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In the near future, a jaded politician fresh off an electoral loss escapes with his controlling wife to the Southern lake house where he spent summers as a teen. Their vacation is disrupted by the appearance of his first love, who has just returned from a 20-year space voyage and hasn’t aged a day.

Website for tickets: https://www.laemmle.com/film/time-capsule

Miss seeing great movies? Check out Laemmle Virtual Cinema and stay up to date on new arthouse releases from the comfort of your own home!

Watch now: https://watch.laemmle.com
THE TIME CAPSULE Trailer - Laemmle Theatres
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Back on the big screen where it belongs for a one night only #encoRRRe, RRR is an exhilarating, action-packed spectacular mythologizing two real-life freedom fighters who helped lead India’s fight for independence from the British Raj, Komaram Bheem (N.T Rama Rao Jr., aka Jr NTR) and Alluri Sitarama Raju (Ram Charan). Set in the 1920s before their fight for India’s independence began, RRR imagines a fictional meeting between the two, set into motion when a young Gond girl is stolen from her village by British soldiers. 

Website for tickets: https://www.laemmle.com/film/rrr

Miss seeing great movies? Check out Laemmle Virtual Cinema and stay up to date on new arthouse releases from the comfort of your own home!

Watch now: https://watch.laemmle.com
RRR Trailer - Laemmle Theatres
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One of Broadway's most classic and beloved tales, 42ND STREET, comes cinema screens in the largest-ever production of the breathtaking musical. Set in 1933, 42ND STREET tells the story of Peggy Sawyer, a talented young performer with stars in her eyes who gets her big break on Broadway.

Website: https://www.laemmle.com/film/42nd-street-musical

Miss seeing great movies? Check out Laemmle Virtual Cinema and stay up to date on new arthouse releases from the comfort of your own home!

Watch now: https://watch.laemmle.com
42ND STREET: THE MUSICAL - Laemmle Theatres
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Laemmle Theatres

3 days ago

Laemmle Theatres
You don't want to miss Sofia Kappel's powerful performance in #PLEASURE. Opening TODAY at the Laemmle NoHo 7 & Laemmle Playhouse 7 | Other Laemmle Theatres starting Fri. 5/27 and into June. Trailer & Tix: bit.ly/39AxpPj ... See MoreSee Less

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5 days ago

Laemmle Theatres
Get Early Access to DOWNTON ABBEY: A NEW ERA Thurs. 5/19 at the Laemmle Town Center 5, Laemmle NoHo 7, Laemmle Playhouse 7, Laemmle Claremont 5, Laemmle Glendale, Laemmle Newhall, & Laemmle Monica Film Center Don't miss the cinematic return of the global phenomenon! Trailer & Tix: bit.ly/39zXGNy ... See MoreSee Less

Downton Abbey: A New Era - Laemmle.com

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2 weeks ago

Laemmle Theatres
Stop by TONIGHT ONLY for a special presentation of Jan Troell's "infinitely absorbing and moving" 1971 drama THE EMIGRANTS (Roger Ebert), starring Liv Ullmann and Max von Sydow. Screens at 7:00 PM in West LA, Pasadena, Newhall, and Glendale! ... See MoreSee Less

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Home » Featured Post

Searing, prescient French abortion drama ‘Happening’ arrives just in time.

