ALL I WISH director Susan Walter will participate in a Q&A at the Monica Film Center after the 7:10 screening on Saturday, March 31.
Laemmle Theatres and the Anniversary Classics series present a screening of one of the forgotten gems of the 1970s, Robert Benton’s homage to the detective genre, THE LATE SHOW, produced by Robert Altman and starring Oscar winner Art Carney and Oscar nominee Lily Tomlin. Tomlin, a Tony, Emmy, and Grammy winner, will join us for a discussion of one of her most charming films.
Carney plays an aging private eye who swings into action after the murder of his friend and fellow detective, played by Howard Duff. This plot element recalls the opening of the archetypal private eye movie of Hollywood’s Golden Age, The Maltese Falcon. But Carney’s age and infirmities add a touch of vulnerability to the portrait that wasn’t evident in the classic films with Bogart and other stars of the 1940s.
Tomlin plays a Hollywood kook who initially hires Carney to find the kidnapper of her cat but ultimately joins him in his detective work. As Variety wrote, “Benton has fashioned a contemporary tribute to the private eye yarns of the 1940s and in the process has given Carney and Tomlin the freedom to create extremely sympathetic characters. Both performances are knockout.” Time’s Richard Schickel agreed that The Late Show was “by far the most intelligent, engaging attempt at reincarnation of the private eye genre.”
Benton, the co-writer of Bonnie and Clyde and What’s Up, Doc?, had made his directorial debut in 1972 with Bad Company, starring Jeff Bridges. The Late Show was only his second film as director, and his third, Kramer vs. Kramer, the best picture winner of 1979, earned Oscars for Benton as both writer and director. He earned another Oscar for writing Places in the Heart in 1984. The tasty supporting cast of The Late Show includes Joanna Cassidy, Bill Macy, Eugene Roche, and John Considine, in addition to Duff.
After her hilarious work playing multiple characters on Rowan & Martin’s Laugh-In and her Emmy-winning TV specials, Tomlin made her feature film debut in Altman’s Nashville and earned an Oscar nomination. The Late Show was only her second feature.
Pauline Kael wrote, “If anyone else were playing Margo, she might be a mere kook; Tomlin makes her a genuine eccentric—she isn’t just the heroine, she’s the picture’s comic muse.”
Tomlin’s later films include the hit comedy, 9 to 5, The Incredible Shrinking Woman, All of Me with Steve Martin, Flirting with Disaster, and Altman’s final film, A Prairie Home Companion. She won a Tony award for her one-woman show, The Search for Signs of Intelligent Life in the Universe, and she has received three Emmy nominations for her performance in the current hit comedy series, Grace and Frankie, in which she appears with her 9 to 5 co-star, Jane Fonda. Tomlin has also been honored by the Kennedy Center and received the Life Achievement Award from the Screen Actors Guild.
THE LATE SHOW (1977) with Lily Tomlin in person screens Saturday, March 24, at 7:30 PM at the Ahrya Fine Arts Theatre in Beverly Hills. Format: DVD Click here for tickets.
Laemmle Theatres and the Anniversary Classics Series present the latest in our Anniversary Classics Abroad program: a 55th anniversary presentation of the Oscar-winning film of 1963, TOM JONES.
Tony Richardson’s spirited comic romp was the first all-British production to be named best picture by the Academy since Laurence Olivier’s Hamlet in 1948. The film won three other Oscars—best director for Richardson, best adapted screenplay by award-winning British playwright John Osborne, and best musical score by a gifted new composer, John Addison. The film received six other nominations, including a record-tying five acting nods—Albert Finney for best actor, Hugh Griffith for best supporting actor (he had won in this category four years earlier, for Ben-Hur), and an unprecedented three nominations in the supporting actress category—for Diane Cilento, Edith Evans, and Joyce Redman.
Up to this point, Richardson was best known for hard-hitting social protest dramas filmed in black and white—Look Back in Anger (based on Osborne’s hit play), A Taste of Honey, and The Loneliness of the Long Distance Runner. For his new film, adapted from Henry Fielding’s 18th century novel, Richardson made his first period piece, his first comedy, and his first film in color, with superb lensing by Walter Lassally. The director took a playful approach to the material, experimenting with a variety of film techniques, including a silent film opening, and a number of moments when characters broke the fourth wall to address the camera. Yet Richardson and Osborne retained the essence of Fielding’s picaresque tale of a young orphan adopted by a rich nobleman but then thrown into jeopardy by scheming enemies.
The film is remembered for several striking set pieces, including a savage hunt sequence and an erotic eating scene that commingled lust and gluttony. The outstanding cast also includes Susannah York, David Warner, Joan Greenwood, and Peter Bull.
In addition to its Oscar win, the film was named best picture of the year by the New York Film Critics Circle. The New York Times’ Bosley Crowther called Tom Jones “surely one of the wildest, bawdiest and funniest comedies that a refreshingly agile filmmaker has ever brought to the screen.”
Time magazine also extolled “a way-out, walleyed, wonderful exercise in cinema” but added that the film was not completely different from Richardson’s gritty earlier films. As the magazine noted, “It is also a social satire written in blood with a broadaxe.” Audiences turned the innovative film into a box office smash.
