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Tickets: http://laemmle.com/film/conformist | Subscribe: http://bit.ly/3b8JTym | Bernardo Bertolucci’s breakthrough movie, The Conformist, is based on the celebrated novel by Alberto Moravia and was nominated for an Oscar for Best Adapted Screenplay of 1971. Set in the 1930s, the film explores the psychological roots of fascism as the main character, Marcello Clerici (Jean-Louis Trintignant), tries to expunge his artistic and homosexual inclinations by conforming to the brutally repressive mores of the times. "Bertolucci's masterpiece." (Village Voice)

Tickets: http://laemmle.com/film/conformist

RELEASE DATE: 2/3/2023
Director: Bernardo Bertolucci
Cast: Jean-Louis Trintignant, Stefania Sandrelli, Gastone Moschin, Dominique Sanda, Pierre Clémenti

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/filmmakers-prosecution-nuremberg-its-lesson-today | Subscribe: http://bit.ly/3b8JTym | FILMMAKERS: Near the end of WWII, filmmaker John Ford, head of the Field Photographic Branch of OSS, assigns the Schulberg brothers to carry out a special mission: track down German footage and photographs of Nazi atrocities in order to convict the leaders scheduled to stand trial. Screening w/NUREMBERG: ITS LESSON FOR TODAY: One of the greatest courtroom dramas in history, the film shows how  prosecutors built their case against Nazi war criminals using their own films and records.

Tickets: http://laemmle.com/film/filmmakers-prosecution-nuremberg-its-lesson-today

RELEASE DATE: 2/3/2023
Director: Jean-Christophe Klotz (FILMMAKERS) & Stuart Schulberg (NUREMBERG)

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/geographies-solitude | Subscribe: http://bit.ly/3b8JTym | An immersion into the rich ecosystem of Sable Island, a remote sliver of land in the Northwest Atlantic, the film follows Zoe Lucas, a naturalist and environmentalist who has lived there for over 40 years collecting, cleaning and documenting marine litter that persistently washes up on the island's shores. Shot on 16mm and created using eco-friendly filmmaking techniques, Geographies of Solitude is a playful and reverent collaboration with the natural world filled with arresting images and made with an activist spirit.

Tickets: http://laemmle.com/film/geographies-solitude

RELEASE DATE: 2/13/2023
Director: Jacquelyn Mills

-----
ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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⭐ “This is what cinema is all about. An audacious and riveting portrait of maternal life that’ll leave you wailing into the night.” -IndieWire ⭐The directorial debut of playwright Bess Wohl, BABY RUBY stars Noémie Merlant & Kit Harington.NOW PLAYING: Laemmle Monica Film Center & Laemmle Glendale🎟️ laemmle.com/film/baby-ruby ... See MoreSee Less

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“Haunting and vivid." -The New York Times In Jean-Christophe Klotz’s #FilmmakersfortheProsecution, prosecutors use film evidence to convict Nazi war criminals at the Nuremberg trials.Opens 2/3 Laemmle Town Center 5 and 2/6 & 2/7 as part of Laemmle Theatres long-running "Culture Vulture" series! 🎟️ laemmle.com/culturevulture ... See MoreSee Less

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TOMORROW is #NationalPopcornDay, and we'll be offering ⭐ ONE FREE POPCORN ⭐ w/purchase of any beverage all day to celebrate! So Pop In!Here's a kernel of wisdom for you: Want free popcorn every Thursday? Become a Premiere Card holder for $3 off theatre tickets*, 20% off concessions, $6 Tuesdays and one free popcorn every Thursday!laemmle.com/premiere#laemmle #discounts #freepopcorn ... See MoreSee Less

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“Breathtaking, slow burn, poetic journey” GODLAND opens February 10 at the Laemmle Glendale and Monica Film Center.

February 1, 2023 by Jordan Deglise Moore Leave a Comment

The struggle between the strictures of religion and our own brute animal nature plays out amid the beautifully forbidding landscapes of remote Iceland in Godland, a stunning psychological epic from director Hlynur Pálmason. In the late nineteenth century, Danish priest Lucas (Elliott Crosset Hove) makes the perilous trek to Iceland’s southeastern coast with the intention of establishing a church. There, the arrogant man of God finds his resolve tested as he confronts the harsh terrain, temptations of the flesh, and the reality of being an intruder in an unforgiving land. What unfolds is a transfixing journey into the heart of colonial darkness attuned to both the majesty and terrifying power of the natural world.

