahrya Fine Arts, NoHo 7, and Pasadena Playhouse 7. Special Introduction by film historian Jeremy Arnold at the Ahrya Fine Arts only.

NOW, VOYAGER plays at 7:15 pm; MARKED WOMAN at 5:00 pm and 9:45 pm.

https://www.youtube.com/watch?v=cyryB44kq64

Art in the Arthouse presents TRIMBLED at the Royal

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Laemmle’s Art in the Arthouse is proud to announce our newest exhibit, TRIMBLED, showcasing the works of artist SCOTT TRIMBLE. The show appears at the Royal Theatre through May 2017.

Curated by Joshua Elias, the exhibit features gestural oil paintings that tap into the psyche of the artist – and the world at large – in an arresting and provocative manner.  Trimble’s unique application of color is also fascinating to behold.  Don’t miss seeing Trimbled in person!

Join us for the artist reception:
Laemmle Royal
Thursday, March 30, 7-9pm
RSVP HERE 

About the Exhibit:

Based in Hermosa Beach, SSMALL_09 There I saw the three flowers of my futureCOTT TRIMBLE is a graduate of USC’s School of Cinema and Television where he focused on film history and criticism. He now creates psychological portraits in oil.

A Trimble Game: Walk down the aisle and take in each of Trimble’s paintings. Read the titles of each painting aloud to your self and move on. Then double back.

You will not be the same person. Moved through movement, visual richness, and a distinct phraseology you will be lent a hand, a journey, and a lens from the vantage point of the artist.

This is an experiential show – a blur inside a whir. It is a period in time where nothing makes sense. The paintings fragments are held together through poetic phrases, animated beings, cagey, sometimes frightened figures, not so carefully fielding their steps across a landscape within a room.

Rife with contradiction, each work is a navigation in an unnavigable urban setting. This noir mise-en-scene is a political horror house, where an implausible arm of a figure is reaching around the corners searching for the edge. Grappling for significance, in a world of continual motion, Trimble’s paintings offer a soulful rope to the long climb ahead.

– Joshua Elias, Curator

Critical Review for Scott Trimble:

Shana Nys Dambrot writing for the Huffington Post

LAEMMLE LIVE: presents Street Symphony with Vijay Gupta – Sunday, April 30, 2017

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FALL16-Gupta-Box-01 2Please join us for a very special event as LAEMMLE LIVE presents STREET SYMPHONY Sunday, April 30, 2017. Vijay Gupta, LA Philharmonic violinist and founder of STREET SYMPHONY will perform with fellow Street Symphony musicians, Jin Shan Dai, violin; Michael Larco, viola; and Dahae Kim, cello.  Their program will include Dvořák: String Quartet #12 “American” and music by Duke Ellington. KUSC Announcer Rich Capparela will host and join Vijay in conversation to raise awareness of the humanity of people experiencing homelessness.  We are honored Street Symphony, a ground-breaking non-profit that connects professional musicians with these communities is bringing this life-affirming program to Santa Monica.

Today, Skid Row is the epicenter of the homeless capital of the United States. Nearly 20,000 people may sleep on the streets of downtown Los Angeles on any given night. Los Angeles County jails are the largest in America, and are effectively the largest in-patient mental health centers in the world. These communities comprise the audiences of Street Symphony. 

Street SymphonyIn the course of the last 4 years, the distinguished musicians of Street Symphony have presented nearly 200 free, live musical engagements with the Los Angeles community, presenting events in Skid Row, the greater Los Angeles Area and the LA County Jails. They bring jazz. They bring gypsy music. They bring the works of Schumann, Schubert and Mendelssohn. They bring music to lift up the brave stories and voices of people who, although living in an impoverished situation, are in no way impoverished in spirit.

VIJAY GUPTA is a violinist, speaker, and passionate advocate for the dedicated presence of citizen-artists in social and civic discourse. Gupta joined the Los Angeles Philharmonic in 2007 at the age of 19, after completing an undergraduate degree in biology and a Master’s degree in violin performance from the Yale School of Music. Gupta made his solo debut with the Israel Philharmonic Orchestra under the baton of Zubin Mehta at age 11 and has performed on an international scale since the age of 8. 

A gifted spokesperson for the power of arts to change lives, Gupta believes that musical engagement reconnects us to our shared humanity across vast divides, and ultimately impacts social justice. Gupta is a TED Senior Fellow and currently serves on the board of directors of the DC-based national arts advocacy organization Americans for the Arts. In 2015, at the age of 27, he was presented with an honorary Doctor of Humane Letters by the University of La Verne.

Vijay Gupta currently plays a 1731 Domenico Montagnana violin on generous loan through the Los Angeles Philharmonic Association.

RSVP using Eventbrite
This is a Free Event

EVENT DETAILS
Sunday, April 30, 2017
11:00 AM
Monica Film Center

Q&A with Scott Wilson Following Our 50th Anniversary Screening of IN COLD BLOOD on March 22th in West LA.

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scott-wilson-enewsLaemmle Theatres and the Anniversary Classics Series present a 50th anniversary screening of IN COLD BLOOD (1967), followed by a Q&A with actor Scott Wilson on March 22 at 7:00 PM at the Royal Theater in West Los Angeles. Click here for tickets.

In Cold Blood, the film version of Truman Capote’s immensely popular “nonfiction novel,” was nominated for four top Oscars in 1967. Richard Brooks received two nominations, for Best Director and Best Adapted Screenplay, and the film was also nominated for Conrad Hall’s striking cinematography and Quincy Jones’ memorable score.

In his best-selling book, Capote chronicled the events leading up to and following the senseless murders of a family of four in Holcomb, Kansas in 1959. He drew a pointed contrast between the prosperous, all-American Clutter family and the two social outsiders, Perry Smith and Richard Hickok, who committed the murders.

In adapting the book, Brooks (the Oscar-winning writer-director of such films as The Blackboard Jungle, Cat on a Hot Tin Roof, Elmer Gantry, and Sweet Bird of Youth) resolved to be as faithful as possible to Capote’s chronicle, even filming in many of the actual locations where the events took place. With Capote’s encouragement, Brooks cast unknown actors as the two killers, and the performances of Robert Blake as Smith and Scott Wilson as Hickok earned critical raves. More established actors John Forsythe, Paul Stewart, and Will Geer filled out the supporting cast. Brooks also bucked the industry practice and decided to shoot the film in black-and-white at a time when color cinematography had become virtually mandatory for big-studio films.

Reviews at the time were largely positive. The Saturday Review’s Arthur Knight declared the film to be “one of the finest pictures of the year, and possibly of the decade.” Its reputation has not diminished. In an article in The Wall Street Journal in January of 2017, critic Peter Cowie called the film “a classic of American cinema” and added, “In Cold Blood retains its relevance today, even as random shootings continue to appall.”

Scott Wilson made his film debut earlier in 1967, in the Oscar-winning In the Heat of the Night. In Cold Blood was only his second movie. He went on to co-star in John Frankenheimer’s The Gypsy Moths, the Robert Redford version of The Great Gatsby, Philip Kaufman’s The Right Stuff, The New Centurions, The Ninth Configuration, and more recent appearances in Dead Man Walking, The Last Samurai, Monster, and Junebug. He also is known for his roles in the popular TV series CSI and The Walking Dead.

For more about our Anniversary Classics Series, including an upcoming screening of AVANTI, visit www.laemmle.com/ac and join our Facebook Group.