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You are here: Home / Actor in Person

RUNNING ON EMPTY 35th Anniversary Screening with Actors Christine Lahti and Judd Hirsch in Person October 24.

October 11, 2023 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present a 35th anniversary screening of the potent Oscar-nominated drama Running on Empty, written by Naomi Foner and directed by Sidney Lumet in one of his late-career highlights. Christine Lahti, who was named best actress of the year by the Los Angeles Film Critics Association for her performance, Judd Hirsch, River Phoenix, and Martha Plimpton star in one of the few movies to examine the consequences of the revolutionary movements that swept America in the late 1960s and early 1970s. The film earned two Oscar nominations in 1988, for Foner’s original screenplay and for Phoenix as Best Supporting actor. We’ll screen Running on Empty at the Royal on October 24 at 7 pm with Ms. Lahti as our special guest.

Lahti and Hirsch play a married couple who were part of a 1960s revolutionary group, probably modeled on the Weather Underground, who participated in the bombing of a napalm laboratory that resulted in the serious injury of a janitor who was not supposed to be on the premises. Since then, they and their two sons have been on the run from the FBI, constantly changing their identities and moving when the authorities seemed close to locating them.  An added complication arises when their teenage son, played by Phoenix, begins to demonstrate extraordinary gifts as a pianist, and the parents realize that their unsettled lives could hinder the development of his talent. At the same time, Phoenix falls in love with the daughter (Plimpton) of his music teacher and feels compelled to reveal his true identity to her.

Lumet (12 Angry Men, Dog Day Afternoon, Network, The Verdict), who received an honorary Oscar late in his life, brought his characteristic dramatic vigor and emotional intensity to the film. A highlight is the meeting between Lahti and her long estranged father, played by Steven Hill, that is one of the most wrenching scenes in any film of the period. Most critics recognized the film’s achievements. Roger Ebert called it “one of the best films of the year,” and Newsweek’s David Ansen called it “emotionally overpowering.” Kevin Thomas of the Los Angeles Times wrote, “Sophisticated, uncompromising and refreshingly original, it is one of those rare films which is likely to mean as much to teens as it does to their parents.”

Christine Lahti made her film debut opposite Al Pacino in 1979 in …And Justice for All. She went on to co-star in Whose Life Is It Anyway? opposite Richard Dreyfuss, The Doctor with William Hurt, Just Between Friends with Mary Tyler Moore, Bill Forsyth’s Housekeeping, and, more recently, A Beautiful Day in the Neighborhood with Tom Hanks. She earned an Oscar nomination when she co-starred with Goldie Hawn in Swing Shift. Later she won an Oscar for a live action short film that she directed, Lieberman in Love, in 1995. Lahti won an Emmy for her starring role in the hit TV series, Chicago Hope, and also had a recurring role in Law and Order SVU. In 2001 she directed her first feature, My First Mister, starring Albert Brooks and Leelee Sobieski.

Judd Hirsch has received two Oscar nominations for Best Supporting Actor—for the Oscar-winning best picture of 1980, Ordinary People, and for his performance just last year in Steven Spielberg’s acclaimed memory piece, The Fabelmans. He also won two Emmy Awards for his performance in the critically acclaimed and immensely popular TV show of the late 1970s, Taxi. Among his other notable feature film credits are Independence Day, A Beautiful Mind, The Meyerowitz Stories, and Uncut Gems. Hirsch co-starred in several other TV series—Dear John, Damages, Superior Donuts, and The Goldbergs.

Leave a Comment Filed Under: Actor in Person, Anniversary Classics, Featured Post, Films, Q&A's, Royal, Theater Buzz

SOYLENT GREEN 50th Anniversary Screening September 13 with Special Guest Leigh Taylor-Young.

