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Laemmle Oscar Contest Results!

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1st Place: Paola Lainez with 21 correct answers + the tie breaker question about the show’s running time.
2nd Place: Tami Lefko with 21 correct answers.
3rd Place: Kelly Kilmer with 20 correct answers.
Winners, we will soon be in touch with your movie pass prizes. Check out our snazzy pie charts for the full breakdown of how everyone voted.
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We had two people correctly guess 21 out of 23 categories! The top spot was ultimately decided by the customer that came closest to guessing the telecast run-time of 203 minutes! Best Actress Winner Emma Stone for Poor Things (still in theaters for at least one more week) was only chosen to win by 30% of our Laemmle patrons, who may have thought Lily Gladstone’s SAG win made her the favorite; nearly 60% of the vote tallied for Ms. Gladstone for Killers of the Flower Moon. Best Adapted Screenplay was also another changeling category, with votes close between Barbie, Oppenheimer, and eventual winner American Fiction.
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Thanks for playing! No time like the present to start thinking about 2025 Oscar favorites.
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WOMAN IN THE DUNES 60th anniversary screenings March 19.

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Laemmle Theatres and the Anniversary Classics Series present this month’s installment in our Anniversary Classics Abroad Series: Hiroshi Teshigahara’s Oscar-nominated erotic drama, Woman in the Dunes . Actually, the film was nominated in two separate years. In 1964, when it won the Special Jury Prize at the Cannes Film Festival, it was one of the five nominees for Best Foreign Language Film. In 1965, when the film was released in America, Teshigahara earned a nomination for Best Director. This was a milestone because he was the first Asian director ever to win that recognition from the Academy. The great Akira Kurosawa earned his only Best Director nomination a decade later, for his film Ran. Other Asian directors who have earned Oscar nominations and victories in recent years (including Ang Lee and Bong Joon Ho) owe something to Teshigahara for paving the way.

Woman in the Dunes is adapted from a novel by esteemed Japanese novelist Kobo Abe, who also contributed to the screenplay. Eiji Okada (the star of Alain Resnais’ Hiroshima Mon Amour and of Hollywood movies The Ugly American and The Yakuza) portrays an entomologist searching for a rare species of beetle in the sand dunes of a remote part of Japan. When he misses the bus to return home, he spends the night with a widow living in the dunes, portrayed by Kyoko Kishida. Eventually their relationship evolves into a more meaningful connection that transforms the life of the scientist.

The film was highly praised for the atmospheric cinematography by Hiroshi Segawa, which immerses the viewer in the spectacular setting. The film also captivated American audiences because of its frank sexuality, which was a prime attraction of international films during the 1950s and 60s, when Hollywood was still straitjacketed by the censorious Production Code. Writing in the Chicago Tribune, Michael Wilmington declared, “In stunningly composed images by Teshigahara and cinematographer Hiroshi Segawa, that eroticism becomes overwhelming.”

Other critics took note of the film’s eroticism as well as its cinematic achievements and sharp characterizations. As Roger Ebert wrote, “Woman in the Dunes retains its power because it is a perfect union of subject, style and idea.” The New York Times’ Bosley Crowther concurred that the film contains “a bewitching poetry and power.” Kevin Thomas of the Los Angeles Times called the film “a timeless contemplation of life’s essential mystery and a triumph of bold, innovative style.”

We’ll screen Woman in the Dunes at 7 pm on March 19 at our Claremont, Glendale, Santa Clarita, West L.A. and Encino theaters.

“More than almost any other film I can think of, Woman in the Dunes‘ uses visuals to create a tangible texture — of sand, of skin, of water seeping into sand and changing its nature.” ~ Roger Ebert, Chicago Sun-Times

“The camera work by Hiroshi Segawa is often extraordinary in its ability to make a sheet of sand something mysterious and wonderful.” ~ William J. Nazzaro, Arizona Republic

“The camera’s power to turn fact into metaphor catches the intent of Kobo Abe’s book perfectly.” ~ Michael Kustow, Sight & Sound

“The couple’s grimly inescapable dilemma becomes hugely complex and terrifyingly resonant — a sexualised version of the Sisyphus myth, recounted with a distinct touch of Buñuelian absurdism.” ~ Jonathan Romney, Independent on Sunday

“Teshigahara’s direction and Segawa’s camera-work often render the mundane startling and new, a claim that only good films can make.” ~ Mark Chalon Smith, Los Angeles Times

“Woman in the Dunes remains a masterpiece, a timeless contemplation of life’s essential mystery and a triumph of bold, innovative style.” ~ Kevin Thomas, Los Angeles Times
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“Teshigahara’s creative background was in Japan’s avant-garde arts scene, and there’s a powerful expressiveness to the film’s black-and-white cinematography.” ~ Tom Dawson, BBC.com

“Brevity is the soul of wit” and much more: the 2024 Oscar-nominated shorts open this Friday.

