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You are here: Home / Featured Films

Laemmle Holiday Gifts: Wear Your Love of Cinema (Literally)

December 10, 2025 by Lamb Laemmle Leave a Comment

As the year winds down and the hunt for the perfect gift ramps up, we’re delighted to remind you that you can always give the joy of movies, the comfort of good merch, and a slice of the Laemmle spirit you can wear, wrap, or swipe at the box office. Whether you’re shopping for a devoted cinephile(s) in your life or simply indulging in a little self-treating (highly encouraged), our 2025 line of Laemmle merchandise and gift cards is here just in time for the holidays.

Laemmle Holiday Gifts: Wear Your Love of Cinema (Literally)

Men’s T-Shirt

If you’re afraid of subtitles, don’t even talk to us about film. If you’re not afraid, you belong both in a Laemmle auditorium and in this shirt! Soft, lightweight, and flattering, this tee is crafted from 100% combed and ring-spun cotton (with some polyester in the Heather colors) and has just the right amount of stretch to be comfortable enough for marathon screenings as well as stylish enough for post-film debates.

Women’s T-Shirt

This just might be the softest, most comfortable women’s tee you’ll ever own! With a relaxed fit, smooth fabric, and multiple cotton-poly blends depending on color, it’s effortless to style: jeans for everyday, a blazer for business casual, anything for the movies. Pre-shrunk, side-seamed, and easy to love.
Black t-shirt with bold text design. Black t-shirt with bold text design.
 

Laemmle Hoodie

When the lights dim, the temperature drops. Our Laemmle hoodie offers warmth, coziness, and a minimalist cinema-kid aesthetic. Made with a 100% cotton face and a 65/35 ring-spun cotton/polyester blend, it features a front pouch pocket, matching drawstrings, a 3-panel hood, and a self-fabric patch on the back. One note: They do run small, so consider ordering one size up! They’re produced on demand to reduce overproduction, so order yours before you need it.
 

Laemmle Hat

Low-profile, unstructured, and endlessly wearable, this hat is made from 100% chino cotton twill with six embroidered eyelets and an adjustable strap with antique buckle. It’s the perfect topping for any outfit, whether your style leans auteur-casual or projection-booth chic. Like our hoodies, it’s produced on demand, which means each one is made just for you.
Laemmle Holiday Gifts: Wear Your Love of Cinema (Literally) Laemmle Holiday Gifts: Wear Your Love of Cinema (Literally)

Laemmle Gift Cards

A classic for a reason. Available from $25 to $100, Laemmle Gift Cards can be used for movie tickets, concessions, merchandise—anything we sell at our theaters or online at Laemmle.com. They’re a splendid present for anyone who loves arthouse cinema, eclectic programming, or the simple magic of the theatergoing experience.

The Premiere Card

If Gift Cards are lovely, the Premiere Card is almost suspiciously generous. Pre-loaded with $100 to spend at any Laemmle location or online, it’s the single best deal in cinema today. Cardholders get $3 off every ticket on all regular programming, 20% off concessions, and one free popcorn every Thursday. Think of it as buying a gift card for yourself—or as giving a friend the keys to the kingdom.

Let us know which items you are interested in! Whether you’re gifting, receiving, or simply treating yourself to a little cinematic flair, Laemmle merch and cards bring the theater experience into daily life. After all, loving movies isn’t just a pastime—It’s a lifestyle. And now, it can be a wardrobe, too.

Happy Holidays!

– Your friends at Laemmle Theatres

store.laemmle.com

#NotAfraidOfSubtitles

Leave a Comment Filed Under: Featured Films, News, Special promotion

Anniversary Classics Presents: Power, Politics, and Passion in Nixon and Doctor Zhivago

December 2, 2025 by Lamb Laemmle Leave a Comment

This holiday season, Laemmle Theatres and the Anniversary Classics Series present two sweeping cinematic epics: Oliver Stone’s Nixon and David Lean’s Doctor Zhivago, the latter celebrating its 60th anniversary. Though separated by three decades and worlds apart in style, these films form a captivating double feature: one a feverish psychological portrait of American power, the other an expansive romantic epic set against the convulsions of revolutionary Russia. Together, they reflect cinema’s enduring ability to illuminate the human stakes behind history’s most turbulent eras.

