Greg Laemmle Archives - blog.laemmle.com

ONLY IN THEATERS now on VOD.

May 3, 2023 by Jordan Deglise Moore Leave a Comment

If you or someone you know want to see the acclaimed documentary about Laemmle Theatres Only in Theaters at home, it’s now available for rent via Amazon Prime, Apple TV, Google Play and other on demand platforms. The film about the 85-year history of the family owned and operated foreign and indie movie exhibition company has been praised as both “heartbreaking and heartening…its subject the movies themselves” (Longtime lead L.A. Times film critic Kenneth Turan). Robert Abele of the Times wrote “like a knotty, poignant family business saga you might see on one of their screens, the story here is beautiful and complicated, one in which the twin weights of legacy and calling bear down on the need to survive in changing times.” The interviewees include Turan, Greg and Tish Laemmle, Allison Anders, Cameron Crowe, Ava DuVernay, Nicole Holofcener, James Ivory and Leonard Maltin.

ONLY IN THEATERS wraps up Bay Area tour, returns to L.A. later this month.

March 8, 2023 by Jordan Deglise Moore

Greg and Tish Laemmle just finished a tour of the Bay Area with the documentary about the family business, Only in Theatres, participating in nine Q&As over nine days at eight venues; great reviews and word-of-mouth brought out the crowds. Encore Los Angeles screenings are planned on March 30 and April 2 and will include Q&As with filmmaker Raphael Sparge with Greg & Tish.

ONLY IN THEATERS touring the Bay Area.

February 15, 2023 by Jordan Deglise Moore

The acclaimed documentary about Laemmle Theatres Only in Theaters is touring the Bay Area with in-person Q&As by third-generation Laemmle Theatre president Greg Laemmle and his wife Tish:

02/25 – East Bay Jewish Film Festival (Pleasant Hill)

02/25 – 3Below (San Jose)

02/26 – Carmel Valley Jewish Film Festival (Lighthouse Cinema, Pacific Grove)

02/27 – Elmwood, Berkeley

02/28 – Roxie (encore)

03/01 – Rialto Cinemas, Sebastopol

03/02 – Smith Rafael Film Center

03/03 – Cameo, St. Helena

03/04 – Cameo, St. Helena (encore)

If you have friends in the Bay Area, tell them to look for the film. It isn’t just for Angelenos and Dodger fans. Art houses across the country are fighting to come back, and in some communities (Berkeley in particular) the post-pandemic period has seen a number of theatre closures.

And if you are based in L.A., some screenings with Q&As are in the works for the end of March and beginning of April. Stay tuned!

Top Ten Films of 2022 contest ends Sunday: Tell us your favorites for a chance to win free movie passes!

January 18, 2023 by Jordan Deglise Moore

Keep those Top Ten contest entries coming. You have until this Sunday, January 22 to give it some thought and enter here. So far, unsurprisingly, it looks like many Laemmle moviegoers are kvelling about Everything Everywhere All at Once, Top Gun: Maverick, and RRR. We’ll have final results next week. You can read Greg Laemmle’s list and leading American film critics’ lists if you need inspiration. Personally, my favorite is Jordan Peele’s spectacular Nope. No doubt my reaction was influenced by the fact that I saw it in a packed, sold-out theater on opening night, because movies are better in theaters!

Contest! Submit your Top Ten Films of 2022 for a chance to win gift cards & read Greg Laemmle on TÁR, RRR, HALLELUJAH and the seven other films on his 2022 Top Ten.

January 5, 2023 by Jordan Deglise Moore

Have you caught up on the 2022 movies you wanted to see? Regardless, it’s time to submit your Top Ten lists. Tell us which films you liked best here and you’ll be entered into a raffle for free Laemmle gift cards! If you need inspiration, here’s Greg Laemmle on the state of arthouse moviegoing and his favorite features of the last year, with some thoughts about each:

“At some level, the best that can be said is that at least we were open for all twelve months of the year. And after 2020 and 2021, that was a positive. But given that the year both started and ended with Omicron surges, the movie exhibition sector is still not in a post-Covid environment.

“For those of us who have returned to communal moviegoing, there were some memorable movies to see. But overall, we are still dealing with fewer movies in release, less review coverage in the local press of theatrically released films, and distributor marketing campaigns for critically driven films that are still adjusting to the new landscape. There are hopeful signs. But we are still not out of the woods.

“But enough about the business. How about the films! Following is my Top 10. Like all lists, this is a work in progress, given that there are a number of films which I have not yet had a chance to watch. So if you are wondering why something is not included, it may just be that I haven’t gotten around to seeing it…yet!”

