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ART IN THE ARTHOUSE presents THE STROM PROJECT: FRAGMENT in Pasadena

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ART IN THE ARTHOUSE invites you to view our newest exhibit in Pasadena from photographer, musician, and cultural anthropologist Yale Strom.  All works in THE STROM PROJECT: FRAGMENT exhibit are for sale and on display until June 14, 2018.

About the exhibit

Forty years ago, musician and cultural anthropologist YALE STROM trekked to Eastern Europe. He came across Jews living in cities, towns and tiny villages, often reminiscent of a pre-war shtetl environment. He bore witness to a dwindled Jewish population with some areas completely devoid of Jewish life. But he also found that a few larger cities were quite populous, and had actually exhibited an increase in numbers.

On his journey, Strom discovered a rich tapestry, including remnants of Hasidic and Orthodox worlds, Jews who were greatly devoted to communism, and parents who were fervently seeking better lives for their children and their children’s children.This photographic exhibition is a small window into a large field of conditions as they were, as they are, and perhaps as they will remain. Strom seeks out the moment with an artist’s hyperawareness, capturing it with an emotion and tone that is singular and authentic. The artist expresses a quality of relaxed spontaneity in his work, an organic, natural approach that never feels preset. The shots were taken with a 35mm Nikon FE camera using Kodak Tri-X 400 B&W film.

Strom’s career has been incredibly multi-disciplinary. In the klezmer world, he is celebrated as a leading scholar, ethnographer, virtuoso violinist and bandleader. Remarkably, he is a writer of 12 books, a musician/composer of 15 recordings and a documentarian of 9 films.

His newest film, American Socialist: The Life & Times of Eugene Victor Debs, starts Friday, May 4th in Pasadena and Santa Monica. The film traces the history of American populism with the man who inspired progressive ideas– from FDR’s New Deal to Bernie Sanders’s presidential campaign.

 – Joshua Elias, CURATOR

 

ART IN THE ARTHOUSE presents: PAUL GRONNER: LOST IN THE HOODOS in Pasadena

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ART IN THE ARTHOUSE invites you to view our newest exhibit in Pasadena, photographer PAUL GRONNER: LOST IN THE HOODOS. All works are for sale and on display till April, 2018.


About the exhibit
Where could a more perfect place be to lose oneself than amongst the Hoodos, the stunning spire-shaped rocks that blanket Southern Utah? In this photographic exhibition by PAUL GRONNER, the arresting Hoodos of Bryce Canyon National Park is just one of the locales showcased by the artist.His majestic suite of landscapes have been arranged in a keen, painterly fashion. Each work is well-sighted and ever-present.

With an uncanny ability to sally forth into regions at once wild and otherworldly, Gronner gets lost in the raw intaglios of the earth, finding serenity in the unknown. His work summonsrare beauty, shrinks us down and raises us up, while standing in sheer awe of nature’s impeccable design. A native of Minnesota, Gronner is an avowed national parks lover who makes frequent pilgrimages to places like the Grand Canyon, Sedona, and Arches National Park for reflection and shooting.

Southeast Asia has also served as inspiration, particularly Angkor Wat, the temples and ruins of Cambodia, and the jungles of Thailand and the Phillipines. Gronner began shooting quite early in life, at first with a Kodak Disc Camera,then a Pentax K1000 35mm. He studied at Augsburg University in Minneapolis. Gronner’s sister, journalist C.J. GRONNER is a frequent collaborator. Their work has resulted in classic images of global music icons such as Björk, Tom Morello, Nine Inch Nails, Incubus, and Damian Marley in both still and video formats.
– Joshua Elias, CURATOR

Laemmle’s Umpteenth Annual Oscar Contest, 2018 Edition!

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It’s time for our annual Predict the Oscars Contest! The person who most accurately predicts the Academy of Motion Picture Arts and Science’s choices in all 24 categories, from the shorts to Best Motion Picture, will win fabulous prizes (free movies and concessions at Laemmle)!

First place wins a Laemmle Premiere Card worth $150. Second place wins a Laemmle Premiere Card worth $100. Third place wins a Laemmle Premiere Card worth $50. Entries are due by 10AM the morning of the awards ceremony on March 4th

prem-blogNot sure what a Laemmle Premiere Card is? Think of it like a prepaid gift card for yourself! Use it to pay for movie tickets and concessions. Plus, Premiere Card holders receive $3 off movie tickets and 20% off concessions. To find out more, visit www.laemmle.com/premiere-cards.