Get your tickets today to see Nixon on December 21st, featuring an in-person Q&A with director Oliver Stone alongside author Tim Grieving to discuss his new book on legendary composer John Williams, or Doctor Zhivago on December 30th, both playing at the Laemmle Royal.

Anniversary Classics Presents: Power, Politics, and Passion in Nixon and Doctor Zhivago

Oliver Stone’s Nixon (1995) remains one of the filmmaker’s boldest achievements. Rather than approaching Richard Nixon as a political symbol, Stone crafts a bruised, haunted character study of a man who carried childhood wounds into the Oval Office. Anthony Hopkins delivers a mesmerizing performance as Nixon, capturing him in all his yearning, paranoia, cunning, and profound isolation. Then there’s John Williams’ brooding, elegant score, which guest speaker Tim Grieving argues ranks among the composer’s most underrated works. His and Stone’s post-screening conversation promises an illuminating look into the film’s creation, its political resonance, and the musical architecture that gives it shape.

Seen nearly three decades after its release, Nixon feels startlingly contemporary, its themes of secrecy, ambition, partisan rage, and the weight of personal demons on public decision-making continuing to echo. Stone’s approach, blending documentary grit with operatic intensity, constructs not a straightforward biopic but a cautionary American tragedy.

Anniversary Classics Presents: Power, Politics, and Passion in Nixon and Doctor Zhivago

If Nixon examines a presidency from the inside out, Doctor Zhivago (1965) offers a radically different but equally powerful meditation on individuals swept into history’s path. Even sixty years after its making, David Lean’s adaptation of Boris Pasternak’s Nobel Prize–winning novel remains one of cinema’s most beloved epics: a story of love, revolution, and moral endurance set during Russia’s collapse into modernity. Omar Sharif gives one of his finest performances as Yuri Zhivago, a poet and physician who is forced to navigate the conflicting directives of loyalty, passion, and survival, while Julie Christie’s luminous turn as Lara elevates the film into mythic territory.

Lean’s filmmaking—full of painterly compositions, sweeping landscapes, and meticulous craftsmanship—creates a world that feels both intimate and vast. The film’s visual grandeur is matched by Maurice Jarre’s iconic score, whose themes have become synonymous with cinematic romance. Yet for all its beauty, Doctor Zhivago is fundamentally a story about how political upheaval reshapes the contours of private life, and how love endures even as the world fractures.

Screened across consecutive weekends at the Laemmle Royal, these Anniversary Classics invite audiences to rediscover the emotional, historical, and artistic power of these two landmark films. Whether exploring the shadows of American politics or the passions of a Russia in revolt, Nixon and Doctor Zhivago remind us why great cinema remains one of the profoundest tools we have for understanding both our past and our present.

Leave a Comment Filed Under: Anniversary Classics, Featured Films, Filmmaker in Person, Royal

Painting Change: Inside the Uplifting World of Artfully United

October 14, 2025 by Lamb Laemmle Leave a Comment

More than a decade in the making, Artfully United traces the work of Mike Norice, a Los Angeles muralist whose expansive, colorful pieces are not just art, but acts of reclamation in neighborhoods too often shut out from visibility and voice.

Catch Artfully United in theaters beginning October 17th at the Laemmle Glendale, highlighted by an in-person Q&A with both Mike Norice and producer Christopher Walters following the 7:45pm showing, moderated by radio personality Tammi Mac.

Chris Walters first met Norice thirteen years ago in the latter’s boutique on Melrose Avenue, an encounter that ignited a collaboration and a creative mission that would persist across time, geography, and mutual adversity. Together with director Dave Benner, Walters follows Norice from his roots in Watts through dozens of cross-country trips and prolonged mural projects, capturing not only the final painted walls but the sweat, doubt, and resolve that underlies each stroke.

Painting Change: Inside the Uplifting World of Artfully United

Rooted as much in quiet reflection as in sweeping public murals, the film traces how Norice’s life shaped his art, from a childhood marked by a teacher mother and an incarcerated father to the spiritual and communal values that serve as guideposts in the creation of art that feels both profoundly personal and powerfully collective. Each mural becomes a gathering place, a message, and a mirror—echoes of hope, defiance, and renewal painted across the city’s worn walls.

