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Home » Theater Buzz » Santa Monica » Page 62

DANCER’s Sergei Polunin, filmmaker Steven Cantor and artsmeme.com’s Debra Levine at the Monica Film Center September 9 for two Q&A’s.

August 31, 2016 by Lamb L.

We are thrilled to open the new documentary Dancer next week at the Monica Film Center and Playhouse 7. Dancer Sergei Polunin, the film’s subject, and Dancer director Steven Cantor will participate in a Q&A after the 5:20 and 7:40 PM screenings at the Monicas on Friday, September 9 and the 12:40 and 3 PM shows on Saturday the 10th. Dance critic Debra Levine, founder of artsmeme.com, will moderate the Friday Q&A’s.

Party animal, bad boy, ballet genius – Sergei Polunin confounds stereotypes just as his dancing defies belief. Blessed with impossible talent, he was born to be an international star but it was a destiny that nearly eluded him. After an unprecedented rise to the top, the Royal Ballet’s youngest ever principle stunned the dance world when he walked away from a seemingly unstoppable career at the age of 22. The rigors of ballet discipline and the burden of stardom drove this vulnerable young man to the brink of self-destruction. Saved – if not tamed – by his mentor Igor Zelensky, Polunin is dancing again and dazzling audiences in Russia. But now he is ready to enter a bigger stage. Urban rebel, iconoclast, airborne angel, Polunin will turn ballet, “a dying art form,” on its head.

15_DANCER

Directed by award-winning documentarian Steven Cantor, Dancer offers a uniquely personal portrait of a most singular man and dancer. From archive footage of Polunin training at the age of six to be an Olympic gymnast, to intimate material shot by his parents, and in-depth interviews with family, friends, colleagues through to footage of Sergei’s life on and off the stage now, we witness every step of Sergei’s journey. We also interview his detractors – those who say that his training methods and preference for practicing alone, do not make him a company player. Polunin is a controversial, divisive character and he is shown in all his complexity.

03_DANCER

The film is also a showcase for his extraordinary physical and emotional range. Dance features throughout. The centerpiece of the film, as seen through the lens of David LaChapelle, shot in Hawaii: Polunin dancing to Hozier’s song “Take Me to Church” was leaked online during the Dancer production in February 2015 and generated over 10 million YouTube views within two months.

https://www.youtube.com/watch?v=oCwc265NnDI

Director’s statement:

“How do you come to terms with a life definition that was created for you? When you’re the greatest in the world, what else is there left to achieve? To live for? Twenty-five-year-old, world-renowned ballet star, Sergei Polunin, has defined his life through his art, only to question his existence at the opportunity to become legendary.  Dancer is an intimate reflection of a talented and charming, but also complex and enigmatic ballet star at a vulnerable crossroads. By tracing through the memories of his life— particularly family and childhood sacrifices in destitute Ukraine— his complicated story unfolds, revealing a young man on the brink. Dancer weaves its narrative arc through archival footage, passionate dance sequences and present day verite scenes and interviews with important figures in Sergei’s life, as well as a remarkable stockpile of family photos and footage taken mostly by Sergei’s hard-driving mother, Galina. Ultimately, the film reveals a complicated, tattooed, young man, with skeletons, a sad past, and a beautiful artistic talent. As Sergei faces an uncertain future of his choosing, does he stick with dance or does he retire on top? The raw, remarkable dancer who captivates our eyes on screen and stage, will show the world where he ultimately decides to turn.”

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Filed Under: Featured Films, Featured Post, Filmmaker in Person, Q&A's, Santa Monica

Art in the Arthouse Presents DAVID BUCKINGHAM: NOBODY LIKES A SMARTASS at the Monica Film Center

August 26, 2016 by Marc H

I don't roll on Shabbas_crop_lr
I Don’t Roll On Shabbos | cut and welded found metal

Laemmle’s Art in the Arthouse is delighted to present DAVID BUCKINGHAM: NOBODY LIKES A SMARTASS, a solo exhibit curated by KATE STERN of the renowned Frostig Collection.

Buckingham is a unique craftsman. Harnessing found metals to produce dynamic assemblages, he breaks the mold of contemporary art practices.

The exhibition takes place Aug. 30 to Nov. 30, 2016 and inhabits both floors of Laemmle’s stunning new venue, the Monica Film Center.