We open Godland February 10 at the Laemmle Glendale and Monica Film Center.

“This transfixing drama is certainly austere. But there’s also a marvelously odd vein of sneaky humor running through it, along with an unpredictability that keeps you glued.” ~ David Rooney, Hollywood Reporter

“Godland tells a story of natural wonder, elemental beauty and human folly.” ~ Justin Chang, Los Angeles Times

“An engrossing account of a voyage to the dark side of permanent daylight.” ~ Wendy Ide, Screen International
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“It’s a breathtaking, slow burn, poetic journey through an utterly gorgeous hell for this Danish missionary-colonialist-photographer.” ~ Alex Billington, FirstShowing.net

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Filed Under: Featured Films, Films, Glendale, Press, Santa Monica, Theater Buzz

“A work of handcrafted beauty,” THE BLUE CAFTAN opens February 10 at the Royal.

February 1, 2023 by Jordan Deglise Moore Leave a Comment

Morocco’s official entry for Best International Film at the 95th Academy Awards, The Blue Caftan follows a couple that runs a traditional caftan store in one of Morocco’s oldest medinas. In order to keep up with the commands of the demanding customers, they hire Youssef. Slowly Mina realizes how much her husband is moved by the presence of the young man. We open the film Friday, February 10 at the Royal.
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“[A] superbly acted, emotionally resonant offering.” ~  Jonathan Romney, Screen International

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“A work of handcrafted beauty.” ~ David Rooney, Hollywood Reporter
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“Whenever you think you know where Maryam Touzani’s entrancing drama The Blue Caftan is going, she blindsides you with a fierce emotional wallop.” Robert Daniels, RogerEbert.com
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“The blue caftan, both the clothing and the piece of cinema, are crafted like an elegant act of welcome resistance.” ~ Namrata Joshi, New Indian Express
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“Not only about abiding love, but also about a deep, unspoken understanding between two people who are committed to each other.” ~ Shubhra Gupta, Indian Express
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“Touzani has introduced the caftan as a symbol, and it’s touching to see how the film uses it in the end.” ~ Peter Debruge, Variety
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“Stunning…working with an intricacy that rivals that of the craftsman at the center of her film, the auteur crafts a surprisingly warm story that subverts expectations at almost every turn.” ~ Christian Zilko, indieWire
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Filed Under: Featured Films, Featured Post, Films, News, Press, Royal, Theater Buzz

Moviegoers, start your guesses: The Umpteenth Annual Laemmle Oscar Contest has begun.

January 25, 2023 by Jordan Deglise Moore 1 Comment

The Oscar nominations are out, and in spite of the fact that Hallelujah, Nope, RRR and Decision to Leave, Dolly De Leon, Viola Davis, Paul Dano, and Danielle Deadwyler were inexplicably excluded, at least Brian Tyree Henry and Judd Hirsch were honored. Anyway, it’s time for our Umpteenth Annual Laemmle Oscar Contest! If you, dear moviegoer, can accurately predict how the members of the Academy of Motion Picture Arts & Sciences will vote in all 23 categories, (or close to it), you will win movie passes good at all Laemmle venues! The 95th Academy Awards take place on Sunday, March 12 and we’ll announce the winners soon afterwards. Good luck!

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Filed Under: Claremont 5, Contests, Films, Glendale, Newhall, NoHo 7, Royal, Santa Monica, Theater Buzz, Town Center 5

REMEMBER THIS Q&A schedule at the Monica Film Center Feb. 5 & 6.

January 25, 2023 by Jordan Deglise Moore Leave a Comment

On February 5th following the 1:30pm screening, Howard Gordon of 24 Homeland will join Eva Anisko, producer of REMEMBER THIS for a Q&A.

On February 5th, following the 4:30pm screening, Jon Kean, President of the Santa Monica-Malibu Unified School District will moderate a post screening discussion with Rabbi, Writer & Professor Michael Berenbaum and Jessica Handler, Educator from Holocaust Museum in Los Angeles and 3rd generation survivor.

On February 6th, following the 7:20 screening, Lisa Ling, journalist, author, executive producer, television host of CNN/s original documentary series THIS IS LIFE WITH LISA LING ’s will join Jeff Hutchens, co-Director of REMEMBER THIS for a post screening discussion.

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Filed Under: Filmmaker in Person, Q&A's, Santa Monica, Theater Buzz

The Top Ten Films of 2022 contest results are in!