May 11, 2022 by Jordan Deglise Moore Leave a Comment

Opening just as the expected but still shocking news broke that the Republican appointees to the Supreme Court are ready to begin clawing back women’s rights within a few weeks, Happening could not be more timely or galvanizing. As Mark Olsen wrote recently in the L.A. Times, “Happening is set in 1963 and yet it suddenly feels like a possible window into the future. Directed by Audrey Diwan, who co-wrote the adaptation of Annie Ernaux’s autobiographical novel of the same name, the film follows a young French college student Anne (Anamaria Vartolomei) as she attempts to get an abortion after discovering she is pregnant. Though abortion became legal in France in 1975, in 1963 it very much was not, with potential prison time for the woman, whoever performed the procedure and anyone who helped. Isolated from her friends and family, Anne becomes increasingly driven as the weeks pass by to find a solution to her problem — anything that will allow her to continue on with her life as she planned and fulfill her goal to become a writer…In an emailed statement, Diwan responded to the recent news [from SCOTUS], writing, “The purpose of art is also to bring to light some hidden truths. We all know, time has proven it, that when abortion becomes illegal, women who feel the need for it find other solutions. And not safe ones. I think that those who want to intervene in the abortion debate, whether for or against, should at least know clearly what a clandestine abortion is. We cannot talk about what we don’t know. And I include myself here: before reading Happening, I participated in this conversation for a long time without knowing … I was wrong. We should all know, this must not stay silent.'”

 

Happening was a critical, commercial and cultural phenomenon in its native France, where it opened in the autumn. The New York Times recently published a piece headlined “In France, a Film Has Women Sharing Their Stories of Abortion: Following the release of Happening, about an illegal abortion in 1963, the country’s contemporary stigma around the procedure is facing scrutiny.” The lede: “Happening, Audrey Diwan’s film about a 1960s back-street abortion in France, isn’t for the fainthearted. In fact, audience members have fainted at several screenings, including at the Venice Film Festival last September, where it won the Golden Lion. ‘It’s often men who say the experience took them to the limit of what they could bear,” Diwan said in a recent interview, “because they had never imagined what it might be like.’…Happening, which aims for a sense of immediacy onscreen, has led artists and activists to speak up about the taboo they feel still surrounds the procedure. ‘There is this constructed social shame that women are meant to feel, Diwan said, ‘and the sense that if we talk about it, we take the risk of calling into question this right, which in the end is never assured.’ In response to Happening, last December, the French feminist magazine Causette devoted a cover story to testimonies from 13 celebrities, under the title: “Yes, I Had An Abortion.” The author Pauline Harmange, who rose to international prominence last year with her debut book “I Hate Men,” also published an essay in March about her own experience, “Avortée” (“Aborted”).”

Some of the abundant praise for Happening:

“Magnificently written, directed, shot and performed, it reminds you that cinema can be such a powerful medium of empathy.” – Zhuo-Ning Su, Awards Daily

“It’s hard to think of a film more necessary in the current moment.” – David Jenkins, Little White Lies

“Deftly adapted by director Audrey Diwan from a novella, Happening is a period piece, but it’s acted and shot with a shivery immediacy.” – Robbie Collin, Daily Telegraph UK

Audrey Diwan

We open Happening at the Claremont, Newhall, Playhouse and Town Center this Friday, May 13 and at the Monica Film Center, Glendale and NoHo on May 20.

https://www.youtube.com/watch?v=7ZlxhX9F25M

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Filed Under: Claremont 5, Director's Statement, Featured Films, Featured Post, Films, Glendale, Newhall, NoHo 7, Playhouse 7, Press, Santa Monica, Theater Buzz, Town Center 5

“You will not want to be anywhere else.” Iranian comic drama ‘Hit the Road’ delights, opens Friday at the Royal & Town Center, May 13 at the Claremont.

May 4, 2022 by Jordan Deglise Moore Leave a Comment

Panah Panahi, son and collaborator of embattled Iranian master Jafar Panahi, makes a striking feature debut with this charming, sharp-witted, and deeply moving comic drama. Hit the Road takes the tradition of the Iranian road-trip movie and adds unexpected twists and turns. It follows a family of four – two middle-aged parents and their sons, one a taciturn adult, the other an ebullient six-year-old – as they drive across the Iranian countryside. Over the course of the trip, they bond over memories of the past, grapple with fears of the unknown, and fuss over their sick dog. Unspoken tensions arise and the film builds emotional momentum as it slowly reveals the furtive purpose for their journey. The result is a humanist drama that offers an authentic, raw, and deeply sincere observation of an Iranian family preparing to part with one of their own.

