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65th Anniversary Screening of SHANE with David Ladd In Person on Sunday, August 26 at the Ahrya Fine Arts

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Laemmle Theatres and the Anniversary Classics Series present a 65th anniversary screening of one of the most beloved Westerns of all time, George Stevens’ production of SHANE.

The 1950s happened to be a golden age for cowboy sagas, and as the Hollywood Reporter observed, “George Stevens’ SHANE earns a place along with ‘High Noon’ and ‘The Gunfighter’ as one of the great tumbleweed sagas of the decade.” Or as Leonard Maltin declared decades later, “Classic Western is splendid in every way.”

Alan Ladd, Paramount’s biggest star of the era, plays a mysterious gunfighter who arrives in a small Western town and finds a turf war between the farmers and cattle ranchers who want to drive them off the land.

Shane decides to become a protector of these homesteaders and strikes up a friendship with one family; Van Heflin plays the father, Jean Arthur (in her final screen performance) plays the mother, and young actor Brandon De Wilde plays their son, Joey.

Jack Palance was cast as the villain of the piece, a black-clad gunslinger hired by the cattle ranchers to eliminate Shane, along with the rest of the farmers.

The supporting cast includes gifted character actors Ben Johnson, Edgar Buchanan, Emile Meyer, and Elisha Cook Jr. Ladd received the best reviews of his career for the picture. The Saturday Review wrote, “As Shane, Alan Ladd has one of his best roles and gives what is surely his most rewarding performance.”

Stevens had won the Academy Award for best director of 1951 for ‘A Place in the Sun.’ SHANE gave him his third nomination in the directing category (he would win a second Oscar for ‘Giant’ in 1956).

SHANE earned six nominations in all, including Best Picture and two nods in the supporting actor category, for both Palance and De Wilde. The Oscar-nominated screenplay was written by A.B. Guthrie Jr., who adapted the novel by Jack Schaefer. The picture won the Oscar for the magnificent color cinematography of Loyal Griggs.

In tune with the fashions of the era, Stevens chose to shoot on location in the magnificent Grand Tetons outside Jackson Hole, Wyoming.

Because of the care he took with the production, the film went over budget, and the studio was nervous. But the film turned out to be a box office smash and proved enticing to adult and family audiences alike. Kids who saw the move in 1953 are not likely to forget the emotional ending and young De Wilde’s cry, “Come back, Shane!”

Joining us for a Q&A will be David Ladd, the son of Alan Ladd. David went on to be a popular child actor in the 1950s. He appeared with his father in two films, ‘The Big Land’ and ‘The Proud Rebel;’ he then starred on his own in two family hits, ‘Misty’ and ‘A Dog of Flanders.’ He went on to act in a few films as an adult but then segued into a career as producer and studio executive.

SHANE screens on Sunday, August 26, at 3pm at Ahrya Fine Arts Theatre. Click here for tickets.

Format: DCP

35th Anniversary Screenings of THE MAKIOKA SISTERS on Wednesday, August 22 in Encino, Pasadena, and West LA

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Laemmle Theatres and the Anniversary Classics Series present the latest offering in our Anniversary Classics Abroad program, Kon Ichikawa’s poignant family drama, THE MAKIOKA SISTERS.

One of the great Japanese masters, Ichikawa is perhaps less widely celebrated than his countrymen Kurosawa, Mizoguchi, and Ozu. He began directing features in the 1940s, and his films The Burmese Harp, Fires on the Plain, Tokyo Olympiad, and others found passionate critical defenders.

One of his later films, THE MAKIOKA SISTERS, is adapted from a popular Japanese novel by Junichiro Tanizaki and follows the fortunes of four sisters from a wealthy family in Osaka. Set in the 1930s on the eve of World War II, the film stars Keiko Kishi, Yoshiko Sakuma, Sayuri Yoshinaga, and Yuko Kotegawa as the orphaned sisters, heirs in a wealthy manufacturing family. Their marriages and romantic relationships are a source of tension and jealousy.

The sumptuous art direction and costume design help to create the lush atmosphere of the film. Reviewing the film at the time of its American release, the Los Angeles Times’s Kevin Thomas called it “exquisitely, subtly sensual.”

John Powers of the L.A. Weekly agreed that “this is an uncommonly vibrant and beautiful film.”

And the New Yorker’s Pauline Kael called it “the most pleasurable movie I’ve seen in several months…the rich colors, the darkness, the low-key lighting—they’re intoxicating.”

