Royal Archives – Page 66 Of 106

Ingmar Bergman’s AUTUMN SONATA on Tuesday, May 15 in Encino, Pasadena, and West LA

May 10, 2018 by Lamb Laemmle Leave a Comment

Laemmle Theatres and the Anniversary Classics Abroad series presents the 40th anniversary of AUTUMN SONATA (1978), as part of the centennial retrospective of the birth of Ingmar Bergman, the great Swedish auteur who has entered the cinematic pantheon. Autumn Sonata represents the last theatrical film for Bergman, whose subsequent work was made for television, and then re-tailored for theatrical release.

For the occasion, Bergman enticed his namesake, legendary actress Ingrid Bergman, to return to her native language and star as a self-centered concert pianist who had favored her career over her children. In the drama of “fraught interpersonal relationships,” (a trademark of the director, as recently noted by Kenneth Turan), Ingrid Bergman’s character of Charlotte is invited by her daughter, Eva (Liv Ullmann) to visit her and her parson husband in their country home. When Eva also brings her handicapped sister, Helena (Lena Nyman) into the reunion, the past erupts on the present with repressed familial furor.

Bergman’s memorable movies of the 1950s and 1960s had been photographed in luminous black and white. In the 1970s he was working in color, and, as noted by Leonard Maltin, the cinematography by long-time Bergman collaborator Sven Nykvist is “peerless,” giving the film visual warmth and intensity.

As to the only collaboration of the two Bergmans, Gary Arnold of the Washington Post said, “Bergman’s casting coup lives up to expectations. Ingrid Bergman and Liv Ullmann invest their roles with undeniable emotional impact.” It was also Ingrid Bergman’s last film role. The three-time Academy Award winner (Gaslight, Anastasia, Murder on the Orient Express) delivers a searing performance that brought her a best actress nomination in 1978, her seventh and final nod overall. Ingmar Bergman’s original screenplay was also nominated, one of his nine career total as writer, producer, and director. Additionally, the movie was named best foreign film by the Hollywood Foreign Press that year.

Autumn Sonata is a story of intense mother-daughter relations, and as part of the Anniversary Abroad series will play two days after Mother’s Day on Tuesday, May 15 at 7:00 PM at three Laemmle locations: Royal, West Los Angeles; Town Center, Encino; Playhouse 7, Pasadena. Format: DCP. Click here for tickets.

Part of the city-wide, two month retrospective, “Ingmar Berman’s Cinema,” at various locations.

For the Anniversary Classics Abroad next attraction, we present another master filmmaker enjoying a retrospective, Milos Forman, with a 50th anniversary screening June 20 of his 1968 Academy Award nominee, The Fireman’s Ball.

FIVE SEASONS: THE GARDENS OF PIET OUDOLF Q&A’s with the Filmmaker Opening Night.

May 8, 2018 by Lamb Laemmle 1 Comment

FIVE SEASONS filmmaker Tom Piper will participate in Q&A’s opening night at the Royal on Friday, June 29.

5:10pm: Q&A moderated by Catherine McLaughlin, Association of Professional Landscape Designers.
7:30pm: Q&A moderated by Duane Border, President of the American Society of Landscape Architects, Southern California Chapter.

https://vimeo.com/236121090

FIVE SEASONS: The Gardens of Piet Oudolf (theatrical trailer) (https://vimeo.com/236121090)

Jacqueline Bisset In Person for 45th Anniversary of Truffaut’s DAY FOR NIGHT on May 10th in West LA

May 3, 2018 by Lamb Laemmle 1 Comment

Laemmle Theatres and the Anniversary Classics Series present a 45th anniversary screening of Francois Truffaut’s valentine to moviemaking, DAY FOR NIGHT, which won the Academy Award for best foreign language film of 1973.

The following year, the picture was nominated for three additional Oscars—best director for Truffaut, best original screenplay by Truffaut, Jean-Louis Richard, and Suzanne Schiffman, and best supporting actress Valentina Cortese. The film won awards in those three categories from the New York Film Critics Circle and the National Society of Film Critics.

David Sterritt of TCM praised the picture as “the most beloved film ever made about filmmaking,” and few would disagree with that assessment. Truffaut himself plays a beleaguered director trying to complete his latest film in the south of France while he wrestles with budget and insurance problems, temperamental star behavior, sexual shenanigans, and even an unexpected accident.