Winner of Best Film at the BFI London Film Festival and an Official Selection at the Cannes Film Festival (Directors’ Fortnight), New York Film Festival, and AFI Fest, Hit the Road began earning accolades the minute it premiered last year:

“Critic’s Pick! From the first jokey moments of Hit the Road until its heartbreaking end you will not want to be anywhere else.” – A.O. Scott, New York Times

“A love story, a tragicomedy, and a triumph. Panahi films the drama with aesthetic audacity to match his psychological subtlety… unites intimate conflicts and vast landscapes in framings as wry as they are rhapsodic.” – Richard Brody, The New Yorker

“Sharp and endearing. A warm and realistic comedy, with flashes of the fantastic. Introduces an exciting filmmaker whose journey is just beginning.” — Jacob Oller, Paste

 “A stunningly assured road movie.“ – Leigh Singer, Sight & Sound

“A worthy descendant—both stylistic and biological—of Iranian auteur Jafar Panahi, Hit the Road maps its own journey: playful, bittersweet and wholly surprising.“ – Dylan Kai Dempsey, Ioncinema

“An intimate, frequently funny, poignant and deeply moving piece of work… damned near to being a masterpiece – if it isn’t simply one already.” – John Bleasdale, Cinevue

https://www.youtube.com/watch?v=QdgWGUX4b5M

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Filed Under: Claremont 5, Featured Films, Featured Post, Films, News, Royal, Theater Buzz, Town Center 5

Bring a Friend Back to the Movies ~ THE DUKE, starring Jim Broadbent & Helen Mirren.

April 27, 2022 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and Sony Pictures Classics invite you to Bring a Friend Back To The Movies. Starting this Friday at the Playhouse and Town Center, and May 6 at the Claremont, Monica Film Center and Newhall, buy one ticket to the acclaimed dramatic comedy THE DUKE and one friend — or spouse, sibling, parent, child, etc. — may see the movie with you for free. This offer is only good at the theater box offices, not online, and runs through Thursday, May 12 only.

We want to bring audiences back to theaters and remind them that nothing beats seeing a film on a big screen with a friend and the crowd pleaser THE DUKE, which premiered at the Venice and Telluride Film Festivals in 2021 and is certified fresh on Rotten Tomatoes at 95%, is the perfect movie for the purpose. “THE DUKE is a wonderfully warm and funny film,” said Greg Laemmle, “and seeing it in a theatre is the best way to enjoy it. Together with the filmmakers and the distributor, Laemmle Theatres is supporting the Bring a Friend Back program as a great way to remind audiences of the unique pleasure of seeing a movie in a public setting.”

In acclaimed director Roger Michell’s (Notting Hill, My Cousin Rachel, Blackbird) final feature film before his passing in 2021, THE DUKE is the first film to tell the extraordinary true story of 60-year-old taxi driver Kempton Bunton (Broadbent), who was accused of stealing Francisco Goya’s portrait of The Duke of Wellington from the National Gallery in London; it is the only painting ever stolen from the National Gallery in its 196-year history. The L.A. Times recently published a fascinating piece on the backstory, featuring interviews with the Bunton’s grandson as well as Mirren and Broadbent.

THE DUKE stars Academy Award® winners Broadbent (Iris, Another Year) and Mirren (The Queen, The Last Station), with a screenplay by Richard Bean and Clive Coleman. We open the film this Friday at the Playhouse and Town Center and May 6 at the Claremont, Newhall and Monica Film Center. The Bring a Friend Back program is good through Thursday, May 12, only for THE DUKE, and only for in-person ticket purchases.

https://www.youtube.com/watch?v=Xrmwbkq780E

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Filed Under: Featured Films, Featured Post, Films, Playhouse 7, Theater Buzz, Town Center 5

‘Fiddler’s Journey to the Big Screen,’ the engrossing behind-the-scenes story of one of our finest movie musicals, opens May 6.

