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Tickets: http://laemmle.com/film/blind-willow-sleeping-woman | Subscribe: http://bit.ly/3b8JTym | A lost cat, a giant talkative frog and a tsunami help a bank employee without ambition, his frustrated wife and a schizophrenic accountant to save Tokyo from an earthquake and find a meaning to their lives in the animated feature Blind Willow, Sleeping Woman. Based on stories by acclaimed Japanese author Haruki Murakami (Drive My Car), the debut of composer Pierre Földes won the Jury Special Mention award at the renowned Annency Animation Film Festival.

Tokyo, a few days after the 2011 earthquake and tsunami. Kyoko suddenly leaves her husband after spending five days in a row glued to unfolding

Tickets: http://laemmle.com/film/blind-willow-sleeping-woman

RELEASE DATE: 4/14/2023

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/sanson-and-me | Subscribe: http://bit.ly/3b8JTym | During his day job as a Spanish criminal interpreter in a small town in California, filmmaker Rodrigo Reyes (499) met a young man named Sansón, an undocumented Mexican immigrant who was sentenced to life in prison without parole. With no permission to interview him, Sansón and Reyes worked together over a decade, using hundreds of letters as inspiration to create a portrait of a friendship navigating immigration and the depths of the criminal justice system.

Tickets: http://laemmle.com/film/sanson-and-me

RELEASE DATE: 3/20/2023
Director: Rodrigo Reyes

-----
ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
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Tickets: http://laemmle.com/film/sweetwater | Subscribe: http://bit.ly/3b8JTym | Hall of Famer Nat "Sweetwater" Clifton makes history as the first African American to sign an NBA contract, forever changing how the game of basketball is played.

Tickets: http://laemmle.com/film/sweetwater

RELEASE DATE: 4/14/2023

-----
ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Los Angeles premiere of AMERICA! From the award-winning director of "The Cakemaker"! 100% "FRESH" on Rotten Tomatoes! Thursday, March 16th @ 7pm with director Ofir Raul Graizer in-person for Q&A - Exclusively at Laemmle Royal "Extraordinarily moving! Will stay with you long after you leave the theater." -The Jerusalem Post / JPost.com 🎟️ laemmle.com/film/americaWINNER - Best Actress (Oshrat Ingedashet) | Jerusalem Film FestivalWINNER - Audience Award | Philadelphia Jewish Film FestivalWINNER - Critics Jury Prize | Miami Jewish Film Festival ... See MoreSee Less

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Home » Theater Buzz » Music Hall 3

Introducing Lumiere Cinema at the Music Hall.

November 26, 2019 by Lamb L.

A message from the new proprietors of the Music Hall in Beverly Hills!

Dear Laemmle friends,

We are very excited to announce that the Laemmle tradition will be kept alive at the Music Hall. We are three Laemmle Theatre employees (two former and one current) and we are opening a new company, Lumiere Cinema, at the Music Hall starting this Friday, November 29th. It is our intention to honor the Laemmle family’s commitment of bringing the best of independent cinema to the big screen in Los Angeles. Each of us has worked at the Music Hall and we are proud to be able to grant it a new lease on life. We would like to thank Greg Laemmle and the entire Laemmle team for enabling us to make this dream a reality.

We hope you to see you all soon at the movies!

Sincerely,

Luis Orellana, Lauren Brown, and Peter Ambrosio

PS: Please excuse us as we develop our website and social media. Here is everything you need to keep track of what’s playing:

www.lumierecinemala.com
Twitter: @musichall3
Facebook: www.facebook.com/musichall3
Instagram: lumierecinemala

And feel free to e-mail any of us with any questions you might have:

luis@lumierecinemala.com
lauren@lumierecinemala.com
peter@lumierecinemala.com

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Filed Under: Music Hall 3, News

After a 45-Year Run, Laemmle to Leave the Music Hall.

November 20, 2019 by Lamb L.

With a wistful acknowledgement that all things must pass, Laemmle Theatres announces that Thursday, November 21, 2019 will be our last day screening movies at the Music Hall. We began operating the theater in 1974 and have shown literally thousands of movies from all over the planet. Bergman’s SCENES FROM A MARRIAGE was one of the first films we played there. LA CAGE AUX FOLLES and MY LIFE AS A DOG were hits at the Music Hall. One tiny highlight of countless funny highlights was Jason Schwartzman standing on the desk in the tiny office behind the box office in 1999 to autograph the RUSHMORE poster on the wall with “Rock on, Music Hall! Jason Schwartzman.”