TOM JONES screens at 7:00pm on Wednesday, March 21st in Pasadena, Encino, and West LA. Click here for tickets.
ART IN THE ARTHOUSE invites you to view our newest exhibit in Santa Monica, NURIT AVESAR: EKPHRASIS. All works are for sale and on display till May, 2018.
About the exhibit
EKPHRASIS is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. The word refers to artwork, that, through its execution and use of materials, describes itself. Describing a painting, while simultaneously creating the work, is the essence of NURIT AVESAR’S process and the center of her painting experience. Each of her pieces have arrived through a deft appliqué of paper, canvas, netting, interwoven, sanded and emaciated. The materials are weathered; the weather is the materials.
Using intention and instinct, Avesar develops each composition as both palimpsest and collage. In these layering techniques, she appears influenced by the art of PAUL KLEE. The work is of larger scale and features wisps of smoke, shards of glass, and deckled light, creating forms abandoned and fragmented. Half-appearing edifices suggest structures and forms that we leave behind even as nature carries on long after our departure. Born and raised in Israel, Avesar moved to L.A. in her twenties where she worked as a graphic designer and illustrator. In 2010, she completed a MASTER OF ARTS in Studio Art at California State University Northridge. Recent exhibitions include the Carnegie Museum in Oxnard, a solo show at the Neutra Institute in Silverlake, and a curatorial debut at the Keystone Gallery in Los Angeles.
– Joshua Elias, CURATOR
Laemmle Theatres and the Anniversary Classics Series showcase a three-day festival of vintage science fiction and fantasy films at the Ahrya Fine Arts Theater in Beverly Hills!
WAR OF THE WORLDS (1953), 65th Anniversary
In Person: Actress Ann Robinson
Friday, March 16th at Ahrya Fine Arts at 7:30 PM
This science fiction movie classic was best described in the original Variety review for the movie’s opening in August, 1953: “a socko science-fiction feature, as fearsome a film as was the Orson Welles 1938 radio interpretation of the H.G. Wells novel.” Brought to the screen by producer and animator George Pal (When Worlds Collide, The Time Machine), directed by Byron Haskin and written by Barre Lyndon (Alfred Edgar), who transposed the setting of Wells’ novel from Victorian England to contemporary Los Angeles. Gene Barry was cast as the scientist who leads the battle against a Martian invasion, with support from Les Tremayne and our special guest, Ann Robinson, who will appear at the 65th anniversary screening on opening night of the Anniversary Classics’ Sci-Fi and Fantasy Weekend, March 16-18 at the Ahrya Fine Arts theatre in Beverly Hills. Nominated for three Academy Awards and winner for Best Visual Effects. Inducted into the Library of Congress National Film Registry in 2011. As noted by the New York Times reviewer, “the cast and even Sir Cedric Hardwicke and his voice of doom narration play second fiddle to the intricate and ominous Martian craft. Mind those heat rays!” Format: DCP. (March 16 at 7:30 PM).
THE 7TH VOYAGE OF SINBAD (1958) in 4K, 60th Anniversary
Saturday, March 17th, at Ahrya Fine Arts at 2:30 PM
Sci-Fi Weekend expands to the realm of fantasy with this high-spirited and popular adventure that opened for the holiday season at the end of 1958. Produced by Charles Schneer (20 Million Miles to Earth, Jason and the Argonauts), written by Ken Kolb, and directed by Nathan Juran, a previous Oscar winner (art direction, How Green Was My Valley), who also helmed the camp classic, Attack of the 50 Foot Woman. This fun-for-all ages, princess-in-peril tale features Kerwin Matthews as Sinbad, Kathryn Grant as the imperiled princess, plus Torin Thatcher and Richard Eyer. But the real star of the movie is special effects wizard Ray Harryhausen, who was uncredited in also writing and producing the picture. The result is mid-century movie magic, and is a showcase for Harryhausen’s array of creatures that steal every scene. The New York Times reported that the game cast “haven’t got a chance. The odds are in favor of the Cyclops, the Roc, the dragon and company.” The memorable music is by Bernard Herrmann. Added to the National Film Registry in 2008. Format: 4K DCP. (March 17 at 2:30 PM).
THE FLY (1958), 60th Anniversary
Saturday, March 17, at Ahrya Fine Arts at 4:45 PM
Twentieth Century Fox advertised this sci-fi fantasy thriller as the “absolute end in horror” when it opened in the summer of 1958. This hair-raising tale of a scientist, whose experiments with teleportation go awry when his atomic pattern is inadvertently mixed with a fly, was written by author James Clavell (The Great Escape, To Sir, With Love) adapting a short story by George Langelaan. Directed by Kurt Neumann (Kronos), with rich color cinematography by Karl Struss (Oscar winner for Sunrise in 1927). Starring David Hedison as the ill-fated scientist, Vincent Price in one of his rare benevolent roles, Herbert Marshall, Patricia Owens and Kathleen Freeman. Aside from the macabre effects (“Help Me! Help Me!”), the movie plays effectively as a mystery suspense story. Remade by David Cronenberg in 1986. Format: DCP. (March 17 at 4:45 PM).