April 20, 2022 by Jordan Deglise Moore Leave a Comment

The fall of 2021 marked the 50th anniversary of Fiddler on the Roof, the film Pauline Kael called “the most powerful movie musical ever made.” Narrated by Jeff Goldblum, Fiddler’s Journey to the Big Screen captures the humor and drama of director Norman Jewison’s quest to recreate the lost world of Jewish life in Tsarist Russia and re-envision the beloved stage hit as a wide-screen epic. We have an advance screening of Fiddler’s Journey to the Big Screen May 5 at the Royal followed by week-long engagements at the Royal, Playhouse and Town Center beginning May 6.

For a taste of the film, here’s a clip in which composer John Williams and Jewison discuss enlisting the brilliant violinist Isaac Stern to provide the title character’s music.

We are planning a series of Q&As at the Royal: Thursday, May 5th – evening show for LAJFF – Q&A with Daniel Raim (director), moderated by Hilary Helstein (LAJFF); Fri. May 6 – 7:30pm – Q&A with Daniel Raim (director), Sasha Berman (producer), and Michael Sragow (co-writer, co-producer); Sat. May 7th – 7:30pm – Moderated by film critic Kenneth Turan, Q&A with Daniel Raim (director), Sasha Berman (producer), and Michael Sragow (co-writer, co-producer); Wed. May 11 at 7:30pm – Q&A with Michael Sragow (co-writer, co-producer).

Director Norman Jewison (pointing) and star Tevye (holding hat) on the set of The Fiddler on the Roof. As seen in Fiddler’s Journey to the Big Screen. A film by Daniel Raim. A Zeitgeist Films release in association with Kino Lorber.

Finally, here’s an excerpt from a rave review Raquel Stecher recently posted on her site Out of the Past:

“Director Daniel Raim continues his quest to champion the art of filmmaking with his latest documentary Fiddler’s Journey to the Big Screen (2022). Narrated by Jeff Goldblum, this documentary takes a deep dive into the making of Fiddler on the Roof (1971), director Norman Jewison’s personal and professional journey and all of the key players who came to together to make one of the greatest musical films of all time.

Director Norman Jewison (right) and star Tevye on the set of The Fiddler on the Roof. As seen in Fiddler’s Journey to the Big Screen. A film by Daniel Raim. A Zeitgeist Films release in association with Kino Lorber.

“Fiddler on the Roof was the brainchild of composer Jerry Bock, lyricist Sheldon Harnick and writer Joseph Stein. The inspiration came from a selection of short stories by Yiddish writer Sholem Aleichem called Teyve and his Daughters as well as artist Marc Chagall’s 1912 painting The Fiddler. The play opened on Broadway in 1964 and there was some concern that the story would only appeal to a small Jewish audience. However, Fiddler’s tale of a Jewish dairy farmer who attempts to marry off his five daughters in pre-revolutionary Russia, is a story of family, tradition and the inevitability of change. This gave the story a universal appeal and along with the excellent story and top-notch musical numbers, Fiddler was an international success. And naturally it was destined to become a film.

Filming The Fiddler on the Roof. As seen in Fiddler’s Journey to the Big Screen. A film by Daniel Raim. A Zeitgeist Films release in association with Kino Lorber.

“Fiddler’s Journey to the Big Screen explores the history behind the Broadway show, how Norman Jewison came to be involved, the casting, musical direction, art direction, location scouting, choreography, cinematography and many other elements that came to make the film as well as Fiddler‘s legacy. There is so much here to take in but it never feels overwhelming.

“The documentary includes interviews with director Norman Jewison, lyricist Sheldon Harnick, musical director John Williams, actresses Rosalind Harris (Tzeitel), Michele Marsh (Hodel) and Neva Small (Chava) and film critic Kenneth Turan. There are also archival interviews of Jewison back in 2000 as well as actor Topol and art director Robert F. Boyle. The interviews add so much to this documentary. There is nothing quite like firsthand accounts of an important moment in film history. And much like Daniel Raim’s other documentaries, there are illustrations from artist Patrick Mate as well as plenty of archival footage and behind-the-scenes photographs. The documentary is also is chock full of interesting facts even beyond just the making of Fiddler on the Roof. Watching it felt like I was getting two documentaries for the price of one: the making of a film and the biography of its director.”

