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Laemmle Theatres

Laemmle Theatres
In the near future, a jaded politician fresh off an electoral loss escapes with his controlling wife to the Southern lake house where he spent summers as a teen. Their vacation is disrupted by the appearance of his first love, who has just returned from a 20-year space voyage and hasn’t aged a day.

Website for tickets: https://www.laemmle.com/film/time-capsule

Miss seeing great movies? Check out Laemmle Virtual Cinema and stay up to date on new arthouse releases from the comfort of your own home!

Watch now: https://watch.laemmle.com
THE TIME CAPSULE Trailer - Laemmle Theatres
YouTube Video UCmIpqlyHdfoCWMD3eqBHXfw_xQe8AAZUOWk
Back on the big screen where it belongs for a one night only #encoRRRe, RRR is an exhilarating, action-packed spectacular mythologizing two real-life freedom fighters who helped lead India’s fight for independence from the British Raj, Komaram Bheem (N.T Rama Rao Jr., aka Jr NTR) and Alluri Sitarama Raju (Ram Charan). Set in the 1920s before their fight for India’s independence began, RRR imagines a fictional meeting between the two, set into motion when a young Gond girl is stolen from her village by British soldiers. 

Website for tickets: https://www.laemmle.com/film/rrr

Miss seeing great movies? Check out Laemmle Virtual Cinema and stay up to date on new arthouse releases from the comfort of your own home!

Watch now: https://watch.laemmle.com
RRR Trailer - Laemmle Theatres
YouTube Video UCmIpqlyHdfoCWMD3eqBHXfw_lHuGavaB6J8
One of Broadway's most classic and beloved tales, 42ND STREET, comes cinema screens in the largest-ever production of the breathtaking musical. Set in 1933, 42ND STREET tells the story of Peggy Sawyer, a talented young performer with stars in her eyes who gets her big break on Broadway.

Website: https://www.laemmle.com/film/42nd-street-musical

Miss seeing great movies? Check out Laemmle Virtual Cinema and stay up to date on new arthouse releases from the comfort of your own home!

Watch now: https://watch.laemmle.com
42ND STREET: THE MUSICAL - Laemmle Theatres
YouTube Video UCmIpqlyHdfoCWMD3eqBHXfw_ez3_8a5HvHQ
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Laemmle Theatres

2 days ago

Laemmle Theatres
You don't want to miss Sofia Kappel's powerful performance in #PLEASURE. Opening TODAY at the Laemmle NoHo 7 & Laemmle Playhouse 7 | Other Laemmle Theatres starting Fri. 5/27 and into June. Trailer & Tix: bit.ly/39AxpPj ... See MoreSee Less

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4 days ago

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Get Early Access to DOWNTON ABBEY: A NEW ERA Thurs. 5/19 at the Laemmle Town Center 5, Laemmle NoHo 7, Laemmle Playhouse 7, Laemmle Claremont 5, Laemmle Glendale, Laemmle Newhall, & Laemmle Monica Film Center Don't miss the cinematic return of the global phenomenon! Trailer & Tix: bit.ly/39zXGNy ... See MoreSee Less

Downton Abbey: A New Era - Laemmle.com

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2 weeks ago

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Stop by TONIGHT ONLY for a special presentation of Jan Troell's "infinitely absorbing and moving" 1971 drama THE EMIGRANTS (Roger Ebert), starring Liv Ullmann and Max von Sydow. Screens at 7:00 PM in West LA, Pasadena, Newhall, and Glendale! ... See MoreSee Less

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“Mind-bending, hammed-up, highly paced, farcical, funny, and suspenseful dark fairy tale” ’18 1/2′ coming soon.

May 18, 2022 by Jordan Deglise Moore Leave a Comment

Dan Mirvish Guest Blog for Laemmle Theaters:

I’m thrilled and honored to be bringing my newest film, 18½ back to my filmmaking home in LA, Laemmle Theaters! 18½ is about a White House transcriber who tries to leak Nixon’s 18½-minute gap to the press, but runs afoul of hippies, swingers and nefarious forces. It stars Willa Fitzgerald (Reacher), John Magaro (Kelly Reichardt’s First Cow and Cannes competition Showing Up), Vondie Curtis Hall (Harriet), Richard Kind, Catherine Curtin and the voices of Ted Raimi as Gen. Al Haig, Jon Cryer as HR Haldeman and Bruce Campbell as Richard Nixon.

