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Culture Vulture Evolves: From Limited Runs to Unlimited Options

July 29, 2026 by Lamb Laemmle Leave a Comment

A mere dozen years ago, your Laemmle Theatres forefathers set out with a new mission, one that would really put the “art” in “arthouse theater.” With our Culture Vulture program, we brought live stage to the cinema auditorium, took attendees inside the world’s greatest art museums to see the classics, and gave PBS documentaries the big-screen treatment they deserved, among other deep delves.

Culture Vulture Evolves: From Limited Runs to Unlimited Options

That was then, in a more conventional film environment.

These days, with companies like Fathom Events running one-night-only and limited programs, it’s not uncommon to see plays, concerts, TV finales, restored older films, and all sorts of niche documentaries on every topic.

At Laemmle Theatres, you can still expect to see more from the likes of Exhibition on Screen, telling the stories behind famous works of art, and National Theatre Live bringing the best of British stage productions to the movie screen. They no longer need other umbrellas to stand under, as their productions are now recognized by the likes of IMDB and Rotten Tomatoes. If we ran just one a week, in some cases, we’d be limiting your options rather than expanding your horizons.

Culture Vulture began in 2014, with an all-male production of Shakespeare’s Twelfth Night, starring Mark Rylance and Stephen Fry. It used to run at every Laemmle theater – the Claremont ran it for all 12 years, which is more than any other. Over those eleven-plus calendar cycles, the programs have broken down to: fine art 31%, stage capture 28% (Shakespeare 12% of that), opera 10%, ballet 10%, and music docs 7%.

THE AUDIENCE by Peter Morgan, , Writer _ Peter Morgan, Director - Stephan Daldry, Designer - Bob Crowley, Gielgud Theatre, 2013, Credit: Johan Persson/

In all, 24 of Shakespeare’s 38 plays have been a part of the program, some more than once. Hamlet, easily the highest-grossing title in Culture Vulture’s history, came through in three different productions, as did Romeo and Juliet, including in Matthew Bourne’s all-dance version.

Here are some more Culture Vulture numbers: a total series run-time of 11 years and 10 months, from September 22, 2014 to July 27, 2026.

In that time, our screens have run 434 titles, 2,078 engagements, 4,449 theatre-days, 10 theatres, and 90 distributors.

Culture Vulture titles needed strength in numbers, but the future has more than we can count. Just keep an eye on Laemmle.com for keywords like ballet, opera, and stage. If you sign up for Laemmle’s e-newsletter, you’ll be even more ahead of the curve.

Culture Vulture as a label may be phasing out, but like a phoenix from the ashes, it’s just rebirthing to spread its wings wider. Long live culture, on even more screens and locations!

Leave a Comment Filed Under: Claremont 5, Culture Vulture, Glendale, Newhall, NoHo 7, Royal, Santa Monica, Town Center 5 Tagged With: Culture Vulture, Exhibition on Screen, Fathom Events, National Theatre Live

The Needle, the Noise, the Nineties: ‘Trainspotting’ Turns 30

May 19, 2026 by Lamb Laemmle Leave a Comment

Three decades after its original release, Danny Boyle’s Trainspotting remains one of the most electrifying cinematic gut-punches of the 1990s, a film that somehow manages to be hilarious, horrifying, exhilarating, and deeply sad often within the same scene. Returning to theaters for its 30th anniversary fresh off a new 4k restoration, Boyle’s adaptation of Irvine Welsh’s cult novel still feels startlingly alive, retaining the same manic energy and confrontational honesty that made it an instant cultural landmark upon its release in 1996.

The Needle, the Noise, the Nineties: 'Trainspotting' Turns 30

Catch Trainspotting on its 30th anniversary tour beginning June 4th at the Laemmle Glendale, Newhall, and NoHo 7.

Set amid the economic stagnation and restless youth culture of Edinburgh, Trainspotting follows Mark Renton (Ewan McGregor) and his circle of friends as they drift through heroin addiction, petty crime, self-destruction, and fleeting attempts at escape. Yet what distinguished the film then, and what continues to distinguish it now, is its refusal to settle into easy moralism. Boyle never romanticizes addiction, but neither does he flatten it into a simple cautionary tale. The film understands the seductive pull of oblivion just as clearly as it does the devastation left in its wake.