We’ve got some smart cookies for customers so we have a tie-breaker question: you also have to guess the show’s running time. Take the tie-breaker seriously! In 2016, the running time question broke a tie between five entrants who correctly predicted 19 out of 24 categories!

We’ll announce the winners right here on our blog by March 5th. Good luck!

Click Here to Enter

 

 

 

 

TCM Big Screen Classics Series Starts January 14th in Encino, Claremont, Pasadena, and Beverly Hills

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Six decades of Hollywood hits come to select Laemmle Theatres in Encino, Claremont, Pasadena, and Beverly Hills as Fathom Events and Turner Classic Movies present stars like Humphrey Bogart, Bing Crosby, James Dean, Tom Hanks, Katharine Hepburn, Kim Novak, James Stewart, Gloria Swanson, John Travolta, Gene Wilder, Bruce Willis, Natalie Wood – and dozens more – in the yearlong “TCM Big Screen Classics” series.

“TCM Big Screen Classics” series will present 13 unforgettable films spanning the 1930s to the 1990s, each accompanied by insightful, specially produced commentary from favorite TCM hosts. It starts Sunday, January 14 at 7pm with THE TREASURE OF THE SIERRA MADRE with an encore screening Tuesday, January 16th at 2pm.

The 2018 “TCM Big Screen Classics” series includes:

1/14 + 1/16: The Treasure of the Sierra Madre
Many critics consider The Treasure of the Sierra Madre to be director John Huston’s finest cinematic offering, a gritty depiction of the cancerous effects of gold lust upon a man’s soul. From the direction of Huston, to the performances of Humphrey Bogart and Huston’s father, Walter, to the stellar camera work of Ted McCord, The Treasure of the Sierra Madre achieves an uncompromising look into the dark side of human nature. The Treasure of the Sierra Madre celebrates its 70th anniversary by leading the 2018 “TCM Big Screen Classics” series. This 70th Anniversary event includes exclusive insight from TCM host Ben Mankiewicz. Tickets.

2/18 + 2/21: The Philadelphia Story
In one of her most famous roles, Katharine Hepburn plays Tracy Lord, the daughter of a well-to-do Pennsylvania family in The Philadelphia Story. The young socialite is about to embark on a second marriage and the lucky groom is George Kittredge (John Howard), a comparatively staid but extremely wealthy gentleman. Her first husband was C.K. Dexter Haven (Cary Grant), who is certainly more colorful than Kittredge, if slightly less responsible. When Dexter makes an unexpected appearance at the Lords’ home on the eve of Tracy’s wedding, it is not so much to wish her well as to shield her from the prying eyes of an overly ambitious reporter (James Stewart) assigned to cover the nuptials. Includes exclusive insight from TCM host Ben Mankiewicz. Tickets.

3/18 + 3/21: Vertigo
Dreamy, suspenseful and hypnotic – not to mention enormously influential – Alfred Hitchcock’s San Francisco-set thriller is a unique blend of ghost story, mystery and romance. James Stewart stars as John “Scottie” Ferguson, a detective with a crippling fear of heights who is hired to trail, but falls in love with, the mysterious Madeleine Elster (Kim Novak). When he witnesses Madeleine fall to her death, Scottie is despondent … until his paths cross with Judy Barton, a woman who seems eerily familiar. With a haunting score by Bernard Herrmann, Vertigo is a cinematic milestone that has lost none of its ability to captivate audiences, even as it celebrates its 60th anniversary. Tickets.

4/8 + 4/11: Grease
John Travolta and Olivia Newton-John star in the beloved classic featuring an explosion of song and dance that made an indelible impact on popular culture. Boasting a world-famous soundtrack including “Greased Lightnin’,” “Look At Me, I’m Sandra Dee,” “Summer Nights,” “Hopelessly Devoted To You,” and “Beauty School Drop Out,” the film remains an iconic, feel-good celebration that’s perfect to watch with friends or for an unforgettable date night. Tickets.

5/13 + 5/16: Sunset Boulevard
Director Billy Wilder’s cinematic masterpiece Sunset Boulevard captures the often disturbing reality behind Hollywood’s illusions with stellar performances by Gloria Swanson and William Holden. The film was nominated for 11 Oscars, including Best Picture, and won three for Best Art Direction-Interior Decoration, Black-and-White, Best Original Music Score and Best Story and Screenplay. Tickets.