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As usual, Shakespeare put it best (with, of course, a touch of irony, putting the words in the mouth of the long-winded Polonius). We open the animated shorts this Friday at the NoHo and Newhall; February 23 at the Town Center, Glendale, and Claremont; and March 1 at the Monica Film Center. We open the live action shorts this Friday at the Glendale and Newhall; February 23 at the NoHo and Claremont; and March 1 at the Town Center and Monica Film Center. We open the short documentaries Friday at the Royal and Town Center; we’ll also screen them Saturday and Sunday mornings at the Newhall, Glendale and Claremont starting the next day.

The animated nominees:

Our Uniform – Yegane Moghaddam, 7 min., Iran (in Farsi); Letter to a Pig – Tal Kantor and Amit R. Gicelter, 17 min., France/Israel (in Hebrew); Pachyderm– Stéphanie Clément and Marc Rius, 11 min., USA (in English); Ninety-Five Senses – Jerusha Hess and Jared Hess, 13 min., USA (in English); War is Over! Inspired by the Music of John & Yoko – Dave Mullins and Brad Booker, 11 min., USA; Also screening: Wild Summon – Karni Arieli and Saul Freed, 14 min., UK (in English, narrated by Marianne Faithfull); nominated for a BAFTA and a Cristal Award at the Annecy International Animated film Festival; and I’m Hip – John Musker, 4 min., USA; nominated for a Cristal Award at the Annecy International Animated film Festival.

From ‘Letter to a Pig.’

The live action nominees:

The After – Misan Harriman and Nicky Bentham, 18 min., UK (in English); Red, White and Blue – Nazrin Choudhury and Sara McFarlane, 23 min., USA (in English); Knight of Fortune – Lasse Lyskjær Noer and Christian Norlyk, 25 min., Denmark (in Swedish/Danish); Invincible – Vincent René-Lortie and Samuel Caron, 29 min., Canada (in French); The Wonderful World of Henry Sugar – Wes Anderson and Steven Rales, 40 min., US/UK (in English).

From ‘The After.’

The documentary nominees:

Nǎi Nai and Wài Pó – Sean Wang and Sam Davis, 17 min., USA (in Mandarin); The Barber of Little Rock – John Hoffman and Christine Turner, 35 min., USA (in English); Island in Between – S. Leo Chiang and Jean Tsien, 20 min., Taiwan (in English/Mandarin); The ABC’s of Book Banning – Sheila Nevins and Trish Adlesic, 27 min., USA (in English); The Last Repair Shop – Ben Proudfoot and Kris Bowers, 39 min., USA (in English).

From ‘The ABCs of Book Banning.’

Juliette Binoche in person for THE TASTE OF THINGS. Plus: special French dinner-and-a-movie deal at the NoHo and Le Petit Trois Le Valley!

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Set in France in 1889, The Taste of Things follows the life of Dodin Bouffant (Benoît Magimel) as a chef living with his personal cook and lover Eugénie (Juliette Binoche). They share a long history of gastronomy and love but Eugénie refuses to marry Dodin, so the food lover decides to do something he has never done before: cook for her. Written and directed by Anh Hung Tran, best known for the 1993 classic The Scent of Green Papaya, it’s based on Marcel Rouff’s 1924 novel La vie et la passion de Dodin-Bouffant, Gourmet. We open the film February 9 at the Royal and have engagements starting at the Town Center, Newhall, Glendale and Claremont beginning on Valentine’s Day.

What’s more, The Taste of Things lead actress Juliette Binoche will participate in a Q&A at the Royal following the 4 pm show and introduce the 7 pm show on Friday, February 9.

Also: Celebrate the release of IFC Films’ The Taste of Things with a one-day-only special event

Dinner and a Movie, Sunday, February 11th at the Laemmle NoHo and Petit Trois Le Valley

Two times

1:45pm Film Showtime

5pm Dinner following prepared by Chef Ludo Lefebvre

4:45pm Film Showtime

8pm Dinner following prepared by Chef Ludo Lefebvre

$200 a ticket

Ticket includes a movie ticket and dinner and drinks.

Dinner to feature custom passed appetizers, a three course meal inspired by the film, wine and non-alcoholic beverages.

Dinner experience 2.5 hours.