Much of that awareness comes from Boyle’s direction, which exploded onto screens with a style that felt entirely novel for its time. Hyperactive editing, surreal visual detours, needle-drop music cues, and fourth-wall-breaking narration combine to plunge viewers directly into Renton’s fractured state of mind. The now-iconic soundtrack, ranging from Iggy Pop to Underworld, became inseparable from the film’s identity, helping transform Trainspotting into not merely a movie but a full-fledged cultural phenomenon.

Watching it today, it is striking how much of Boyle’s later career already seems present here in embryonic form: the propulsive momentum of Slumdog Millionaire, the visceral intensity of 127 Hours, and the restless experimentation that would come to define one of the most eclectic directing careers of the last thirty years. Since Trainspotting, Boyle has gone on to win the Academy Award for Best Director, helm the opening ceremony of the 2012 London Olympics, and cement himself as one of contemporary cinema’s most energetic and unpredictable filmmakers. But Trainspotting remains, for many, the film most inseparable from his singular artistic identity.

The Needle, the Noise, the Nineties: 'Trainspotting' Turns 30

The anniversary arrives at a moment when the story itself is once again evolving, with a stage musical adaptation of Trainspotting set to launch this July in London’s West End, bringing Renton and company back to the city where their story began. That continued reinvention speaks to the film’s enduring resonance across generations. What once felt shocking and immediate has now also become historical: a snapshot of 1990s disaffection that somehow never lost its pulse.

For all its stylization and dark humor, Trainspotting endures because beneath the bravado lies something painfully human. Renton’s famous “Choose Life” monologue lands differently at 30 than it did at 20—not merely as satire, but as the exhausted cry of someone trying, however imperfectly, to imagine the possibility of another kind of existence. So whether it’s your first-ever viewing or a stroll down memory lane, get your tickets now and prepare to be entertained.

Leave a Comment Filed Under: Anniversary Classics, Glendale, Newhall, NoHo 7, Repertory Cinema Tagged With: Dany Boyle, Ewan McGregor, Ewen Bremner, Kelly Macdonald, Robert Carlyle, Trainspotting

A Life Unfiltered: ‘I Swear’ and the Story of John Davidson

April 21, 2026 by Lamb Laemmle Leave a Comment

There’s a familiar shape to many “inspiring true story” films, but I Swear finds a way to delicately reshape that mold into something more personal, more unpredictable, and ultimately more humane. Based on the life of Tourette syndrome advocate John Davidson, this BAFTA award-winning film traces one man’s journey from confusion and isolation to self-acceptance and public advocacy without ever reducing him to a symbol.

A Life Unfiltered: 'I Swear' and the Story of John Davidson

Catch I Swear in theaters beginning April 24th at the Laemmle Royal, Newhall, and Town Center locations.

What distinguishes I Swear is its commitment to portraying not only what John experiences, but how he experiences it. His Tourette syndrome isn’t treated as a narrative device or a source of easy sentiment, but as a constant, complicated presence. The film allows for laughter, but never at the expense of John’s dignity. Instead, it invites audiences to sit with the uneasy tension between humor and hardship, asking when we laugh, why we laugh, and who gets to decide.

At the film’s center is Robert Aramayo, delivering a performance of remarkable sensitivity and control. He captures both the physical unpredictability of John’s condition and the emotional steadiness that defines him, creating a character who feels fully lived-in rather than performed. It’s a balancing act that could easily tip into caricature, but Aramayo keeps it grounded, ensuring that John’s inner life remains front and center.

Director Kirk Jones approaches the material with a clear respect for both his subject and the audience. The storytelling is straightforward, but never simplistic. Moments of pain—whether social rejection, misunderstanding, or outright cruelty—are counterbalanced by instances of connection and support. The film is especially attuned to the role that community plays in shaping John’s life, highlighting the people who choose empathy over judgment and, in so doing, help redefine what’s possible.

A Life Unfiltered: 'I Swear' and the Story of John Davidson

In the end, I Swear is less about overcoming than it is about being seen. It’s about carving out space in a world that isn’t always ready to make room, and about finding strength not in silence, but in expression, however unpredictable that expression may be.