6/3 + 6/6: The Producers
“Bialystock and Bloom! Bialystock and Bloom!” Writer-director Mel Brooks delivered one of the most uproarious comedies ever made with The Producers – one that almost didn’t see the light of day as the original distributor felt it was “in bad taste.” Fifty years later, The Producers not only proved to be an Oscar® winner (Best Original Screenplay) but cemented the status of Gene Wilder (Oscar® nominated for his role) as a comedy legend and inspired one of the most popular musicals in Broadway history. Newly restored by Studiocanal for its 50th Anniversary, the film stars Zero Mostel, Kenneth Mars and Dick Shawn. Tickets.

7/15 + 7/18: Big
It’s been 30 years since Josh Baskin (played by Tom Hanks and David Moscow) first met the mechanized carnival genie Zoltar and uttered: “I wish I were big” – and his ensuing adventure turned the already-popular Hanks into a mega-star. Directed by Penny Marshall, Big became a box-office sensation as audiences fell in love with the exploits of 12-year-old Josh becoming a 30-year-old man overnight. Voted by the American Film Institute as one of the 10 best fantasies in American movie history, Big is a delight for all movie lovers – big and small. Tickets.

8/5 + 8/8: The Big Lebowski
Part absurdist comedy, part noir crime drama, and utterly Coen, The Big Lebowski has continued to grow in both popularity and reputation since its first release in 1998. Loosely inspired by the writings of Raymond Chandler, The Big Lebowski is almost impossible to define — except as a modern classic. So much so, that in 2014 the Library of Congress named The Big Lebowski to the esteemed National Film Registry, citing its “tale of kidnapping, mistaken identity and bowling.” With Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi and David Huddleston, it’s a singular achievement from the singular filmmaking team of Joel and Ethan Coen. Tickets.

8/26 + 8/29: South Pacific
It’s some enchanted evening for movie fans as director Joshua Logan’s widescreen, color-soaked adaptation of Rodgers & Hammerstein’s classic musical makes a rare cinematic return in honor of its 60th anniversary. Filled with impossibly lush scenery – shot both in Kauai and on the island of Ibiza – and memorable performances by Mitzi Gaynor, Rossano Brazzi, Ray Walston and Juanita Hall, the Oscar®-winning South Pacific was a box-office smash upon release. Its soundtrack, which also set records, includes such unforgettable songs as “I’m Gonna Wash That Man Right Outta My Hair,” “Some Enchanted Evening” and “Bali Ha’i.” Tickets.

9/23 + 9/26: Rebel Without a Cause
One of James Dean’s three major starring roles, Rebel Without a Cause turned an actor into a Hollywood legend when it was released less than a month after Dean’s untimely death. On its own, though, the film set off cultural shock waves as teenagers flocked to see one of the first realistic portrayals of youth Hollywood had attempted. Director Nicholas Ray catches lightning in a bottle not just with Dean’s performance, but with perfectly cast Natalie Wood and Sal Mineo as equally troubled youths and a revelatory performance by Jim Backus as Dean’s ineffectual father. Rebel Without a Cause remains as riveting as the day it was released. Tickets.

10/14 + 10/17: Mr. Smith Goes to Washington
Appointed on a whim to serve a vacant seat on the U.S. Senate, Boy Rangers leader Jefferson Smith (James Stewart) moves to Washington filled with enthusiasm – which quickly turns to disbelief bordering on cynicism when he sees how the nation’s political system actually works. This classic, directed by Frank Capra, with story by Lewis R. Roster and screenplay by Sidney Buchman, was a milestone of Hollywood’s “golden year” of 1939. It quickly became a lightning rod of controversy among real politicians, and a perennial favorite among moviegoers. Whether they’ve seen it a dozen times or it’s brand-new to them, audiences rally behind Jeff Smith, proving that the power of an individual to change the way of the world is an optimistic American ideal. Tickets.

11/11 + 11/14: Die Hard
Yippee-ki-yay … John McClane is back in the iconic action-thriller. In his first major movie role, Bruce Willis is a sly, sardonic combination of action-hero and wisecracker who has to single-handedly protect L.A.’s fictional Nakatomi Plaza from a team of terrorists led by the suave Hans Gruber (Alan Rickman, also making his big-screen debut). Inside the 35-story high-rise, McClane can use little more than his wits to save the day. Under the assured direction of John McTiernan (The Hunt for Red October, Predator), Die Hard became a game-changing action film that remains the gold standard three decades later. Tickets.

