SURVIVING PEACE director Josef Avesar will participate in Q&A’s after the 7:20 PM screenings on October 13 at the Royal, October 14 at the Town Center, October 15 at the Claremont, and October 16 at the Playhouse.
ART IN THE ARTHOUSE presents: The Claremont Art Show 2017, September 17
RSVP here
This is a free event!
Laemmle’s Art in the Arthouse proudly presents THE CLAREMONT ART SHOW 2017! Please join us to celebrate our local artists in an intimate theatre setting. Our inaugural Claremont community show features a slide show on the big screen, artist talks, bagels, pastries, coffee and the conversation Art in the Arthouse is known for.
About the Exhibit:
COMMUNAL CROSSROADS
It is a time when forms are re-shaping, sometimes appearing shapeless altogether, when people search, then gather to form community. These samplings of the Claremont art community, reflect our disparate experiences, focus on what interests us, move us and take us to another world. Art in the Arthouse is proud to share this group of artists, as they deliver beauty, expose light and reveal anti-poetic moments. The sun dappling the Sycamores, the Huntington Library in a moment of repose, a flood of colorful Hydrangeas, and the solidity of a parked Winnebago are a few images that emerge. Isolation and the Science of Geometry have wiggled their way in here, as well. One solitary figure, green, ghostlike, and another with eyes, full of pathos on a Sunday morning. A joyful dialogue of passionate interchanges and quality of expressions help return us to community.
– Joshua Elias, Curator
Artist Reception:
Laemmle’s Claremont 5
Sunday, September 17 11-3pm
Refreshments will be provided
RSVP here
This is a free event!
The Met Opera Live in HD in Select Laemmle Theatres!
Laemmle Theatres has partnered with Fathom Events to bring you the Met Opera’s award winning Live in HD series. The 2017-18 season begins on October 7 with the company’s new production of Bellini’s Norma. Experience ten incomparable performances broadcast live from the stage of the Met, including five new productions, two of which are Met premieres.
Each event is broadcast live on Saturday mornings at 9:55 am. In addition to the opera presentations, audiences will go behind the scenes with the leading artists that make the Met one of the most renowned opera houses in the world. Backstage access includes special interviews with cast and crew and other features exclusive to the Live in HD series.
Tickets for The Met: Live in HD 2017-18 at Laemmle’s Ahrya Fine Arts in Beverly Hills, Town Center 5 in Encino, Playhouse 7 in Pasadena, and Claremont 5 in Claremont can be purchased online now by visiting www.laemmle.com/metoperaHD.
NORMA (Bellini) – New production
Saturday, October 7, 2017 – 9:55 a.m.
This new production of Bellini’s masterpiece stars Sondra Radvanovsky as the Druid priestess and Joyce DiDonato as her rival, Adalgisa—a casting coup for bel canto fans. Tenor Joseph Calleja is Pollione, Norma’s unfaithful lover, and Carlo Rizzi conducts. Sir David McVicar’s evocative production sets the action deep in a Druid forest where nature and ancient ritual rule.
DIE ZAUBERFLÖTE (Mozart)
Saturday, October 14, 2017 – 9:55 a.m.
Music Director Emeritus James Levine conducts the full-length, German version of Mozart’s magical fable, seen in Julie Taymor’s spectacular production, which captures both the opera’s earthy comedy and its noble mysticism.
THE EXTERMINATING ANGEL (Thomas Adès) – Met premiere
Saturday, November 18, 2017 – 9:55 a.m.
The Met presents the American premiere of Thomas Adès’s The Exterminating Angel, inspired by the classic Luis Buñuel film of the same name. Hailed by the New York Times at its 2016 Salzburg Festival premiere as “inventive and audacious … a major event,” The Exterminating Angel is a surreal fantasy about a dinner party from which the guests can’t escape. Tom Cairns, who wrote the libretto, directs the new production, and Adès conducts his own adventurous new opera.
TOSCA (Puccini) – New production
Saturday, January 27, 2018 – 9:55 a.m.
Rivaling the splendor of Franco Zeffirelli’s Napoleonic-era sets and costumes, Sir David McVicar’s ravishing new production offers a splendid backdrop for extraordinary singing. Sonya Yoncheva will make her role debut as the title prima donna alongside Vittorio Grigolo and Bryn Terfel. Andris Nelsons conducts.
L’ELISIR D’AMORE (Donizetti)
Saturday, February 10, 2018 – 9:00 a.m.
Pretty Yende debuts a new role at the Met as the feisty Adina, opposite Matthew Polenzani, who enthralled Met audiences as Nemorino in 2013 with his ravishing “Una furtiva lagrima.” Bartlett Sher’s production is charming, with deft comedic timing, but also emotionally revealing. Domingo Hindoyan conducts.
LA BOHÈME (Puccini)
Saturday, February 24, 2018 – 9:30 a.m.
The world’s most popular opera returns in Franco Zeffirelli’s classic production starring a cast of young stars, including Sonya Yoncheva as the fragile Mimì and Michael Fabiano as the poet Rodolfo. Marco Armiliato conducts.