January 25, 2023 by Jordan Deglise Moore 1 Comment

And the Top Ten Customer-Chosen films of 2022, in order from 1 to 10, are [drum roll]:

  1. Everything Everywhere All at Once
  2. The Banshees of Inisherin
  3. TÁR
  4. The Fabelmans
  5. RRR
  6. Top Gun: Maverick
  7. Nope
  8. Aftersun
  9. Triangle of Sadness
  10. Decision to Leave

It’s a terrific list, arguably better than the one AMPAS announced this week, which excluded RRR, Nope, Aftersun and Decision to Leave. Films 2-4 and 9, hyperlinked for your convenience, are still in theaters!

Randomly chosen winners for free Laemmle movie passes are:
1) Jodi Siegner
2) Drew McAnany
3) Jacob Berman
Thanks to everyone who played!

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Filed Under: Claremont 5, Contests, Featured Post, Films, Glendale, Newhall, NoHo 7, Royal, Santa Monica, Theater Buzz, Town Center 5

Top Ten Films of 2022 contest ends Sunday: Tell us your favorites for a chance to win free movie passes!

January 18, 2023 by Jordan Deglise Moore 3 Comments

Keep those Top Ten contest entries coming. You have until this Sunday, January 22 to give it some thought and enter here. So far, unsurprisingly, it looks like many Laemmle moviegoers are kvelling about Everything Everywhere All at Once, Top Gun: Maverick, and RRR. We’ll have final results next week. You can read Greg Laemmle’s list and leading American film critics’ lists if you need inspiration. Personally, my favorite is Jordan Peele’s spectacular Nope. No doubt my reaction was influenced by the fact that I saw it in a packed, sold-out theater on opening night, because movies are better in theaters!

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Filed Under: Claremont 5, Contests, Featured Post, Films, Glendale, Greg Laemmle, Newhall, News, NoHo 7, Royal, Santa Monica, Theater Buzz, Town Center 5

“One of the most visually ravishing pictures of all time,” THE CONFORMIST opens February 3 at the Royal, February 10 at the Laemmle Glendale.

January 18, 2023 by Jordan Deglise Moore Leave a Comment

Never has The Conformist been more timely. The new restoration of Bernardo Bertolucci’s 1970 masterpiece about a repressed Italian who becomes a fascist hitman is inspiring a lot of thoughtful journalism. “It’s not the ideology that attracts people to fascism,” writes Eric Alterman in the American Prospect. “It’s the permission it offers to ordinary people to behave like thugs.” In his recent New York Magazine/Vulture review, headlined “It’s Time to See The Conformist Again,” critic Bilge Ebiri describes the film as “one of the most visually ravishing pictures of all time.” Ebiri’s piece is well worth excerpting at some length:

“All great films, at some point, ask the question: Who am I? The greatest films go beyond asking this on a narrative level; through their very form, they embody the question of identity. And what makes Bernardo Bertolucci’s The Conformist (1970) the very greatest of movies isn’t just its staggering, legendary beauty, but its maze-like journey into its protagonist’s — and, by extension, its creator’s — mind.

“The Conformist has just been rereleased in a lovely new 4K restoration, which is certainly cause for celebration given that it’s one of the most visually ravishing pictures of all time. (It’s currently playing New York’s Film Forum, and will soon travel around the country.) There’s no real debate over Bertolucci’s achievement; this is one of those canonical titles whose place in history is a given at this point. You can see its influence in The Godfather series, in Taxi Driver, in movies as varied as Mishima: A Life in Four Chapters, Dick Tracy, Call Me by Your Name, and Clueless — and yet, it remains as startling and revolutionary as it was upon original release, in part because few filmmakers nowadays are willing to embrace the sensuous and the monstrous at the same time. You never quite know what you’re supposed to feel at any given moment of The Conformist, because it asks you to feel everything.”

  

Some praise from past years:

“Bertolucci’s boldest and most expressive film.” – Calum Marsh, Village Voice

“It’s easy to overlook how stark The Conformist‘s political and allegorical message is because it’s just so damn beautiful.” – Aja Romano, Vox

“One of the greatest-looking movies ever made.” – Ben Sachs, Chicago Reader

“Bernardo Bertolucci is a master of turning harsh realities into free-flowing dreams and fantasies of sex and power into bracing, often uncomfortable moments of truth…The Conformist is perhaps his richest and most beautiful work.” – Max O’Connell, IndieWire

We are proud to open The Conformist at the Royal on February 3 and the Laemmle Glendale on February 10.