Jacqueline Bisset stars as the British actress hired to play the leading role in “Meet Pamela.” Jean-Pierre Leaud, who had starred in Truffaut’s very first feature, ‘The 400 Blows,’ and in several of his other films, plays the insecure leading man. Jean-Pierre Aumont, Alexandra Stewart, Dani, and Nathalie Baye round out the cast. Acclaimed novelist Graham Greene has a cameo role as an insurance agent.

Cortese has perhaps the most memorable role as an aging actress who has trouble remembering her lines. At the 1974 Oscar ceremony, the best supporting actress winner, Ingrid Bergman, spent most of her acceptance speech praising the performance of Cortese for creating a character that all actors could recognize.

In addition to hailing the performances, Roger Ebert said ‘Day for Night’ was “not only the best movie ever made about the movies but… also a great entertainment.” Truffaut’s favorite composer, Georges Delerue, provided the lushly romantic score.

Our special guest Jacqueline Bisset has brightened movies and television for many years. Her earlier films include ‘Two for the Road,’ ‘Bullitt,’ ‘Airport,’ ‘Murder on the Orient Express,’ ‘The Deep,’ ‘Who Is Killing the Great Chefs of Europe?,’ John Huston’s ‘Under the Volcano,’ George Cukor’s ‘Rich and Famous’ (which she also produced), and Claude Chabrol’s ‘La Ceremonie.’ Bisset won a Golden Globe for her performance in the TV miniseries ‘Dancing on the Edge’ in 2014.

DAY FOR NIGHT screens Thursday, May 10, at 7:30 PM at the Royal in West LA. A Q&A session with actress Jacqueline Bisset will follow the screening. Click here for tickets.

Format: DCP

LOU ANDREAS-SALOME Filmmaker Cordula Kablitz-Post in Person at the Royal for Q&A’s.

April 27, 2018 by Lamb Laemmle Leave a Comment

“Lou Andreas-Salomé” filmmaker Cordula Kablitz-Post will participate in Q&A’s at the Royal Theater after the 7 PM screenings on Friday and Saturday, April 27 and 28.

https://www.youtube.com/watch?v=e722D0mnxnw

Lou Andreas- Salomé, The Audacity To Be Free | Trailer | Cinema Libre (https://www.youtube.com/watch?v=e722D0mnxnw)

TWOFER TUESDAY: 65th Anniversary Screenings of Two Marilyn Monroe Classics June 5th in Pasadena, North Hollywood, and West LA

April 26, 2018 by Lamb Laemmle Leave a Comment

Laemmle Theatres and the Anniversary Classics series present a tribute to one of the greatest stars in film history, Marilyn Monroe, during her birthday month of June. The program, part of our Twofer Tuesday series, features two of Monroe’s most popular movies—GENTLEMEN PREFER BLONDES and HOW TO MARRY A MILLIONAIRE, both from 1953.

‘Blondes’ is an adaptation of the 1949 stage musical by Anita Loos and Joseph Fields, based on a 1925 novel by Loos, one of the first women writers to score a success in Hollywood as well as on Broadway. It tells the story of two showgirls and best friends, played by Monroe and fellow screen siren Jane Russell. Marilyn plays the endearing gold-digger, Lorelei Lee.

Master director Howard Hawks, who excelled in several genres, proved just as adept in his first and only screen musical. Charles Lederer, the writer of such films as Hawks’ ‘His Girl Friday’ and ‘I Was a Male War Bride,’ freely adapted the stage play. Hawks retained some of the songs by Jule Styne and Leo Robin, especially the show’s signature number, “Diamonds Are a Girl’s Best Friend,” choreographed by Jack Cole and sizzlingly performed by Monroe in a bright pink dress. But he added new songs by Hoagy Carmichael and Harold Adamson, including a classic campy number (also choreographed by Cole) with muscle-bound athletes around a swimming pool. Monroe and Russell are ably supported by Oscar winner Charles Coburn (as a lecherous diamond magnate), Tommy Noonan and Elliott Reid.

According to Peter Bradshaw of The Guardian, “Marilyn Monroe and Jane Russell make a fantastic double act in Howard Hawks’ sparkling 1953 comedy.” The New Yorker’s Richard Brody wrote, “Jack Cole’s choreography offers some of the most incisively swinging musical numbers ever filmed.” Dave Kehr of The Chicago Reader added, “The opening shot—Russell and Monroe in sequins standing against a screaming red drape—is enough to knock you out of your seat, and the audacity barely lets up from there… a landmark encounter in the battle of the sexes.”