The film is having its L.A. Premiere at the Laemmle Monica, on May 27th and screening for a week there, with bonus screenings at the Glendale on May 31 and NoHo7 on June 1, with guest Q&As for most of the screenings.  After winning audience and jury awards and screening at some 21 film festivals on four continents over the last few months, it’s very exciting to finally bring the film to the greater Los Angeles community.

My history with Laemmle theaters goes back to 1995 when my first film, Omaha (the movie) screened for 11 straight weeks. Whether I was showing up at the old Sunset 5 wearing a sandwich board, or throwing raw steaks at the audience, I was buoyed in my efforts by Bob and Greg Laemmle, who not only tolerated but encouraged my indie film shenanigans. The Laemmle family support of independent film in the heart of Los Angeles has proved time and time again that Hollywood is more than just big budget studio superhero films and streaming “content.” Laemmle Theaters are truly one of the last bastions of support for independent filmmaking in the belly of the beast. We are all indebted to their decades-long support of all our films, and our ability to share them with audiences and engage in a uniquely live cinematic conversation.

As a filmmaker who lives a block south of the biggest studios in the world (so, technically they’re in my shadow), 18½ was largely produced during the pandemic with the incredible support and help of my Culver City neighbors, family and friends – for whom I baked sourdough bread as barter for music cues, VFX shots, cameras, posters and sound mixing. I’m looking forward to seeing many of them at our screenings, and I know you’ll love meeting such amazing collaborators as composer Luis Guerra, featured vocalist Caro Pierotto, and so many other talented artists who will be joining me for our Q&As.  If it takes a village to make a film, it takes a village idiot like me to make one in the middle of a pandemic!

But don’t take my word on why you should see the film. I’m thrilled and humbled by all the fantastic reviews we’ve been getting…

“18½ is a rare find in the current landscape of filmmaking, an original story that draws you in from the opening frame…18½ is weird, engrossing, and thoroughly enjoyable.” – Susan Leighton, ScreenAnarchy

“18½ is a mind-bending, hammed-up, highly paced, farcical, funny, and suspenseful dark fairy tale. This makes it a timeless curveball aimed to hit the strike zone of our minds.” – Lloyd Sederer, M.D., Psychology Today 

“Mirvish’s film is a fun and eccentric outing, relishing in the “what ifs” of alternate political history; a much-needed breath of fresh air when taking on politics in today’s charged climate.” – Sammy Levine, Hammer to Nail

“18½ is so riveting and immersive that I forgot I was making a cup of tea and found a cup of cold, over-steeped leaf water after the final credits rolled.” – Jamie Toth, The Somewhat Cyclops

Looking forward to seeing you at Laemmles and talking about 18½!

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Filed Under: Director's Statement, Filmmaker in Person, Films, Glendale, NoHo 7, Q&A's, Santa Monica, Theater Buzz

L.A. moviegoing in 2022 and beyond.

May 18, 2022 by Jordan Deglise Moore 1 Comment

Laemmle’s Royal Theatre – 11523 Santa Monica Blvd, Los Angeles, CA 90025

By Greg Laemmle:

The movie business was abuzz last week with the announcement about the closure of The Landmark theatre in West L.A. Pundits seized on this as an opportunity to bring out all the old stories that have been written about the death of exhibition. But here’s the truth. People have been predicting the end of the exhibition business for over 70 years. And to borrow the adage attributed to Mark Twain (and generally acknowledged as a misquote), “The reports of my death are grossly exaggerated.”