Read the rest of Ms. Stecher’s review here.

https://www.youtube.com/watch?v=D19flnSG79Q

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Filed Under: Exclusive clip, Featured Films, Featured Post, Filmmaker in Person, Films, Playhouse 7, Press, Q&A's, Royal, Theater Buzz, Town Center 5

“If you want movie studios to make movies that are good, interesting and original, you need to go see them.” Washington Post on ‘Everything Everywhere,’ ‘Massive Talent’ and ‘The Northman.’

April 13, 2022 by Jordan Deglise Moore Leave a Comment

Washington Post columnist Sonny Bunch recently published a compelling piece headlined “If you want original movies to survive, get to a theater this April” about returning to movie theatres.  Laemmle Theatres has been open for just over a year at this point. If you aren’t going to the movies as frequently as you did before the pandemic, you are contributing to trends in distribution that may be irreversible. Bunch’s piece speaks to this better than we can, which is why we’re sharing it. We understand that we have all been through a very traumatic time. It has been tragic and frightening. But we aren’t where we were when the pandemic started. We have effective vaccines and booster shots and plentiful masks that provide an amazing level (granted, not 100%) of protection. Test & Treat is rolling out so that you can get access for treatments that will minimize illness. And theatres are set up with better ventilation systems to more effectively circulate and filter air inside auditoriums.  You can safely return to moviegoing.  So, nu?

From the Post: “Are you sick of comic book movies and other franchises? This month, you actually have a chance to do something about it. A trio of big, original new releases comes to theaters this month. Go see one — or all of them. If these movies fail, our theatrical future will be nothing but the disappointing Morbius and its ilk. And movie lovers who have defaulted to home entertainment even after coronavirus vaccines, rapid tests and high-quality masks have become widely available will have only themselves to blame.

“Going wide this Friday is Everything Everywhere All at Once, the heart-rending and mind-bending new picture from the directorial duo Dan Kwan and Daniel Scheinert, collectively known as Daniels. The writer-director duo, aided by stars Michelle Yeoh, Ke Huy Quan, Stephanie Hsu and Jamie Lee Curtis, have concocted a masterpiece that manages the tricky balance of feeling sui generis and yet familiar. Here we have a movie about a mother (Yeoh) trying to connect emotionally with her daughter (Hsu) and stave off divorce from her husband (Quan) while saving her business from the taxwoman (Curtis) — this is the familiar — all while careening through the multiverse in an effort to ward off a villain filled with nihilistic, creation-destroying malaise who leads a cult that worships an evil everything bagel.

“Everything Everywhere is an earnest — some cynics will suggest saccharine — movie about families, about the difficulty of watching your kids grow up and change into something you’re not, about the love needed to keep generations together. That earnestness is leavened by what can only be described as a supreme, gut-busting silliness, including, among other wild visuals, people who have hot dogs for fingers and a raccoon puppeteering a Benihana-type chef in the style of Ratatouille.

“Given its visual imagination, emotional range and striking originality, this is exactly the kind of movie that ought to be seen on the biggest screen available with as many people as possible. The communal reaction to Everything Everywhere All at Once is part of its greatness.

“I haven’t seen The Unbearable Weight of Massive Talent or The Northman yet, as they’re both opening April 22, so I can’t recommend them in quite the same way. But they are the sort of movie that should be able to succeed — or at least have a chance at succeeding — in a healthy cinematic environment.

“The Unbearable Weight of Massive Talent is a star-driven, high-concept comedy: Nicolas Cage stars as “Nick Cage,” a former A-lister suffering from some money woes who decides to get his finances in order by attending the birthday party of a wealthy criminal. Unbearable Weight is larded up with massive amounts of talent: In addition to Cage, the film stars fan favorites, including Tiffany Haddish, Ike Barinholtz and Neil Patrick Harris.