“The film wrestles enthusiastically and mostly successfully with the potential pitfalls of making a funny yet respectful project about a condition that sometimes lends itself to laughter, even as it wreaks havoc with Davidson’s life in serious ways.” – Catherine Bray, Variety

“Its mix of compassion and clarity allows it to avoid the easy sentimentality of similar tales.” – Ross McIndoe, Slant Magazine

“Aramayo’s sensitive portrayal of the man and Jones’ unflinching dedication to showing some of Davidson’s most painful moments… add up to an insightful biopic that chronicles a very worthy subject.” – Kate Erbland, IndieWire

Leave a Comment Filed Under: Awards, Films, Newhall, Royal, Town Center 5 Tagged With: biopic, drama, I Swear, Kirk Jones, Robert Aramayo, Tourette syndrome

H Is for Hawk: A Poetic Exploration of Grief, Nature, and the Human Heart

January 21, 2026 by Lamb Laemmle Leave a Comment

H Is for Hawk adapts Helen Macdonald’s bestselling memoir into a quietly powerful portrait of grief, healing, and the paradoxical solace of the natural world. Directed with sensitivity and a keen eye for emotional nuance, the film follows a woman’s audacious attempt to navigate profound personal loss by forging a bond with a creature that is, by nature, wild and ungovernable.

H Is for Hawk: A Poetic Exploration of Grief, Nature, and the Human Heart

Catch H Is for Hawk in theaters beginning January 23rd at the Laemmle Monica, Town Center, Newhall, and Claremont locations.

The film centers on Helen (Claire Foy), a woman devastated by the sudden death of her father. Struggling to articulate her grief, she turns to an unexpected source of solace: training a goshawk, an apex bird of prey whose fierce independence mirrors the untamable terrain of her own emotions. In Helen’s obsessive dedication to understanding and partnering with the hawk, the film finds a natural metaphor for the disorienting, unpredictable landscape of mourning itself, wherein moments of connection coexist with bewilderment, longing, and the jagged edges of loss.

Foy’s performance is quietly magnetic, capturing Helen’s inwardness without collapsing her into cliché. She embodies a character who is determined yet vulnerable, scientifically curious yet emotionally adrift, and consistently compelling in her contradictions. In flashbacks, Brendan Gleeson, as the father who offered both practical wisdom and human warmth, complements Foy with a lived-in presence that anchors many of the film’s quieter moments. Together, their chemistry underscores the film’s central concern: that connection—whether with people, animals, or one’s own past—is every bit as nonnegotiable as eating, breathing, and sleeping.

H Is for Hawk: A Poetic Exploration of Grief, Nature, and the Human Heart

Visually, H Is for Hawk moves with an abiding stillness. Long, carefully observed takes of misty landscapes and the hawk’s lithe flight underscore the recurring notion that healing is not linear and can unfold in unexpected ways. The cinematography allows the wildness of the British countryside to become an emotional backdrop as rich as any dialogue, suggesting that nature does more than reflect human feeling: it refracts it, alters it, and sometimes softens it.

Critics have noted the film’s success in adapting a highly introspective, literary text to the screen without diminishing its emotional weight. By embracing both the ineffable qualities of grief and the intricate rhythms of human and animal behavior, the adaptation feels faithful not just to the memoir’s chronology but to its philosophical heart.

In a cinematic landscape often driven by resolution and/or theatrics, H Is for Hawk stands out for its emotional honesty and its faith in the audiences’ capacity to sit with an open and unguarded heart. It is a quiet film with a strong heartbeat, one that finds beauty not in what is tamed, but in what is profound, wild, and enduring.

“Philippa Lowthorpe pares Helen Macdonald’s intricately layered memoir down to what she considers essential, focusing on the author’s odd choice to adopt a goshawk as a kind of emotional escapism.” – Peter Debruge, Variety

“A sensitive portrayal of a person’s slide into depression… particularly well-observed when it comes to the almost comical oddness of mourning.” – Angie Han, The Hollywood Reporter

Leave a Comment Filed Under: Claremont 5, Films, Monica Film Center, Newhall, Santa Monica, Town Center 5 Tagged With: Claire Foy, falconry, H is for Hawk, Helen Macdonald, Philippa Lowthorpe

A Christmas Harmony: Why Song Sung Blue Is the Season’s Perfect Crowd-Pleaser

December 16, 2025 by Lamb Laemmle Leave a Comment

Arriving on Christmas Day, Song Sung Blue is the kind of theatrical experience that feels tailor-made for the holiday season: warm, generous, and powered by the simple pleasure of shared music. Directed by Craig Brewer, the film blends biography, romance, and performance into a story about second chances and the quiet triumphs that come from believing in yourself as well as one another.