Laemmle Theatres President Greg Laemmle said, “It has been my family’s privilege to operate the Music Hall for 45 years but it’s time to end our stewardship. For the sake of efficiency, we plan to use the other screens in our circuit to provide a platform for the types of films we’ve been showing in Beverly Hills.”

There is a distinct possibility of a renaissance, and movies and moviegoers will return to 9036 Wilshire Boulevard, but if it happens it will be after a hiatus and with different operators.

Check out CinemaTreasures.org for some history of the Music Hall.

 

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Filed Under: Featured Post, Music Hall 3, News

GOING ATTRACTIONS, a Love Letter to Historic Movie Theaters, to Premiere October 24 at Our Historic Ahrya Fine Arts with Director & Expert Q&A’s.

October 16, 2019 by Lamb L.

Laemmle Theatres and the Culture Vulture series present GOING ATTRACTIONS: The Definitive Story of the Movie Palace, a tribute to the spectacular monuments created as temples for the enjoyment of movies.

The film’s L.A. run kicks off Thursday, October 24 with the world theatrical premiere at the historic Ahrya Fine Arts, followed by a discussion with filmmaker April Wright and subject Escott O. Norton, executive director of the Los Angeles Historic Theatre Foundation. Several of the film’s other subjects will be in attendance as well!

Other countries built palaces for royalty. In the United States, we built them to watch movies.

Following the premiere, GOING ATTRACTIONS will play for a week, from October 25-31, at the Music Hall (showtimes here), and Monday, October 28 & Tuesday, October 29 at four additional Laemmle theatres — the Claremont, Playhouse, Royal and Town Center — as part of the Culture Vulture series (see list of shows and ticketing links below).

GOING ATTRACTIONS captures the splendor and grandeur of the great historic cinemas of the U.S., built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them: Giant screens, thousands of seats, ornate interiors, amazing marquees, in-house organs and orchestras, and air conditioning back when peoples’ homes had none. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts — with a special focus on Los Angeles, which enjoys two separate historic theater districts (downtown and Hollywood).

“I feel passionately about both the text — these beautiful structures —  and the subtext of GOING ATTRACTIONS, how we have changed so much in the past 50 years as a people in how we spend our time, socialize and experience entertainment,” director April Wright said. “Our content is personalized now, at our fingertips — but I fear we are losing something important by not having the local, communal experiences we used to have with our friends, families and fellow movie-going audiences.”

“Awesome and Wonderful!” — TC Kirkham, ECinemaOne

Escott O. Norton, who will participate in a Q&A at the October 24 premiere.

Culture Vulture screenings:

Claremont:
Oct. 28, 7:30 pm
Oct. 29, 1 pm
Playhouse:
Oct. 28, 7:30 pm
Oct. 29, 1 pm
Royal:
Oct. 28, 7:30 pm
Oct. 29, 1 pm
Town Center:
Oct. 28, 7:30 pm
Oct. 29, 1 pm

Speakers after three of the Culture Vulture screenings:

Mon., Oct. 28 7:30 pm at the Playhouse: David Saffer, LAHTF board member, and Ross Melnick, film historian, UCSB professor
Mon., Oct. 28 7:30 pm at the Royal: Mike Hume, LAHTF board member and filmmaker April Wright
Tue., Oct. 29 1 pm at the Town Center: filmmaker April Wright

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Filed Under: Ahrya Fine Arts, Claremont 5, Filmmaker in Person, Films, Music Hall 3, Playhouse 7, Q&A's, Royal, Town Center 5

ALWAYS IN SEASON Q&A’s with Filmmaker and Guests Opening Weekend at the Music Hall.

September 26, 2019 by Lamb L.

ALWAYS IN SEASON Q&A’s following the 7:30 pm show on Friday, 9/29 – Sunday, 9/29. Details below.

https://youtu.be/4ZfBr6MPIKE
Friday 9/27 – Re-enactment director Cassandra Greene and director Jacqueline Olive moderated by KUCI’s Mike Kaspar
Saturday 9/28 – Re-enactment director Cassandra Greene, filmmaker Lorena Manriquez, and director Jacqueline Olive
Sunday 9/29 – Professor Melina Abdullah and director Jacqueline Olive

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Filed Under: Filmmaker in Person, Films, Music Hall 3, Q&A's

IMPRISONED Q&A’s with Filmmaker Opening Weekend at the Music Hall.

September 18, 2019 by Lamb L.

IMPRISONED director/writer/producer Paul Kampf will participate in a Q&A following the 7:00 pm show on Friday, 9/20 and Saturday 9/27.

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Filed Under: Festival, Films, Music Hall 3, Q&A's

3 DAYS WITH DAD Q&A’s Opening Weekend with Cast & Crew at the Music Hall.

September 11, 2019 by Lamb L.