#1 – TÁR – I will admit that there is something emotionally unsatisfying about this film. But not every story can be tied up in a neat bow at the end, and such is the case here. The complex character at the center of this tale is a mass of contradictions, and to its credit, the film does not try to smooth out the rough edges. Built around Cate Blanchett’s masterful performance, Todd Field’s film is one that grows richer with each viewing.

#2 – RRR – If my top film is one that requires rigorous viewing, this #2 title is perhaps the polar opposite. But director S. S. Rajamouli is equally in control of his canvas, and the resulting film is again something that provides pleasure after repeated viewing.

#3 – HALLELUJAH: LEONARD COHEN, A JOURNEY, A SONG – There have been a number of worthwhile Leonard Cohen documentaries. But in focussing on the lengthy process involved with the creation of his most famous (and most covered) song, this film reveals something about the spiritual quest that each of us go through, and becomes something more than a film about a famous work of art. It is a revelation about the universal search for meaning.

#4 – HOLY SPIDER – Another spiritual journey. But this time, a cautionary tale about how the desire to do God’s work in the world can be corrupted. And all that is wrapped up in a taut thriller that features two great performances.

#5 – LIVING – I’m not a fan of remakes. And given that Akira Kurosawa’s IKIRU is a favorite, there was every reason to dislike this film. And yet, it gets so much right, being both respectful of the original film and understanding the need to bring the tale into a new and different setting. No film delivered as much emotionally in 2022, aided no doubt by Bill Nighy’s tremendous lead performance.

#6 – CORSAGE – Another film that benefits from a masterful lead performance. Vicky Krieps is terrific in this beautifully made costume drama. But as much as we focus on the corsets and gowns from a different era, we are really drawn into the inner life of this complex historical figure. Kudos to director Maria Kreutzer for for the complete film that supports and enhances the lead performance, creating a whole that is so much more than the sum of its parts.

#7 – CHA CHA REAL SMOOTH – Too few people saw this terrific American indie film, the sophomore effort from actor-writer-director Cooper Raiff. That’s a real shame as I found it to be one of the year’s more interesting efforts. You can find it on Apple TV, and hopefully the interplay between Raiff, the emotionally raw Dakota Johnson, and the newcomer Vanessa Burghardt delivers the same punch. I look forward with great anticipation to filmmaker Raiff’s next picture.

#8 – THE BATMAN – Yes, it’s long. Yes, it’s dark. Yes, it is a commercial film. But it is also a work that represents the singular vision of director Matt Reeves, marshalling all the talents both in front of and behind the camera to present his spin on this oft-told tale. I’m an indie guy. But I also believe that Hollywood should be given its due when it gets things right. And with this film (also TOP GUN: MAVERICK and – in a different way – ELVIS), the raw power of studio filmmaking is clear.

#9 – THE NORTHMAN – Director Robert Eggers (THE LIGHTHOUSE) was given a huge budget to make this Nordic tale. That may not have made the most financial sense, but the film itself delivers. Look for big screen revival showings.

#10 – ONLY IN THEATERS – Is it fair to include this on my list? Probably not. But is it fair to exclude it? Director Raphael Sparge’s documentary about the history of Laemmle Theaters, and our struggles over the past few years as we weathered bad box office and then the pandemic is 100% fresh on Rotten Tomatoes, so critics agree that it is a worthy effort. And so many people have approached me at the theatres to say how much they enjoyed the film as well. As we work in the coming year to rebuild our business, this film reminds us how powerful and worthwhile the experience is of seeing a movie with an audience in a movie theatre. And isn’t that something to be thankful for?

Happy New Year and Happy Moviegoing,

Greg Laemmle

Join our tradition: SING-ALONG FIDDLER ON THE ROOF tickets are going fast!

December 21, 2022 by Jordan Deglise Moore

So few movies stand the test of time and can delight wildly different audiences even decades after their release. Fifty-one years later, Fiddler on the Roof is one of those few. All of which is to say that tickets for our Christmas Eve Sing-Along Fiddler on the Roof screenings at six of our seven theaters are going fast. There is still room for those who want to come out and celebrate, but act soon. Bring your Hanukkah menorah (and candles) to the theatre and help celebrate the miracles in our lives, not least of which is the “Wonder of Wonders” that Laemmle Theatres is still open after a year of closure and two years of halting recovery. Are brighter days ahead? Who knows. But I’m betting on yes. So buy a ticket, and I’ll feel as “If I Were a Rich Man” because there are still people who value the “Tradition” of seeing a movie in a movie theatre! ~ Greg Laemmle

Greg Laemmle on ONLY IN THEATERS: The filmmaker “ended up with a front row seat for two of the more tumultuous years in the history of our three-generation family business.”