“Earning nothing but positives reviews from critics at South by Southwest, the film is primed to take advantage of Cage’s much-praised performance in the criminally under-rewarded Pig and will likely make a nice companion piece with Keith Phipps’s excellent book about the actor’s varied body of work, Age of Cage. Most importantly, it’s the sort of star-driven mid-budget comedy that needs to attract eyeballs if theaters hope to rely on anything other than super-powered freaks to sell popcorn.

“Then there’s The Northman. In some ways, this is the hardest sell for audiences. I loved director Robert Eggers’s The Witch — it’s one of the 10 best movies of the 2010s — and The Lighthouse was a perfect lockdown movie released a few months too early. Audiences have been less enamored of his films than critics: The Witch earned a C-minus from CinemaScore, and neither really took off at the box office.

“But Eggers’s vision is compelling, his style is unique, and someone somewhere has decided it’s worth investing $90 million on a historical epic set in the icy Nordic wastes that stars Alexander Skarsgard, Anya Taylor-Joy, Nicole Kidman, Ethan Hawke and Bjork, and reportedly culminates in a nude swordfight atop an active volcano. To say that this is one of my most anticipated films of the year is to put it mildly; we don’t get too many movies like this anymore.”

Read the rest of piece here.

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Filed Under: Claremont 5, Featured Post, Films, Glendale, Newhall, NoHo 7, Playhouse 7, Royal, Santa Monica, Theater Buzz, Town Center 5

Rejuvenate your spirit with Spring 2022 Culture Vulture films.

April 6, 2022 by Jordan Deglise Moore Leave a Comment

We began our weekly Culture Vulture series in 2014 to showcase the best films from and about the world of dance, opera, plays, musicals, fine art and more. We screen them every Monday at 7:30 PM at the Playhouse 7, Royal, Newhall, Claremont 5, and Glendale. Can’t make it on Mondays? No problem! Catch discounted encore presentations Tuesdays at 1 PM. Our schedule through May:

April 11-12: The beautifully crafted Easter in Art explores the Easter story as depicted in art, from the time of the early Christians to the present day. Shot on location in Jerusalem, United States and throughout Europe, the film explores the different ways artists have depicted the Easter story through the ages and thus depicts the history of us all.

April 18-19: Raphael: The Young Prodigy tells the story of the Italian Renaissance artist, starting from his extraordinary portraits of women – the Mother, the Friend, the Secret Lover and the Client. From portraits of his mother, who died when the painter was only eight, to the female admirers who helped him on his road to success, Raphael was able to portray an ideal of celestial beauty and focus his gaze more on the psychology of his subjects than on their physical forms, so that their personalities emerge in a striking manner.

April 25-26: In Black Flowers, five Holocaust survivors choose art as a vehicle for healing the wounds of their past. An undeniable bond is visible between the horrors they experienced and the artistic expression they find. The necessity of optimism is eminent in the personalities of these survivors. Screening with Commandment 613, in which Rabbi Kevin Hale joyfully practices the sacred craft of Torah restoration, bringing new life to scrolls saved in Czechoslovakia during the Shoah. Black Flowers filmmaker Tammy Federman will participate in Q&As following the April 25th screening at the Royal and the matinee screening at the Playhouse on the 26th.

May 2-3: Gallant Indies features 30 dancers of hip-hop, krump, break-dancing, and voguing. It’s a first for the Director Clément Cogitore, the choreographer Bintou Dembélé, and the Paris’ Opera Bastille. By bringing together urban dance and opera singing, they reinvent Jean-Philippe Rameau’s baroque masterpiece, Les Indes Galantes. From rehearsals to public performances, it is a human adventure and a meeting of political realities that we follow: can a new generation of artists storm the Bastille today?

May 9-10: 42nd Street – The Musical ~ One of Broadway’s classics, this production of 42nd Street is the largest-ever production of the breathtaking musical. Set in 1933, it tells the story of Peggy Sawyer, a talented young performer with stars in her eyes who gets her big break on Broadway. Filmed in 2018 at London’s Theatre Royal and directed by the original author of the show, Mark Bramble, this eye-watering extravaganza is full of crowd-pleasing tap dances, popular musical theatre standards (“Lullaby of Broadway,” “We’re in the Money,” “42nd Street” and more), and dazzling ensemble production numbers.