Yes, movie theatres are still recovering from the effects of being closed for a full year. Any business will have a hard time recovering from that situation. And the recovery process has been hampered as we still had to cope with two significant surges in viral infection. But as I write this, we are experiencing healthy box office numbers for a wide variety of films. We have superhero films like SPIDER-MAN: NO WAY HOME, THE BATMAN and DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS crushing it at the box office. We also have the Rom-Com THE LOST CITY which is on the verge of going over $100M. And we have quirky indie pics like EVERYTHING EVERYWHERE ALL AT ONCE and THE UNBEARABLE WEIGHT OF MASSIVE TALENT hanging around for weeks and weeks and demonstrating that word-of-mouth still matters. I won’t say that we are at pre-pandemic numbers. But we are closer than many expected, and the path to get all the way back seems clear and achievable.

So why is The Landmark closing. Or the Arclight. Or maybe some of our venues in the months ahead. Each closure is unique. But underlying all of them is the fact that real estate is in short supply, and property owners will eventually gravitate to the use that will provide them with the greatest return. And right now, residential real estate is at such a premium that it is nearly impossible for a movie theatre operator to pay as much as the rents that could be collected from apartment tenants. And given that the Los Angeles area needs more residential units (see the front page of the May 18 edition of the L.A. Times), it’s hard to argue with this situation.

I am sorry to see The Landmark closing. But moviegoers in West L.A. need not despair. Many of the films that played at The Landmark were wide release films that are playing at any number of other locations nearby. For the high-profile crossover indie films, they’ll be available at the AMC Century City and at our Monica Film Center. And for foreign-language films and documentaries, we hope audiences will flock to the Royal where these films will find a home.

The movies that you want to see will be available. You just have to go out and support them in their theatrical window.

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Filed Under: News

Time’s running out to see the “perfect” ‘Petite Maman’ on the big screen.

May 11, 2022 by Jordan Deglise Moore 2 Comments

French filmmaker Céline Sciamma’s follow up to the powerful Portrait of a Lady on Fire is the much different but equally beautiful and uniquely emotional Petite Maman. The protagonist is eight-year-old Nelly, who accompanies her parents to her mother’s childhood home after the death of the grandmother. As Nelly explores the house and nearby woods, she meets a neighbor her own age building a treehouse. What follows is a tender tale of childhood grief, memory and connection.

As of Friday we’ll be playing Petite Maman at seven of our eight locations, but unfortunately the engagements may have to be brief. Please read some of the effusive praise of this lovely film and consider enjoying and supporting it as intended, theatrically:

“There isn’t a false note or superfluous image in Petite Maman, which runs a just-right 72 minutes. It’s perfect.” ~ Manohla Dargis, New York Times

“It’s a perfect creation in miniature, one that doesn’t have a wasted frame but that also never feels like it’s in a rush.” ~ Alison Willmore, New York Magazine/Vulture

“We forget a lot of things when we grow up. This film is a wonderful reminder.” ~ Odie Henderson, RogerEbert.com

“Poetry on screen can’t be constructed, or willed into existence. Under the right circumstances, though, it can be allowed. Ms. Sciamma, whose previous feature was the passionate and extravagant Portrait of a Lady on Fire, has created those circumstances.” ~ Joe Morgenstern, Wall Street Journal

“No less than the condition of childhood itself, the movie opens up a world of possibilities, all of them beautiful and beguiling — and over all too soon.” ~ Justin Chang, Los Angeles Times

https://www.youtube.com/watch?v=PEitzGOK1Rg

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Filed Under: Claremont 5, Featured Films, Films, Glendale, Newhall, News, NoHo 7, Playhouse 7, Santa Monica, Theater Buzz, Town Center 5

Searing, prescient French abortion drama ‘Happening’ arrives just in time.