August 30, 2023 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present a 50th anniversary of the prophetic sci-fi classic, ‘Soylent Green.’ The sole surviving cast member, Leigh Taylor-Young, will join to share memories of making this powerful movie. This still-timely film, set in New York in 2022, was one of the first to address issues of pollution, global warming, overpopulation, and an epidemic of homelessness. In many ways it predicted the dark future imagined in ‘Blade Runner,’ made a decade later.

SOYLENT GREEN 50th Anniversary Screening September 13 with Special Guest Leigh Taylor-Young.

The script was adapted by Stanley R. Greenberg from an acclaimed novel, ‘Make Room! Make Room!,’ by Harry Harrison. The director, Richard Fleischer, was no stranger to science fiction, having made the hit movies ‘20,000 Leagues Under the Sea’ and ‘Fantastic Voyage,’ along with a wide range of films in many different genres. Charlton Heston portrays a police detective trying to solve the murder of an executive at the mysterious Soylent Corporation, which leads him to uncover a diabolical conspiracy. In addition to Leigh Taylor-Young, the supporting cast includes Chuck Connors, Joseph Cotten, Brock Peters, and Paula Kelly. But the most memorable performance is given by Edward G. Robinson, in his final screen appearance.

The Hollywood Reporter declared that the film “conjures a terrifying vision of the future.” Charles Champlin of the Los Angeles Times called the film “a clever, rough, modestly budgeted but imaginative work.” ‘Soylent Green‘ won the Saturn Award for Best Science Fiction Film of the year.

SOYLENT GREEN 50th Anniversary Screening September 13 with Special Guest Leigh Taylor-Young.

Actress Leigh Taylor-Young first came to prominence on the popular “Peyton Place” TV series of the 1960s. She made her feature film debut in the hit 1968 comedy, ‘I Love You Alice B. Toklas,’ starring Peter Sellers, written by Paul Mazursky and Larry Tucker. Her other film roles include ‘The Gang That Couldn’t Shoot Straight,’ which marked one of the first screen roles for Robert De Niro, and ‘Jagged Edge,’ starring Glenn Close and Jeff Bridges. She also co-starred in many popular TV series, including “Dallas” and “Picket Fences,” for which she won an Emmy. In recent years she has also been active in humanitarian and spiritual activities for the United Nations and other organizations.

The movie’s trailer posed the question, “What Is the Secret of Soylent Green?” If you don’t know the answer to that question, be sure to attend our 50th anniversary screening. And even if you do know, you will be startled by the movie’s timeliness and engaged by the conversation with our delightful guest speaker.

Leave a Comment Filed Under: Actor in Person, Anniversary Classics, Featured Post, Films, Q&A's, Repertory Cinema, Royal, Special Events, Theater Buzz

EXPERIMENT IN TERROR 60th Anniversary Screening with co-star Stefanie Powers in person December 7

November 16, 2022 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present the 60th anniversary of director Blake Edwards’ neo-noir suspense thriller Experiment in Terror, one of the noteworthy films from the milestone movie year 1962. Stefanie Powers, who has a key supporting role, will appear for a Q&A after the film. The one-night-only screening will play at the Laemmle NoHo theater on Wednesday, December 7 at 7 PM.

The story deals with vicious criminal Red Garland (Ross Martin), who terrorizes San Francisco bank teller Kelly Sherwood (Lee Remick), forcing her to steal $100,000 for him. Although he threatens to kill her and her teenage sister Toby (Stefanie Powers) if she goes to the police, Remick contacts the local FBI office, where agent John Ripley (Glenn Ford) undertakes a manhunt for Garland. To ensure Kelly’s full cooperation, Garland kidnaps Toby and a race against the clock ensues. Filmed on location in San Francisco, the film notably climaxes in the Bay City’s mid-century landmark, Candlestick Park.

