Words of War Q&A’s at the Monica Film Center: Sean Penn and Jason Isaacs will participate in Q&A’s following the 7:00 P.M. screening on Friday, May 2; the 4:00 P.M. & 7:00 P.M. screenings on Saturday, May 3; and the 4:00 P.M. screening on Sunday, May 4. U.S. Congressional Rep. Eric Swalwell will join them for the 4:00 P.M. screening on Sunday.
“Modest and moving, it’s a new sports-movie classic, as sneakily effective as the pitch which gives it its title.” ~ EEPHUS opens Thursday.
Perhaps no other sport lends itself as well to cinema as baseball, and there have been some memorable ones over the years. The Natural, Moneyball, 42, Field of Dreams and Bull Durham spring to mind. Well, we have a funny, soul-soothing treat for you this week at our Glendale and Santa Monica theaters. “Modest and moving, it’s a new sports-movie classic, as sneakily effective as the pitch which gives it its title.” ~ Nick Schager, The Daily Beast
The filmmakers will participate in Q&A’s in Glendale after the 7:10 PM screenings on 3/13 with writer-director Carson Lund and actor Keith William Richards and moderator Amber A’Lee Frost (Chapo Trap House) and 3/15 with writer Mike Basta, writer-actor Nate Fisher, and moderator Brandon Harris (writer, filmmaker, baseball fan). Lund is also featured on the latest episode of Greg Laemmle (huge Dodger fan and former youth baseball coach) and Raphael Sbarge’s podcast Inside the Arthouse.
Film critics adore Eephus. As of this writing, its Rotten Tomatoes score is 100% with 37 reviews.
“Its pearls of practical wisdom and jewels of melancholic wit make Eephus a gem, which is fitting, for a movie about a game played on a diamond.” ~ Jessica Kiang, Variety
“Many a true devotee will tell you that part of the game’s charm lies in its ability to facilitate socialization… Eephus is a film that understands this, and the script shuffles along with the rhythm of a baseball game.” ~ Christian Zilko, indieWire
“A modest but poignant hangout film that resonates long after the last pitch.” ~ Tim Grierson Screen International
“Carson Lund treats the power of a shared interest with profound, elegiac empathy.” ~ Jake Cole, Slant Magazine
*
“Eephus isn’t exactly a baseball movie — it’s something closer to movie-baseball, where characters endlessly jostle back and forth under no real time constraints, watching the day slowly pass them by, simply out of love for the sport.” ~ Jordan Mintzer, Hollywood Reporter
*
“Has about it a mournful, lightly absurd poetry of the mundane, a rapt attention to the intimacy of transience and the meanings we make from relics and rituals of a time we’re passing through.” ~ Isaac Feldberg, RogerEbert.com
“Baseball is the star, the game is the story, and the only conflicts that matter are the ones that the athletes resolve in play. Nonetheless, in Lund’s keenly discerning view, the game is inseparable from the human element.” ~ Richard Brody, The New Yorker
*
“Something about Eephus reminds me of Wiseman’s long, slow, methodical probing of institutions and of human behavior more broadly.” ~ Alissa Wilkinson, New York Times
“We come to Eephus expecting a metaphor for life and instead we are faced with life itself.” ~ Bilge Ebiri, New York Magazine/Vulture
*
“Eephus luxuriates in an unhurried afternoon of leisure.” ~ Dan Kois, Slate
BREAKING AWAY with actors Dennis Christopher and Paul Dooley in person Tuesday, January 14 at the Laemmle NoHo.
Laemmle Theatres and the Anniversary Classics Series present a 45th anniversary screening of the Oscar-winning 1979 hit ‘Breaking Away‘ with costar Paul Dooley joining for an in-person Q&A after the screening. The movie earned five Oscar nominations in all, including Best Picture and Best Director for Peter Yates, and it won the Oscar for the Original Screenplay by Steve Tesich. It also won the Golden Globe for Best Comedy or Musical of the year, and it won the Writers Guild award for Best Original Screenplay. Many years later, when the American Film Institute compiled a list of the most inspiring movies in history, ‘Breaking Away‘ ranked in the top 10.