3 DAYS WITH DAD filmmaker and star Larry Clarke will participate in Q&A’s following the 7:20 pm show on Friday, 9/13 and Saturday, 9/14. Larry will be joined by actress Lesley Ann Warren on Friday.

 

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Filed Under: Actor in Person, Filmmaker in Person, Music Hall 3, Q&A's

FRIEDKIN UNCUT Q&A with Filmmakers Opening Night at the Music Hall.

August 28, 2019 by Lamb L.

FRIEDKIN UNCUT director Francesco Zippel and producer Federica Paniccia will participate in a Q&A moderated by Steve Barton of Dreadcentral.com  following the 7:00 pm show on Friday, 8/30.

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Filed Under: Filmmaker in Person, Films, Music Hall 3, Q&A's

Return Engagements of TONI MORRISON: THE PIECES I AM

August 14, 2019 by Lamb L.

On August 5 we lost one of our most brilliant writers and thinkers, Nobel Laureate and Pulitzer Prize winner Toni Morrison. As it happens, an acclaimed biographical documentary, Toni Morrison: The Pieces I Am, came out this summer and in light of her passing Laemmle Theatres will return the film to theaters starting Friday at the Music Hall in Beverly Hills and Saturday at the Playhouse and Claremont. If you haven’t yet seen it, please consider doing so. Writing in the New York Times, A.O. Scott said “The Pieces I Am offers something else, as a dividend yielded by [Morrison’s] achievements and her years on the earth: the profound pleasure of her company.” Joe Morgenstern of the Wall Street Journal wrote that the film “reminds us how long she had to wait for the recognition she so richly deserved, and what a distinctive, generous, funny, astute, self-doubting, unstoppable and formidable figure she was along the way.”

L.A. Times entertainment reporter Christie D’Zurilla published this interview with the director of Toni Morrison: The Pieces I Am, Morrison’s longtime photographer-turned-friend, Timothy Greenfield-Sanders. The headline: “Filmmaker says Toni Morrison was wickedly funny and made a mean carrot cake.”

“Novelist and book editor Toni Morrison was a private person who never wrote a memoir and turned away biographers, according to her friend Timothy Greenfield-Sanders. But she did allow the photographer-director to interview her extensively for the documentary “Toni Morrison: The Pieces I Am,” which explored her life as well as elements of black history.

“After Morrison died late Monday at 88, Greenfield-Sanders — who was also the writer’s “photographer of choice” for her book jackets and publicity shots — opened up to The Times exclusively via email about his memories of her. He remembers her as a woman who saw the big picture and, even in dark times, “managed to be philosophical.”

“For those who missed the Oscar-buzzy documentary the first time around, encore screenings of “Toni Morrison: The Pieces I Am” are being held for a week beginning Aug. 16 at the Laemmle Music Hall in Beverly Hills and Aug. 17 and 18 at Laemmle’s Claremont 5 in Claremont and Playhouse 7 in Pasadena.

“Here are some of Greenfield-Sanders’ memories from his decades-long friendship with the Nobel Prize winner.”

Q: Describe the type of friendship you had with Toni Morrison. What was it like?

A: I first met Toni Morrison 38 years ago, in the winter of 1981, when she came to my East Village studio for a Soho Weekly News cover portrait. She wore a dark suit with a white blouse and smoked a pipe. (Many years later she told me that Angela Davis had gotten her “into pipes.”) I was a young photographer and Toni had just finished her fourth novel, “Tar Baby.” I was impressed by her confidence on the set. Toni liked my work and we became friends … and I eventually became her photographer of choice, for book jackets, publicity photos and the like. Her trust in me began way back then.

Q: Can you share something that most people don’t know about her?

A: Did you know Toni makes the world’s greatest carrot cake? Ask anyone who has tasted one of her carrot cakes and they will tell you. In the film, author Paula Giddings shares that during her early days working in the secretarial pool at Random House, Toni asked her to do some typing for her first novel, “The Bluest Eye.” As a thank you, Toni baked her a carrot cake.

Q: What is the most profound or useful thing you learned from her over the course of your friendship?

A: Toni had a way of looking at the big picture. Even in dark times she managed to be philosophical.

Q: Talk a little about the things you filmed during your documentary interview that didn’t make the cut.

A: In creating “Toni Morrison: The Pieces I Am,” the most difficult challenge was cutting it down to a two-hour film. We had to edit out a riveting section about Morrison on Shakespeare and her play “Desdemona,” wonderful insights into her father and his influence on her, and an emotional piece about the death of writer Toni Cade Bambara. When Bambara died with an unfinished book, Toni [Morrison] devoted a year to finishing it so it could be published posthumously for her dear friend.

