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Coffee, Cantatas, and Conversation! Please join us Sunday, September 10 when LAEMMLE LIVE welcomes Los Angeles Baroque for a FREE chamber music concert. The baroque ensemble’s Westside debut will feature Bach’s Brandenburg Concerto 6 and a mini comic opera, A Coffee Cantata, in a new (and very funny) translation by Hugh Macdonald.
Directed by Lindsey Strand-Polyak and Alexa Haynes-Pilon, Los Angeles Baroque (LAB) was founded in 2016. LAB enables dedicated professional, student and community musicians from greater Los Angeles to explore repertoire, learn Baroque playing style and perform. The group encourages and supports the early music community in Los Angeles in an inclusive environment to give highly motivated players more performance opportunities. This diverse group rehearses and performs regularly at St James’ Episcopal Church in South Pasadena.
Praised for her “Rococo gracefulness,” Lindsey Strand-Polyak is active throughout the West Coast as a baroque violinist and violist. She performs with the American Bach Soloists, Musica Angelica, Seattle Baroque Orchestra, Pacific MusicWorks and Bach Collegium San Diego. Dr. Strand-Polyak is co-artistic director of baroque chamber group Ensemble Bizarria and of Los Angeles Baroque. Canadian Alexa Haynes-Pilon has established herself in the Los Angeles early music scene. She has performed with Los Angeles Baroque Players, Con Gioia and Musica Angelica, and as co-founded two early music chamber groups, Concitato 415 and Ensemble Bizarria. Alexa recently finished her doctoral studies at the University of Southern California. She believes strongly that the future of classical music lies in youth education. Photo credit: Helen Berger
EVENT DETAILS
Sunday, September 10, 2017
11:00 AM
Monica Film Center
RSVP USING EVENTBRITE
This is a Free Event
EVENT DETAILS
Mitchum was a contract player at RKO when he starred in Out of the Past, directed by Jacques Tourneur with a script by Geoffrey Homes (Daniel Mainwaring), adapting his novel, “Build My Gallows High.” Mitchum plays an ex-private eye entangled in a web of double-dealings by former criminal associates (gangster Kirk Douglas and old flame Jane Greer). Mitchum, described in the New York Times review of the day as “magnificently cheeky and self-assured,” entrenched his cynical, antihero image in this film.
Cape Fear came at the end of the classical black-and-white film noir period (1942-62), and stars Mitchum in his most memorable villainous role, Max Cady. In this adaptation by James R. Webb of James D. MacDonald’s novel, “The Executioners,” an ex-con plots insidious revenge on the lawyer (Gregory Peck) whose testimony sent him to prison. Director J. Lee Thompson was an admirer of Alfred Hitchcock, and paid homage to the Master of Suspense with camera angles and the use of his frequent collaborator, composer Bernard Herrmann, who provided a superbly menacing score. Mitchum was so convincing in the role that co-star Polly Bergen (as Peck’s wife) said she was genuinely frightened in an improvised scene with him. Leonard Maltin calls Mitchum’s performance “believably creepy,” and the American Film Institute cited his portrayal of Cady as one of the top 30 “All-Time Screen Villains.” Martin Balsam, Lori Martin, Telly Savalas, and Barrie Chase co-star.
TYRUS