12/9 + 12/12: White Christmas
One of the best-loved, most quintessentially American of all holiday classics, White Christmas will charm longtime fans and young audiences alike with its blend of timeless music and big-hearted emotion. Bing Crosby, Danny Kaye, Rosemary Clooney and Vera-Ellen star in the delightful musical directed by Michael Curtiz (Casablanca), which features unforgettable songs by the legendary Irving Berlin. The 2018 “TCM Big Screen Classics” series wraps up by celebrating the season with a rare cinematic presentation of this holiday favorite that moviegoers of all ages can enjoy together. Tickets.

Happy New Year! Enjoy the Beginning of 2018 by Seeing All the Shortlisted Foreign Language Oscar Nominees on the Big Screen.

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This year intrepid moviegoers will have a chance to see every one of the shortlisted foreign films in theaters. The Academy received submissions from around the world, 92 nations in all, and has whittled them down to these lucky nine. (Anne Thompson of Indiewire has a good breakdown about the snubs and surprises here.)

We open the Hungarian drama ON BODY AND SOUL this Friday at the Music Hall. We’ve been playing the hit Swedish comedy THE SQUARE since November. We have Fatih Akin’s IN THE FADE (Germany), starring a fierce Diane Kruger, right now at the Royal and starting Friday at the Playhouse and Town Center. (We’ll also host Mr. Akin in person for a Q&A at the Royal this Friday.) The following weekend we’ll open THE INSULT (Lebanon), and bring back FELICITE (Senegal) and THE WOUND (South Africa). We’ll have Russia’s LOVELESS in February and Israel’s FOXTROT in early March. We don’t yet have FANTASTIC WOMAN (Chile) dated but most likely will soon. Travel the world via movie theater seat. Much more affordable than the airlines, and better leg room!

Jewish Journal L.A.: ‘1945’ Examines Postwar Angst in Hungary.

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‘1945’ Examines Postwar Angst in Hungary
BY TOM TUGEND | PUBLISHED NOV 17, 2017

An ancient train, belching black smoke, pulls into a station near an unnamed Hungarian village and out step two Orthodox Jews. Not losing a moment, the stationmaster sounds the alarm: “The Yids are coming!”

The year — and the title of the movie — is “1945,” a time when the inhabitants of the village and the rest of their countrymen have arrived at a junction in history and are unsure which path to follow.

While Hungary’s Holocaust-themed movie “Son of Saul” won the Academy Award for foreign-language film two years ago, exhibiting the full horror of the Shoah and its concentration camps, the postwar “1945” probes the potential for greed and selfishness in every human being.

“We are the third postwar generation,” director Ferenc Torok said in a phone interview from Budapest. “And a lot of people are asking what their parents and grandparents did during the world war.”

The film takes place in the middle of summer as the villagers till their fields, smoke and drink endlessly, and prepare for the wedding of the son of a domineering town clerk to a pretty peasant girl. Nazi Germany had surrendered two months earlier, in May, and while some Soviet troops have arrived, the Communist puppet government has not yet assumed power.

The two arriving Jews — the older clad in a black coat and hat and his adult son wearing a workman’s cap and clothing — unload two large trunks and hire a horse-drawn cart and its driver to carry their load for the hour-long trip to the village, while father and son follow behind on foot.

As the odd procession wends its way through the countryside, the stationmaster’s warning stokes the villagers’ fears that the survivors among their former Jewish neighbors now will demand the return of the houses, businesses and furniture they left behind when they were deported to concentration camps. That means the town clerk would no longer own the drug store and his wife could no longer glory in the beautiful rugs, dishes and silver menorah of the previous owner.

In the ensuing panic, some try to hide their ill-gotten gains, while others put their hopes in papers, signed by the pro-Nazi wartime government, “officially” transferring the abandoned homes and goods to the gentile neighbors.

When horse, cart and the “Yids” arrive at the village, women peek through shutters, the pharmacist tries to hide his tubes and bottles. Rumors spread that the trunks contain perfumes and beauty aids to sell to the village women.

Finally, the cart and two men arrive at the gates of the abandoned Jewish cemetery. The younger Jew, with a concentration camp number tattooed on his forearm, takes a key out of his pocket and opens the rusty gate, as a posse of hostile villagers gathers nearby. Inside the cemetery, father and son open the trunks and bury the unexpected contents. In the final scene, the two strangers re-board the train, their mission accomplished.