Tesich based the script in part on his own experiences at the University of Indiana in Bloomington. The story tells of the bond between four young working-class men raised in the town but unable to afford college. They are scorned by the college students in town and called “cutters” because of their families’ work as stonecutters in the local quarry. The four young men are played by newcomers Dennis Christopher, Dennis Quaid, Daniel Stern, and Jackie Earle Haley. Christopher’s parents are played by Paul Dooley and Barbara Barrie, and the snooty college kids include actors Hart Bochner and Robyn Douglass.
Christopher’s Dave, the leading character, becomes obsessed with Italian bicycle racers and Italian culture in general, to the dismay of his working-class father, played by Dooley. Eventually he decides to enter the local bicycle race dominated by the college students, and he becomes a symbol to his pals of the possibilities of transcending their humble backgrounds.
Critics were swept up in the story’s inspirational message. Roger Ebert called ‘Breaking Away‘ “a wonderfully sunny, funny, goofy, intelligent movie that makes you feel about as good as any movie in a long time.” The New York Times’ Janet Maslin agreed and declared, “Here is a movie so fresh and funny it didn’t even need a big budget or a pedigree.” Variety summarized the overwhelmingly positive reviews, calling the film “a thoroughly delightful light comedy, lifted by fine performances from Dennis Christopher and Paul Dooley.”
Dooley got his start working several times with director Robert Altman on such films as ‘A Wedding,’ ‘Health,’ and he had a leading role in Altman’s offbeat romantic comedy ‘A Perfect Couple.’ In Altman’s musical adaptation of ‘Popeye,’ Dooley played the role of Wimpy. He also costarred in such films as ‘Paternity,’ ‘Sixteen Candles,’ Steven Soderbergh’s ‘The Underneath,’ ‘Runaway Bride,’ ‘A Mighty Wind,’ and ‘Happy, Texas.’ He provided one of the voices in the ‘Cars’ animated movies, and he also had prominent roles on such popular TV series as ‘thirtysomething’, ‘My So-Called Life,’ ‘Dream On,’ ‘The Practice,’ and ‘Curb Your Enthusiasm.’
IndieCollect’s first-ever RescueFest — December 6-9 at the Monica Film Center, featuring Lily Tomlin, Jane Fonda, and more for in-person Q&A’s.
IndieCollect’s first-ever RescueFest — December 6-9 — features 10 glorious new Indie Cinema restorations. Q&A’s with Lily Tomlin and Jane Wagner (moderated by Jane Fonda), Mario Van Peebles, Chaz Ebert, Rosalind Chao, Jan Oxenberg and more. Plus “Reel Resistance” Roundtable with indie luminaries Ted Hope & Gregory Nava on Dec 8. The full schedule is here. A terrific recent Indiewire piece on the festival and its centerpiece, the Search for Intelligent Life restoration, is here. Watch the trailer!
The superb LA COCINA on Inside the Arthouse and opening Friday at the Monica Film Center.
The latest episode of Inside the Arthouse features La Cocina filmmaker Alonso Ruizpalacios. The drama takes us behind the scenes at a Times Square restaurant, illuminating the lives of the people who prepare and serve our meals while chasing the American Dream. The ensemble cast, which includes two-time Academy Award-nominee Rooney Mara, delivers stunning performances in this beautifully shot film.
Laemmle Theatres opens La Cocina this Friday at the Monica Film Center. Writer-director Alonso Ruizpalacios will participate in Q&A’s after the 7 PM screening at the Monica Film Center on Friday, November 1st and the 4 PM screening on Saturday, November 2. He will introduce the 7 PM screening on Saturday, November 2. Producer Ivan Orlic and actor Eduardo Olmos will participate in a Q&A after the 1 PM screening on Saturday, November 2.
