A prophecy of true love. A perilous journey most sane men would not attempt. These are classic fairy tale ingredients, but in 1977, for one young man in Delhi, they were very real. The Cycle of Love documents his incredible journey across continents to find the metaphorical princess.
The Cycle of Love opens Sept. 4th at Laemmle’s Royal, and Sept. 11th at the Glendale and Town Center 5. Real-life subjects Lotta and P.K. Mahanandia will participate in Q&As following the 7:25 p.m. shows on Friday, Sept. 4th and Saturday, Sept. 5th, at the Royal
Director Orlando von Einsiedel has twice won Academy Awards for documentary shorts: in 2016 for “The White Helmets,” and in 2020, for “Learning to Skateboard in a Warzone (if you’re a girl).” Both films took the British director across the Muslim world, from Turkey to Syria and Afghanistan. The subject of The Cycle of Love goes on a similar journey, retraced by von Einsiedel’s cameras. P.K. Mahanandia, narrating in the present and played by Chirag Benedict Lobo in reenactments, was drawing portraits for money on the streets when he met Swedish tourist Lotta Von Schedvin (also herself in present-day segments, and Mina Dale in flashbacks), and knew it was destiny.
At least, he thought he knew. A prediction carved into a leaf, made by an astrologer in P.K.’s infancy, said his true love would live far away, be a Taurus, be musical, and own a jungle. Lotta hit all four, much to P.K.’s delight, with the asterisk that her family owned forest land rather than a literal jungle. He brought her to meet his parents; she promised to return in August. When she did not do so, he vowed to go to her…yet all he could afford was a half-price woman’s bicycle. Perhaps not since David Lynch’s The Straight Story, which documented Alvin Straight’s 1994 journey on a riding mower to see his ailing brother, has cinema tackled such a real-life, slow-motion, underdog odyssey for love.
It was the ’70s, so people still hitchhiked, traveled the world in vans, and were generally hospitable to wandering nomads, even in countries we now consider hostile like Iran and Afghanistan (Pakistan proved to be the exception, for Indians at least). Much of the road traveled is even called “the hippie trail.” So like any great mythic hero, P.K. met several interesting characters along the way, some of whom helped, while others hindered. At least one could almost have been a morality test from the gods, which he passed.
Von Einsiedel has made a unique choice not to strictly document the journey as it happened, but in spirit as he retraces it. Rather than specifically recasting the individuals encountered by P.K., he has actor Chirag Benedict Lobo interact in character with real people along the way, as the film crew follows the same path. It’s shot in a grainy style designed to evoke the ’70s, and presented as if it is, interspersed with what little available archival film exists, yet the presence of the lead actor tells us it’s new, while the testimonies of the real people he meets indicate that too little has changed over the years. In particular, P.K.’s heritage as part of the “Untouchable” Dalit caste in Indian society made him the victim of his own culture’s bigotry, viewing him as so spiritually dirty that even physical contact requires an immediate cleanse. When Lobo-as-P.K. speaks to other Dalits, it’s clear the prejudice remains.
The Cycle of Love also pointedly films the real P.K. and the real Lotta against completely different backdrops, leaving us in suspense for most of the movie as to whether or not the quest succeeded, or even if they’ve talked since then. Because it’s a documentary – albeit a mostly restaged one — viewers can find out the answer in advance if they really want to, but for better appreciation of the dramatic arc, the filmmakers strongly suggest that you refrain from that, and take the journey as it is meant to be experienced. In a year that cinema has rediscovered the classic literary Odyssey, come along for the ride on the one that really happened.
“Einsiedel’s method edges toward the revelatory, often recalling the cockeyed realities of Iranian director Abbas Kiarostami.” – Christian Craig, In Review Online.
“Delicate and heartwarming, Orlando von Einsiedel’s stirring documentary “The Cycle of Love” is the kind of film whose sweet subject transcends time and borders.” – Robert Daniels, RogerEbert.com.