November 16, 2022 by Jordan Deglise Moore

From Greg Laemmle:

February, 2019. We had recently hosted a screening of L.A. Foodways at the Fine Arts. This documentary, about the history of agriculture in Los Angeles, and the current situation with food deserts in certain neighborhoods – where people were unable to easily access fresh fruits and vegetables – delved into a social issue that had interested me for many years. And I was especially happy to see a favorite local charity, Food Forward, as one of the charity beneficiaries of the screening.

I was not surprised that the filmmaker, Raphael Sbarge, had found this a worthy subject for a documentary. His previous film, A Concrete River: Reviving the Waters of Los Angeles has also turned a lens on something of local interest, and it also was able to see the natural land underneath the asphalt and buildings, and express a desire to see the city embrace this topography and hydrology so that L.A. could become a more sustainable and equitable place for its residents. It didn’t hurt that my wife and I appeared as interviewees in A Concrete River. But beyond that, I truly felt that Raphael and I shared a similar hope for the City of Angels.

So when Raphael called me in February, 2019, I was happy to make time to meet with him.

At that meeting, he basically said that he wanted to make Laemmle Theatres the subject of his next documentary. And given his previous films, I thought it was a natural fit. We may not be an environmental organization, but over 80+ years, we have become part of the fabric of the city, and I always hoped that we could grow and adapt, finding ways as a business where we could address some of the challenges confronting our home.

Now over the years, many filmmakers have said that someone “should” make a movie about Laemmle Theatres. But Raphael was the first of them to say that he was going to do it. And within weeks, on March 21 and 22 of 2019, we were sitting in the auditorium at the Fine Arts having the first on-camera interviews. Little did we know how things would change over the course of the next two years.

Without revealing too much, let’s just say that Raphael ended up with a front row seat for two of the more tumultuous years in the history of our three-generation family business. Do we sell? Do we not sell? And then beyond that, how do we survive being closed for 13 months during the coronavirus outbreak?

The film ends on April 9, 2021. The day of the reopening of our theatres. It was a day of hopefulness, but also a day of reckoning. Clearly, and for a variety of reasons, it was going to take some time to reconnect with the audience, and get our business back on track.

As I write this now, with the finished film, Only in Theaters, about to open a theatrical run, how am I feeling? About the film, I feel very honored. I won’t say proud, since beyond sitting for the interviews, I had nothing to do with the production or editing of the film. I trusted Raphael to make the film as he saw fit, and to be honest with his storytelling. But yes, honored.

The reaction to the film at festival screenings across the country has been terrific, and while I know that festival enthusiasm does not always translate to the competitive realities of theatrical exhibition, I am confident that people who do see the film will emerge with a greater appreciation for the moviegoing experience, and by extension, the people who make that experience possible.

The film is not what I thought it would be when I agreed to let Raphael make the movie. But it is honest and true, and that’s what’s important. And as hard as it is for me to watch some portions of the film, I will be forever grateful that it exists.

Only in Theaters opens this Friday, with a full engagement at the Royal, and limited engagements at Claremont, Glendale, Newhall, NoHo and the Town Center. The filmmaker and I will be appearing at all the venues at some point over the first five days of the run for Q&A. Check here for details on which shows will have a Q&A. Whether you can make one of those screenings or not, I hope you’ll take the time to see the film. According to Joni Mitchell’s “Big Yellow Taxi,” we are destined to only find appreciation for things after they are gone. But really, it doesn’t need to be that way. We can appreciate the things that are unique, and that bring beauty and wonder into our lives. And we can support and nurture those things so that they will always be there for us and those that come after us. And you can start doing that this weekend.

ONLY IN THEATERS, documentary about Laemmle Theatres, tickets on sale + Q&A schedule.

November 2, 2022 by Jordan Deglise Moore

We have launched advance ticket sales for Only in Theaters, the new documentary about our 84-year-old art house cinema chain. What’s more, Laemmle Theatres third-generation president Greg Laemmle will participate in multiple Q&As all over L.A. County:

Friday, 11/18 @ 7:30 PM @ Royal

Saturday, 11/19 @ 1:30 PM @ Claremont, moderated by Claremont Courier Editor Mick Rhodes.

Saturday, 11/19 @ 4:30 PM @ Newhall

Saturday, 11/19 @ 7:30 PM @ Royal

Sunday, 11/20 @ 1:20 PM @ Town Center

Sunday, 11/20 @ 4:30 PM @ Royal

Sunday, 11/20 @ 7:30 PM @ NoHo

Monday, 11/21 @ 7:30 PM @ Royal

Tuesday, 11/22 @ 7:30 PM @ Glendale

Greg’s wife Tish Laemmle will join him for the Q&As at the Royal on the 18th and 19th, and possibly more. Filmmaker Raphael Sbarge will join him for all but the November 18 screening. The film’s editor, Rick Pratt, will join for the Q&A at the Newhall on Saturday at 4:30 PM. We hope you can join them too!

Watch the trailer!

Laemmle Theatres

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