‘How to Marry a Millionaire’ opened later in 1953 and teamed Monroe with two other screen bombshells, Betty Grable (the top pin-up girl of the 1940s), and Lauren Bacall, who seared the screen when she co-starred with her husband-to-be, Humphrey Bogart.

In this picture three working girls set their sights on snaring a rich tycoon, but their plans go awry when true love enters the picture. Jean Negulesco directed the script by Nunnally Johnson, and the men in their lives are portrayed by Cameron Mitchell, Rory Calhoun, David Wayne, Fred Clark, and screen veteran William Powell. Leonard Maltin hailed the “terrific ensemble work in dandy comedy of three man-hunting females pooling resources to trap eligible bachelors.” ‘Millionaire’ was the second movie shot in 20th Century Fox’s new Cinemascope format, following the studio’s Biblical breakthrough, ‘The Robe.’ It incorporated Alfred Newman’s memorable score, presented in stereoscopic sound.

At the Royal Theatre only, Debra Levine, the editor of the popular online arts journal arts•meme and the author of several articles about choreographer Jack Cole, will introduce the 7 o’clock screening of ‘Gentlemen Prefer Blondes.’

Our Marilyn Monroe double feature screens Tuesday, June 5th at the Royal, NoHo 7, and Playhouse 7.

Click here to buy a ticket to the 7:00pm show of GENTLEMEN PREFER BLONDES with admission to the 9:00pm show of HOW TO MARRY A MILLIONAIRE included. Or, click here to buy a ticket to the 5:00pm show of HOW TO MARRY A MILLIONAIRE with admission to the 7:00pm show of GENTLEMEN PREFER BLONDES included.

LAEMMLE LIVE presents ACADEMY PHILHARMONIC May 6

April 13, 2018 by Lamb Laemmle Leave a Comment

This is a Free Event
RSVP on Eventbrite

LAEMMLE LIVE proudly presents the Academy Philharmonic, Sunday, May 6, 2018. Middle school students from the woodwind and brass sections of Elemental Music perform chamber music from different genres. Sunday’s program will include Fire Dance by David Shaffer, March (from Second Suite in F) by Gustav Holst, arr. Scott Stanton, Amparito Roca by Jaime Texidor, arr. James Curnow, and additional selections announced from the stage.

Academy Philharmonic is a program of Elemental Music, created to inspire, train, and nurture young musicians in Santa Monica. The organization began in 2004 by a SMMUSD music teacher who wanted to create an opportunity for elementary students to play in an orchestra throughout the school year, make new friends, and get excited about music. Since then, more than 1,000 students have participated in Elemental Music. Initially serving only 25 elementary school students, programs now serve nearly 300 elementary and middle school students in seven different programs this season.

Academy Philharmonic is one of Elemental Music’s newest programs. Comprised of six, seventh, and eighth graders, Academy Philharmonic provides new opportunities for middle schoolers in Santa Monica to experience the thrill of playing in a full orchestra, learning how to listen and blend with new instrument groups, and rehearsing and performing exciting new repertoire selections – all while being coached by some of the best teachers on the westside! Our students work with expert teaching artists to polish their technical skills and dig into the joys of music-making, all in a social setting. We offer many opportunities for student performances throughout the year at three different Elemental Music concerts plus various public events in the Santa Monica community. Elemental Music’s young musicians blossom in their own ways, both socially and musically. This vibrant program inspires a love of music in the hearts of some of the westside’s youngest artists.

Event Details
Sunday, May 6, 2018
11:00 am
Monica Film Center

This is a Free Event
RSVP on Eventbrite

I LOVE YOU, ALICE B. TOKLAS! 50th Anniversary Screening with Actress Leigh Taylor-Young In Person

April 11, 2018 by Lamb Laemmle Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present a 50th anniversary screening of the hit Peter Sellers comedy from 1968, I LOVE YOU, ALICE B. TOKLAS! The Establishment meets the counterculture in this topical and often uproarious satire that poked fun at many of the conflicts dividing the country during the tumultuous 1960s.

Sellers plays an uptight Los Angeles lawyer whose life unravels when he meets a young hippie, played by Leigh Taylor-Young in her feature film debut.

Hy Averback directed the first screenplay written by Paul Mazursky and Larry Tucker, and the picture’s success allowed Mazursky to make his directorial debut one year later on another swinging sixties comedy, ‘Bob & Carol & Ted & Alice.’

