With great pride, ART IN THE ARTHOUSE welcomes back artist HUNG VIET NGUYEN and his gorgeous new show, PLACES. The show will run at the Royal till May, 2019. Sales benefit the Laemmle Foundation and its support of humanitarian and environmental causes in Los Angeles.
About the exhibit
Born in Vietnam in 1957, Hung Viet Nguyen studied biology at the Science University in Saigon. After relocating to the U.S. in 1982, Nguyen found work as an illustrator, graphic artist and designer. He developed his artistic skills carefully studying a variety of traditional Eastern and Western forms, media and techniques. His complex, labor intensive use of oil paint reveal a mastery of texture. While portions of Nguyen’s work suggest the influence of traditional forms such as woodblock prints, oriental scroll paintings, ceramic art, mosaic, and stained glass, his ultimate expression as an artist asserts a more contemporary sensibility. About his current exhibit, PLACES, Hung remarks, “while traveling I photographed favorite moments, places and scenes. From these images, I created works with ink and watercolor, applied two varieties of varnish for aging and crackling for a classic look. By capturing a cell phone image in a few seconds and then spending many hours to produce an artwork, I uncovered the relationship between the places and myself.” Nguyen’s paintings have been exhibited at galleries, cultural centers and museums by curators or directors of museums including curators of LACMA and MOCA. His work was selected twice for the San Diego Art Institute’s biennial International Exhibition (2013, 2015) where it earned a Juror’s Choice Award each time.
– Tish Laemmle, curator
Come on over to Claremont for Laemmle’s Art in the Arthouse’s newest show featuring the exquisite photography of Ronald Dunlap. The show will run at the Claremont 5 till June, 2019. Sales benefit the Laemmle Foundation and its support of humanitarian and environmental causes in Los Angeles.
Check out our brand spanking new art show in Santa Monica! Laemmle’s Art in the Arthouse proudly presents Francisco Alvarado: Underpinnings of a Digital Landscape. The show will run at the Monica Film Center till May, 2019. Sales benefit the Laemmle Foundation and its support of humanitarian and environmental causes in Los Angeles.
. Before the end of February, visit our innovative 
. At Laemmle venues around town, we provide movie goers with the opportunity to bond with notable and emerging visual artists. We focus on local talent and the robust Los Angeles arts scene, applying high curatorial standards to long-lasting exhibits that allow for repeat visits and extended reflection. Contribute to the conversation and become a Laemmle patron of the arts. Going to the Royal any time soon? Say hello to a festival of color from the duo of 
With the holidays right around the corner, why not consider giving a meaningful gift of art or simply stop by to view our galleries. No tickets required. ART IN THE ARTHOUSE connects film audiences with the visual arts all year long and our artwork is for sale. We proudly deliver a unique, alternative art-viewing experience at seven of our nine venues. You might be inspired to buy a memorable work of art for someone special.
At Laemmle venues around town, we provide movie goers with the opportunity to bond with notable and emerging visual artists. We focus on local talent and the robust Los Angeles arts scene, applying high curatorial standards to long-lasting exhibits that allow for repeat visits and extended reflection. Contribute to the conversation and become a Laemmle patron of the arts.
Going to Encino Town Center any time soon? Take a look at 
Successful collaboration in the world of painting is a rare phenomenon. The duo of HILL and STUMP, known for their breathtaking floral compositions, have nourished a unique and productive partnership. In a kind of creative symbiosis, they appear to “finish each other’s sentences,” layering each piece and editing each other to create something entirely new. Stump comments, “Our process is almost egoless because we can’t, as individual artists, get attached to anything we do. Hill confirms, “We never call a piece finished unless we’re both happy with it.”