Catch Song Sung Blue in theaters beginning Thursday, December 25th at the Laemmle Glendale, Newhall, Town Center, NoHo, and Claremont to see for yourself why it’s Tish Laemmle’s favorite movie of 2025, a fun fact made even funner by this ringing endorsement of both the film and Laemmle Theatres in general made by iconic filmmaker Baz Luhrmann.

Inspired by a true story, Song Sung Blue follows Mike and Claire Sardina, a Wisconsin couple whose dreams of musical success have dimmed with time. When they form a Neil Diamond tribute band called Lightning & Thunder, what began as a modest idea becomes a lifeline. Through local gigs, long drives, and moments of doubt, the couple reconnects not just with audiences, but with the reasons they fell in love with music—and with each other—in the first place.

Hugh Jackman brings warmth, vulnerability, and charm to Mike, a performer learning to reclaim his voice after years of disillusionment. Opposite him, Kate Hudson gives one of her more versatile performances to-date as Claire, infusing the role with optimism, humor, and emotional clarity. Together, they create a portrait of partnership that feels deeply human: messy, supportive, occasionally strained, but ultimately resilient. The supporting cast—highlighted by Michael Imperioli, Fisher Stevens, and Jim Belushi—adds texture and humor to the world surrounding the band.

A Christmas Harmony: Why Song Sung Blue Is the Season’s Perfect Crowd-Pleaser

Music, however, is the film’s connective tissue. Songs like “Sweet Caroline” and “Cherry, Cherry” are woven naturally into the narrative, not as spectacle but as compelling expressions of longing, joy, and perseverance. Brewer’s direction resists gloss in favor of sincerity, allowing the actors’ performances to unfold with intimacy and ease. Rather than chasing the highs of overnight success, Song Sung Blue finds its emotional payoff in the smaller victories: the applause of a local crowd, the harmony between two voices, and the triumph of simply being seen.

As a Christmas theater-going experience, Song Sung Blue hits a rare sweet spot. It’s uplifting without being sentimental, musical without being flashy, and rooted in the belief that it’s never too late to rediscover one’s purpose. Perfect for audiences looking to close out the year with something heartfelt and communal, the film reminds us that joy often arrives not with fireworks, but with a familiar song sung together and at just the right moment.

“A family movie in the best sense of the term, a crowd-pleaser with a ton of heart.” – David Rooney, The Hollywood Reporter

“Let-it-rip acting with the fussiness burned off.” – Owen Gleiberman, Variety

“If the right Diamond song at the right time can turn you into mush, you’re likely to find that Brewer’s film is capable of tugging on the same heartstrings.” – Christian Zilko, IndieWire

Leave a Comment Filed Under: Claremont 5, Glendale, Newhall, NoHo 7, Town Center 5

Sing Out, Sing Proud: Laemmle’s Christmas Eve Fiddler on the Roof Sing-Along Returns

November 19, 2025 by Lamb Laemmle 1 Comment

For many, Christmas Eve brings rituals of light, warmth, and gathering. And at Laemmle Theatres, one of our most cherished traditions is a celebration of all of those things—in song, in community, and in the spirited, big-hearted world of Fiddler on the Roof. This year, we’re thrilled to bring back our annual Fiddler on the Roof Sing-Along, playing the evening of December 24th at the Laemmle NoHo, Newhall, Claremont, and Glendale, and with both matinee AND evening showings at the Royal and Town Center. Get your tickets while you still can!

Whether you’ve been joining us for years or will be stepping into Anatevka for the very first time, the invitation remains the same: Come lift your voice, lean into the music, and share in a night that honors joy, resilience, and the freedom to celebrate together.