Q: What did you learn about her legacy in researching the film?

A: At the beginning of the film, Toni remarks that she learned early on in life that “words have power.” As we’ve taken the film out, I’ve been able to see the depth of gratitude for her words. Her writing has empowered and nourished so many around the world … to heal, to imagine, to develop their own voices. Toni was a pioneer — taking her hard-earned place alongside the white men who had dominated the publishing establishment. Her ascent to the literary canon was a significant breakthrough that allowed other women and African Americans to be seen and heard.

 

Q: Some people don’t like to have their picture taken. What was it like to photograph her? How was it the same as or different from filming her?

A: Toni’s strength and confidence were part of her DNA, and both were particularly evident when she was in front of the camera. I think she had a profound understanding of portraiture and her image in the world. Our photo sessions were not only quite fun over the years but also resulted in big ideas for my own career. It was during a lunch break in 2005 that Toni proposed a book on “Black Divas”… we were shooting portraits for her opera, “Margaret Garner.” That idea morphed into my film series on identity, starting with “The Black List: Volume 1,” focusing on the African American community. Toni was the first to sit for that film.

Q: Did she make you laugh?

A: Toni had a world-class sense of humor. Being with Toni was a lot of fun. Many people who only know her through her books and interviews don’t realize how much Toni loved to laugh. She was wickedly funny in addition to being such a profound, philosophical and visionary thinker.

This 1995 image is Timothy Greenfield-Sanders’ favorite picture of writer Toni Morrison.(Timothy Greenfield-Sanders / Random House)

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Filed Under: Claremont 5, Featured Post, Films, Music Hall 3, News, Playhouse 7

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Farewell, Chaim Topol.

“A pity party that has no business being so much fun,” UNA VITA DIFFICLE opens in the U.S. after a 62 year wait.

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Los Angeles premiere of AMERICA! From the award-wi Los Angeles premiere of AMERICA! From the award-winning director of "The Cakemaker"! 100% "FRESH" on Rotten Tomatoes!

Thursday, March 16th @ 7pm with director Ofir Raul Graizer in-person for Q&A - Exclusively at Laemmle Royal

"Extraordinarily moving! Will stay with you long after you leave the theater." @thejerusalem_post

🎟️ laemmle.com/film/america

WINNER - Best Actress (Oshrat Ingedashet) | Jerusalem Film Festival
WINNER - Audience Award | Philadelphia Jewish Film Festival
WINNER - Critics Jury Prize | Miami Jewish Film Festival
⭐⭐⭐⭐ @sydneyartsguide MARY CASSATT: PAIN ⭐⭐⭐⭐ @sydneyartsguide 

MARY CASSATT: PAINTING THE MODERN WOMAN  tells a riveting tale of great social and cultural change at a time when women were fighting for their rights and the language of art was being completely rewritten.

3/13 & 3/14 ONLY! 🎟️ @laemmletheatres

❗ Part of Laemmle's curated "CULTURE VULTURE" series of ballet, opera, stage, and fine art. laemmle.com/culturevulture
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⭐ IN VIAGGIO: THE TRAVELS OF POPE FRANCIS is a decade-long chronicling of the head of the Catholic church, from Academy Award® nominated filmmaker Gianfranco Rosi.

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laemmle Laemmle Theatres @laemmle ·
16 Mar

☘️ WEAR GREEN ☘️ $AVE GREEN ☘️ $2 OFF your concessions order!

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L.A. premiere of AMERICA! From the award-winning director of "The Cakemaker" Ofir Raul Graizer! 100% "FRESH" on Rotten Tomatoes!

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"Extraordinarily moving! @jerusalempost

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MARY CASSATT: PAINTING THE MODERN WOMAN tells a riveting tale of great social and cultural change at a time when women were fighting for their rights and the language of art was being completely rewritten.

3/13 & 3/14 ONLY 🎟️ http://laemmle.com/film/mary-cassatt-painting-modern-woman

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⭐ TICKETS ONSALE! SPECIAL ONE NIGHT SCREENINGS 3/27 w/post film discussion!
⭐ IN VIAGGIO: THE TRAVELS OF POPE FRANCIS is a decade-long chronicling of the head of the Catholic church.
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Arthur Miller’s THE CRUCIBLE captured live at the National Theatre!

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Lyndsey Turner (Hamlet) directs this contemporary new staging, designed by Tony Award-winner Es Devlin (The Lehman Trilogy).

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