EXPERIMENT IN TERROR 60th Anniversary Screening with co-star Stefanie Powers in person December 7

Blake Edwards, known primarily as a comedy specialist, followed the biggest hit of his early career, Breakfast at Tiffany’s, with a complete change of pace in this taut suspenser adapted by the Gordons from their novel “Operation Terror.” He took advantage of the genre change by utilizing a full range of stylistic flourishes, superbly assisted in exploring the neo-noir format by cinematographer Philip Lathrop, filming appropriately in sharp-edged black and white, and composer Henry Mancini, contributing a striking, eclectic score. Edwards, Remick, Lathrop, and Mancini would all reunite later in the year for the memorable drama Days of Wine and Roses.

EXPERIMENT IN TERROR 60th Anniversary Screening with co-star Stefanie Powers in person December 7

Critics of the day appreciated the investigative protocol, mystery elements, and the convincing, unsentimental acting and storytelling. Later reviewers embraced Edwards’ directing approach, with Time Out stating, “Edwards’ classical feel for pure cinema remains unalloyed.” Emmanuel Levy noted, “this stylish noir thriller is one of Edwards’ best films and one of the genre’s highlights.” The movie also greatly influenced filmmaker David Lynch, particularly his acclaimed Twin Peaks. Richard Brody, film critic of The New Yorker, wrote in 2015 that Experiment in Terror is “a movie about movies, a very early American reflection of the methods and moods of the French New Wave, realized as a mainstream Hollywood film…the exaltation of the ordinary into something extraordinary by means of the power of cinema itself.”

EXPERIMENT IN TERROR 60th Anniversary Screening with co-star Stefanie Powers in person December 7

Our special guest Stefanie Powers is still actively enjoying her seventh decade in show business, starting as a teenager under contract for Columbia Pictures at the end of the studio era. In 1962 she co-starred in three popular movies, If a Man Answers, The Interns, and Experiment in Terror. Later in the decade she starred on television as The Girl from U.N.C.L.E., followed by over 200 appearances on weekly TV series and miniseries, culminating in the hit show Hart to Hart (1979-84), in which she co-starred with longtime friend Robert Wagner. In 1982 she founded the William Holden Wildlife Foundation in Kenya after the 1981 death of her life partner Holden. She remains involved in wildlife conservation and environmental activism in addition to her acting career.

Leave a Comment Filed Under: News, Actor in Person, Anniversary Classics, Films, NoHo 7, Q&A's, Repertory Cinema, Theater Buzz

Vincent D’Onofrio in Person for FULL METAL JACKET 35th Anniversary Screening Sept. 13

September 7, 2022 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present a 35th anniversary screening of Stanley Kubrick’s savage anti-war drama Full Metal Jacket, which scored a box office success in 1987 and also earned an Oscar nomination for Best Adapted Screenplay. Kubrick, celebrated Vietnam author Michael Herr, and Gustav Hasford adapted Hasford’s 1979 novel, The Short-Timers. The acclaimed cast includes Matthew Modine, Vincent D’Onofrio, Adam Baldwin, Dorian Harewood, and R. Lee Ermey. D’Onofrio will join for a Q&A after the 7 PM screening at the Royal on Tuesday, September 13.

Vincent D'Onofrio in Person for FULL METAL JACKET 35th Anniversary Screening Sept. 13

Kubrick came late to the Vietnam war movie cycle, after such Oscar-winning films as Coming Home, The Deer Hunter, and Platoon. But he added his own sardonic and biting slant to his dissection of the terrible war. One of Kubrick’s early celebrated movies was his 1957 drama Paths of Glory, set during World War I. And his 1964 Oscar nominee, Dr. Strangelove, took a unique black comic approach to the terrifying subject of nuclear annihilation. Some of the same dark humor freshens Full Metal Jacket, though it also contains deadly serious depictions of brutal basic training as well as the horrors of a misguided, doomed war.

Vincent D'Onofrio in Person for FULL METAL JACKET 35th Anniversary Screening Sept. 13

The first section of the film dramatizes the basic training of a platoon of Marine recruits at Parris Island, South Carolina. Former real-life drill instructor R. Lee Ermey portrays the savage sergeant in charge of the soldiers’ training. Ermey improvised much of the scathing and scatological dialogue, based on his own personal experience as a sergeant during the Vietnam War. He bullies and brutalizes all of the recruits but takes special pleasure in tormenting the overweight soldier played by D’Onofrio, whom he nicknames Gomer Pyle. Modine tries to protect D’Onofrio, with little success.