Sing Out, Sing Proud: Laemmle’s Christmas Eve Fiddler on the Roof Sing-Along Returns

Norman Jewison’s 1971 classic, adapted from the long-running Broadway musical, remains one of the most beloved works of American cinema. Based on Sholem Aleichem’s “Tevye and His Daughters,” the film follows Tevye the milkman—played with iconic warmth and humor by Topol—as he navigates tradition, change, and the unruly love stories of his five daughters in a quaint Russian village at the turn of the 20th century.

The film’s emotional range is extraordinary: exuberant one moment, aching the next. “TRADITION” explodes with communal energy; “IF I WERE A RICH MAN” turns longing into musical ecstasy; “SUNRISE, SUNSET” captures the fleeting nature of time; “ANATEVKA” balances sorrow with wry endurance. These songs do more than entertain: they hold memory, identity, and cultural inheritance inside their melodies.

And, in the shared space of a sing-along, their meaning only deepens. There’s something almost sacred about hundreds of voices rising together in laughter, lament, and love.

Sing Out, Sing Proud: Laemmle’s Christmas Eve Fiddler on the Roof Sing-Along Returns

Laemmle’s Christmas Eve Fiddler tradition began as an affirmation, a celebration of the freedom to gather openly, joyfully, and Jewishly at a time of year when many in earlier generations felt they had to retreat from view. In light of history (as well as events ongoing today), coming together to sing feels not just festive, but vital.

This event has always been more than a screening. It’s community theater meets holiday catharsis: an evening where people dress as their favorite characters, lean fully into their off-key harmonies, and rediscover the beauty of cultural expression shared in public. Children, grandparents, longtime fans, first-timers—All are welcome in this communal chorus.

So come ready to sing at the top of your lungs, or simply to enjoy the joyful noise around you. Costumes are enthusiastically encouraged. Families are warmly invited; the film is rated G, though some themes may be complex for young children.

And remember: Fiddler sells out every year. If tradition teaches us anything, it’s not to wait for a miracle—so grab your tickets early.

1 Comment Filed Under: News, Claremont 5, Event Cinema, Glendale, Newhall, NoHo 7, Royal, Town Center 5

In Eleanor the Great, Scarlett Johansson makes her directorial debut with a film that straddles that delicate line, balancing dark comedy, emotional drama, and pointed moral questions.

September 25, 2025 by Lamb Laemmle 1 Comment

True stories and small deceptions often live closer together than we’d like to admit. In Eleanor the Great, Scarlett Johansson makes her directorial debut with a film that straddles that delicate line, balancing dark comedy, emotional drama, and pointed moral questions.

Come see Eleanor the Great in theatres, beginning Friday, September 26th at the Laemmle Royal, Claremont, Town Center, Glendale, NoHo, and Newhall.

The story follows Eleanor Morgenstein (brilliantly played by Academy Award nominee June Squibb), a sharp-tongued nonagenarian enjoying her Florida retirement alongside her best friend, Bessie. But when Bessie dies, Eleanor’s carefully maintained world begins to crumble. Moving north to live with her daughter and grandson, she finds herself sidelined in her own family and adrift in a city she once called home. Left at the local JCC, Eleanor accidentally wanders into a meeting of Holocaust survivors. When the group mistakes her for one of their own, she chooses not to correct them—and begins retelling Bessie’s life story as her own.

At its heart, Eleanor the Great is less about deception than about the emotional currents that carry Eleanor into it. Squibb delivers a performance of rare complexity, portraying a woman who is both caustic and vulnerable, driven by a need for connection that she cannot always admit to herself. Ultimately, it is Eleanor’s bond with Nina (Erin Kellyman), a journalism student grappling with her own grief, that becomes the film’s emotional hinge. What begins as a misunderstanding grows into a tentative friendship, each woman learning to navigate absence, longing, and the fragile ways that stories can substitute for the connections we’ve lost.

Johansson and screenwriter Tory Kamen deftly steer this relationship into morally charged territory without losing sight of the characters’ underlying humanity. The ethical questions remain thorny—Can a lie born of loneliness still hold meaning? How about connections born of a lie?—but the film resists easy answers, instead allowing its characters to stumble through contradictions much like real people do. With Hélène Louvart’s luminous cinematography giving Squibb ample space to reveal flashes of mischief, regret, and desire, Eleanor the Great becomes as much a study of performance as it is of grief.