The result is a masterfully directed, acted and photographed movie, which again disproves predictions that the time of the Holocaust-themed movie has expired, even as the last eyewitnesses are dying.

Torok, who is not Jewish, said that part of the continued interest in a place like Hungary, whose Jewish population was decimated during the war, has to do with the fact that for many years while the nation was a Communist satellite, the subject of the Holocaust — and particularly the participation of many Hungarians in it — was taboo. The same applied to the collaboration of many Hungarians with Hitler’s regime, as German and Hungarian troops fought together in the invasions of Yugoslavia and the Soviet Union.

The film started as a short story by Hungarian Jewish writer Gabor T. Szanto, titled “Homecoming,” which won the Yad Vashem Avner Shalev Prize for best artistic representation of a Holocaust-related topic. Torok, relying on Szanto’s intimate knowledge of Jewish life and rituals, asked him also to write the screenplay.

In a separate phone interview, Szanto, editor of the Hungarian-Jewish magazine “Szombat” (Sabbath), made a number of observations on Hungarian Jewry, past but mostly present.

“The Holocaust is still the cornerstone of our thinking, not only for Hungary’s 80,000 Jews (compared with 450,000 before World War II) but to every other Nazi-occupied nation,” he said. “This film is really Europe’s story.”

In general, Hungarian Jews, like their American counterparts, tend to be liberals and left-leaning and they are concerned by their country’s political shift to the right, Szanto said. Among the worrisome signs is the growing strength of the nationalistic Jobbik party.

Another sign is the recent public poster campaign by the Hungarian government, depicting George Soros, a Hungarian-American and Jewish billionaire and philanthropist, as the mastermind of a massive of influx of illegal immigrants from the Middle East into Hungary.

“As a writer, I am a bit of an outsider and try to look at Hungary and its Jewish community realistically,” Szanto said. “We have many problems, but I don’t think they can be solved by ideologies. We can believe in ideals, but our solutions must be realistic. You can’t change human nature.”

“1945” begins screening on Nov. 25 at Laemmle’s Royal Theatre in West Los Angeles, Playhouse 7 in Pasadena and Town Center in Encino, as well as Westpark 8 in Irvine. On Dec. 8, the film will open at the Laemmle’s Claremont 5 in Claremont.

 

 

© Copyright 2017 Tribe Media Corp

https://www.youtube.com/watch?v=HCg3jVRX85A&feature=em-subs_digest

 

10th Annual Christmas Eve FIDDLER SING-A-LONG is Around the Corner! Tickets now available!

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*** FIDDLER UPDATES  (skip to main article)
We’re pleased to announce an dynamic and eclectic line-up of Fiddler Hosts for 2017!

Ahrya Fine Arts
Kenny Ellis – entertainer, comedian, singer of Hanukah Swings! – BUY TIX

Royal
Gustavo Bulgach – musician, bandleader of Klezmer Juice – BUY TIX

NoHo 7
Susan Edwards Martin – Broadway star, entertainer – BUY TIX

Playhouse
Jason Moss – of Jewish Federation of the San Gabriel and Pamona Valleys – BUY TIX

Town Center 5
Steve Sass – of Jewish Historical Society (5:00pm show) – BUY TIX
 Cantor Phil Baron – of Valley Beth Shalom (7:30pm show) – BUY TIX

Claremont 5
Cantor Paul Buch  – of Temple Beth Israel – BUY TIX

Jump below to find out more about our hosts.

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Wonder_of_Wonders_edit_2You heard right … it’s our 10th year of FIDDLER!  Join us as we celebrate a decade of song, shtick, and shenanigans by once again coming together as a community for Laemmle’s legendary Christmas Eve experience.

For 2017, this ever-popular event will be occurring at six of our neighborhood venues including the magnificent single screen, art deco AHRYA FINE ARTS in Beverly Hills (see below for full listing and ticket links).

(Jump down to watch the Sing-A-Long trailer.  For tickets, visit Laemmle.com/Fiddler).

In addition to movie and song, the evening will feature TRIVIA with PRIZES being awarded to Fiddler buffs with the quickest recall.  Dressing in COSTUME is not required, but highly encouraged! Who knows, perhaps the best costume will garner a prize?  Or perhaps this is the year you’ll be given an opportunity to do your best Tevye or Golde impression?  That will be up to the emcee.  Indeed, each location will feature its own host, among them some of our favorites from year’s past including CANTOR PHIL BARON and klezmer band leader GUSTAVO BULGACH.