PLANET OF THE APES (1968), 50th Anniversary
In Person: Oscar-nominated makeup artist Daniel Striepeke
Saturday, March 17th, 2018 at Ahrya Fine Arts at 7:30 PM
This landmark sci-fi movie opens with a spacecraft landing on a distant planet, some 2000 years in the future. Charlton Heston and two surviving astronauts discover that the planet is ruled by intelligent apes who consider humans to be an inferior species. The movie was a box office and critical success, spawned four sequels, a TV series, and several reboots (the most recent just last year). In addition to Heston, the cast includes Roddy McDowall, Kim Hunter, Maurice Evans, and James Whitmore as the apes and Linda Harrison as one of the mute humans on the planet. Franklin J. Schaffner (later an Oscar winner for Patton) directed the screenplay by Rod Serling (the creator of The Twilight Zone) and Michael Wilson (A Place in the Sun, Lawrence of Arabia), from a novel by Pierre Boulle, who also wrote The Bridge on the River Kwai. John Chambers earned a special Oscar for his ingenious makeup, and the film was also nominated for costume design and for Jerry Goldsmith’s avant garde score. Pauline Kael wrote, “Planet of the Apes is one of the best science-fiction fantasies ever to come out of Hollywood,” and she added, “Leon Shamroy’s excellent color photography helps to make the vast exteriors (shot in Utah and Arizona) an integral part of the meaning.” The climax, in which Heston finally discovers his “destiny,” is one of the most memorable in all of science fiction. The film entered the National Film Registry in 2011. Oscar-nominated makeup artist Daniel Striepeke will join us at the screening. His many credits in addition to the original Planet of the Apes movies include Patton, The Deer Hunter, My Favorite Year, Wag the Dog, Forrest Gump, Saving Private Ryan, and Apollo 13. Format: DCP. (March 17 at 7:30 PM).
SOYLENT GREEN (1973), 45th Anniversary
Sunday March 18 at Ahrya Fine Arts at 1 PM
Charlton Heston, who had become the go-to star of science fiction after Planet of the Apes and The Omega Man (1971), returned to the genre in this dark dystopian look at New York in 2022. This prescient film was one of the first to address issues of pollution, global warming, overpopulation, and an epidemic of homelessness. In many ways it predicted the dark future imagined in Blade Runner, made a decade later. The script was adapted by Stanley R. Greenberg from an acclaimed novel, Make Room! Make Room!, by Harry Harrison. The director, Richard Fleischer, was no stranger to science fiction, having made hit movies 20,000 Leagues Under the Sea and Fantastic Voyage. Heston portrays a police detective trying to solve the murder of an executive at the mysterious Soylent Corporation, which leads him to uncover a diabolical conspiracy. The supporting cast includes Leigh Taylor-Young, Chuck Connors, Joseph Cotten, Brock Peters, and Paula Kelly but the most memorable performance is given by Edward G. Robinson in his final screen appearance. Playing Heston’s wise colleague, Robinson gives a performance that the Hollywood Reporter called “witty, cultivated and endlessly appealing.” The trade publication added that the film “conjures a terrifying vision of the future.” Soylent Green won the Saturn Award for Best Science Fiction Film of the year. Later Saturday Night Live skits helped to keep the film in the public consciousness. Format: DCP. (March 18 at 1:00 PM).
CAPRICORN ONE (1978), 40th Anniversary
In Person: Director Peter Hyams, Actors Elliott Gould and James Brolin
Sunday, March 18th at Ahrya Fine Arts at 3:15 PM
In the paranoia-soaked atmosphere of the 1970s, more than a few cynics wondered if the celebrated moon landing of 1969 could have been faked. This ingenious sci-fi thriller written and directed by Peter Hyams plays with that premise, imagining a journey to Mars that is fabricated for the TV cameras in order to stir up patriotic fervor. But then an intrepid journalist (Elliott Gould) begins to investigate, and he and the three hapless astronauts find themselves in jeopardy as government bigwigs try to prevent them from exposing the truth. In addition to Gould, the cast includes James Brolin, Sam Waterston, Karen Black, Telly Savalas, and Brenda Vaccaro, with Hal Holbrook as the conniving villain. Leonard Maltin praised the film: “Lots of great chases punctuated by Hyams’ witty dialogue.” This screening will be followed by a Q & A with Hyams, the director of other sci-fi movies Outland, 2010, and Timecop, and Elliott Gould, the Oscar-nominated star of Bob & Carol & Ted & Alice, MASH, and The Long Goodbye. Just added to the Q&A: James Brolin, whose storied career includes roles in films such as Westworld, Gas Food Lodging, Traffic, Catch Me If You Can and Emmy-winning turns in his breakthrough series, Marcus Welby M.D., and the series Hotel, The West Wing, the TV movie The Reagans, and the current series Life in Pieces. Format: Blu-ray, unavailable on DCP or 35mm. (March 18 at 3:15 PM).
Tickets are $13 for each screening. Premiere card holders pay $10 per screening.