May 16-17: To mark the centenary of the discovery of Tutankhamun’s tomb, Tutankhamun: The Last Exhibition offers audiences an extraordinary opportunity to meet the Pharaoh, with exclusive coverage of how 150 of his treasures were moved to become part of the biggest international exhibition ever dedicated to him. Explore a continuous dialogue of cross-references between the ancient past when the Pharaoh was alive, the more recent times which saw the discovery of his tomb by archaeologist Howard Carter in 1922, and the present day with exhibitions and studies dedicated to Ancient Egypt.

May 23-24: Alain Resnais: Five Short Films ~ Five newly restored early short film masterpieces from the legendary filmmaker. Resnais would go on to make his mark in feature films, including the Oscar-nominated Hiroshima Mon Amour, but these early-career shorts demonstrate an already keenly developed eye. The films are a remarkable compendium of the stylistic elements found in his features, and represent an important contribution to the distinguished French documentary tradition.

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Filed Under: Claremont 5, Culture Vulture, Featured Post, Films, Glendale, Newhall, Playhouse 7, Royal, Theater Buzz

Laemmle Oscar Contest, plus Kevin Costner’s Best Director Oscar Presentation.

March 30, 2022 by Jordan Deglise Moore 3 Comments

Welp, that’s a wrap for the 2022 Oscars and our contest. Laemmle moviegoers were able to foresee the Academy’s choices very accurately with two exceptions: they went for the more conventional Best Picture nominee with CODA over The Power of the Dog and the artier choice with Best Animated Short nominee Windshield Wiper over the family-friendly Robin Robin. The Power of the Dog was in a tight race for Best Adapted Screenplay with eventual winner CODA. Best Original Screenplay split somewhat evenly between Paul Thomas Anderson for Licorice Pizza and eventual winner Kenneth Branagh for Belfast.

See the full results in cool pie charts at laemmle.com/oscars. We’ll announce our winners on this page on Thursday, March 31.

The sad, shocking incident during the ceremony overshadowed everything but one thing worth taking a second look at is Kevin Costner‘s presentation of the Best Director Oscar. It was probably the best presentation of the evening. He has won the award himself, of course, 30 years ago for Dances with Wolves. He spoke movingly and deliberately about the experience of seeing movies in theaters and how seeing How the West was Won at the Cinerama Dome inspired him to become an actor and filmmaker. The in-person audience giggles at first, but by the end you could hear a pin drop. Here’s a transcription and video:

You know, about a half-mile from here, I saw my first full-length adult movie. I know what you’re thinking, but I was seven years old and I was away from my parents and wanted to have some fun. It was a cowboy movie called How the West Was Won. And what I witnessed that afternoon in the Cinerama Dome was perfect. The curtain, when we still had them, opened to a film almost four hours long. It had an intermission where the score continued, subtly signaling at one point that the second half was about to start. I don’t know where everyone went, but I wasn’t going to move an inch. I decided that I would not give up my magic seat. I was determined that I would not miss a minute. And as I sat in that dark that afternoon 60 years ago, all I really knew was that I was in careful hands. Little did I know that three directors would be responsible for that epic moment in my life. They fired my imagination, and they captured my heart. That’s what can happen when you direct a movie. You can change a mind. You can change the trajectory of a life, of a career. You can capture a heart. But you can’t do it alone. And directors, tonight’s directors all know the possibilities. They know what’s at stake. It’s why they give their precious time. It’s why they choose to fight through the long days, and the longer nights, and the endless questions, and the inevitable second guessing that comes from those who would do it differently if given half a chance. These five directors have all managed to stay the course. They have all held the line and masterfully given us the gift of a single vision, and for that we honor them.

https://www.youtube.com/watch?v=y52t3CVKeyc&t=167s

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Filed Under: Claremont 5, Contests, Featured Post, Films, Glendale, Newhall, News, NoHo 7, Playhouse 7, Royal, Santa Monica, Theater Buzz, Town Center 5

Moviegoers, last chance to catch the Oscar nominated films in theatres.

