500 YEARS: LIFE IN RESISTANCE is a brilliant new stand-alone documentary, but it’s also the third part of a trilogy by acclaimed documentarian Pamela Yates beginning with the 1983 film WHEN THE MOUNTAINS TREMBLE and continuing with the 2011 follow-up GRANITO: HOW TO NAIL A DICTATOR. We are very excited to present her earlier films in the trilogy as weekend morning screenings July 29th & 30th only at our Monica Film Center and Pasadena Playhouse 7 locations.
Director Pamela Yates and her Producing Partner Paco de Onís will appear in person for Q&As:
following the 7:10 pm showings of 500 YEARS at the Monica Film Center on Friday, 7/28 and Sunday, 7/30
for a joint Q&A following the 10:45 am screening of 500 YEARS, the 11:20 am screening of WHEN THE MOUNTAINS TREMBLE, and the 11:00 am screening of GRANITO at the Monica Film Center on Saturday, July 29th only. All 3 films should end at the same time, and the audiences will be escorted into a single auditorium for the Q&A.
following the 7:00 pm show of 500 YEARS at the Playhouse in Pasadena on Saturday, 7/29
for a joint Q&A following the 10:45 am screening of 500 YEARS, the 11:20 screening of WHEN THE MOUNTAINS TREMBLE, and the 11:00 am screening of GRANITO at the Pasadena Playhouse on Sunday, July 30th only. All 3 films should end at the same time, and the audiences will be escorted into a single auditorium for the Q&A.
Pamela Yates will briefly introduce each screening which is followed by a Q&A.





Mitchum was a contract player at RKO when he starred in Out of the Past, directed by Jacques Tourneur with a script by Geoffrey Homes (Daniel Mainwaring), adapting his novel, “Build My Gallows High.” Mitchum plays an ex-private eye entangled in a web of double-dealings by former criminal associates (gangster Kirk Douglas and old flame Jane Greer). Mitchum, described in the New York Times review of the day as “magnificently cheeky and self-assured,” entrenched his cynical, antihero image in this film.
Cape Fear came at the end of the classical black-and-white film noir period (1942-62), and stars Mitchum in his most memorable villainous role, Max Cady. In this adaptation by James R. Webb of James D. MacDonald’s novel, “The Executioners,” an ex-con plots insidious revenge on the lawyer (Gregory Peck) whose testimony sent him to prison. Director J. Lee Thompson was an admirer of Alfred Hitchcock, and paid homage to the Master of Suspense with camera angles and the use of his frequent collaborator, composer Bernard Herrmann, who provided a superbly menacing score. Mitchum was so convincing in the role that co-star Polly Bergen (as Peck’s wife) said she was genuinely frightened in an improvised scene with him. Leonard Maltin calls Mitchum’s performance “believably creepy,” and the American Film Institute cited his portrayal of Cady as one of the top 30 “All-Time Screen Villains.” Martin Balsam, Lori Martin, Telly Savalas, and Barrie Chase co-star.
Ha