May 11, 2022 by Jordan Deglise Moore Leave a Comment

Opening just as the expected but still shocking news broke that the Republican appointees to the Supreme Court are ready to begin clawing back women’s rights within a few weeks, Happening could not be more timely or galvanizing. As Mark Olsen wrote recently in the L.A. Times, “Happening is set in 1963 and yet it suddenly feels like a possible window into the future. Directed by Audrey Diwan, who co-wrote the adaptation of Annie Ernaux’s autobiographical novel of the same name, the film follows a young French college student Anne (Anamaria Vartolomei) as she attempts to get an abortion after discovering she is pregnant. Though abortion became legal in France in 1975, in 1963 it very much was not, with potential prison time for the woman, whoever performed the procedure and anyone who helped. Isolated from her friends and family, Anne becomes increasingly driven as the weeks pass by to find a solution to her problem — anything that will allow her to continue on with her life as she planned and fulfill her goal to become a writer…In an emailed statement, Diwan responded to the recent news [from SCOTUS], writing, “The purpose of art is also to bring to light some hidden truths. We all know, time has proven it, that when abortion becomes illegal, women who feel the need for it find other solutions. And not safe ones. I think that those who want to intervene in the abortion debate, whether for or against, should at least know clearly what a clandestine abortion is. We cannot talk about what we don’t know. And I include myself here: before reading Happening, I participated in this conversation for a long time without knowing … I was wrong. We should all know, this must not stay silent.'”

 

Happening was a critical, commercial and cultural phenomenon in its native France, where it opened in the autumn. The New York Times recently published a piece headlined “In France, a Film Has Women Sharing Their Stories of Abortion: Following the release of Happening, about an illegal abortion in 1963, the country’s contemporary stigma around the procedure is facing scrutiny.” The lede: “Happening, Audrey Diwan’s film about a 1960s back-street abortion in France, isn’t for the fainthearted. In fact, audience members have fainted at several screenings, including at the Venice Film Festival last September, where it won the Golden Lion. ‘It’s often men who say the experience took them to the limit of what they could bear,” Diwan said in a recent interview, “because they had never imagined what it might be like.’…Happening, which aims for a sense of immediacy onscreen, has led artists and activists to speak up about the taboo they feel still surrounds the procedure. ‘There is this constructed social shame that women are meant to feel, Diwan said, ‘and the sense that if we talk about it, we take the risk of calling into question this right, which in the end is never assured.’ In response to Happening, last December, the French feminist magazine Causette devoted a cover story to testimonies from 13 celebrities, under the title: “Yes, I Had An Abortion.” The author Pauline Harmange, who rose to international prominence last year with her debut book “I Hate Men,” also published an essay in March about her own experience, “Avortée” (“Aborted”).”

Some of the abundant praise for Happening:

“Magnificently written, directed, shot and performed, it reminds you that cinema can be such a powerful medium of empathy.” – Zhuo-Ning Su, Awards Daily

“It’s hard to think of a film more necessary in the current moment.” – David Jenkins, Little White Lies

“Deftly adapted by director Audrey Diwan from a novella, Happening is a period piece, but it’s acted and shot with a shivery immediacy.” – Robbie Collin, Daily Telegraph UK

Audrey Diwan

We open Happening at the Claremont, Newhall, Playhouse and Town Center this Friday, May 13 and at the Monica Film Center, Glendale and NoHo on May 20.

https://www.youtube.com/watch?v=7ZlxhX9F25M

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Filed Under: Claremont 5, Director's Statement, Featured Films, Featured Post, Films, Glendale, Newhall, NoHo 7, Playhouse 7, Press, Santa Monica, Theater Buzz, Town Center 5

‘Memoria,’ Apichatpong Weerasethakul’s “latest wonderment,” never to be seen on DVD, Blu-ray or streaming, is coming soon.

May 4, 2022 by Jordan Deglise Moore 1 Comment

Laemmle fans of Thai filmmaker Apichatpong Weerasethakul have just three (3) chances to see his “latest wonderment” Memoria: May 13 at the Laemmle Playhouse; June 3 at the Laemmle NoHo; and June 24 the Laemmle Glendale; the filmmaker and the U.S. distributor Neon have decided the film will never be released on DVD, Blu-ray or a streaming service — read Justin Chang’s rave L.A. Times review to understand why — so do not miss it! Starring Academy Award winner Tilda Swinton, the film is a transfixing drama about a Scottish woman, who, after hearing a loud ‘bang’ at daybreak, begins experiencing a mysterious sensory syndrome while traversing the jungles of Colombia. She begins an investigation to find answers.