SEMIRAMIDE (Rossini) – First time in HD
Saturday, March 10, 2018 – 9:55 a.m.
This masterpiece of dazzling vocal fireworks makes a rare Met appearance—its first in nearly 25 years—with Maurizio Benini on the podium. The all-star bel canto cast features Angela Meade in the title role of the murderous Queen of Babylon, who squares off in breathtaking duets with Arsace, a trouser role sung by Elizabeth DeShong. Javier Camarena, Ildar Abdrazakov, and Ryan Speedo Green complete the stellar cast.
COSI FAN TUTTE (Mozart) – New production
Saturday, March 31, 2018 – 9:55 a.m.
A winning cast comes together for Phelim McDermott’s clever vision of Mozart’s comedy about the sexes, set in a carnival-esque environment inspired by 1950s Coney Island. Manipulating the action are the Don Alfonso of Christopher Maltman and the Despina of Tony Award–winner Kelli O’Hara, with Amanda Majeski, Serena Malfi, Ben Bliss, and Adam Plachetka as the pairs of young lovers who test each other’s faithfulness. David Robertson conducts.
LUISA MILLER (Verdi) – First time in HD
Saturday, April 14, 2018 – 9:30 a.m.
James Levine and Plácido Domingo add yet another chapter to their legendary Met collaboration with this rarely performed Verdi gem, a heart-wrenching tragedy of fatherly love. Sonya Yoncheva sings the title role opposite Piotr Beczała in the first Met performances of the opera in more than ten years.
CENDRILLON (Massenet) – Met premiere
Saturday, April 28, 2018 – 9:55 a.m.
For the first time ever, Massenet’s sumptuous take on the Cinderella story comes to the Met. Joyce DiDonato stars in the title role, with mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the imperious Madame de la Haltière. Bertrand de Billy conducts Laurent Pelly’s imaginative storybook production.
ART IN THE ARTHOUSE presents: ART ON ART by Robert Cenedella at Claremont 5
Art in the Arthouse revisits the works of ROBERT CENEDELLA with a new showing of his special edition silk screens entitled ART ON ART. Cenedella’s series, currently on display in Claremont until September 17, is a part of The Laemmle Collection.
About the Exhibit:
Previous works by Robert Cenedella, shown at Laemmle’s Monica Film Center along side the documentary film ART BASTARD, gave an in-depth example of what is controversial. Our current show, reveals another side of the artist. The numbered editions of silk screens on archival paper, are less political statement, more tailored etchings of clever positioning and whimsical humor. They are signed by the artist and museum framed to ensure preservation with handmade Italian frames from all natural materials.
“I am a product of starting my career circa 1959 just when all the “isms” came to be – Absract Expressionism, Abstract Illusionism, Constructivism, Minimalism, Hypermodernism, etc – and the very kind of work that I was developing under GEORGE GROSZ at the Arts Students League of New York was literally being not just looked down upon, but verbally scorned and ridiculed by art critics, art schools and the public in general.
Having fought the notion that skills were no longer necessary, in particular drawing, PROTEST, has in some ways become part of my work. This has not been intentional on my part; it just has become a fact of sorts after fifty years of having never fit into the ART ESTABLISHMENT on any level. To this day, my work continues to be considered controversial one way or another.”
– Robert Cenedella, Artist
Fourth Annual Tour de Laemmle is Sunday, July 23rd, 2017!
Don’t be surprised if you see Greg Laemmle and 100+ other cyclists clip-clopping through a theater lobby this Sunday. They’re just rehydrating and taking a well-deserved break in the middle of their epic 135-mile bicycle tour of all eight Laemmle venues!
Our Fourth Annual Tour de Laemmle starts bright and early this Sunday, July 23rd. Participants leave the Monica Film Center in Santa Monica at 7:00AM before making their way to Beverly Hills, Claremont, Pasadena, Glendale, NoHo, Encino, West LA, and back to Santa Monica.
You can follow along from the comfort of your chair by visiting tourdelaemmle.com/share where riders will share their Instagram photos and tweets.
Our involvement with cycling events such as CicLAvia and Climate Ride stems not just from our love of the sport, but as a way to encourage alternative transportation and inspire creative thinking about our traffic and environmental challenges. In 2014, we stepped up to the plate by creating our own event.
As an avid cyclist and sustainability advocate, Greg Laemmle had always dreamed of traveling to each of his venues by bike in a single day. After researching the route, he soon recognized the cultural and historical import of many of the roads, pathways, and landmarks he discovered along the way. Realizing the potential value extended far beyond his original vision, he opened up the ride and invited the community to join him “on a 2-wheeled tour of L.A.’s richly diverse neighborhoods.” Find out more at tourdelaemmle.com!
ART IN THE ARTHOUSE presents: The Pasadena Art Show ’17
Laemmle’s Art in the Arthouse is delighted to present THE PASADENA ART SHOW ’17. Please join us to celebrate our local artists in an intimate theatre setting. Our special event features a slide show on the big screen, artist talks, and of course, the wine, cheese and conversation Art in the Arthouse is known for. Meet the artists and stay for the art!