— Scroll down for more images —

About the Exhibit:

After a successful career as an advertising writer, David Buckingham launched his artistic journey in his 40s. His unconventional art education began with a “5-minute” welding lesson from artist Ray “Cowboy” Kelly of the Rivington School, a 1980s movement remembered by Buckingham as “a bunch of anarchist welders and poets and performance artists,” in New York’s East Village.


A neo-pop artist, Buckingham roams windblown alleys, abandoned factories, dodgy neighborhoods, gritty industrial areas, and the low deserts of Southern CA in search of the cast-off and forgotten – detritus such as tractor parts, old signage, car doors, gas cans, etc. It’s with this found collection of metal that he carves, bends, bolts, and welds his assemblages, breathing new life into the discarded forms. This is the beauty of welding. People can turn discarded metals into beautiful new creations that can be used for a range of different purposes. Due to the importance of recycling, a lot of people are trying to get into welding to try and create new pieces from their old metal products. Perhaps more people might want to get involved in welding by visiting a website like https://weldinginsider.com/ to see some reviews on different welding equipment that could be useful for those wanting to follow in David Buckingham’s footsteps. All colors are original as discovered; as he is fond of saying, “Buckingham is no painter!”

For his Art in the Arthouse show, NOBODY LIKES A SMARTASS, Buckingham aptly drew from his passion for cinema and dialogue. Quotes from iconic films like The Big Lebowski – “I don’t roll on Shabbos” and Blazing Saddles – “Where the white women at?” along with classic sound effects like “THWIP!” from Spidermen, feel right at home on the walls of the movie theater. Like David, the work is left of center or slightly askew, always playful and often raunchy.

Buckingham has exhibited extensively in the U.S. and abroad, including the California’s Riverside Art Museum and the Lancaster Museum of Art and History. His sculptures have been installed as public artworks in West Hollywood and Newport Beach. His work has been featured in an international advertising campaign for Wrangler Jeans and is purchased and commissioned by private collectors around the world.

– Kate Stern, Curator

—————————-

Exhibit Info:

DAVID BUCKINGHAM: NOBODY LIKES A SMARTASS
August 30 – November 30, 2016
Laemmle’s Monica Film Center (info)
1332 2nd Street, S.M. CA 90401

NOTE:
– Exhibit is located on both floors
– No movie ticket required!

CONTACT:

For all inquiries, please contact the curator, Kate Stern at katestern@me.com or 310-828-6969.

ASSASSIN OF YOUTH_crop_lr
Assassin of Youth | cut & welded found metal

 

THWIP - Spiderman 38 x 50 x 2_crop
THWIP! | cut and welded found metal

 

DB_image_01
Color Study #88 | cut & welded found metal

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Filed Under: Around Town, Art in the Arthouse, News, Santa Monica

Modern classics returning to big screens: Merchant Ivory’s HOWARDS END, Antonioni’s BLOW-UP and LA NOTTE and a Chabrol retrospective.

August 24, 2016 by Lamb L.

Some of the production company Merchant Ivory’s greatest triumphs are adaptations of E.M. Forster novels. There are three of them: A Room with a View (1985), Maurice (1987) and Howards End (1992), which is one of their undisputed masterpieces. Based on Forster’s 1910 novel, Howards End is a saga of class relations and changing times in Edwardian England. Margaret Schlegel (Emma Thompson, who won the Best Actress Oscar for this performance) and her sister Helen (Helena Bonham Carter) become involved with two couples: a wealthy, conservative industrialist (Anthony Hopkins) and his wife (Vanessa Redgrave), and a working-class man (Samuel West) and his mistress (Niccola Duffet). The interwoven fates and misfortunes of these three families and the diverging trajectories of the two sisters’ lives are connected to the ownership of Howards End, a beloved country home. A compelling, brilliantly acted study of one woman’s struggle to maintain her ideals and integrity in the face of Edwardian society’s moribund conformity. We played Howards End to packed, rapt houses in 1992 and are thrilled to open this fully restored digital version September 2nd at the Royal, Playhouse, Town Center and Claremont.

