Laemmle Theatres and the Anniversary Classics Series present a star-spangled double feature on the 4th of July in the popular monthly Twofer Tuesdays program – the 75th anniversary of Yankee Doodle Dandy (1942), paired with the 55th anniversary of The Music Man (1962). Both films represent unabashed celluloid tributes to the American spirit.

And so you won’t miss fireworks, we screen the double feature (two films, one admission) as a special holiday matinee on July 4 at three locations: Ahrya Fine Arts, NoHo 7 and Pasadena Playhouse 7. Yankee Doodle Dandy at 1:00 pm; The Music Man at 3:30 pm. Presented digitally.

Click here for tickets.

YANKEE DOODLE DANDY is the musical biopic of Broadway showman George M. Cohan, showcasing the Oscar-winning performance of screen legend James Cagney (Best Actor). The rousing patriotic musical was released during the early months of WWII, and was designed to lift the American psyche, which it accomplished resoundingly.

The film was nominated for eight Oscars, including Best Picture, Director (Michael Curtiz), and Supporting Actor (Walter Huston, playing Cohan’s vaudevillian father). Roger Ebert noted, “the greatness of the film rests entirely in Cagney’s performance. While he’s in full sail, as in “Give My Regards to Broadway” or “Yankee Doodle Dandy,” it’s like regarding a force of nature.” And Cohan himself, still alive at the time, is reputed to have said of Cagney’s performance, “My God, what an act to follow.”

THE MUSIC MAN is the colorful screen adaptation of Meredith Willson’s Tony-winning Broadway musical, preserving the triumphant stage performance of Robert Preston in the greatest role of his career. Pauline Kael aptly observed, “the star, Robert Preston, has a few minutes of fast patter—conmanship set to music—that constitute one of the high points in the history of American musicals.”

Critics and public alike at the height of the Cold War embraced the ebullient celebration of early twentieth-century small town Americana, and the film was a box-office smash. Produced and directed by Morton Da Costa (Auntie Mame), with Shirley Jones, Buddy Hackett, Paul Ford, Hermione Gingold and a future Oscar-winning director, seven year old Ron Howard. Nominated for six Academy Awards, including Best Picture.

Both films feature the craftsmanship of Warner Bros. staff composer and musical arranger Ray Heindorf, who won his first Academy Award for Yankee Doodle Dandy, and his third and final Oscar for The Music Man twenty years later. Additionally, the two musicals were inducted into the National Film Registry for “historical, cultural, and aesthetic significance.” Here is a rare opportunity to see them back on the big screen.

Laemmle Theatres and the Anniversary Classics series present two of the less frequently revived films from the Master of Suspense Alfred Hitchcock: a 75th anniversary screening of the World War II-era thriller, SABOTEUR, and a 45th anniversary screening of one of his final films, FRENZY. See two films for the price of one on June 6th at the Ahrya Fine Arts, NoHo 7, and Pasadena Playhouse 7. Presented on DCP.

Click here to buy tickets to the 5pm show of SABOTEUR, admission to the 7:20pm FRENZY is included. Click here to get tickets to the 7:20pm show of FRENZY, admission to the 9:45pm SABOTEUR is included.

Both films are variations on one of Hitchcock’s favorite themes, that of the wrong man in jeopardy—a story that he first explored in one of his early British classics, The 39 Steps, and that he reworked in such American films as Spellbound, Strangers on a Train, and North by Northwest.

In Saboteur Robert Cummings plays a munitions factory worker suspected of setting a destructive industrial fire and forced to go on the lam to prove his innocence. The tart and witty screenplay was penned by Peter Viertel, Joan Harrison, and Dorothy Parker and centers on a conspiracy by a group of softspoken but sinister American Fascists. The Statue of Liberty finale is one of Hitchcock’s memorable set pieces. Priscilla Lane, Otto Kruger, and Norman Lloyd costar. The New York Times called it “a swift, high-tension film.”

In Frenzy, Hitchcock filmed in his native England for the first time in more than two decades. Jon Finch plays the innocent man accused of a series of grisly murders by the notorious “Necktie Strangler.” British actors Barry Foster, Anna Massey, Billie Whitelaw, Alec McCowen, and Vivien Merchant costar. This thriller was written by acclaimed playwright Anthony Shaffer (Sleuth) and received the best reviews of Hitchcock’s late career. Roger Ebert noted that “Frenzy is a return to old forms for the master of suspense,” and Leonard Maltin declared, “All classic Hitchcock elements are here, including delicious black humor, several astounding camera shots.”