Visually, Artfully United doesn’t shy away from spectacle. Murals tower and sprawl, color bursts through grime, and entire city blocks become open-air galleries. But the film also balances those sweeping images with moments of presence and proximity: Norice selecting his palette, a neighbor’s quiet response to a newly finished mural, hands smeared with paint beneath a muted dusk light. These smaller moments anchor the film emotionally, reminding us that transformation is not only seen, but felt.

Painting Change: Inside the Uplifting World of Artfully United

Walters has called the journey “the experience of a lifetime,” crediting Norice’s artwork, activism, and faith for inspiring communities in Los Angeles and beyond. When the credits roll, viewers will recognize that Norice’s murals are more than just decorations; they are living gestures of solidarity, symbols of what art can be when it reaches beyond aesthetics into the realm of belonging.

Ultimately, Artfully United is more than a portrait of its artist. It is a meditation on place, loss, renewal, and how visual creativity can become a force for collective healing, demonstrating how much stronger spirits can become when we prioritize beauty in the unlikeliest of places.

“A powerful documentary about art, transformation, and the enduring strength of community.” – Jon Stojan, LA Weekly

Leave a Comment Filed Under: Filmmaker in Person, Featured Films, Films, Glendale, Q&A's

With Predators, award-winning documentarian David Osit revisits this cultural phenomenon and its complicated legacy

September 25, 2025 by Lamb Laemmle Leave a Comment

True crime has rarely blurred the line between public service and spectacle so sharply as in NBC’s To Catch a Predator. Running from 2004 to 2007, the controversial series lured would-be sexual predators into sting operations before subjecting them to a primetime confrontation with journalist Chris Hansen. What followed provided justice and entertainment in equal measure: police officers waiting outside, television cameras rolling, and millions of viewers at home consuming humiliation as moral catharsis.

With Predators, award-winning documentarian David Osit (Mayor, The Gaza Fixer) revisits this cultural phenomenon and its complicated legacy. The film is less about rehashing the show’s format than about interrogating why it captured such an enduring grip on the American psyche—and what that says about us as viewers.

Tune into Inside the Arthouse to hear Osit discuss his latest project with co-hosts Greg Laemmle and Raphael Sbarge ahead of its release at the Laemmle Royal on September 26th.

Osit’s documentary unfolds across three carefully structured chapters. The first examines To Catch a Predator itself: the young actors cast as decoys, the police officers forced to wrestle with blurred responsibilities, and the legal experts made to reckon with whether law enforcement was working for the public good or for network ratings. The second chapter tracks the rise of copycat vigilantes who migrated the formula to YouTube, where humiliation was pursued less as deterrence than as content. Finally, Osit confronts Hansen himself, who continues his decades-long pursuit through his streaming show, Takedown, still unwavering in his belief that the ends justify the means.

Unlike ancient Greek tragedy, where audiences are steered to identify with the doomed hero and feel pity and fear as he meets his fate, To Catch a Predator encourages the exact opposite response: distancing, finger-pointing, and the smug satisfaction of seeing a wholly externalized evil be exposed.

What sets Predators apart from its source material is Osit’s refusal to sanitize the moral ambiguity inherent in his subject matter. Rather than casting the titular predators as irredeemable monsters or Hansen as an unassailable hero, the film probes the ethical gray areas: Can public shaming really lead to rehabilitation? Where does journalism end and law enforcement begin? And finally, what risks and/or culpability does the audience take on by repeatedly consuming real human disgrace as blasé entertainment?

Ultimately, Predators emerges as a gripping, unsettling study of modern media, ethics, and justice, challenging audiences to reflect on their own complicity in a culture that so often confuses accountability with spectacle.

“An absolutely fascinating watch. One of the most talked-about entries at this year’s Sundance Film Festival.” – David Fear, Rolling Stone

“A raw and riveting documentary that skeptically re-examines the program’s appeal, legacy, and ethicality.” – David Ehrlich, Indiewire

“Osit’s brilliant, subtly needling film leaves us unnerved and alert, but not certain of our convictions — an outcome, perhaps, that more true-crime programming should pursue.” – Guy Lodge, Variety

Leave a Comment Filed Under: Featured Films, Films, Q&A's

In her latest documentary Democracy Noir (2024), Oscar-nominated director Connie Field turns her lens on various resistance movements against Hungarian Prime Minister Viktor Orbán and his ruling Fidesz party.