As Greg Laemmle is fond of saying “Christmas Eve isn’t just Chinese food!”  He elaborates, “This is your once-a-year chance to be the star of the shtetl. Join with friends and neighbors and sing your heart out alongside Fiddler’s screen legends. And it’s okay if you haven’t memorized all the songs. We provide the lyrics.”

Song highlights include the iconic “TRADITION”, “IF I WERE A RICH MAN”,  “TO LIFE”, “SUNRISE SUNSET”, “DO YOU LOVE ME?” and “ANATEVKA”, among many, many more.

Don’t be late! Those who wish to attend the program are advised to purchase tickets in advance as the program has traditionally sold to capacity. We welcome all those in the community who are looking for an alternative Christmas Eve.

See you in the shtetl…

https://www.youtube.com/watch?v=CnuyNaOEBt4&feature=youtu.be

Fiddler Hosts – 2017

KENNY ELLIS at the Ahrya Fine Arts (Beverly Hills)
Once known as “The Man Behind the Matzoh Ball,” cantor and comedian KENNY ELLIS will be our host at the Ahrya Fine Arts in Beverly Hills. He appears in support of our community partner, the LOS ANGELES JEWISH FILM FESTIVAL. As a cantor and comedian, Ellis has entertained audiences all around the globe. Currently the cantor at Temple Beth Ami in Santa Clarita, you can also catch Ellis at the LAUGH FACTORY in Hollywood. Ellis achieved success with HANUKKA SWINGS! a recording that broke new ground as the first ever big band Hanukkah album. Large YouTube audiences have enjoyed “Swingin’ Dreidel” and other tracks from the hit record.

gustavositting_crop_prGUSTAVO BULGACH at the Royal (West L.A.)
Accomplished Klezmer musician and bandleader GUSTAVO BULGACH will be our host at the Royal in West L.A. Born and raised in Buenos Aires, Bulgach was inspired at an early age by the religious and secular life of the Argentine community. Now based in L.A., Bulgach travels the globe uplifting audiences with a vibrant, soulful Klezmer he terms the “soundtrack of the Diaspora.” Bulgach has been a longtime member of the House of Blues Foundation house band backing artist such as LITTLE RICHARD, TAJ MAHAL, and THE WAILERS. His own outfit, KLEZMER JUICE, was featured in the Hollywood mega hit movie THE WEDDING CRASHERS featuring Owen Wilson and Vince Vaughn.

susan_martin_crop_prSUSAN EDWARDS MARTIN at the NoHo 7 (N. Hollywood)
Broadway star SUSAN EDWARDS MARTIN will represent partner Temple Beth Hillel at our NoHo 7 venue. A star of Broadway, Martin is an accomplished singer, musician, actress and comedienne who originated the role of ‘Lady Blue’ in HARVEY FIERSTEIN’s Tony Award-winning play “Torch Song Trilogy.” She has also appeared in many other Broadway and Off-Broadway productions such as “Bubbling Brown Sugar,” “The Suicide,” and the long-running musical comedy “Scrambled Feet.” Numerous television credits include a recurring role on “Days of our Lives,” and guest appearances on “NYPD Blue,” “Designing Women,” and “Columbo,” among many others. Martin is currently creating a new original musical, “Unlimited” based on her personal story of growing up in Long Island and her ensuing life in show business.

jason-photo_02_edit_cropJASON MOSS at the Playhouse 7 (Pasadena)
Executive Director of the Jewish Federation of the Greater San Gabriel and Pomona Valleys JASON MOSS will be our host at the Playhouse 7 in Pasadena. Under his leadership, the Federation has doubled its programming with the creation of such programs as the Cultural Arts Program, PJ Library, a nationally recognized program to reach and connect with unaffiliated Jewish families. In addition, Moss recently launched JLife SGPV, a lifestyle magazine celebrating Jewish life in the San Gabriel and Pomona Valleys.

phil-baron_02_crop2_lrCantor PHIL BARON at the Town Center 5 (Encino), 7:30pm Show
Cantor PHIL BARON of Temple Valley Beth Shalom in Encino comes to us courtesy of community partner JEWISH HISTORICAL SOCIETY (JHS) and the BREED STREET SHUL. Baron is the son of a violinist and the grandson of a Vilna rabbi. Before becoming a cantor, he took a successful detour into children’s entertainment, where he had over 300 original songs recorded – nearly 200 of these by the Walt Disney Co. He co-created two television series for Jewish children, Bubbe’s Boarding House, and the multiple award-winning series Alef…Bet…Blast-off! As a vocalist he has been featured with the Los Angeles Jewish Symphony, the Cleveland Orchestra and the New Orleans Philharmonic.

