I AM MICHAEL writer-director Justin Kelly will participate in Q&A’s after the 7:10 PM screening at the Monica Film Center on Friday, January 27. Benoit Denizet Lewis, the author of the story upon which the film is based, will interview him.
Laemmle’s Umpteenth Annual Oscar Contest, 2017 Edition!
It’s time for our annual Predict the Oscars Contest! The person who most accurately predicts the Academy of Motion Picture Arts and Science’s choices in all 24 categories, from the shorts to Best Motion Picture, will win fabulous prizes (free movies and concessions at Laemmle)!
First place wins a Laemmle Premiere Card worth $150. Second place wins a Laemmle Premiere Card worth $100. Third place wins a Laemmle Premiere Card worth $50. Entries are due by 10AM the morning of the awards ceremony on February 26th.
Not sure what a Laemmle Premiere Card is? Think of it like a prepaid gift card for yourself! Use it to pay for movie tickets and concessions. Plus, Premiere Card holders receive $2 off movie tickets and 20% off concessions. To find out more, visit www.laemmle.com/premiere-cards.
We’ve got some smart cookies for customers so we have a tie-breaker question: you also have to guess the show’s running time. Take the tie-breaker seriously! Last year, the running time question broke a tie between five entrants who correctly predicted 19 out of 24 categories!
We’ll announce the winners right here on our blog by March 1st. Good luck!
Enter Here
Adventurous Artist Documentary CARVALHO’S JOURNEY Screenings and Q&A’s Next Week.
A real life 19th century American western adventure story, CARVALHO’S JOURNEY tells the extraordinary story of Solomon Nunes Carvalho (1815-1897), an observant Sephardic Jew born in Charleston, South Carolina, and his life as a groundbreaking photographer, artist and pioneer in American history. We’re screening it this Monday, January 30 at 7:30 PM and Tuesday, January 31 at 1 PM at the Claremont 5, Playhouse 7, Fine Arts, Town Center 5 and Monica Film Center as part of our ongoing Culture Vulture series.
Daguerreotypist Robert Shlaer is featured in CARVALHO’S JOURNEY as an interviewee and also on location, re-creating daguerreotypes along the route Carvalho traveled in 1853. He will participate in Q&A’s after the Pasadena screening on Monday night and the Beverly Hills screening on Tuesday afternoon. Filmmaker Steve Rivo will participate in Q&A’s after the Beverly Hills screening on Monday night and after the Encino screening on Tuesday afternoon.
“Born in Boston, an alumnus of Brookline High, Steve Rivo grew up in a film-loving family. He was exposed at an early age to many of the great films, but he always had a warm spot for Robert Aldrich’s “The Frisco Kid” (1979), in which Gene Wilder plays a rabbi assigned to a synagogue in San Francisco in 1850. To get there, the rabbi must cross the Rockies on horseback with a varmint played by Harrison Ford.
“Today, Rivo makes his own movies. He’s founder and owner of Down Low Pictures, an independent documentary production company based in Brooklyn. When he was offered a project about the painter and daguerreotypist Solomon Carvalho, a Sephardic Jew from Charleston, South Carolina, who accompanied legendary explorer John Fremont on his 1853 Fifth Western Expedition, the story’s resemblance to “The Frisco Kid” helped win him over.
“He talked about the resulting documentary, CARVALHO’S JOURNEY, on the phone from his studio in New York.”
Q. Did repeated viewings of “The Frisco Kid” give you an insight into Carvalho’s story?
A. That was kind of my only frame of reference. The comedic situations involved in having a rube on the trail, and not just any rube, but a classically Jewish character who has Jewish anxieties. Those elements of the Carvalho story were fun to play with. He was an observant Jew, so he couldn’t eat certain foods even when they were starving. And he wasn’t good at a lot of outdoorsy stuff like the rest of the party. He was a 38-year-old city slicker artistic type.
Q. The hardships of his trip were not so funny, though. More like “The Revenant.”
A. It is always surprising how physically difficult, challenging, and a little bit crazy it would be to get in a wagon and try to cross the country in the middle of winter. It’s inconceivable to us today. We get on an airplane and complain.
Q. What do you think viewers will take away from this film other than a new appreciation for air travel?
A. There are a lot of different things people have responded to — American Jewish history, Western expansion, the birth of photography, and a personal story of an artist. What attracted me was that it was a little bit of biography, but it was also kind of a travel story, and an adventure story through which you could talk about other things, the experience of outsiders in American culture. It’s a film about someone we didn’t know anything about.
Q. I understand you just finished a 10-part series for the True TV network on Hollywood comedies. Did you get to include “The Frisco Kid?”