https://www.youtube.com/watch?v=dNJdbu4p1Fg

antonioni_notteWe’ll also soon screen two by Michelangelo Antonioni: Blow-Up (1966) and La Notte (1961). The latter, just restored by our friends at Rialto Pictures and opening at the Royal and Playhouse on September 16, takes place during a day and a night in the life of a troubled marriage, set against Milan’s gleaming modern buildings, its gone-to-seed older quarters, and a sleek modern estate, all shot in razor-sharp B&W crispness by the great Gianni di Venanzo. With Marcello Mastroianni and Jeanne Moreau starring, Antonioni creates his most compassionate examination of the emptiness of the rich and the difficulties of modern relationships. Writing in his book Devotional Cinema, Nathaniel Dorsky said of La Notte, “the real beauty of the film, the real depth of its intelligence, continues to lie in the clarity of the montage — the way the world is revealed to us moment by moment. The camera’s delicate interactive grace, participating with the fluidity of the characters’ changing points of view, is profound in itself.”

https://www.youtube.com/watch?v=yEEmVghrypo

Blow-Up, Antonioni’s first English-language production, is widely considered one of the seminal films of the 1960s. Thomas (David Hemmings) is a nihilistic, wealthy fashion photographer in mod swinging London. Filled with ennui, bored with his “fab” but oddly desultory life of casual sex and drugs, Thomas comes alive when he wanders through a park, stops to take pictures of a couple embracing, and upon developing the images believes that he has photographed a murder. Vanessa Redgrave and Sarah Miles co-star. In his review at the time, Bosley Crowther of the New York Times recognized just the film’s prescience, calling it “a fascinating picture, which has something real to say about the matter of personal involvement and emotional commitment in a jazzed-up, media-hooked-in world so cluttered with synthetic stimulations that natural feelings are overwhelmed.” Blow-Up came out 50 years ago, so we are celebrating it on September 13th at the Monica Film Center as part of our Anniversary Classics series with film critic Stephen Farber.

https://www.youtube.com/watch?v=INIhrT8MYyU

Beginning September 30th at the Royal we are pleased to screen Chabrol 5 x 5, a series featuring five of Claude Chabrol’s best, all fully restored and digitally remastered: Betty, The Swindle, Torment, Color of Lies and Night Cap. A founding father of French New Wave cinema, Chabrol’s fascination with genre films, and the detective drama in particular, fueled a lengthy and celebrated string of thrillers, which explored the human heart under extreme emotional duress. Chabrol began as a contributor to the celebrated film magazine Cahiers du Cinema alongside such film legends as Francois Truffaut and Jean-Luc Godard before launching his directorial career in 1957. He quickly established himself as a versatile filmmaker whose innate understanding of genre tropes informed the complex triangular relationships at the center of many of his films, which frequently served as a prism through which commentary on class conflict could be obliquely addressed. The talent he displayed in depicting these dark deeds, as well as his status among the pantheon of French New Wave cinema, underscored his significance as one of his native country’s most prolific and wickedly gifted craftsmen.

https://www.youtube.com/watch?v=Lqr2PIDvMKo

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Filed Under: Anniversary Classics, Claremont 5, Featured Films, Featured Post, Films, News, Playhouse 7, Royal, Santa Monica, Town Center 5

The future of nuclear power from a New York facility built more than 50 years in the past: INDIAN POINT Opens at the Monica Film Center July 22.

July 12, 2016 by Lamb L.

Indian Point Nuclear Power Plant looms just 35 miles from Times Square. With over 50 million people living in close proximity to the aging facility, its continued operation has the support of the NRC —Nuclear Regulatory Commission — but, as depicted in the documentary Indian Point, it has stoked a great deal of controversy in the surrounding community, including a vocal anti-nuclear contingent concerned that the kind of disaster that happened at Japan’s Fukushima nuclear plant could happen there. In the brewing fight for clean energy and the catastrophic possibilities of government complacency on oversight, director Ivy Meeropol presents a balanced argument about the issues surrounding nuclear energy and offers a startling reality check for our uncertain nuclear future.

Ms. Meeropol says, “My goal with this film is to present a story of great complexity through the people who are most invested in this industry – the owners of the plant, the workers at the plant and the activists who want to shut it all down.

https://www.youtube.com/watch?v=xdJhyFqkKTA

“By focusing on one nuclear power plant during it’s dramatic struggle to remain viable, I believe we can gain a deeper understanding of the greater issues and questions that plague the world re: how to safely provide energy.

“Going inside Indian Point was essential to me, it drove my curiosity and as a filmmaker I try to bring that curiosity to the screen believing that audiences too want to see inside, and know who works there and what they do there, all day, every day.