September 4, 2025 by Lamb Laemmle Leave a Comment

In her latest documentary Democracy Noir (2024), Oscar-nominated director Connie Field turns her lens on various resistance movements against Hungarian Prime Minister Viktor Orbán and his ruling Fidesz party.

Tune into Inside the Arthouse to hear Field discuss her latest project with co-hosts Greg Laemmle and Raphael Sbarge ahead of its release in NYC on September 5th and Los Angeles on September 19th.

In her latest documentary Democracy Noir (2024), Oscar-nominated director Connie Field turns her lens on various resistance movements against Hungarian Prime Minister Viktor Orbán and his ruling Fidesz party.

Field—who rose to prominence following the release of her acclaimed 1980 documentary, The Life and Times of Rosie the Riveter—returns to guide viewers from Orbán’s initial rise to power in 2010 to the grassroots protests of 2023, exploring how autocrats secure power within democratic systems while demonstrating in real time the crucial role of resistance.

In her efforts to ground this story in the here and now, Field skillfully intertwines the stories of three Hungarian women activists: Tímea Szabó, a prominent opposition leader; Nikoletta Antal, a passionate young protest organizer and nurse; and Babett Oroszi, an award-winning journalist who’s been silenced by Orbán’s totalitarian control over the media. While the documentary never shows these women interacting, it transitions seamlessly from one to the next, highlighting the overlapping nature of their struggles.

Ultimately, the film manages to avoid reducing Orbán’s regime to a simple good vs. evil narrative, offering a sharp critique of Orbán and his party while refraining from demonizing his supporters en masse. This nuanced approach is reflected in the personal stories of the activists, whose political lives are more complicated than one might expect. Antal, for instance, is fiercely anti-Orbán, yet her mother sees Orbán’s policies as a source of security. Similarly, Oroszi, who initially voted for Orbán in 2010, interviews rural Fidesz supporters, trying to understand their motivations while also confronting homophobic attacks on herself and her wife. These personal narratives enrich the film, offering poignant depictions of the political divisions that can run through families—not just in Hungary, but all the world over.

Through these diverse perspectives, Democracy Noir paints a grim yet resonant picture of how Orbán’s government undermines Hungary’s democratic institutions. Rather than focusing on overt acts of violence or authoritarian crackdown, the film shows how the government gradually erodes democratic structures: rewriting the constitution, stacking the Constitutional Court with loyalists, and consolidating control over the media—subtle, systemic manipulations that often go unnoticed by Orbán’s most devout supporters. For many (if not most) Hungarians, life goes on as usual.

This film is not a how-to manual for resisting autocracy, particularly in the context of the U.S. Nevertheless, Democracy Noir offers an essential, firsthand look at how democracy can backfire, making it a crucial watch for anyone invested in the future of democratic societies.

“This documentary immerses you in a profoundly moving struggle against the tide of authoritarianism led by a trio of extraordinary women.” – Chris Jones, Overly Honest Reviews

In her latest documentary Democracy Noir (2024), Oscar-nominated director Connie Field turns her lens on various resistance movements against Hungarian Prime Minister Viktor Orbán and his ruling Fidesz party.

Leave a Comment Filed Under: News, Director's Statement, Featured Films, Filmmaker's Statement, Films, Press, Santa Monica, Theater Buzz

“I want to show the soft parts of the people who look like me. I want to show the sensitive bits that show up, not when we are in danger or inferior but when we are in love.” Rachael Abigail Holder on representing Blackness in her new film, LOVE, BROOKLYN.

August 24, 2025 by Jordan Deglise Moore Leave a Comment

In Rachael Abigail Holder’s new romantic drama, Love, Brooklyn, three longtime Brooklynites navigate careers, love, loss, and friendship against the rapidly changing landscape of their beloved city. We are proud to open the film September 5 at the Laemmle Royal and Glendale.

Ms. Holder wrote the following about Love, Brooklyn:

“On a bike ride, when the sun shines and the breeze hits my face, I can easily cry at the beauty in the ordinary. I am a highly sensitive person. I also happen to be Black. When I first read the script, I saw a timeless story about the wrestle that is love, and I also saw myself. The screenplay was written by Paul Zimmerman about the relationships he had while he was young. But I pictured Black people and the present day. As a filmmaker, I want to tell stories about sensitive Black people who cry and feel, in life not tragic or saccharine. What I read felt like the perfect story.