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Filed Under: Featured Films, Films, Glendale, News, Press, Repertory Cinema, Royal, Theater Buzz

Based on Stefan Zweig’s final novella, CHESS STORY “shows how incredibly quickly a seemingly firmly anchored free world can tip over into a dictatorship.”

January 11, 2023 by Jordan Deglise Moore Leave a Comment

Vienna, 1938: Austria is occupied by the Nazis. Dr. Josef Bartok (Oliver Masucci) is preparing to flee to America with his wife Anna when he is arrested by the Gestapo. As a former notary to the deposed Austrian aristocracy, he is told to help the local Gestapo leader gain access to their private bank accounts in order to fund the Nazi regime. Refusing to cooperate, Bartok is locked in solitary confinement. Just as his mind is beginning to crack, Bartok happens upon a book of famous chess games. To withstand the torture of isolation, Bartok disappears into the world of chess, maintaining his sanity only by memorizing every move. As the action flashes forward to a transatlantic crossing on which he is a passenger, it seems as though Bartok has finally found freedom. But recounting his story to his fellow travelers, it’s clear that his encounters with both the Gestapo and with the royal game itself have not stopped haunting him. Adapted with opulent attention to period detail by filmmaker and opera director Philipp Stölzl, Chess Story brings Stefan Zweig’s stirring final novella to life.

Chess Story opens January 20 at the Monica Film Center.

“Stölzl craftily melds the genres of period drama and psychological thriller, not for the purposes of reheated nostalgia, but to shed a cold light on the recursions of historical trauma.” ~ William Repass, Slant Magazine

“The adaptation of Chess Story is one of the rare cases in which the film has not only managed to leave the original behind, but to surpass it. Visually intoxicating.” ~ Süddeutsche Zeitung

“This film…moves because of Oliver Masucci, who acts with fantastic despair. And because of the wonderful Birgit Minichmayr.” ~ Der Spiegel
 

STATEMENT BY DIRECTOR PHILIPP STÖLZL

“I encountered The Royal Game [the alternative title of Chess Story] at a very early age. Zweig’s mysterious and impressive story etched itself into my memory and is one of those stories that have accompanied me in one way or another through my entire life. When Philipp Worm and Tobias Walker told me about their plans to make a new film version, I was delighted, read the screenplay with interest – and loved it.

“Our aim was to make a sensuous, intense feature film that would appeal to a wider audience with a brilliant cast, tight production and powerful visuals that really fill the whole screen. The contrast between claustrophobic imprisonment and the expanse of the ship that pounds across the Atlantic to America through the endless mist creates a field of tension in which Zweig’s literary metaphor can be told as a “big” story.

“The nice thing about the very courageous approach of screenwriter Eldar Grigorian to The Royal Game is that it represents a kind of condensation of the surreal secret that the novella already contains. The Kafkaesque pitch Zweig has chosen for his narrative becomes a decisive inspiration on the journey of the material to the big screen.

“On the one hand there is the intense, restrictive chamber play about the duel between Bartok and Gestapo man Böhm, who interrogates him and has him tortured. Then there is the – seeming – voyage to America and on board the game against the silent and enigmatic world chess champion. The persistent mist gives the journey something surreal, as if the giant ship were a barge of the dead, and the passengers mere ghosts. For this reason, the fact that this all turns out to be a dream in Bartok’s head is not a denouement or a surprise in the traditional sense, but more the final chord of a gloomily poetic tale. And finally, the prisoner’s battle against his own insanity in the solitary confinement cell, which he tries to escape from with his “mental chess” and at the same time achieves the opposite, sliding further in instead. Here, the film is an intense trip, because we are very close to our protagonist and accompany him down into the abyss and mental confusion.

“All these narrative levels are interwoven and initially “make sense.” But the longer Bartok is in solitary confinement and loses touch with reality, the more mysterious things become on the ship, the more the audience also become lost in a labyrinth that resembles an oppressive daydream. To this extent I would say that in this film, Zweig’s more distanced experimental design becomes a cathartic, intense and emotional vexatious game that will hopefully enchain and grip the audience.

“Zweig’s story did not end the way the film does. The bleak, dismal ending of his novella expresses the fear of impending Nazi world rule. We, however, know that it turned out differently, that it became light again after a dark night. And we want the audience to leave the cinema with this meaningful and encouraging certainty.