The supporting cast includes Oscar winner Jo Van Fleet as Sellers’ intrusive mother, Joyce Van Patten as his befuddled fiancée, along with Herb Edelman, Grady Sutton, Salem Ludwig, and David Arkin.

One of the film’s memorable set pieces revolves around a supply of marijuana brownies that come from a recipe in cultural icon Alice B. Toklas’s famous cookbook. With marijuana now legal in California and in several other states, the film takes on renewed timeliness and may well give happy viewers a contact high. Of course, if viewers wanted to replicate the experience they could also find some of the best edibles in Canada and indulge. This would certainly give them the same feeling as the main characters.

Back in 1968, Variety declared, “Film blasts off into orbit via top-notch acting and direction.” Pauline Kael, who had recently begun her regular stint reviewing for The New Yorker, called the picture “A giddy, slapdash, entertainingly inconsequential comedy…the picture makes you laugh surprisingly often.” And Leonard Maltin praised this “excellent comedy about the freaking out of mild-mannered L.A. lawyer. Sellers has never been better.” Indeed the film represents one of the highlights of Sellers’ vibrant and diverse list of achievements during the 60s.

Actress Leigh Taylor-Young first came to prominence on the popular ‘Peyton Place’ TV series of the 1960s. Her other films include ‘The Gang That Couldn’t Shoot Straight,’ which marked one of the first screen roles for Robert De Niro; John Frankenheimer’s ‘The Horsemen,’ co-starring Omar Sharif; the prophetic sci-fi movie, ‘Soylent Green;’ and the suspense thriller ‘Jagged Edge.’ She has worked in the theater and costarred in several popular TV series, including ‘Picket Fences,’ for which she won an Emmy, ‘Dallas,’ and ‘Passions.’ In recent years she has also been active in humanitarian and spiritual activities for the United Nations and other organizations.

I LOVE YOU, ALICE B. TOKLAS! followed by Q&A with Actress Leigh Taylor-Young screens Wednesday, April 25, at 7:30 PM at the Royal Theatre in West L.A. Click here for tickets.

Format: DVD

THE BATTLE OF ALGIERS 50th Anniversary Screening on Wednesday, April 18 in Encino, Pasadena, and West LA

April 4, 2018 by Lamb Laemmle 2 Comments

Laemmle Theatres and the Anniversary Classics Series present the latest in our Anniversary Classics Abroad program, a 50th anniversary screening of Gillo Pontecorvo’s memorable and still timely political drama, THE BATTLE OF ALGIERS.

The film was an Oscar nominee for best foreign language film of 1966, but it was not released in the United States until 1968, when it received additional nominations for best director and for best original screenplay by Pontecorvo and Franco Solinas. The film was considered so inflammatory that it was not shown in France until 1971.

The picture, filmed in black-and-white to approximate the look of a newsreel, dramatizes Algeria’s war of independence against France. It focuses on the years from 1954 to 1957, when the National Liberation Front began to organize in the Casbah of Algiers to carry out terrorist attacks on civilians as well as the French army. This led to a fierce and brutal counter-insurgency by the French, which meant the battles dragged on for years.

To insure authenticity, Pontecorvo cast the film mainly with non-professional actors recruited in Algeria. The film’s one professional actor, Jean Martin, gave a vivid performance as the complex, intelligent French officer who understands the grievances of the Algerians even as he fights ruthlessly to defeat them. The film’s urgency was heightened by the score of Ennio Morricone.

The film’s influence extended well beyond the cinema. It became a sort of handbook of revolutionary techniques that was studied by many radical groups over the years. Yet in 2003, after the invasion of Iraq, the Pentagon also screened the movie in order to better understand the civil war unleashed in that country.

Many prominent filmmakers–including Spike Lee, Mira Nair, Steven Soderbergh, and Oliver Stone–all testified to influence of Pontecorvo’s movie on their own work. Critic David Elliott of the San Diego Union Tribune called The Battle of Algiers “perhaps the finest political film of the 1960s.” The LA Weekly’s Ella Taylor agreed that it was “a classic of politically engaged filmmaking.”

Our 50th anniversary screening of THE BATTLE OF ALGIERS (1968) screens Wednesday, April 18 at 7pm in Encino, Pasadena, and West LA. Click here for tickets.

Format: DCP