THE MAKIOKA SISTERS (1983) screens on Wednesday, August 22, at 7pm in Encino, Pasadena, and West LA. Click here for tickets.

Format: Blu-ray

Cary Grant Double Feature on August 14th in NoHo, Pasadena, and West LA

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Laemmle Theatres and the Anniversary Classics Series present a tribute to one of most popular stars in Hollywood history, Cary Grant, in two of his most entertaining movies.

The program, part of the Twofer Tuesday series of double bills (two-for-the-price-of one) features a 55th anniversary screening of CHARADE (1963) paired with a 70th anniversary screening of MR. BLANDINGS BUILDS HIS DREAM HOUSE (1948) at three Laemmle locations: the Royal, NoHo 7 and Playhouse 7.

Cary Grant is remembered for his elegance, casualness and charm As writer Tom Wolfe once put it, he is “consummately romantic and consummately genteel.” These two movies showcase all the facets of his timeless appeal.

MR. BLANDINGS BUILDS HIS DREAM HOUSE is a genial comedy adapted from a novel by Eric Hodges (screenplay by Melvin Frank and Norman Panama) about a married advertising executive (Grant) with two daughters in post-WWII Manhattan who decides to leave the crowded city for the country life.

Myrna Loy, one of the popular female stars of Hollywood’s Golden Age, plays his disarming wife and, according to Leonard Maltin, “no one ever described room colors better than Loy!” Melvyn Douglas plays a “friend of the family” who causes comic complications for Grant.

Directed by H.C. Potter (‘The Farmer’s Daughter’) with black-and-white cinematography by the great James Wong Howe, the film was the inspiration for the Tom Hanks’s 1986 comedy ‘The Money Pit.’

CHARADE is a tongue-in-cheek thriller set in Paris with Audrey Hepburn as a recent widow being pursued by villainous thugs for a cache of stolen money involving her murdered husband.

Grant plays an American stranger allegedly “helping” Hepburn. Stylishly directed by Stanley Donen (‘Singin’ in the Rain,’ ‘Two for the Road’) and written by Peter Stone (‘1776,’ ‘The Taking of Pelham One Two Three’) and Marc Behm, the film is a cross between screwball black comedy and Hitchcockian suspense.

Bosley Crowther of the New York Times called it “a fast-moving urbane entertainment,” with Variety citing Grant as the “suave master of romantic banter.” Grant and Hepburn make for a delightful team, and a terrific supporting cast features turns by three future Oscar winners, all in the supporting actor category: Walter Matthau, James Coburn and George Kennedy.

The Oscar-nominated music (Best Song) is by Henry Mancini. The film was a smash hit in 1963, and kept Grant in the top ten box office stars poll that year.

We present the Twofer Tuesday Cary Grant double bill as a refreshing movie tonic to help beat the summer heat. MR. BLANDINGS BUILDS HIS DREAM HOUSE plays at 5:00 pm and 9:30 pm; CHARADE at 7:00 pm on Tuesday, August 14 at the Royal, NoHo 7 and Playhouse 7.

Click here to buy tickets for the 5:00pm MR. BLANDINGS with the 7:00pm, CHARADE included. Click here to buy tickets for the 7:00pm CHARADE with the 9:30pm MR. BLANDINGS included.

CHARADE Format: DCP
MR. BLANDINGS Format: DVD

AUNTIE MAME 60th Anniversary with Co-Star Pippa Scott In Person August 4th in Beverly Hills

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Laemmle Theatres and the Anniversary Classics Series present the 60th anniversary of AUNTIE MAME (1958), the hilarious film version of the best-selling novel by Patrick Dennis (Edward Everett Tanner III) based on his madcap, eccentric aunt, and starring Rosalind Russell in her signature role.

The book became a hit Broadway play in 1956, adapted by Jerome Lawrence and Robert E. Lee. For the film version, acclaimed screenwriters Betty Comden and Adolph Green (Singin’ in the Rain, The Bandwagon) fashioned a witty script from the same source material. The film was a box office bonanza, the second highest grossing movie released that year.

The story focuses on Mame Dennis, a wealthy Manhattan sybarite with a social conscience, who takes charge of her orphaned ten-year-old nephew Patrick in 1928. Their adventures through the next two decades exposes Patrick to bohemian characters and lifestyles that clash with the upper class conventions, prejudices and pretensions of the era.