March 23, 2022 by Jordan Deglise Moore

For cinephiles, there is nothing like awards season, when studios and distributors release their finest films in hopes of garnering rapturous reviews, capturing audiences’ attention, and earning accolades, none more coveted than an Academy Award. The 2021-2022 season comes to a close this Sunday at 6801 Hollywood Blvd, Hollywood, CA and on a TV screen near you, but there’s still time to see the nominees. We’re playing the animated and live action shorts at the NoHo and bringing them back to Glendale and we have the documentary shorts on Saturday and Sunday at the Royal.  Some of these films, like THE WORST PERSON IN THE WORLD, PARALLEL MOTHERS, LICORICE PIZZA, DRIVE MY CAR and FLEE, are so good they’re worth seeing twice. On Laemmle Virtual Cinema, see LUNANA and ASCENSION.  All terrific. Enjoy!
Riz Ahmed in Best Live Action Short nominee THE LONG GOODBYE.

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Filed Under: Claremont 5, Featured Films, Featured Post, Films, Glendale, Newhall, NoHo 7, Playhouse 7, Royal, Santa Monica, Theater Buzz, Town Center 5

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You don't want to miss Sofia Kappel's powerful per You don't want to miss Sofia Kappel's powerful performance in #PLEASURE. Opening TODAY at the Laemmle NoHo & Laemmle Playhouse. Other Laemmle Theatres starting Fri. 5/27 and into June. Check out the trailer & get tix on our website.
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Stop by TONIGHT ONLY for a special presentation of Stop by TONIGHT ONLY for a special presentation of Jan Troell's "infinitely absorbing and moving" 1971 drama THE EMIGRANTS (Roger Ebert), starring Liv Ullmann and Max von Sydow. Screens at 7:00 PM in West LA, Pasadena, Newhall, and Glendale!
Gaspar Noe's new mind-bender LUX AETERNA stars Cha Gaspar Noe's new mind-bender LUX AETERNA stars Charlotte Gainsbourg as herself, performing the leading role in a witch-themed film-within-a-film gone wrong. It's a "phenomenal but far too short trip " (HorrorBuzz) and "an undeniably fascinating experiment" (LA Times). Opens Thursday at your local Laemmle Theatres!
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laemmleLaemmle Theatres@laemmle·
20 May

You don't want to miss Sofia Kappel's powerful performance in #PLEASURE. Opening TODAY at the @NoHo7 & @playhouse7 | Other Laemmle Theatres starting Fri. 5/27 and into June. Trailer & Tix: https://bit.ly/39AxpPj

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19 May

Get Early Access to DOWNTON ABBEY: A NEW ERA Thurs. 5/19 at the @towncenter5, @NoHo7, @playhouse7, @claremont5, @laemmleglendale, @laemmlenewhall, & @laemmlemonica. Don't miss the cinematic return of the global phenomenon! Trailer & Tix: https://bit.ly/39zXGNy

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laemmleLaemmle Theatres@laemmle·
11 May

Stop by TONIGHT ONLY for a special presentation of Jan Troell's "infinitely absorbing and moving" 1971 drama THE EMIGRANTS (Roger Ebert), starring Liv Ullmann and Max von Sydow. Screens at 7:00 PM in West LA, Pasadena, Newhall, and Glendale!

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laemmleLaemmle Theatres@laemmle·
10 May

Gaspar Noe's new mind-bender LUX AETERNA stars Charlotte Gainsbourg as herself, performing the leading role in a witch-themed film-within-a-film gone wrong. Opens Thursday at your local Laemmle Theatres!

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9 May

Tilda Swinton stars in MEMORIA, the "mesmerizing" new fantasy-drama from Palm d'Or winner Apichatpong Weerasethakul, best known for his 2010 work UNCLE BOONMEE (FilmWeek). Opens Friday, exclusively in Pasadena!

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