*Valet parking available for a fee

**Vegetarian and Vegan options available upon request

Additional questions can be emailed to rsvp@ifcfilms.com

“A mouth watering banquet of full-fat foodie cinema.” ~ Daily Telegraph

“Lusciously tender.” ~ Variety

“Food is a gift of love here – and romance courses through this delightful film.” ~ Time Out

“Pushes the notion of bonding through vittles a step further. Certain dishes are so inscribed by their creators that they act as memory itself, says the film, a sentiment that leaves a beautiful after-taste.” ~ Indiewire

“Lingering on the tongue like a sip of Châteauneuf-du-Pape, the film leaves one feeling a little drunk, desperately hungry and entirely alive.” ~ Wall Street Journal

Moviegoers, start your guesses! The Umpteenth Annual Laemmle Oscar Contest has begun.

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The Oscar nominations are out and it was a terrific, historic year for movies. From Variety:

“Lily Gladstone made history as the first Native American nominated for best actress, for her towering role as Mollie Burkhart in the crime thriller “Killers of the Flower Moon.” Colman Domingo became the first Afro Latino nominated in best actor for his powerhouse performance in the civil rights drama “Rustin.” He’s joined by fellow Black nominee Jeffrey Wright for “American Fiction.” This is only the second time in Oscar history where more than one Black actor, who wasn’t either Will Smith or Denzel Washington, was nominated for the leading prize. The first was the 2004 lineup with Don Cheadle (“Hotel Rwanda”) and eventual winner Jamie Foxx (“Ray”).

“Wright’s co-star Sterling K. Brown was nominated for best supporting actor for his turn as Clifford “Cliff” Ellison, a recently divorced gay man. This marks the first time a Black lead actor was nominated alongside a supporting actor from the same film (it’s happened previously for actor and supporting actress, or actress and supporting actress).

“Domingo and best supporting actress nominee Jodie Foster (“Nyad”) also made Oscar history: It’s the first time two openly LGBTQ actors have been nominated for playing LGBTQ characters.

“Two Black women were nominated for supporting actress: Danielle Brooks for “The Color Purple” (as that film’s sole nominee) and Da’Vine Joy Randolph for “The Holdovers.” They were joined by America Ferrera for “Barbie,” the ninth Latina actress ever nominated in the category, and the first since 2021 winner Ariana DeBose.

“First-time director and screenwriter Celine Song made history as the first Asian woman nominated for best original screenplay for “Past Lives.”

“Women also had strong showings across multiple categories. In original screenplay, a woman hasn’t been nominated since Emerald Fennell won for 2020’s “Promising Young Woman.” This year features three female scribes recognized with “Anatomy of a Fall” (Justine Triet), “May December” (Samy Burch) and “Past Lives” (Celine Song). Adapted screenplay has a sole nominated woman with Greta Gerwig from “Barbie” (along with Noah Baumbach).”

“Barbie” and “Oppenheimer,” the forever-linked hits that appealed to both mass and class audiences, are well represented with a combined 21 nominations, although Greta Gerwig and Margot Robbie were snubbed for Best Director and Actress, respectively. Still, both could still take home trophies for Best Adapted Screenplay and Best Picture (Robbie was one of the “Barbie” producers). “Oppenheimer” is the favorite to take home Best Picture, but maybe it won’t, and that’s where you come in because it’s time for our Umpteenth Annual Laemmle Oscar Contest! If you, dear moviegoer, can accurately predict how the members of the Academy of Motion Picture Arts & Sciences will vote in all 23 categories, (or close to it), you will win movie passes good at all Laemmle venues! These contests are always close so we have a tie-breaker question: try to guess the running time! The 96th Academy Awards ceremony takes place on Sunday, March 10 and we’ll announce the winners soon afterwards. Good luck!

Laemmle Moviegoers’ Top Ten Films of 2023 Revealed!

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And the Top Ten Customer-Chosen films of 2023, ranked in order from 1 to 10 are (drum roll, please…):

  1. Oppenheimer
  2. Past Lives
  3. Killers of the Flower Moon
  4. Anatomy of a Fall
  5. The Holdovers
  6. Barbie
  7. May December
  8. Poor Things
  9. The Zone of Interest
  10. Spider-Man: Across the Spider-Verse
What a terrific list! Especially gratifying to see an excellent popular entertainment like Spider-Verse instead of pretentious Oscar bait whose titles shall go unmentioned. Half of these are still in theaters, in case you missed them or want to see them one more time as they were intended. The Zone of Interest, in particular, must be seen cinematically for its Oscar-nominated sound design alone. We’ll send gift cards to our randomly chosen winners Ted Bronson, Eve Fowler and Josh Messite. Thanks to everyone for playing!

Greg Laemmle’s Top Ten Movies of 2023.