Paul Buch_prCantor PAUL BUCH at the Claremont 5 (Claremont)
Cantor PAUL BUCH has served Temple Beth Israel in Claremont since 2003. He came to the cantorate after a 25 year career in TV and film production in Los Angeles, New York, and Portland. In addition to his cantorial duties, Buch is President of the Claremont Interfaith Council and serves on the Faith-Based Roundtable of the Pomona Unified School District. He is also Chair of the City of Claremont’s Human Relations Committee and serves on an advisory committee at the Claremont School of Theology. This will be his fourth consecutive year as our Fiddler host in Claremont!

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PROGRAM DETAILS

DATE: Sunday, December 24th

TIME: 7:30pm

PRICING:
General Admission – $18
Seniors/Children – $15
Premiere Card Adult – $12
Premier Card Seniors – $10

LOCATIONS:
Claremont – Get Tickets
Ahrya Fine Arts – Get Tickets
NoHo – Get Tickets
Playhouse – Get Tickets
Royal – Get Tickets
Town Center – Get Tickets 

Former ADL National Director Abe Foxman on the New Film ‘1945:’ “An astonishing new achievement.”

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Based on the acclaimed story “Homecoming” by Gábor T. Szántó, 1945 is a haunting film about the deep undercurrents beneath the surface of a quaint village that’s ultimately forced to face up to its “ill-gotten gains” from the Second World War. We open 1945 next week at the Royal, Town Center, and Playhouse and next month at the Claremont 5. Former National Director of the Anti-Defamation League Abe Foxman saw and loved the movie and wrote the following about it:

“The Hungarian Jewish experience during WWII was unique among European countries. Until 1944, Hungarian Jews lived in relative safety despite anti-Jewish laws that existed since 1920 and pogroms in which the military participated (e.g. the 1942 Novi-Sad pogrom where 1000 Jews were murdered).

Abe Foxman

“But then, in March 1944, when the Germans occupied Hungary, Adolf Eichmann implemented the “final solution” in that country and was surprised by the collaboration and great help received from the Hungarian authorities. Thus, the deportation and murder of Hungarian Jews was swift and unparalleled among any other European country – in a few months more than 600,000 Jews were identified and sent to the murder camps.

“Only now, more than 70 years after, “Yad Vashem” has succeeded to identify the names of 80% of those who perished but the issue of their property and belongings has hardly been addressed.

“For that reason, the new Hungarian film 1945 , currently playing in NYC theaters and soon opening across North America, is quite relevant to today. But not only because of that…

“On one clear day, after the war ended, two Orthodox Jews appear in a small village in Hungary, hiring two locals to carry two trunks labeled “perfumes” for them. All they do is walk slowly, across the village, after the wagon carrying their trunks, but their appearance evokes strong feelings of guilt and remorse that slowly make the village community deteriorate.

“It seems most of the villagers collaborated in extraditing the Jews that lived there up to a year before and gladly took over their property, from kitchenware to their houses.

“Shot in beautiful black and white, director Ferenc Torok (who is not Jewish) interprets Gabor Szanto’s (who is Jewish) short story “Homecoming,” with vast strokes of sensitivity and a final mesmerizing emotional effect.

“1945 is a real masterpiece, heightened by the end of the film when we, the audience and the villagers, understand the real mission of these two Orthodox Jews. It’s a rare moment where one of Judaism’s most important contributions to the world, that of guilt and remorse over moral wrong doings and the sanctity of life, are presented in such a heart wrenching way on film.

“What is most astonishing is that the two Jews have not traveled to this village to claim their stolen property, but the emotional effect of their silence provokes this issue out from the conscience of the villagers.

“The issue of the stolen property of the Jews is still relevant today. Just recently the Polish government issued a new law which states compensation funds will be awarded only to people that are Polish citizens in the present, thus withholding compensation to the Jews and their descendants whose property was absconded in Poland during these years.

“Although Germany started compensating Jewish victims in the 1950’s, most Eastern European governments are still dragging their feet on this issue.

“The film 1945 is an astonishing new achievement which I highly recommend every human being to see, regardless of his/her religion.”