“I was seven months pregnant during production. When my now eleven-month-old baby hears music in a minor key, or if my extended family and I, which we often do, sing in unison, she will tear up. It is easy for her to deeply soften. I am proud of our movie because it is a story about people with brown skin who soften easily. I hope to expand the representation of what it means to be Black and what’s cool about this moment of inclusion in storytelling is that I don’t have to try to represent Blackness as a whole or all Black people. I can be really specific with how I see people, how they love, hide from love and ultimately show up for it. I want to show the soft parts of the people who look like me. I want to show the sensitive bits that show up, not when we are in danger or inferior but when we are in love.”

 "I want to show the soft parts of the people who look like me. I want to show the sensitive bits that show up, not when we are in danger or inferior but when we are in love." Rachael Abigail Holder on representing Blackness in her new film, LOVE, BROOKLYN.

“A low-key romantic odyssey that simmers with intimate heat while acting as a loving character study of the beloved, always evolving neighborhood.” ~ Murtada Elfadl, Variety

“Brooklyn has never looked lovelier than in Holder’s soulful debut.” ~ Elizabeth Weitzman, TheWrap

“Love, Brooklyn is a charming and thoughtful meditation on love and change in a city that never stays the same.” ~ Roberto Tyler Ortiz, Loud and Clear Reviews
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"I want to show the soft parts of the people who look like me. I want to show the sensitive bits that show up, not when we are in danger or inferior but when we are in love." Rachael Abigail Holder on representing Blackness in her new film, LOVE, BROOKLYN.
“This is such a beautiful discovery, and I had such a warm & wonderful experience watching this at its world premiere at Sundance.” ~ Alex Billington, FirstShowing.net
*

“Love, Brooklyn is an intricate and beautifully crafted work of art that’s quietly meditative and lovingly told.” ~ Mae Abdulbaki, Screen Rant

“Although it operates on a generally low boil, Love, Brooklyn comes to resemble the pot of water on the stove that starts out feeling like a warm bath and the result ends up sizzling.” ~ Stephen Saito, Moveable Fest

Leave a Comment Filed Under: News, Director's Statement, Featured Films, Filmmaker's Statement, Films, Glendale, Press, Royal, Theater Buzz

An “embrace of what makes us unknowable yet worthy of forgiveness,” A LITTLE PRAYER opens Friday at the Claremont, Newhall, Royal and Town Center.

August 23, 2025 by Jordan Deglise Moore Leave a Comment

The excellent new American indie film A Little Prayer stars David Strathairn (Good Night, and Good Luck; Matewan; Lincoln; many, many more) as a man trying to protect his daughter-in-law when he finds out that his son is cheating on her. Filmmaker Angus MacLachlan also wrote Junebug, the 2005 comedic drama that featured Amy Adams’s breakthrough role, and his new film features a similar star-making turn by the young actress Jane Levy as the daughter-in-law.

MacLachlan wrote the following about his movie:

“I began writing A Little Prayer in 2016 when my daughter was 15. She’s now 21. And I realize in retrospect that I was writing about parenting adult children. How you still want to protect them and tell them what to do, and you can’t.

“Family, and the life I observe, is a subject I find myself returning to again and again in my work. The push-pull of love, loyalties, secrets, and eternal ties. I wanted to tell a story about the people around me: their humor, pathos, and courage. It is what I find endlessly fascinating. We shot the film in my hometown of Winston-Salem, North Carolina in 2022.

“The central relationship in my film – that of Bill and his daughter-in-law Tammy – is in some ways a simulacrum of the fact that I no longer have the same responsibility to guide my own daughter through her adult life. The theme of loving someone enough to let them go is reflected back to me in this story.” — Angus MacLachlan, Director

“A Little Prayer is spare yet brisk, and it unfolds with a graceful, almost musical sense of modulation: Camp and Weston, both veterans of MacLachlan’s work, strike bracing high notes of acerbic wit.” ~ Justin Chang, The New Yorker

“Everyone is good to great, but [A Little Prayer] belongs to Strathairn and Levy, whose bond becomes the center of the film.” ~ Brian Tallerico, RogerEbert.com

An "embrace of what makes us unknowable yet worthy of forgiveness," A LITTLE PRAYER opens Friday at the Claremont, Newhall, Royal and Town Center.