Mame’s financial wipeout in the Wall Street Crash of 1929 only adds to the merriment as she resourcefully pursues her life’s philosophy, “Life is a banquet, and most poor suckers are starving to death!” Directed by Morton Da Costa (The Music Man), who brought the same touches he used for the stage version (blackouts, fadeouts) to the film for a tone of heightened theatricality.

The movie version garnered six Academy Award nominations, including best picture, best actress (Russell) and best supporting actress (Peggy Cass), both of whom had originated their parts on Broadway. Other nominations went to Harry Stradling’s bright color cinematography, Malcolm Bert’s and George James Hopkin’s lavish art direction-set decoration, and William Ziegler’s film editing.

Rosalind Russell, the celebrated comedienne and dramatic actress (The Women, His Girl Friday, My Sister Eileen, Picnic, Gypsy), had the role of a lifetime with Auntie Mame, and she made the most of it, resulting in her greatest career triumph. She is ably supported by a game and skilled cast, including Broadway holdovers (Peggy Cass, Jan Handzlik, Yuki Shimoda) and Hollywood players (Roger Smith, Coral Browne, Fred Clark, Joanna Barnes, Pippa Scott, Patric Knowles, Lee Patrick).

Critical consensus felt that the character could have easily been overbearing in the wrong hands, but Russell and company overcame any reservations. Bosley Crowther of The New York Times offered high praise for Russell, “Lets herself go with even more gushiness and grandeur of gesture than she did on the stage,” he said, also noting the warmth and heart she brought to the part. Variety cheered the “handsome and slick production… hilarious and human in equal measure.”

Crowther’s opening line of his highly favorable review in 1958 indicates the appeal of the film, which has never dated. As he stated, “Hurricanes may be out of season, but one blew into the (Radio City) Music Hall yesterday…this full movie version of the stage play with Rosalind Russell again at the center of it, does sure enough generate gales of laughter as it sweeps across the screen.”

Come see AUNTIE MAME once again on the big screen, showing at the Ahrya Fine Arts theatre on Saturday, August 4 at 7:30pm. Before the screening there will be a Q&A with co-star Pippa Scott (The Searchers, Petulia), one of the last remaining survivors of the cast. Click here for tickets.

Format: DCP

LIFE IS BEAUTIFUL 20th Anniversary Screenings on Wednesday, July 18 in Encino, Pasadena, and West LA

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Laemmle Theatres and the Anniversary Classics Series present the latest offering in our Anniversary Classics Abroad series: 20th anniversary screenings of the Academy Award-winning Best Foreign Language Film of 1998, Roberto Benigni’s LIFE IS BEAUTIFUL.

The film was nominated for seven Oscars in all, including Best Picture of the year, an unusually strong showing for a foreign language film. It also won an Oscar for Benigni as Best Actor, the first time in the Academy’s 70-year history that a male actor had won the top prize for a foreign language performance.

Nicola Piovani also won for his lyrical musical score. In addition to its awards, the film scored an enormous success at the box office. It became the highest grossing foreign language film at the U.S. box office up to that point, and its success reverberated all over the world. With well over $200 million earned worldwide, it remains one of the most financially successful of all foreign language titles.

Benigni was primarily known as a comic actor and filmmaker when he decided to shift gears and tackle the dark realities of the Holocaust in this daring tragicomic fable. The first half of the film plays as a romantic comedy, with Benigni cast as a Jewish Italian bookshop owner who is determined to woo a spirited teacher (played by Benigni’s real-life wife, Nicoletta Braschi) despite formidable obstacles. After they marry and have a young son, the tragic realities of the Second World War intrude on their lives, as they are all sent to a Nazi concentration camp. In a desperate desire to save his son, Benigni’s Guido devises an elaborate game to keep the boy distracted from the horrors around him.

Benigni, who directed and wrote the screenplay with Vincenzo Cerami, said that he was inspired by the memoirs of a Jewish Auschwitz survivor named Rubino Romeo Salmoni, whose book, In the End, I Beat Hitler, told how a sense of dark humor helped him to transcend his enslavement. The cast of the film also includes Giorgio Cantarini as the couple’s young son, Giustino Durano as Guido’s beloved uncle, and veteran German actor Horst Buchholz as a German doctor who befriends Guido and his son in the camp.