“A chaotic symphony of nearly two dozen characters, this black-and-white indie confection (garnished with sparing touches of color) mixes biting social critique with stylistic bravura.” ~ Peter Debruge, Variety
*
“There’s a surging life force felt in every scene of Alonso Ruizpalacios’ superbly acted La Cocina — at times ebullient but more often on edge, if not careening dangerously toward disaster or violence.” ~ David Rooney, Hollywood Reporter
“La Cocina Mexican writer/director Alonzo Ruizpalacios’ searing black-and-white slice of nightmare, is a monumental work of righteous anger.” ~ Robert Daniels, RogerEbert.com
“La Cocina is a phenomenal showcase for Briones, who gives one of the most mesmerizingly multi-faceted performances of the year.” ~ Brian Tallerico, RogerEbert.com
“La Cocina goes further than recasting the American dream as a nightmare and the much sought-after visa as a ticket to infinite exploitation.” ~ William Repass, Slant Magazine
HIGH TIDE Q&A schedule.
Q&A’s for HIGH TIDE:10/25 – In-Person Q&A at the NoHo with Actor/Executive Producer Marco Pigossi and Actor James Bland of HIGH TIDE following the 7:10 pm performance.10/26- In-Person Q&A at the NoHo with Writer/Director/Producer Marco Calvani, and Actor/Executive Producer Marco Pigossi of HIGH TIDE following the 7:10 pm performance.
“If You See Only One Beaver Movie This Year …” HUNDREDS OF BEAVERS are coming!
This week and next we’re delighted to show the sui generis farce Hundreds of Beavers. The March 14 Hundreds of Beavers screening at the Royal, March 15 & 16 late shows in Glendale, March 18 at the NoHo, and March 19 in Claremont will feature Q&As with the filmmakers plus a beaver or two.
The screenings have become something of a phenomenon, so much so that the New York Times posted a story about them last week. It begins:
“Last week, a bonkers low-budget movie that was shot in black and white and has no Hollywood stars, packed a 200-seat theater on a one-night engagement at the IFC Center in Manhattan. Additional screenings were added.
“Mike Cheslik, the film’s director, and Ryland Brickson Cole Tews, its leading man, don’t have Hollywood connections or sacks of cash. What the two 33-year-old friends do have that helped their film make a splash with its New York debut is a secret weapon that would make a shrewd old-school movie pitchman like William Castle tingle with envy.
“We’re talking beavers. Big ones.
“Two life-size beavers, actually — plus a horse, all played by humans — who took selfies with passers-by on the sidewalk and high-fived audience members in their seats before a screening of Cheslik’s frolicsome farce Hundreds of Beavers.
“At a time when Hollywood and scrappy filmmakers alike are stressing over how to get butts into seats, Cheslik and Tews are counting on a live make-believe beaver fight — a marketing gimmick dressed like a vaudeville act — to sell their movie.” Read the rest of the article here.
The filmmakers and distributor have a genius for marketing, as evidenced by some of the parody posters they’ve assembled:
However, this is not just hype; Hundreds of Beavers is good. As of this writing, it’s at 98% fresh on Rotten Tomatoes.
