Q&A with A GOOD AMERICAN Executive Producer Oliver Stone, former technical director of NSA, Bill Binney, and director Friedrich Moser on Sunday, February 19th at 7PM at the Ahrya Fine Arts by Laemmle in Beverly Hills. Click here for tickets.
Q&A with KEDI Filmmaker Ceyda Torun Opening Weekend at the Royal.
KEDI filmmaker Ceyda Torun will participate in Q&As after the following screenings:
FRIDAY, 2/17
5:30pm – Ceyda Torun at the Royal
7:50pm – Ceyda Torun at the Royal
SATURDAY, 2/18
1:00pm – Ceyda Torun at the Royal
3:20pm – Ceyda Torun at the Royal
5:30pm – Ceyda Torun at the Royal
7:50pm – Ceyda Torun at the Royal
SUNDAY, 2/19
1:00pm – Ceyda Torun at the Royal
3:20pm – Ceyda Torun at the Royal
5:30pm – Ceyda Torun at the Royal
https://vimeo.com/152779982
LAEMMLE LIVE: Presents Lincoln Middle School Madrigal Singers – Sunday March 5, 2017
Join us at the Monica Film Center on Sunday, March 5, 2017 for Laemmle Live’s third concert featuring Lincoln Middle School Madrigal Singers. The program will include a variety of classical and popular music, folk songs and audience participation, too! Under the direction of Vanessa Counte, Choral Director, the Madrigal Singers are an audition-based a cappella ensemble that perform as part of Santa Monica’s Lincoln Middle School choral program. They meet once a week to rehearse and focus on Renaissance through contemporary a cappella choral literature. Recipients of top ratings in Southern California Festivals, they have been guest performers at local elementary schools, cub scout holiday meetings and the Aga Khan Foundation Walk.
Vanessa Counte has been the Choir Director at Lincoln Middle School since 2005. Mrs. Counte earned her BA in Music Education at Western Michigan University. An active member of the American Choral Directors Association and the Southern California Vocal Association, she is currently finishing her Master of Music in Choral Conducting through CAL State LA’s three summer program.
RSVP using Eventbrite
This is a Free Event!
EVENT DETAILS
Sunday, March 5, 2017
11:00 AM
Monica Film Center
AMERICAN FABLE Q&A’s Opening Weekend at the Monica Film Center.
AMERICAN FABLE filmmaker Anne Hamilton and select cast members will participate in a Q&A after the 7:10 PM screening at the Monica Film Center on Friday, February 17.
Q&A with YOU’RE KILLING ME, SUSANA Director Roberto Sneider this Friday at the Playhouse.
YOU’RE KILLING ME, SUSANA director Roberto Sneider will participate in a Q&A following the 7:10pm screening on Friday, March 10 at the Playhouse in Pasadena.
50TH Anniversary of THOROUGHLY MODERN MILLIE Presented in 35mm on February 28th in Beverly Hills.
Laemmle Theatres and the Anniversary Classics Series present a tribute to Mary Tyler Moore with a 50th anniversary screening of THOROUGLY MODERN MILLIE (1967) in 35mm at 7:30PM on February 28, 2017 at the Ahrya Fine Arts. Click here to purchase tickets.
The musical romantic comedy, a spoof of the 1920s flapper era, stars Julie Andrews (at the height of her popularity), Carol Channing (Oscar-nominated for her role), Beatrice Lillie, John Gavin, James Fox, Pat Morita, Jack Soo, and Mary Tyler Moore.
Moore had just completed her role on television’s “The Dick Van Dyke Show” the year before, and before embarking on her own groundbreaking series “The Mary Tyler Moore Show” in 1970, made several movies. THOROUGHLY MODERN MILLIE was the best of those 60s films, and a popular success in 1967. Moore would return to the screen in an Oscar-nominated performance in ORDINARY PEOPLE (1980).
Bosley Crowther in the New York Times called the film “A thoroughly modern burlesque of the manner and styles of flaming youth in the jazzy 1920s, of movie melodramas in the Silent days…it is a thoroughly delightful movie.”
The film was nominated for 7 Academy Awards, including the title song, and won for composer Elmer Bernstein his only career Oscar in the original score category.
Directed by George Roy Hill from an original screenplay by Richard Morris and produced by studio era veteran Ross Hunter, the movie was one of the 60s’ brightest musicals. It was later adapted for Broadway in 2000. Hill used it as a tune-up for his homage to another bygone era with the Oscar-winning THE STING in 1973.