Although there were a few critics who were discomfited by the film’s whimsical approach to a historical tragedy, most endorsed the film enthusiastically. The Washington Post’s Michael O’Sullivan called the film “sad, funny and haunting.” Kenneth Turan wrote in the Los Angeles Times, “its sentiment is inescapable, but genuine poignancy and pathos are also present, and an overarching sincerity is visible too.” Leonard Maltin hailed “a unique and beguiling fable that celebrates the human spirit.”

LIFE IS BEAUTIFUL screens Wednesday, July 18, at 7pm at the Royal Theatre, Town Center, and Playhouse. Click here for tickets.

Format: Blu-ray

BULL DURHAM 30th Anniversary Screening in 35mm with Actor Robert Wuhl In Person on Tuesday, July 10th at the Ahrya Fine Arts

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Laemmle Theatres and the Anniversary Classics Series present a 30th anniversary screening of Bull Durham (1988), widely considered the best sports movie ever made.

Writer-director Ron Shelton made his directorial debut with this semi-autobiographical baseball tale and romantic comedy, and he garnered an Academy Award nomination for best original screenplay. His screenplay was also judged the year’s best by the New York Film Critics, the Los Angeles Film Critics, and the Writers Guild.

At the time the film’s romantic triangle featured three future Oscar winners: Kevin Costner (Best Director, Dances With Wolves), Susan Sarandon (Best Actress, Dead Man Walking), and Tim Robbins (Best Supporting Actor, Mystic River).

Costner stars as a veteran catcher who is sent to a minor league team in Durham, North Carolina to mentor a rookie pitcher played by Robbins. They both encounter a “baseball groupie” and earth mother (Sarandon), who chooses the best player each year as her romantic partner, also acting as an unconventional muse for the team. This arrangement leads to a romantic rivalry when Sarandon selects Robbins as her lover and both she and Costner attempt to season the immature pitcher for the major leagues.

Writer-director Shelton (White Men Can’t Jump, Tin Cup) drew on his own experience as a baseball player in the minor leagues, and that authenticity impressed both the critics and sports fans. In 2003 Sports Illustrated ranked it the greatest sports movie of all time.

Among the critical acclaim, Vincent Canby in the New York Times wrote of tyro director Shelton, “This is one first-rate debut.” Newsweek’s David Ansen said the film “works equally as a love story, a baseball fable and a comedy while ignoring the clichés of each genre.”

Hal Hinson in the Washington Post found the film “limber, funny and in touch with the pleasures of the flesh as it is with the pleasures of the game.” The film co-stars Trey Wilson and, as the pitching coach, Robert Wuhl, our special guest for this screening.

Robert Wuhl is an actor, comedian and writer who was also featured in two other films by Ron Shelton, Blaze and Cobb. In addition he was the creator and star of the TV series Arli$$, and won two Emmys for writing Oscar shows hosted by Billy Crystal.

The 30th anniversary of Bull Durham will be presented in a special 35mm screening on Tuesday, July 10 at 7:30 PM at the Ahrya Fine Arts in Beverly Hills. Co-star Robert Wuhl will participate in a Q&A after the screening. Click here for tickets.

50th Anniversary Screening of OLIVER! with Actress Shani Wallis In Person on July 15 in Beverly Hills

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Laemmle Theatres and the Anniversary Classics Series present a 50th anniversary screening of the Oscar-winning Best Picture of 1968, OLIVER!, the much-loved film version of Lionel Bart’s hit stage musical.

The movie was nominated for 11 Academy Awards and won six, also including Best Director Carol Reed and a special award for choreographer Onna White. Reed, the acclaimed British director of such classic films as The Third Man and The Fallen Idol, had been working since the 1930s and finally received the Academy’s top honor for this late work.

Charles Dickens’ iconic 19th century novel, Oliver Twist, the heart-rending tale of an orphan who falls in with a band of thieves in London, has been filmed many times over the years; the first version was done in the silent era, and David Lean directed a brilliant rendition in 1948, with Alec Guinness as Fagin.

In 1960 Lionel Bart wrote the book, music, and lyrics for a musical theater version of the novel which scored an enormous success in London and later in New York. Ron Moody, who had played the part of Fagin in London, reprised his role for the film version, and the cast also included Shani Wallis as Nancy, Jack Wild as the Artful Dodger, Oliver Reed (the director’s nephew) as the villainous Bill Sikes, Oscar-winner Hugh Griffith as the Magistrate, and charming newcomer Mark Lester as Oliver.