Vincent D'Onofrio in Person for FULL METAL JACKET 35th Anniversary Screening Sept. 13

When the action shifts to Vietnam during the Tet offensive, it retains its hard-edged, nihilistic spirit. The entire film was actually shot in England, but Kubrick and his technical crew did an extraordinary job of recreating an American military base and the cities and jungles of Southeast Asia without ever leaving the English countryside.

Critical reactions to the film were very strong. Gene Siskel called Full Metal Jacket “a great piece of filmmaking.” The Los Angeles Times’ Sheila Benson wrote, “Aiming for minds as well as hearts, Kubrick hits his target squarely.” The Chicago Reader’s Jonathan Rosenbaum raved, “This is the most tightly crafted Kubrick film since Dr. Strangelove, as well as the most horrific.” The New York Times’ Vincent Canby called it “a film of immense and very rare imagination.” Canby’s Times colleague Janet Maslin added, “No one who sees Full Metal Jacket will easily put the film’s last glimpse of D’Onofrio, or a great many other things about Kubrick’s latest and most sobering vision, out of mind.”

After his breakthrough performance in Full Metal Jacket, D’Onofrio went on to co-star in such films as Mystic Pizza, JFK, The Player, Ed Wood, The Whole Wide World, Men in Black, Jurassic World, and Steal This Movie, in which he played Abbie Hoffman. He had a ten-year run in Law and Order: Criminal Intent. More recently he has appeared in the series Daredevil, Godfather of Harlem, and Ratched. Last year he had a major role as Jerry Falwell in the Oscar-winning The Eyes of Tammy Faye.

Leave a Comment Filed Under: Actor in Person, Anniversary Classics, Featured Films, Films, News, Q&A's, Repertory Cinema, Royal, Special Events, Theater Buzz

Jewish Journal: “MY NAME IS SARA Depicts Jewish WWII Refugee in Ukraine.”

July 20, 2022 by Jordan Deglise Moore Leave a Comment

This Friday at the Royal and Town Center, we open My Name is Sara, a drama based on a true story from the Second World War about a young Polish Jew who survived by taking refuge with farmers and passing as a Christian. The director, Steven Oritt, and leading actress Zuzanna Surowy will participate in Q&As Friday, July 22 after the 7 PM at the Royal; Saturday, July 23 after the 4 PM show at the Royal and after the 7:10 PM show in Encino; and on Sunday, July 24, after the 1:10 PM in Encino and the 4 PM show at the Royal. Executive producer Mickey Shapiro (the real-life Sara’s son) will join them for the Friday Q&A.

Jewish Journal: "MY NAME IS SARA Depicts Jewish WWII Refugee in Ukraine."

The filmmaker recently spoke with Brian Fishbach of the Jewish Journal:

Three dead people hang from a tree with a sign that reads “We hid Jews.” It’s a scene that encapsulates the fear tactics the Nazis used to deter anyone from assisting the Jewish people during World War II.

The film My Name Is Sara tells the true and arduous story of a Jewish girl who survived by pretending not to be Jewish. It shows how Sara Góralniak (Zuzanna Surowy), a 12-year-old living in Poland, took refuge on a farm in Ukraine for two years while hiding every aspect of her Jewish identity. Every second that she was there she knew that if she were found, she and the family that protected her would be murdered.

Jewish Journal: "MY NAME IS SARA Depicts Jewish WWII Refugee in Ukraine."

“She was constantly living on eggshells that entire time, which is an obviously awful environment to have to live under,” said director Steven Oritt.