Read the last paragraph of Chang’s Times review: “And cinema, as Weerasethakul reminds us, is still a young art, one whose properties and possibilities are still in the process of revealing themselves. An explanation for those strange sounds does materialize, and even coming from a filmmaker who has primed us to expect the otherworldly, it’s something to see — and to hear. A paean to the distant past that unfolds in a rigorous present tense, Memoria finally reveals itself as a vision from the future — a declaration of faith in a medium that hasn’t lost its power to astonish.”

https://www.youtube.com/watch?v=DTnbmHbRAPY

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Filed Under: Featured Films, Films, Glendale, News, NoHo 7, Playhouse 7, Theater Buzz

“You will not want to be anywhere else.” Iranian comic drama ‘Hit the Road’ delights, opens Friday at the Royal & Town Center, May 13 at the Claremont.

May 4, 2022 by Jordan Deglise Moore Leave a Comment

Panah Panahi, son and collaborator of embattled Iranian master Jafar Panahi, makes a striking feature debut with this charming, sharp-witted, and deeply moving comic drama. Hit the Road takes the tradition of the Iranian road-trip movie and adds unexpected twists and turns. It follows a family of four – two middle-aged parents and their sons, one a taciturn adult, the other an ebullient six-year-old – as they drive across the Iranian countryside. Over the course of the trip, they bond over memories of the past, grapple with fears of the unknown, and fuss over their sick dog. Unspoken tensions arise and the film builds emotional momentum as it slowly reveals the furtive purpose for their journey. The result is a humanist drama that offers an authentic, raw, and deeply sincere observation of an Iranian family preparing to part with one of their own.

Winner of Best Film at the BFI London Film Festival and an Official Selection at the Cannes Film Festival (Directors’ Fortnight), New York Film Festival, and AFI Fest, Hit the Road began earning accolades the minute it premiered last year:

“Critic’s Pick! From the first jokey moments of Hit the Road until its heartbreaking end you will not want to be anywhere else.” – A.O. Scott, New York Times

“A love story, a tragicomedy, and a triumph. Panahi films the drama with aesthetic audacity to match his psychological subtlety… unites intimate conflicts and vast landscapes in framings as wry as they are rhapsodic.” – Richard Brody, The New Yorker

“Sharp and endearing. A warm and realistic comedy, with flashes of the fantastic. Introduces an exciting filmmaker whose journey is just beginning.” — Jacob Oller, Paste

 “A stunningly assured road movie.“ – Leigh Singer, Sight & Sound

“A worthy descendant—both stylistic and biological—of Iranian auteur Jafar Panahi, Hit the Road maps its own journey: playful, bittersweet and wholly surprising.“ – Dylan Kai Dempsey, Ioncinema

“An intimate, frequently funny, poignant and deeply moving piece of work… damned near to being a masterpiece – if it isn’t simply one already.” – John Bleasdale, Cinevue

https://www.youtube.com/watch?v=QdgWGUX4b5M

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Filed Under: Claremont 5, Featured Films, Featured Post, Films, News, Royal, Theater Buzz, Town Center 5

Bring a Friend Back to the Movies ~ THE DUKE, starring Jim Broadbent & Helen Mirren.

April 27, 2022 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and Sony Pictures Classics invite you to Bring a Friend Back To The Movies. Starting this Friday at the Playhouse and Town Center, and May 6 at the Claremont, Monica Film Center and Newhall, buy one ticket to the acclaimed dramatic comedy THE DUKE and one friend — or spouse, sibling, parent, child, etc. — may see the movie with you for free. This offer is only good at the theater box offices, not online, and runs through Thursday, May 12 only.

We want to bring audiences back to theaters and remind them that nothing beats seeing a film on a big screen with a friend and the crowd pleaser THE DUKE, which premiered at the Venice and Telluride Film Festivals in 2021 and is certified fresh on Rotten Tomatoes at 95%, is the perfect movie for the purpose. “THE DUKE is a wonderfully warm and funny film,” said Greg Laemmle, “and seeing it in a theatre is the best way to enjoy it. Together with the filmmakers and the distributor, Laemmle Theatres is supporting the Bring a Friend Back program as a great way to remind audiences of the unique pleasure of seeing a movie in a public setting.”