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What were your favorite films of 2023, an excellent movie year? Click here to tell us and we’ll enter you in a raffle to win Laemmle gift cards! Here’s Greg Laemmle on the year just past and his top ten films:
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While we are still in the process of getting all the numbers together, early projections are that we finally got back into the black in 2023. I know that this post isn’t supposed to be about the economic state of things, but let’s at least take a moment to express thanks that the financial picture for the exhibition business is looking better after three years of less-than-stellar ticket sales.
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Leaving aside the numbers, the following are the films that I found to be the most memorable of 2023. A few are still playing in theatres, so I encourage you to check them out while you can.
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#1 – AFIRE – This summer release from director Christian Petzold may have suffered commercially because it was so hard to define. Was it a drama? Or a comedy? And a comedy from Germany? Whoever heard of such a thing. But while it may be hard to pigeonhole this picture, it should be easy to enjoy and appreciate the complete command the filmmaker has working with a superb cast of actors.
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#2 – ANATOMY OF A FALL – This October release is still playing in theatres. And if there is any justice, it will be recognized on Tuesday with Oscar nominations for writer director Justine Triet, lead performer Sandra Huller, and that rarest of things, a nomination for a foreign language film as Best Picture.
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#3 – SPIDER-MAN: ACROSS THE SPIDER-VERSE – While I appreciated the daring animation style of the preceding film SPIDER-MAN: INTO THE SPIDER-VERSE, I was truly wowed by what this film delivered both in terms of further stylistic daring, and a real emotional pull in the storytelling. I believe the film is being brought back this week so if you can, go see it.
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#4 – THE TEACHERS’ LOUNGE – Another terrific film from Germany. And this one is the German entry for the Best International Feature category at the Oscars. Look for it to receive a nomination on Tuesday, and make sure to see it when it goes into wider release following the nominations.
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#5 – PAST LIVES – A word-of-mouth hit that played all summer, this wistful romance is a terrific debut for filmmaker Celine Song, and a superb showcase for actress Greta Lee.
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#6 – THE HOLDOVERS – Writer-director Alexander Payne and actor Paul Giamatti re-team nearly 20 years after their success with SIDEWAYS, and the result is a film of deep maturity and thoughtfulness. With a story and visual style (and soundtrack) that beautifully evokes some of now-classic films and filmmakers of the early ’70s, this is one to see.
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#7 – THE TASTE OF THINGS – The pacing in Tran Anh Hung’s film is deliberate. But also perfectly matched to a time period where the world was not in such a rush. So relax and enjoy the exquisite scenes of food preparation, not to mention the pleasure of seeing the luminous Juliette Binoche.
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#8 – THE ZONE OF INTEREST – A monster movie. But a monster movie where the monsters have spouses, children, pressure at work, and all the other things that we can relate to in our everyday lives. Director Jonathan Glazer takes Hannah Arendt’s idea of “the banality of evil” and it is both terrifying and serene.
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#9 – BOBI WINE: THE PEOPLE’S PRESIDENT – I didn’t see as many of this year’s documentaries as I would like. But of the one’s I did see, this is the best.
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#10 – AIR – I love it when Hollywood makes a thoughtful movie for adults. And I especially love it when it makes such a movie without overly stressing the “importance” of the movie. While the Oscar nominations may end up going to other pictures, for my money, this is the best put-together studio film of the year. Kudos to director Ben Affleck, screenwriter Alex Convery, star Matt Damon, and the always fabulous Viola Davis for their work here. Please, Hollywood, send us lots more like this one in the years to come.
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The business is still in the process of recovering from the pandemic closure. But it is recovering. So another request Please keep coming out to see stuff in theatres, and be a part of rebuilding a vibrant moviegoing scene that has something for everyone.

In-Person Wim Wenders Q&A for ANSELM 3D Saturday in Glendale; 2D runs this week at other venues; MUST END SOON!

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If you haven’t yet seen Wim Wenders’ 3D documentary Anselm in Glendale, there’s still time! We’ll have this fascinating portrait of painter and sculptor Anselm Kiefer in 3D for at least one more week in the Jewell City and we’ll open 2D engagements this Friday in Santa Monica, Encino, Claremont and Newhall. What’s more the director will participate in an in-person Q&A following the Saturday, January 13 1 pm screening in Glendale. Matt Carey will moderate.

“Anselm offers both a thrilling portrait of the artist at work and, with the aid of terrific archival footage, lets us see what infuses his work with such intensity.” ~ John Powers, NPR

“The director [Wim Wenders] has fashioned a mesmerizing engagement with Kiefer’s art, including just enough face time with the subject to elevate the work’s immersive, bleak majesty, rather than give it an aggrandizing spin.” ~ Robert Abele, Los Angeles Times

“This is a superbly controlled and expressed film and its high seriousness about the nature and purpose of art really is invigorating.” Peter Bradshaw, Guardian

“The meditative experience is heightened by Wenders’s innovative use of sound: indistinct whispers flutter like bats through the cavernous spaces.” ~ Wendy Ide, Guardian