A. I jokingly raised the possibility, but so few people have seen that movie. It’s the Solomon Carvalho of Jewish Western comedies.
Finally, here’s an excellent just-published essay about Carvalho that Rivo wrote in Zocalo Public Square.
LAEMMLE LIVE: Presents Sol-La Music Academy – Sunday February 5, 2017
Join us at the Monica Film Center on Sunday, February 5, 2017 for Sol-LA Variations, LAEMMLE LIVE’s second concert featuring the scholarship winning George Magub String Quartet from Santa Monica-based Sol-La Music Academy, Margaret Lysy, Director. The program will include Debussy and improv with guest violinist Connor Vance from acclaimed roots band, Dustbowl Revival. Also included will be a special performance by Sol-La student, Isolde Fair, who has gained national attention for All the Little Girls, an original song she wrote using words from Hillary Clinton’s concession speech. Join us for our unique interactive musical adventure.
Sol-La Music Academy is a non-profit music school in Santa Monica, providing high quality performing arts education to students from all backgrounds and economic circumstances. Their program reflects the belief that vibrant cultural education nurtures all areas of learning, connects diverse societies and enhances enjoyment of life.
RSVP using Eventbrite
This is a Free Event!
EVENT DETAILS
Sunday, February 5, 2017
11:00 AM
Monica Film Center
MR. GAGA Filmmaker in Person Opening Weekend.
MR. GAGA director Tomer Heymann will participate in Q&A’s after the 7:20pm screenings at the Monica Film Center Friday, Feb 10 and Saturday, Feb 11; and after the 1:10pm screening on Saturday, Feb 11 at the Playhouse.
SEA OF HOPE Q&A Opening Night at the Monica Film Center.
SEA OF HOPE explorer and narrator Max Kennedy will participate in a Q&A following the Friday, January 13 7:50 PM showing at the Monica Film Center.
LAEMMLE LIVE: New Series Launch with Samohi Chamber Orchestra – Sunday January 22, 2017
Don’t miss the debut of LAEMMLE LIVE! Our new live performance series at the Monica Film Center kicks off Sunday, Jan. 22 with SAMOHI CHAMBER ORCHESTRA and special guest host RICH CAPPERELA of KUSC.
Santa Monica High School’s 18-piece string orchestra will perform pieces by luminaries such as Villa-Lobos, Beethoven and Elgar. The orchestra is directed by Joni Swenson and Jason Aiello.
We are delighted to be launching Laemmle Live with these talented youngsters from just up the street. Please help us welcome them as we celebrate the launch of this new program.
RSVP using Eventbrite or Facebook.
This is a free event!
EVENT DETAILS
Sunday, Jan. 22, 2017
11:00 AM
Monica Film Center
Our January-March Culture Vulture Schedule is Set!
Dear opera, ballet, fine art and live theater buffs, we have completed the schedule for our weekly Culture Vulture series, January, February and March 2017 and we have got some wonderful things to show you. As you may or may not know, we screen these every Monday night at 7:30 and Tuesday afternoon at 1 at the Playhouse 7 in Pasadena, the Town Center 5 in Encino, the Claremont 5 in Claremont, the Ahyra Fine Arts and the Monica Film Center in Santa Monica. The full schedule is below and at https://www.laemmle.com/culturevulture.
January 9 & 10: THE GOLDEN AGE from the Bolshoi Ballet
A satire of Europe during the Roaring 20s, THE GOLDEN AGE makes for an original, colorful, and dazzling show with its jazzy score and music-hall atmosphere. This ballet that can only be seen at the Bolshoi has everything to it: mad rhythms, vigorous chase scenes, and decadent cabaret numbers. With its passionate love story featuring beautiful duets between Boris and Rita, the Bolshoi dancers plunge into every stylized step and gesture magnificently.
January 16 & 17: NO MAN’S LAND from the National Theatre
Ian McKellen and Patrick Stewart star Sean Mathias’ acclaimed production of NO MAN’S LAND, one of the most brilliantly entertaining plays by Harold Pinter. One evening, two aging writers, Hirst and Spooner, meet in a pub and continue their drinking into the night at Hirst’s stately house nearby. As the pair become increasingly inebriated, and their stories more unbelievable, the conversation soon turns into a revealing power game, further complicated by the intrusion of two sinister younger men.
https://www.youtube.com/watch?v=i9RA6B9FOKM
January 23 & 24: THE CURIOUS WORLD OF HIERONYMOUS BOSCH from the Noordbrabants Museum
Who was Hieronymus Bosch? Why do his strange and fantastical paintings resonate with art lovers now more than ever? THE CURIOUS WORLD OF HIERONYMOUS BOSCH features the critically acclaimed exhibition ‘Visions of a Genius’ at the Noordbrabants Museum in the southern Netherlands, which brought the majority of Bosch’s paintings and drawings together for the first time to his home town of ‘s-Hertogenbosch and attracted almost half a million art lovers from all over the world.