“The backdrop to all this is the true story about Nazi Germany’s annexation of Austria. This political level of The Royal Game makes the film timelessly relevant because it shows how incredibly quickly a seemingly firmly anchored free world can tip over into a dictatorship. It tells of how thin the layer of skin of a civilisation is and how close to the surface barbarism lies. And it tells us in this way to be alert.” ~ Philipp Stölzl, 19 October 2020

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Filed Under: Director's Statement, Featured Films, Films, News, Press, Santa Monica, Theater Buzz

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“A work of handcrafted beauty,” THE BLUE CAFTAN opens February 10 at the Royal.

The Top Ten Films of 2022 contest results are in!

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⭐ “This is what cinema is all about. An audaci ⭐ “This is what cinema is all about. An audacious and riveting portrait of maternal life that’ll leave you wailing into the night.” @IndieWire ⭐

The directorial debut of playwright Bess Wohl, BABY RUBY stars Noémie Merlant & Kit Harington.

NOW PLAYING: Laemmle Monica Film Center & Laemmle Glendale
🎟️ laemmle.com/film/baby-ruby
“Haunting and vivid." @nytimes In Jean-Christop “Haunting and vivid." @nytimes

In Jean-Christophe Klotz’s #FilmmakersfortheProsecution, prosecutors use film evidence to convict Nazi war criminals at the Nuremberg trials.

Opens 2/3 Laemmle Town Center and 2/6 & 2/7 as part of @laemmletheatres long-running "Culture Vulture" series! 
🎟️ laemmle.com/culturevulture
TOMORROW is #NationalPopcornDay, and we'll be offe TOMORROW is #NationalPopcornDay, and we'll be offering ⭐ ONE FREE POPCORN ⭐ w/purchase of any beverage to celebrate! Pop In! 

Here's a kernel of wisdom for you: Want free popcorn every Thursday? Become a Premiere Card holder for $3 off theatre tickets*, 20% off concessions, $6 Tuesdays and one free popcorn every Thursday

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⭐HAPPY NEW YEAR and THANK YOU! ⭐ Thank you fo ⭐HAPPY NEW YEAR and THANK YOU! ⭐

Thank you for all your #laemmlelove and support in 2022! We ended the year with a wonderful turnout for our annual Fiddler Sing-Along and are welcoming 2023 with many more powerful films!

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  • “Breathtaking, slow burn, poetic journey” GODLAND opens February 10 at the Laemmle Glendale and Monica Film Center.
  • “A work of handcrafted beauty,” THE BLUE CAFTAN opens February 10 at the Royal.
  • Moviegoers, start your guesses: The Umpteenth Annual Laemmle Oscar Contest has begun.
  • REMEMBER THIS Q&A schedule at the Monica Film Center Feb. 5 & 6.
  • The Top Ten Films of 2022 contest results are in!
  • Top Ten Films of 2022 contest ends Sunday: Tell us your favorites for a chance to win free movie passes!

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laemmle Laemmle Theatres @laemmle ·
3 Feb

⭐ “This is what cinema is all about. An audacious and riveting portrait of maternal life that’ll leave you wailing into the night.” @IndieWire ⭐

BABY RUBY stars Noémie Merlant & Kit Harington.

NOW PLAYING: @laemmlemonica & @laemmleglendale
🎟️ http://laemmle.com/film/baby-ruby

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3 Feb

“Haunting and vivid." @nytimes

In Jean-Christophe Klotz’s #FilmmakersfortheProsecution, prosecutors use film evidence to convict Nazi war criminals at the Nuremberg trials.

Opens 2/3 @towncenter5 and 2/6 & 2/7 as part of the "Culture Vulture" series!
🎟️ http://laemmle.com/culturevulture

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19 Jan

TOMORROW is #NationalPopcornDay, and we'll be offering ⭐ ONE FREE POPCORN ⭐ w/purchase of any beverage all day to celebrate! So Pop In!

Here's a kernel of wisdom: Want free popcorn every Thursday? Become a Premiere Card holder!

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⭐HAPPY NEW YEAR and THANK YOU! ⭐

Thank you for all your #laemmlelove and support in 2022! We ended the year with a wonderful turnout for our Fiddler Sing-Along and are welcoming 2023 with many more powerful films!

See you in the New Year!
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⭐ Tickets going fast! ⭐ Fiddler on the Roof Sing-a-Long! Don't miss the buggy!

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