“This is not a film about whether nuclear power is good or bad. As the repercussions of the 2011 Fukushima Daiichi disaster continue to unfold, the relevant questions to me are: do we continue operating aging plants, especially one like Indian Point which is situated in the middle of the largest population of any nuclear power plant in the nation, and if so, who or what organization will make sure these plants are run safely? This is a film that welcomes all perspectives, voices from all sides of the issue, especially those who work at the plant and who are often overlooked in this debate.

“What is this grand bargain we’ve made with ourselves to power the world and how can we make sure it doesn’t destroy us? It’s a huge question and one best told through the lens of one plant and the handful of characters that care what happens to it.”

indian-point-1

indian-point-2

indian-point-3

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Filed Under: Featured Films, Featured Post, Films, Santa Monica

UNLOCKING THE CAGE’s Chris Hegedus and D.A. Pennebaker on KCRW’s Press Play

June 24, 2016 by Lamb L.

Unlocking the Cage, which we open today at the Monica Film Center and tomorrow at the Playhouse 7, follows animal rights lawyer Steven Wise in his unprecedented challenge to break down the legal wall that separates animals from humans, by filing the first lawsuits that seek to transform a chimpanzee from a “thing” with no rights to a “person” with legal protections. The Hollywood Reporter described the film as “a crisp and convincing doc” and Indiewire “eye-opening.”

The filmmakers, Chris Hegedus and D.A. Pennebaker, were interviewed on Madeleine Brand’s KCRW show Press Play yesterday. You can listen to it by clicking here.

https://www.youtube.com/watch?v=qOq7fbe2PZI&nohtml5=False

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Filed Under: Films, Playhouse 7, Press, Santa Monica

Win a Signed Copy of “Be Here Now” and See the Hit Doc DYING TO KNOW

June 22, 2016 by Marc H

BHN_cover_02

It comes as no surprise that DYING TO KNOW, Gay Dillingham’s documentary has been held over at three Laemmle locations (Monica Film Center, Playhouse 7 and Claremont 5). After all, it chronicles the intriguing friendship between TIMOTHY LEARY and RAM DASS, two of the 60s most fascinating luminaries. Plus, it doesn’t hurt that the film has been playing to great critical and audience acclaim.  To wit, check out this short video clip featuring audience footage from the film’s premiere at the Royal last week.

To celebrate this sleeper hit, we’ve procured a copy of Ram Dass’ seminal book BE HERE NOW signed by the great mystic himself!

ENTER BELOW for your chance to win this singular prize … and don’t forget to catch Dying to Know in theaters this weekend.

Update: Congratulation to BE HERE NOW contest winner Lycia Naff of Los Angeles!

The contest is now closed.

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Filed Under: Claremont 5, Contests, Featured Films, Films, Playhouse 7, Royal, Santa Monica

They flew through the air with the greatest of ease: Trapeze artists and the director of THE FLIGHT FANTASTIC in person for Q&A’s

June 16, 2016 by Lamb L.

THE FLIGHT FANTASTIC, a fascinating look at the world of the flying trapeze, centers on one of the greatest acts in circus history, The Flying Gaonas. First performing on a trampoline, the Gaonas went on to become the star attraction for the best circuses in the world, including Ringling Bros. and Barnum & Bailey. Long-time Broadway director (and trapeze flyer) Tom Moore brings their story to life through interviews with family members and colorful archival material.

Meet them and the THE FLIGHT FANTASTIC filmmaker in person:

Monday, 20th, NoHo
Richie Gaona & Mercedes Gallup (partner), Jose Gaona, Alex Gaona, Masha Nordbye, Corinna Gamma (Photographer) and DIR Tom Moore.
On Tuesday, 21st, Pasadena
Richie Gaona & Mercedes Gallup, Jose Gaona, Masha Nordbye, and DIR Tom Moore
On Wedesday, 22st, Santa Monica
Richie Gaona & Mercedes Gallup, Jose Gaona, Corinna Gamma, Masha Nordbye, and DIR Tom Moore

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Filed Under: Filmmaker in Person, NoHo 7, Playhouse 7, Q&A's, Santa Monica

If music be the food of love, play on! Iggy Pop, Nick Cave and the Bad Seeds, Yo-Yo Ma and Unlocking the Truth coming soon.

June 2, 2016 by Lamb L.