THOROUGHLY MODERN MILLIE will show as a special tribute to the late actress Mary Tyler Moore on Tuesday, February 28 at 7:30 PM at the Ahrya Fine Arts in Beverly Hills. We will screen in 35mm as a special presentation.
For more about our Anniversary Classics Series, including an upcoming screening of WHAT EVER HAPPENED TO BABY JANE, visit www.laemmle.com/ac and join our Facebook Group.
BORNLESS ONES Intro + Q&A Saturday Night at the Monicas.
BORNLESS ONES producer-actor Devin Goodsell and actor Mark Furze will introduce and participate in a brief Q&A after the 7:30 PM screening at the Monica Film Center on Saturday, February 11th.
Enchanting Turkish Cat Documentary KEDI Slinks into L.A. Theaters February 17.
Hundreds of thousands of Turkish cats roam the metropolis of Istanbul freely. For thousands of years they’ve wandered in and out of people’s lives, becoming an essential part of the communities that make the city so rich. Claiming no owners, the cats of Istanbul live between two worlds, neither wild nor tame –and they bring joy and purpose to those people they choose to adopt. In Istanbul, cats are the mirrors to the people, allowing them to reflect on their lives in ways nothing else could.
Critics and internet cats agree – the cat documentary KEDI, which we open at the Royal, Playhouse and Town Center on February 17, will charm its way into your heart and home as you fall in love with the cats in Istanbul. This film is a sophisticated take on your typical cat video that will both dazzle and educate. What’s more, free organic “Turkish blend” catnip to opening weekend audiences, while supplies last!
https://vimeo.com/152779982
In his Variety review, Joe Leydon called KEDI a “magical and remarkable…splendidly graceful and quietly magical documentary about the multifaceted feline population of Istanbul…heartfelt…the beautifully spare musical score by Kira Fontana provides the perfect accompaniment for what gradually emerges as a profoundly affecting meditation, at once dreamy and precise, on a force of nature – several forces of nature, actually, with paws and tails – surviving and thriving in an industrialized world.”
Writing in the Hollywood Reporter, Sheri Linden said, “for anyone who’s curious about the historical events and municipal policies affecting Istanbul’s thriving population of street cats, KEDI offers little in the way of informative detail. But if you’d just like to hang with a few of the scrappy felines, Ceyda Torun’s entrancing documentary is manna from the cat gods. A collective portrait that’s as elegant as its light-footed subjects, it’s guaranteed to soothe a weary mind, and just might lower blood pressure, too.
Born in Istanbul, KEDI director-producer Ceyda Torun spent her formative early years among the street cats while her mother worried she’d get rabies and her sister worried she’d bring home fleas. After her family left the country when she was eleven, Ceyda lived in Amman, Jordan, and ended up in New York for her high school years, never encountering a street cat. Ceyda studied Anthropology at Boston University, returned to Istanbul to assist director Reha Erdem and then off to London to work alongside producer Chris Auty. She returned to the U.S. and co-founded Termite Films with cinematographer Charlie Wuppermann and has since directed her first feature documentary. She still misses her feline companions, gets excited whenever she sees a cat on the streets of Los Angeles, but they rarely feel the same way about her. About KEDI, she said the following:
“I grew up in Istanbul until I was eleven years old and I believe my childhood was infinitely less lonesome than it would have been if it weren’t for cats. And I wouldn’t be the person I am today. Every year that I returned to the city, I saw it change in ways that made it less and less recognizable, except for the cats; they were the one constant element, becoming synonymous with the city itself and ultimately, embodying its soul. This film is, in many ways, a love letter to those cats and the city, both of which are changing in ways that are unpredictable.
“When we set out to make this film, I had many ideas about what it should be. I hoped to show Istanbul in ways that went beyond tour guides and news headlines. I wanted to explore philosophical themes that would make you, the audience, ponder about our relationship to cats, to nature, to each other.
“In the end, I hope this film makes you feel like you just had a cat snuggle up on your lap unexpectedly, and purr fervently for a good long time, while allowing you to stroke it gently along its back; forcing you, simply because you can’t move without letting go of that softness and warmth, to think about things that you may not have given yourself time to think about in the busy life you lead, to discuss them with a group of new friends, friends from Istanbul who tell you what the city is really like.
“Hopefully this film will be that experience for you, and that you’ll leave with a yearning in your hands to pet a cat, and visit Istanbul.”
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