“There is much to enjoy in watching MacLachlan’s A Little Prayer play out, and an equal amount of wisdom to be gleaned from it.” ~ Fionnuala Halligan, Screen International

“A tough, touching film.” ~ Ty Burr, Ty Burr’s Watch List (Substack)

“MacLachlan’s writing style is at once honest and slightly elevated, the kind we’re used to hearing on stage, where the structure of the entire script matters, and subtext is every bit as important as what’s spoken.” ~ Peter Debruge, Variety

“Small-scale and finely tuned.” ~ Sheri Linden, The Hollywood Reporter

“Laid out in scenes of everyday verisimilitude and quietly gathering heartache, MacLachalan weaves a tale of human frailty and strained connection rare in its avoidance of histrionics and its embrace of what makes us unknowable yet worthy of forgiveness.” ~ Robert Abele, TheWrap

Leave a Comment Filed Under: Director's Statement, Claremont 5, Featured Films, Featured Post, Filmmaker's Statement, Films, Newhall, Press, Royal, Theater Buzz, Town Center 5

IT’S NEVER OVER, JEFF BUCKLEY opens Friday at the Laemmle Glendale and NoHo with in-person director Q&A’s and rare concert footage.

August 6, 2025 by Jordan Deglise Moore Leave a Comment

You may not be familiar with Jeff Buckley’s name. But you almost certainly have heard his haunting cover of Leonard Cohen’s “Hallelujah,” a song which was named to Rolling Stone Magazine’s list of the 500 Greatest Songs of All Time and has been inducted into the Library of Congress’s National Recording Registry.

In her latest documentary, It’s Never Over, Jeff Buckley, Oscar-nominated filmmaker Amy Berg explores the singer’s story and impact.

Tragically, Buckley drowned while swimming in the Wolf River in Memphis just as he was about to start work on his second album. But his stature as a singer and songwriter has only grown in the years since his early death at the age of 31. Acclaimed by musicians like Bob Dylan, David Bowie, and Jimmy Page, Buckley’s life and legacy is being given a thoughtful and thorough review in this new documentary — which includes a treasure trove of archival material, candid interviews with the man’s family, friends, lovers and collaborators. We emerge from the film with a greater understanding of the forces that shaped his artistic aspirations and an appreciation for all that he accomplished in his short life.

Ms. Berg will participate in Q&A’s after the 4:00 P.M. screening at the Glendale on August 10 and the 7:00 P.M. screening at the NoHo on August 11. You can also watch or listen to an interview with her on a recent episode of Inside the Arthouse. We will also open the film on August 15 at the Monica Film Center.

All of the screenings in Glendale and North Hollywood will feature special bonus footage. Very few people were fortunate enough to witness Buckley live, but those who did often described it as transcendent, jaw-dropping, and emotionally shattering. As part of the theatrical release of It’s Never Over, Jeff Buckley, Magnolia Pictures proudly presents 26 minutes of exclusive, remastered footage from a rare solo performance at The Middle East in Cambridge, MA, filmed on February 19, 1994. This previously unreleased set will screen immediately following the film, offering both longtime fans and newcomers a rare opportunity to experience Buckley’s raw, unfiltered brilliance.

“Pays tribute to one of the greatest singers ever…Buckley hasn’t had a million portraits sketched of him, much to this degree. The singularity of It’s Never Over, along with the access and the candor, makes up for a lot here.” ~ David Fear, Rolling Stone

“The film is a resonant depiction of the gaping holes left by Jeff Buckley’s untimely death.” ~ Chris Barsanti, Slant Magazine

“Offer[s] a unique perspective on the varying music of the 1990s, an experimental time where lonely artists like Buckley could buck the system and create a new brand of music.” ~ Matthew Creith, TheWrap

“As we drink in the majesty of his voice, the film lays bare a paradox about him that isn’t nearly as apparent if you just listen to Grace (1994), the only album he ever released.” ~ Owen Gleiberman, Variety

“A stirring tribute made with a lot of heart.” ~ David Rooney, Hollywood Reporter

Leave a Comment Filed Under: News, Featured Films, Filmmaker in Person, Filmmaker Interviews, Films, Glendale, Greg Laemmle, Inside the Arthouse, Monica Film Center, NoHo 7, Q&A's, Santa Monica, Theater Buzz

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Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
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Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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