Throughout the film, Sara endears herself to the family who allows her to work on their farm: Pavlo (Eryk Lubos), his wife Nadya (Michalina Olszańska) and their two young sons. Sara proves herself to be a capable farmhand and a non-Jew by reciting the Lord’s Prayer, eating pork, saying she’s 14 and even assuming a new name. She endures skepticism from the family that has taken her in, while also slowly proving herself useful and not threatening their safety.

Jewish Journal: "MY NAME IS SARA Depicts Jewish WWII Refugee in Ukraine."

There are scenes of animals being slaughtered, as is normal on any farm. But there’s humanity in those moments, which is in contrast to the graphic and sadistic threats and murders of the townspeople at the hands of the Nazis.

The ensemble is strong, making every peril Sara and the family confront vivid and poignant, their eyes and body language expressing the characters’ fear and determination. No moment illustrates this better than Sara, riding a horse drawn buggy into town with Pavlo and Nadya’s family, sees three townspeople hanging from a tree for hiding Jews. Both Nadya and Sara cover the two little boys’ eyes. Sara’s dreams of reuniting with her family turn to nightmares when their reunion is discovered by Nazis.

Jewish Journal: "MY NAME IS SARA Depicts Jewish WWII Refugee in Ukraine."

Surprisingly, the starring role of Sara was Surowy’s first time acting. Thrust into a movie set and working in English, which is not her first language, Surowy’s experience mirrors Sara’s. There’s a fear, a wariness, to her performance, that’s most effective when Sara, who had never worked on a farm or been away from her family, is forced to adapt to her new world.

“We weren’t going to make the film if we didn’t find somebody that we felt as though could pull it off,” said Oritt.

While the two previous films he directed were documentaries, this is the first scripted film Oritt’s directed. “When I first interviewed [the real] Sara, the first question I asked was ‘How does a child, a 12-year old, survive such a thing?’ Because it was an unimaginable event. How could she do this constantly, making the right choice happen? And she said immediately, ‘by listening and not talking.’”

Read the full piece on the Jewish Journal site.

https://www.youtube.com/watch?v=40UnffwvrP4

Leave a Comment Filed Under: News, Actor in Person, Featured Films, Featured Post, Filmmaker in Person, Films, Press, Q&A's, Royal, Theater Buzz, Town Center 5

PRESSURE POINT 60th Anniversary Screening in Tribute to Sidney Poitier with Actor Barry Gordon in Person.

May 25, 2022 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present a tribute to the late Sidney Poitier with one of his lesser known but most provocative movies, PRESSURE POINT from 1962. Bobby Darin (in one of his first dramatic performances) and Peter Falk co-star in this gritty, still-timely film about racism and anti-Semitism. Our guest speaker will be co-star Barry Gordon, who played Darin’s character as a child in visually striking flashback scenes. The screening is at the Royal on Wednesday, June 22 at 7 PM. Buy tickets here.

 PRESSURE POINT 60th Anniversary Screening in Tribute to Sidney Poitier with Actor Barry Gordon in Person.

The film is based on a real psychiatric case about a doctor who tried to fathom the reasons for the racial prejudices of a belligerent patient. As he probes the character’s past, he discovers some of the reasons for the convict’s poisonous ideas but is unable to “cure” him of his antisocial attitudes. It was the film’s producer, Stanley Kramer (THE DEFIANT ONES, JUDGMENT AT NUREMBERG, GUESS WHO’S COMING TO DINNER), who suggested altering the real case by making the psychiatrist a Black man. This gave an added edge to the story. Both Poitier and Darin contribute outstanding performances. The script by director Hubert Cornfield and S. Lee Pogostin incisively scrutinizes the psychological roots of race prejudice and fascism. A film exposing the poison of white supremacy remains just as timely today as it was in 1962.

PRESSURE POINT 60th Anniversary Screening in Tribute to Sidney Poitier with Actor Barry Gordon in Person.