The 1960s was a great decade for movie musicals, with three earlier films—West Side Story, My Fair Lady, and The Sound of Music—scoring Best Picture wins. OLIVER!, however, turned out to be the last musical film to win the Academy’s top award until Chicago took the prize 34 years later. Reed’s film earned outstanding reviews from most critics. Roger Ebert declared, “Sir Carol Reed’s Oliver! is a treasure of a movie.”

Pauline Kael also admired Reed’s achievement: “Oliver! has been made by people who know how; it’s a civilized motion picture, not only emotionally satisfying but so satisfyingly crafted that we can sit back and enjoy what is going on…there’s something restorative about a movie that is made for a mass audience and that respects that audience.”

Kael also had high praise for the performers. “As Nancy,” Kael wrote, “Shani Wallis is an unexpected pleasure—hearty (as Dickens described her), with a tough vitality that brings poignancy to the role.” Wallis got to perform some of Bart’s best songs, including the rousing “It’s A Fine Life” and the romantic ballad, “As Long As He Needs Me.” Wallis has had an extensive career performing in musical theater and in nightclubs, and she also has many credits in British and American television.

Our 50th anniversary screening OLIVER! (1968) plus Q&A with actress Shani Wallis is Sunday, July 15, at 3pm at the Ahrya Fine Arts Theatre in Beverly Hills. Click here for tickets.

Milos Forman’s THE FIREMEN’S BALL Screens Tuesday, June 26 in Encino, Pasadena, and West L.A.! Q&A with Co-Screenwriter Ivan Passer at the Royal.

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In conjunction with an American Cinematheque tribute to the late Oscar-winning director Milos Forman, Laemmle Theatres and the Anniversary Classics Series present a 50th anniversary screening of Forman’s final Czech film, THE FIREMEN’S BALL. The picture, which was nominated for an Academy Award for Best Foreign Language Film of 1968, is part of our popular Anniversary Classics Abroad series. THE FIREMEN’S BALL co-screenwriter Ivan Passer will participate in a Q&A after the screening at the Royal. Laemmle Theatres president Greg Laemmle will moderate. Passer also worked with Forman on LOVES OF A BLONDE and is perhaps best known for directing the 1965 film INTIMATE LIGHTING and the 1981 film CUTTER’S WAY.

Forman was part the Czech New Wave, a group of talented filmmakers (also including Jan Kadar, Jiri Menzel, and Ivan Passer) who emerged during the 1960s. Forman’s 1966 film, Love of a Blonde, was also an Oscar nominee and put him on the map as a director to watch. His wry sensibility received even fuller expression in The Firemen’s Ball, a dark but raucous satire of the chaos that ensues when a group of local firemen try to mount a celebration for their retiring chief. Forman got the idea for the film when he was in a small Bohemian village working on another script, and he happened to attend a real firemen’s ball. The script was co-written by Forman, Ivan Passer, and Jaroslav Papousek. The cast consisted mainly of nonprofessional actors, including Jan Vostrcil, Josef Sebanek, Josef Valnoha, and Vaclav Stockel.

The film, which was widely interpreted as a sly critique of the Eastern European Communist system, was made during a brief period of artistic freedom that came to be known as the Prague Spring. But when the Soviet Union invaded Czechoslovakia in the summer of 1968, The Firemen’s Ball was banned, and Forman and other leading Czech directors fled the country. As TV Guide later wrote of the film, “This ingratiating farce is perhaps the last noteworthy film of the Czech renaissance before the political crackdown forced most filmmakers into exile.” After arriving in America, Forman went on to achieve many Hollywood successes, including One Flew Over the Cuckoo’s Nest, Ragtime, and Amadeus.

Among the stellar reviews for THE FIREMEN’S BALL, Time magazine acclaimed “a delicious parody-fable of Slavic bureaucracy,” and Variety paid tribute to “a lively, brimming comedy on human conduct and small-town life.” In his four-star review, Roger Ebert added, “This is a very warm, funny movie.”

This Just In: Co-screenwriter Ivan Passer will participate in a Q&A after the June 26 screening at the Royal. Laemmle Theatres president Greg Laemmle will moderate. Passer also worked with Forman on LOVES OF A BLONDE and is perhaps best known for directing the 1965 film INTIMATE LIGHTING and the 1981 film CUTTER’S WAY.

Milos Forman’s THE FIREMEN’S BALL (1968) screens Tuesday, June 26, at 7:00pm in Encino, Pasadena, and West L.A. Click here for tickets.