“A soulful silliness pervades the rootin’, tootin’ live-action cartoon Hundreds of Beavers from Milwaukee filmmakers Mike Cheslik and Ryland Brickson Cole Tews, merry pranksters who deploy a gleefully inventive lo-fi madness to their gag-stuffed wilderness comedy. Pitting a lovestruck fur trapper against a bucktoothed horde, this underground festival hit is a feverish fit of creative buffoonery — you haven’t experienced anything remotely like it.” ~ Robert Abele, Los Angeles Times
“A marvel of slapstick invention that in terms of pure unbridled creativity puts most big-screen comedies to shame.” ~ Nick Schager, The Daily Beast
“Hundreds of Beavers is fueled by a delirious spirit that reminded me sometimes of “It’s a Mad, Mad, Mad, Mad World,” and that’s a high compliment indeed.” ~ Randy Myers, San Jose Mercury News
“Part Guy Maddin, part Chuck Jones — a constant delight.” ~ Alonso Duralde, Breakfast All Day
“On paper, it would hardly be expected to remain funny for eight minutes, let alone 108. But this ingeniously homemade lark never runs out of steam.” ~ Dennis Harvey, Variety
“Hundreds of Beavers starts strange, gets stranger, and yet remains resolutely adorable.” ~ Alexandra Heller-Nicholas, AWFJ.org
APOCALYPSE NOW: THE FINAL CUT 45th Anniversary Screening Sunday, March 3.
Laemmle Theatres and the Anniversary Classics Series present a screening of Francis Ford Coppola’s epic Vietnam War movie, ‘Apocalypse Now,’ in the director’s approved version restored in 2019: ‘Apocalypse Now: The Final Cut.’ When it was originally released in 1979, it scored at the box office and earned eight Oscar nominations, including Best Picture, Best Director, and Best Screenplay. It won two Oscars, for the striking cinematography by Vittorio Storaro and for Best Sound.
The screening is at the Royal on Sunday, March 3, and will start promptly at 6:00 PM with an introduction by actress Colleen Camp, who played Miss May in the film. Afterward we’ll have a special Q&A with Ms. Camp and author Sam Wasson, who just published The Path to Paradise: A Francis Ford Coppola Story. He will also be selling and signing copies of his book.
Loosely inspired by Joseph Conrad’s enthralling novel ‘Heart of Darkness,’ the ‘Apocalypse Now‘ screenplay was by Coppola, John Milius, and Michael Herr (a journalist who wrote the acclaimed book about the war, ‘Dispatches’). The main character, Captain Willard (played by Martin Sheen), is ordered to travel through Vietnam and track down Colonel Kurtz (played by Marlon Brando), who has gone rogue and established his own savage regime in Cambodia. Willard’s orders are to assassinate Kurtz to save the military from disgrace.
The supporting cast includes Robert Duvall (who earned an Oscar nomination for his portrayal of the surf-loving Colonel Kilgore), Laurence Fishburne, Frederic Forrest, Scott Glenn, Sam Bottoms, Dennis Hopper, Harrison Ford, and Colleen Camp. Although the troubled production went way over budget on location in the Philippines, it won the Palme d’Or at the Cannes Film Festival in 1979 and earned strong reviews from many critics. Kathleen Carroll of the New York Daily News wrote, “Certainly no movie in history has ever presented stronger proof that war is living hell.” Amy Taubin of the Village Voice added, “’Apocalypse‘ has the expressive extravagance of a Wagner opera—and not merely because the swooping helicopter scene is set to the ‘Ride of the Valkyries.’” Roger Ebert considered it one of the greatest films ever made.
Author Sam Wasson did extensive research, with special access to Coppola’s private papers, to write his new book, ‘The Path to Paradise: A Francis Ford Coppola Story.’ The New York Times praised it as “a marvel of unshowy reportage,” and Publishers Weekly declared, “Movie buffs won’t want to miss this.” Wasson has also written the acclaimed books, ‘The Big Goodbye’ (about the making of ‘Chinatown’), ‘Fifth Avenue 5 AM’ (about ‘Breakfast at Tiffany’s’) and ‘Fosse.’ He will be selling and signing his book at the screening.
Colleen Camp has an extensive list of credits over the last 50 years, including ‘Valley Girl,’ ‘Clue,’ ‘Wayne’s World,’ ‘Die Hard With a Vengeance,’ Peter Bogdanovich’s ‘They All Laughed,’ Alexander Payne’s ‘Election,’ David O. Russell’s ‘American Hustle’ and ‘Joy,’ and many TV series as well.
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