Barry Gordon had a highly successful career as a child actor in the 1950s and 60s. After completing PRESSURE POINT, he starred on Broadway as Jason Robards’ nephew in Herb Gardner’s tribute to nonconformity, A THOUSAND CLOWNS. Gordon earned a Tony nomination for that performance and reprised his role in the Oscar-winning 1965 film version of the play. Gordon went on to co-star in many TV comic and dramatic series, from ‘The New Dick Van Dyke Show’ and ‘Archie Bunker’s Place’ to ‘L.A. Law,’ ‘NYPD Blue,’ and ‘Curb Your Enthusiasm.’ He also portrayed the character of Donatello in the smash hit animated series, ‘Teenage Mutant Ninja Turtles.’ In addition, Gordon was the longest-serving president of the Screen Actors Guild, with a seven-year tenure from 1988 to 1995.

PRESSURE POINT 60th Anniversary Screening in Tribute to Sidney Poitier with Actor Barry Gordon in Person.

Critic Leonard Maltin called PRESSURE POINT an “intelligent drama” about an American Nazi. Writing in the Saturday Review, Hollis Alpert declared that director Cornfield “achieves several scenes of stark brilliance.” Ernest Haller provided the striking cinematography, and Oscar winner Ernest Gold composed the score.

Leave a Comment Filed Under: Anniversary Classics, Actor in Person, Featured Post, Films, News, Q&A's, Repertory Cinema, Royal, Theater Buzz

JOCKEY Opens December 29 at the Royal.

December 27, 2021 by Jordan Deglise Moore Leave a Comment

Updated: The 12/29 Q&A with JOCKEY star Clifton Collins Jr. and Laemmle Theatres president Greg Laemmle has been cancelled.

The highlight of the poignant new drama Jockey is the performance by Clifton Collins Jr., the prolific character actor here in the title role as an aging jockey training for a final championship. At Sundance earlier this year he earned the U.S. Dramatic Special Jury Award for acting. We open the film Wednesday at the Royal, January 21 at the Playhouse and Town Center, and February 4 at the Claremont, Glendale, Newhall and NoHo.

JOCKEY Opens December 29 at the Royal.

“An evocative study of American life on the fringes that unfolds alongside the grand mysticism of stallions. Clifton Collins Jr. delivers a haunting, profoundly poignant performance.” ~ Tomris Laffly, Harper’s Bazaar

JOCKEY Opens December 29 at the Royal.

“Bentley’s intimate character study shows a man coming to terms with his vulnerability, resting on a career-best performance from Clifton Collins Jr, who navigates the role of athlete and father with subtle but striking conviction.” ~ Emily Maskell, Little White Lies

JOCKEY Opens December 29 at the Royal.

“Jockey is a modest, intimate film, to be sure, but an impressively assured one. It finds a lovely, low-key groove early on and maintains it, and draws performances from its key players that are terrific and true.” Todd McCarthy, Deadline Hollywood Daily

JOCKEY Opens December 29 at the Royal.

“You’ve certainly seen [Collins Jr.] before, but never quite like this.” ~ Carlos Aguilar, TheWrap

JOCKEY Opens December 29 at the Royal.

“Somewhere between swagger and selflessness, win and lose, Jockey takes the home stretch.” ~ Sheri Linden, Hollywood Reporter

https://www.youtube.com/watch?v=YWI6Q-yKFbc

 

Leave a Comment Filed Under: Actor in Person, Claremont 5, Featured Films, Featured Post, Glendale, Newhall, NoHo 7, Playhouse 7, Q&A's, Royal, Theater Buzz, Town Center 5

A triple award winner at Sundance, the Albanian drama HIVE opens at the Royal and Playhouse this Friday, November 12. The filmmaker and lead actress will attend two Royal screenings for Q&As.