Ultimately, Johansson’s first film as a director is both tender and unsettling. Anchored by Squibb’s distinguished performance, Eleanor the Great is less about a lie than about the longing that fuels it, and the ensuing connections that make it impossible to undo.

“Eleanor the Great may not always live up to the hyperbole of the title, but it’s still worth admiring… there’s quite a bit here that truly is pretty great.” – Jason Gorber, Collider

“June Squibb is quietly powerful and touching…” – Pete Hammond, Deadline

“Johansson’s direction is assured here, establishing the intimacy between these two older women with the kind of endearing eye usually reserved for stories about girlhood.” – Lovia Gyarkye, The Hollywood Reporter

 

1 Comment Filed Under: Theater Buzz, Claremont 5, Films, Glendale, Newhall, NoHo 7, Royal, Santa Monica, Town Center 5

An “embrace of what makes us unknowable yet worthy of forgiveness,” A LITTLE PRAYER opens Friday at the Claremont, Newhall, Royal and Town Center.

August 23, 2025 by Jordan Deglise Moore Leave a Comment

The excellent new American indie film A Little Prayer stars David Strathairn (Good Night, and Good Luck; Matewan; Lincoln; many, many more) as a man trying to protect his daughter-in-law when he finds out that his son is cheating on her. Filmmaker Angus MacLachlan also wrote Junebug, the 2005 comedic drama that featured Amy Adams’s breakthrough role, and his new film features a similar star-making turn by the young actress Jane Levy as the daughter-in-law.

MacLachlan wrote the following about his movie:

“I began writing A Little Prayer in 2016 when my daughter was 15. She’s now 21. And I realize in retrospect that I was writing about parenting adult children. How you still want to protect them and tell them what to do, and you can’t.

“Family, and the life I observe, is a subject I find myself returning to again and again in my work. The push-pull of love, loyalties, secrets, and eternal ties. I wanted to tell a story about the people around me: their humor, pathos, and courage. It is what I find endlessly fascinating. We shot the film in my hometown of Winston-Salem, North Carolina in 2022.

“The central relationship in my film – that of Bill and his daughter-in-law Tammy – is in some ways a simulacrum of the fact that I no longer have the same responsibility to guide my own daughter through her adult life. The theme of loving someone enough to let them go is reflected back to me in this story.” — Angus MacLachlan, Director

“A Little Prayer is spare yet brisk, and it unfolds with a graceful, almost musical sense of modulation: Camp and Weston, both veterans of MacLachlan’s work, strike bracing high notes of acerbic wit.” ~ Justin Chang, The New Yorker

“Everyone is good to great, but [A Little Prayer] belongs to Strathairn and Levy, whose bond becomes the center of the film.” ~ Brian Tallerico, RogerEbert.com

An "embrace of what makes us unknowable yet worthy of forgiveness," A LITTLE PRAYER opens Friday at the Claremont, Newhall, Royal and Town Center.

“There is much to enjoy in watching MacLachlan’s A Little Prayer play out, and an equal amount of wisdom to be gleaned from it.” ~ Fionnuala Halligan, Screen International

“A tough, touching film.” ~ Ty Burr, Ty Burr’s Watch List (Substack)

“MacLachlan’s writing style is at once honest and slightly elevated, the kind we’re used to hearing on stage, where the structure of the entire script matters, and subtext is every bit as important as what’s spoken.” ~ Peter Debruge, Variety

“Small-scale and finely tuned.” ~ Sheri Linden, The Hollywood Reporter

“Laid out in scenes of everyday verisimilitude and quietly gathering heartache, MacLachalan weaves a tale of human frailty and strained connection rare in its avoidance of histrionics and its embrace of what makes us unknowable yet worthy of forgiveness.” ~ Robert Abele, TheWrap

Leave a Comment Filed Under: Director's Statement, Claremont 5, Featured Films, Featured Post, Filmmaker's Statement, Films, Newhall, Press, Royal, Theater Buzz, Town Center 5

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Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
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Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
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An “embrace of what makes us unknowable yet worthy of forgiveness,” A LITTLE PRAYER opens Friday at the Claremont, Newhall, Royal and Town Center.

Leaving Laemmle: A Goodbye from Jordan