In acclaimed director Roger Michell’s (Notting Hill, My Cousin Rachel, Blackbird) final feature film before his passing in 2021, THE DUKE is the first film to tell the extraordinary true story of 60-year-old taxi driver Kempton Bunton (Broadbent), who was accused of stealing Francisco Goya’s portrait of The Duke of Wellington from the National Gallery in London; it is the only painting ever stolen from the National Gallery in its 196-year history. The L.A. Times recently published a fascinating piece on the backstory, featuring interviews with the Bunton’s grandson as well as Mirren and Broadbent.

THE DUKE stars Academy Award® winners Broadbent (Iris, Another Year) and Mirren (The Queen, The Last Station), with a screenplay by Richard Bean and Clive Coleman. We open the film this Friday at the Playhouse and Town Center and May 6 at the Claremont, Newhall and Monica Film Center. The Bring a Friend Back program is good through Thursday, May 12, only for THE DUKE, and only for in-person ticket purchases.

https://www.youtube.com/watch?v=Xrmwbkq780E

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Filed Under: Featured Films, Featured Post, Films, Playhouse 7, Theater Buzz, Town Center 5

Max von Sydow and Liv Ullmann in THE EMIGRANTS ~ 50th Anniversary Screenings May 11.

April 27, 2022 by Jordan Deglise Moore 2 Comments

Laemmle Theatres and the Anniversary Classics Series present our latest installment in our Anniversary Classics Abroad program: Jan Troell’s Oscar-nominated Swedish epic, THE EMIGRANTS. Troell made his feature film debut in 1966 with the acclaimed coming-of-age film, ‘Here Is Your Life.’ After seeing that, producer Bengt Forslund tagged Troell to direct the adaptation of the series of popular Swedish novels by Vilhelm Moberg about a family’s decision to emigrate from 19th century Sweden to America. Troell turned the novels into two films: THE EMIGRANTS and its follow-up, ‘The New Land.’ Revered Scandinavian actors Max von Sydow and Liv Ullmann starred in both movies, along with Eddie Axberg, the star of ‘Here Is Your Life.’

THE EMIGRANTS begins by documenting the travails of a family struggling to survive in rural Sweden in the 1840s. With their prospects narrowing, they and a few of their neighbors make the decision to migrate to America in search of a better life. The film chronicles their grueling ocean voyage and then their further travels by train and river boat to unsettled land in Minnesota, where they battle to set down roots in a world that is completely alien to them.

The film was nominated for the Best Foreign Language film Oscar of 1971. Warner Bros. decided to distribute the film, and in 1972, it earned four additional Oscar nominations: for Best Picture, Best Actress Liv Ullmann, Best Director for Troell and Best Screenplay by Troell and Forslund. It was only the third foreign language film to ever be nominated for Best Picture, following Jean Renoir’s ‘Grand Illusion’ from 1938 and Costa-Gavras’ ‘Z’ in 1969.

Troell not only directed and co-wrote the film but also acted as his own cinematographer and editor. As critic Pauline Kael wrote, “In the whole history of the screen there have been only a handful of directors who actually shot their own movies, and no other cinematographer-director has ever undertaken a work of this sweep.” She added that Troell “brings a new visual and thematic unity to fiction films.” Roger Ebert wrote that THE EMIGRANTS was “infinitely absorbing and moving.” Writing in Life magazine, Richard Schickel declared, “Jan Troell has made the masterpiece about the dream that shaped America.”

We will screen the original 190-minute version of the film at the Laemmle Glendale, Newhall, Playhouse and Royal on Wednesday, May 11. The version that played in America in 1972 was shortened by 40 minutes and lost some of the rich detail of Troell’s groundbreaking immigrant saga.

https://www.youtube.com/watch?v=7h-rHuPF5Ww

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Filed Under: Abroad, Anniversary Classics, Films, Glendale, Newhall, Playhouse 7, Repertory Cinema, Royal, Theater Buzz

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Searing, prescient French abortion drama ‘Happening’ arrives just in time.