November 10, 2021 by Jordan Deglise Moore Leave a Comment

Winner of the Audience, Directing and Grand Jury Prize for World Cinema at Sundance earlier this year, HIVE is an intense, beautifully wrought drama based on the true story of Fahrije, an Albanian war widow coping with poverty and patriarchy. New York cinephiles turned out in force at the Film Forum last weekend following Manohla Dargis’ rave review in the Times. Headlined “In the Aftermath of War, a Survivor Finds Herself: In a tough, taut drama, the director Blerta Basholli explores the lives of women whose husbands went missing in the Kosovo War,” here’s an excerpt: “The spare, tightly wound drama HIVE opens with the movie equivalent of a hand grabbing your throat. An unsmiling woman with a hard, monumental profile stands alone next to a truck. People mill around nearby, murmuring indistinctly. Abruptly, the woman ducks under some police tape and into the truck, where she hastily begins unzipping one white body bag after another and just as quickly scanning their contents, her nose wrinkling at the exposed bundles of tattered clothing, remnants of missing persons. She’s soon ejected by a worker, but her search continues.
A triple award winner at Sundance, the Albanian drama HIVE opens at the Royal and Playhouse this Friday, November 12. The filmmaker and lead actress will attend two Royal screenings for Q&As.
Photo by Alexander Bloom.

“The woman, Fahrije (Yllka Gashi), is looking for her husband, one of the missing, who disappeared years ago during the Kosovo War. Now, with her two children and a disabled father-in-law, she struggles to keep the family going. She labors with the beehives that her husband once managed, selling jars of honey at a local market. Sales are modest and sometimes close to nonexistent, but the bees are her only means of scraping together a meager living. Every so often, she meets up with a women’s collective whose members face the same hurdles under the unhelpful watch of the town’s men. And she keeps looking for her husband — a haunting, troubling phantom.

A triple award winner at Sundance, the Albanian drama HIVE opens at the Royal and Playhouse this Friday, November 12. The filmmaker and lead actress will attend two Royal screenings for Q&As.
Photo by Astrit Ibrahimi.

“A liberation story told with easy naturalism and broad political strokes, HIVE tracks Fahrije on her path to independence. (It’s based on the experiences of an Albanian Kosovo woman of the same name.) Like its protagonist, the movie is stern, direct and attentive to ordinary life. The writer-director Blerta Basholli doesn’t bludgeon you with the character’s miseries, or hold your emotions hostage. Fahrije isn’t lovable; sometimes she’s scarcely likable, which means she’s more of a human being than an emblem of virtuous suffering. She has her charms, though these tend to emerge in the intimacies she shares with her family and female friends like Naza (a piquant Kumrije Hoxha)…HIVE seizes and holds your interest simply through the drama created by sympathetic characters trying to surmount awful, unfair hurdles. Mostly, though, what holds you rapt is Gashi’s powerful, physically grounded performance, which lyrically articulates her taciturn character’s inner workings. Together, the performer and her director reveal the arc of a life through Fahrije’s gestures and in the hard lines of her jaw, in her unsmiling lips and in her quickly lowered gaze. And while the character’s stoicism seems like an unbreachable wall, these two women dismantle — and rebuild it — to stirring effect.”

A triple award winner at Sundance, the Albanian drama HIVE opens at the Royal and Playhouse this Friday, November 12. The filmmaker and lead actress will attend two Royal screenings for Q&As.
Photo by Alexander Bloom.

HIVE writer-director Blerta Basholi, producer Yll Uka, and lead actress Yllka Gashi will participate in Q&As at the Royal after the 7:30 PM screenings on Friday and Saturday, November 12 and 13. Clayton Davis, President of the Latino Entertainment Journalists Association, will moderate the Friday Q&A.

https://www.youtube.com/watch?v=8Yqwb2IfyUY

 

Leave a Comment Filed Under: Actor in Person, Featured Films, Featured Post, Filmmaker in Person, Films, Playhouse 7, Press, Q&A's, Royal, Theater Buzz

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Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
Follow LAEMMLE on TWITTER: http://bit.ly/3O6adYv
Follow LAEMMLE on INSTAGRAM: http://bit.ly/3y2j1cp
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