We’ve got four very cool music films coming up: On June 16 we’ll screen Iggy Pop: Live in Basel 2015 at five of our venues, the Fine Arts, Claremont 5, NoHo 7, Playhouse 7 and Monica Film Center. We’ll open The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble for week-long engagements on June 17th at the Playhouse and Town Center and a week later at Monica Film Center and Claremont. On July 1 we open the rock doc Breaking a Monster at the Monica Film Center. And finally we’ll feature Nick Cave and Bad Seeds’ One More Time with Feeling at the Fine Arts, Claremont, NoHo, Playhouse and Monica Film Center on September 8.

Iggy Pop: Live in Basel 2015 features this outstanding artist known for his outrageous and unpredictable stage antics as he performs at the Baloise Session in Basel, Switzerland, where he was honored with a 2015 Lifetime Achievement Award. This fantastic October 2015 show features all of Iggy’s classics, including “I Wanna Be Your Dog,” “The Passenger,” “Lust for Life” and many more.

https://www.youtube.com/watch?v=ECCVKouCQmM

The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble is by the director of the Oscar-winning documentary 20 Feet from Stardom and the critically acclaimed Best of Enemies. It tells the extraordinary story of the renowned international musical collective created by legendary cellist Yo-Yo Ma and the Silk Road Ensemble, the diverse group of instrumentalists, vocalists, composers, arrangers, visual artists and storytellers as they explore the power of music to preserve tradition, shape cultural evolution and inspire hope.

https://www.youtube.com/watch?v=SShFP7QfSCg&nohtml5=False&nohtml5=False#t=150.03675

For something quite different but no less inspiring, Breaking a Monster begins as the three members of band Unlocking the Truth are all in 7th grade, spending their weekends playing a blend of heavy metal and speed punk in Times Square, often drawing substantial crowds. They take on a manager: a 70-year-old industry veteran. With his guidance they are soon on their way to a 1.8 million dollar record deal and a precarious initiation into the music industry.

BAM
A scene from BREAKING A MONSTER courtesy of Abramorama Entertainment.

A unique one night only cinema event directed by Andrew Dominik (Chopper, The Assassination of Jesse James by the Coward Robert Ford, Killing Them Softly), One More Time With Feeling will be the first ever opportunity anyone will have to hear Skeleton Tree, the sixteenth studio album from Nick Cave & the Bad Seeds. The film will screen in cinemas across the world on 8th September 2016, immediately prior to the release of Skeleton Tree the following day.

Originally a performance based concept, One More Time With Feeling evolved into something much more significant as Dominik delved into the tragic backdrop of the writing and recording of the album. Interwoven throughout the Bad Seeds’ filmed performance of the new album are interviews and footage shot by Dominik, accompanied by Cave’s narration and improvised rumination.

Filmed in black-and-white and color, in both 3D and 2D, the result is fragile, raw and a true testament to an artist trying to find his way through the darkness.

Image courtesy of Picturehouse Entertainment.
A scene from ONE MORE TIME WITH FEELING. Image courtesy of Picturehouse Entertainment.

 

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Filed Under: Ahrya Fine Arts, Claremont 5, NoHo 7, Playhouse 7, Santa Monica, Special Events, Town Center 5

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Upcoming films in our Worldwide Wednesday series include movies from Brazil, Japan, France, Australia and Kazakhstan.

CROUPIER 25th Anniversary Screening with Clive Owen in Person June 4 at the Royal.

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Clive Owen, who had mainly appeared in British television dramas before this, rose to full-fledged movie stardom as a result of this movie. He plays an aspiring writer who takes a job at a casino where he juggles a few romantic relationships and also has to contend with a robbery threat. Alex Kingston, Gina McKee, Kate Hardie, and Nicholas Ball costar. The script was written by Paul Mayersberg, who also wrote Nicolas Roeg’s 'The Man Who Fell to Earth' and 'Eureka,' as well as Nagisa Oshima’s 'Merry Christmas, Mr. Lawrence.'
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Tickets: http://laemmle.com/film/drop-dead-city | Subscribe: http://bit.ly/3b8JTym | NYC, 1975 - the greatest, grittiest city on Earth is minutes away from bankruptcy when an unlikely alliance of rookies, rivals, fixers and flexers finds common ground - and a way out. Drop Dead City is the first-ever feature documentary devoted to the NYC Fiscal Crisis of 1975, an extraordinary, overlooked episode in urban American history.

Tickets: http://laemmle.com/film/drop-dead-city

RELEASE DATE: 5/23/2025
Director: Michael Rohatyn, Peter Yost

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