“You will not want to be anywhere else.” Iranian comic drama ‘Hit the Road’ delights, opens Friday at the Royal & Town Center, May 13 at the Claremont.

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Laemmle Theatres
You don't want to miss Sofia Kappel's powerful per You don't want to miss Sofia Kappel's powerful performance in #PLEASURE. Opening TODAY at the Laemmle NoHo & Laemmle Playhouse. Other Laemmle Theatres starting Fri. 5/27 and into June. Check out the trailer & get tix on our website.
Get Early Access to DOWNTON ABBEY: A NEW ERA Thurs Get Early Access to DOWNTON ABBEY: A NEW ERA Thurs. 5/19 | Don't miss the cinematic return of this global phenomenon! Head to our website for tickets and showtimes. 🎟 #DowntonAbbey
Stop by TONIGHT ONLY for a special presentation of Stop by TONIGHT ONLY for a special presentation of Jan Troell's "infinitely absorbing and moving" 1971 drama THE EMIGRANTS (Roger Ebert), starring Liv Ullmann and Max von Sydow. Screens at 7:00 PM in West LA, Pasadena, Newhall, and Glendale!
Gaspar Noe's new mind-bender LUX AETERNA stars Cha Gaspar Noe's new mind-bender LUX AETERNA stars Charlotte Gainsbourg as herself, performing the leading role in a witch-themed film-within-a-film gone wrong. It's a "phenomenal but far too short trip " (HorrorBuzz) and "an undeniably fascinating experiment" (LA Times). Opens Thursday at your local Laemmle Theatres!
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  • “Mind-bending, hammed-up, highly paced, farcical, funny, and suspenseful dark fairy tale” ’18 1/2′ coming soon.
  • L.A. moviegoing in 2022 and beyond.
  • Time’s running out to see the “perfect” ‘Petite Maman’ on the big screen.
  • Searing, prescient French abortion drama ‘Happening’ arrives just in time.
  • ‘Memoria,’ Apichatpong Weerasethakul’s “latest wonderment,” never to be seen on DVD, Blu-ray or streaming, is coming soon.
  • “You will not want to be anywhere else.” Iranian comic drama ‘Hit the Road’ delights, opens Friday at the Royal & Town Center, May 13 at the Claremont.

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Laemmle TheatresFollow

Laemmle Theatres
laemmleLaemmle Theatres@laemmle·
20 May

You don't want to miss Sofia Kappel's powerful performance in #PLEASURE. Opening TODAY at the @NoHo7 & @playhouse7 | Other Laemmle Theatres starting Fri. 5/27 and into June. Trailer & Tix: https://bit.ly/39AxpPj

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laemmleLaemmle Theatres@laemmle·
19 May

Get Early Access to DOWNTON ABBEY: A NEW ERA Thurs. 5/19 at the @towncenter5, @NoHo7, @playhouse7, @claremont5, @laemmleglendale, @laemmlenewhall, & @laemmlemonica. Don't miss the cinematic return of the global phenomenon! Trailer & Tix: https://bit.ly/39zXGNy

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laemmleLaemmle Theatres@laemmle·
11 May

Stop by TONIGHT ONLY for a special presentation of Jan Troell's "infinitely absorbing and moving" 1971 drama THE EMIGRANTS (Roger Ebert), starring Liv Ullmann and Max von Sydow. Screens at 7:00 PM in West LA, Pasadena, Newhall, and Glendale!

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laemmleLaemmle Theatres@laemmle·
10 May

Gaspar Noe's new mind-bender LUX AETERNA stars Charlotte Gainsbourg as herself, performing the leading role in a witch-themed film-within-a-film gone wrong. Opens Thursday at your local Laemmle Theatres!

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laemmleLaemmle Theatres@laemmle·
9 May

Tilda Swinton stars in MEMORIA, the "mesmerizing" new fantasy-drama from Palm d'Or winner Apichatpong Weerasethakul, best known for his 2010 work UNCLE BOONMEE (FilmWeek). Opens Friday, exclusively in Pasadena!

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