January 30 & 31: CARVALHO’S JOURNEY
A real life 19th century American western adventure story, CARVALHO’S JOURNEY tells the extraordinary story of Solomon Nunes Carvalho (1815-1897), an observant Sephardic Jew born in Charleston, South Carolina, and his life as a groundbreaking photographer, artist and pioneer in American history.
February 6 & 7: SAMSON ET DALILA from l’Opéra de Paris.
Based on the biblical story, Saint-Saëns’s 1877 opera would not be performed at the Palais Garnier until fifteen years later. This first Parisian performance in 1892 included the hitherto unperformed “Dance Of The Priestesses.” Nevertheless, it became one of the most performed French operas in the world, together with Faust and Carmen. Conducted by Philippe Jordan, this new production brings back a repertoire masterpiece that has not been performed at the Paris Opera for twenty-five years.
February 13 & 14: FEELINGS ARE FACTS: THE LIFE OF YVONNE RAINER
Feelings Are Facts: The Life of Yvonne Rainer chronicles the defiant, uncompromising, and highly influential ideas of postmodern choreographer and filmmaker Yvonne Rainer. Over the course of her career, she revolutionized modern dance, generated what later became known as performance art, and changed the basic tenets of experimental filmmaking – all during a time when women were largely ignored in the art world.
February 20 & 21: AMADEUS from the National Theatre
Lucian Msamati (Luther, Game of Thrones, NT Live: The Comedy of Errors) plays Salieri in Peter Shaffer’s iconic play, captured live at the National Theatre, and with live orchestral accompaniment by Southbank Sinfonia. Wolfgang Amadeus Mozart, a rowdy young prodigy, arrives in Vienna, the music capital of the world – and he’s determined to make a splash. Awestruck by his genius, court composer Antonio Salieri has the power to promote his talent or destroy his name. Seized by obsessive jealousy he begins a war with Mozart, with music, and ultimately, with God.
February 27 & 28: I, CLAUDE MONET
From award-winning director Phil Grabsky comes this fresh new look at arguably the world’s favorite artist – through his own words. Using letters and other private writings I, CLAUDE MONET reveals new insight into the man who not only painted the picture that gave birth to impressionism but who was perhaps the most influential and successful painter of the 19th and early 20th centuries.
March 6 & 7: UN BALLO IN MASCHERA from the Bayerische Staatsoper
The Bavarian State Opera’s former music director Zubin Mehta returned to the fabled house, where his image in bronze adorns one of the foyers, to celebrate his 80th birthday by conducting Verdi’s middle-period masterpiece for the first time in a staged production. His remarkable cast includes soprano Anja Harteros singing Amelia for the first time and “filling every note with Verdian intensity;” tenor Piotr Beczala as a “visually and vocally dashing Riccardo;” and George Petean as an “exemplary” Renato (Neue Musikzeitung).
March 13 & 14: WOOLF WORKS from the Royal Opera House Ballet
The first revival of Wayne McGregor’s critically acclaimed ballet triptych to music by Max Richter, inspired by the works of Virginia Woolf and starring Alessandra Ferri and Mara Galeazzi.
March 20 & 21: SAINT JOAN from the National Theatre
Joan: daughter, farm girl, visionary, patriot, king-whisperer, soldier, leader, victor, icon, radical, witch, heretic, saint, martyr, woman. From the torment of the Hundred Years’ War, the charismatic Joan of Arc carved a victory that defined France. Bernard Shaw’s classic play depicts a woman with all the instinct, zeal and transforming power of a revolutionary. Josie Rourke (Coriolanus, Les Liaisons Dangereuses) directs Gemma Arterton (Gemma Bovery, Nell Gwynn, Made in Dagenham) as Joan of Arc in this electrifying masterpiece.
March 27 & 28: THE ARTIST’S GARDEN: AMERICAN IMPRESSIONISM from the Florence Griswold Museum
American impressionism took its lead from French artists like Renoir and Monet but followed its own path that over a thirty-year period reveals as much about America as a nation as it does about a much-loved artistic movement. The story of American impressionism is closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Traveling to studios, gardens and treasured locations throughout the Eastern United States, UK and France, this mesmerizing film is a feast for the eyes.
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