About the Exhibit
Our third annual Pasadena community show brings together a diverse group of artistic talent culled from the surrounding community. Beyond the inherent eclecticism, there is a shared commitment to create compelling work, zoomed in on aesthetics in what might be considered a bluntly un-aesthetic time. The pieces vary from drawings and digital manipulations to refined paintings and musings through the spirit of animals. Through it all, the intentional act of “making art” – in contrast to the ephemeral and self-absorbed social mediaimagery that pervades our culture – inform the group’s collective conscience.
Art in the Arthouse celebrates these unique 20+ artists and salutes them for having the courage to see, and allowing others to see, in new ways. The exhibit runs for several months, with sales benefitting the Laemmle Foundation and its support of humanistic and environmental efforts in the L.A. region. Enjoy!
– Joshua Elias, Curator
Artist Reception:
Laemmle Playhouse 7
Thursday, June 1, 6-9pm
Refreshments will be provided
Food Historian Linda Civitello on Terence Davies’ New Emily Dickinson Bio-Pic A QUIET PASSION.
The following post is by food historian Linda Civitello:
Terence Davies’ masterpiece, A Quiet Passion, has a scene where Emily Dickinson bakes bread and later is informed that it won a prize. This is true. In 1856, Dickinson’s Brown Bread won second prize at a local fair. One of the judges was her sister Lavinia—“Vinnie”—played by Jennifer Ehle, who was Elizabeth Bennet in the mini-series Pride and Prejudice, and the miscalculating intelligence agent in Zero Dark Thirty. Dickinson’s prize-winning bread was made from rye and cornmeal because wheat did not grow well in New England. The bread, like New Englanders such as Dickinson’s father, played by Keith Carradine, was solid with a thick, hard crust; leftovers were used to scrub walls. This staple bread nourished New Englanders until the end of the 19th century.
Emily Dickinson also nourished herself with language: “He ate and drank the precious words, / His spirit grew robust.” Hunger and thirst are recurring metaphors that reflect Dickinson’s profound loneliness and awareness of her position on the fringes of society. Often, she is nose-pressed-against-the-glass observing others at the banquet of life while she gets only crumbs: “God gave a Loaf to every Bird— / But just a Crumb—to Me—”. She also takes a sour grapes attitude toward society and belonging, and especially toward success: “Fame is a fickle food / Upon a shifting plate.” However, hope is not just “the thing with feathers,” but “Hope is a subtle glutton,” too.
Although Dickinson’s poetry uses food metaphorically, almost one-third of her letters—approximately 300—deal with real food. Even if Dickinson did not leave the house, she sent her desserts out into the world. Children were delighted when she lowered a basket of little oval loaves of gingerbread out the window. Dickinson’s delicious “Cocoanut” Cake—that was the spelling at the time—is a modern pound cake. What makes it modern is that it is leavened with saleratus (aka baking soda) and cream of tartar, an early baking powder. What makes it Emily’s is that on the back of the recipe, she wrote a poem, “The Things that never can come back, are several.”
Cynthia Nixon’s penetrating Emily Dickinson in A Quiet Passion is the polar opposite of Julie Harris’s tremulous, teary hostess serving Black Cake—a spice cake loaded with raisins—to visitors in the 1976 play The Belle of Amherst. In A Quiet Passion, Davies cannot show Dickinson baking bread or making cake with real-life frequency. What Davies does do is capture the essence of Dickinson’s complex persona and life. Davies’ genius shows Dickinson’s genius: her intensity, her originality, her gift—and his—for bringing forth a universe of poetry and beauty where others see only the mundane, or cannot bear to look at all.
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Linda Civitello is a food historian. She is the author of Baking Powder Wars: The Cutthroat Food Fight That Revolutionized Cooking, and the award-winning Cuisine & Culture: a History of Food and People. She will be speaking about Emily Dickinson and food later this year at the Emily Dickinson Museum in Amherst, Massachusetts.
To learn more about Emily Dickinson:
Emily Dickinson is the author chosen for the weeks-long 2017 Los Angeles “Big Read” program. On Saturday, April 29, the Washington Irving Library, 4117 Washington Boulevard, will host a Poets’ Panel, open mic reading, and a poetry workshop on Dickinson. Linda Civitello will speak briefly about Dickinson, and present desserts she made using Dickinson’s recipes and heirloom flour.
The Collected Poems of Emily Dickinson. Introduction and Notes by Rachel Wetzsteon. The hundreds of poems in this collection are organized thematically: Life, Nature, Love, Time and Eternity, The Single Hound.
For children: Emily Dickinson in the Poetry for Young People series edited by Frances Schoonmaker Bolin, illustrated by Chi Chung, from Sterling Children’s Books.
The Dickinson letters: http://www.emilydickinson.org/
The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination is the pioneering 1979 book of feminist literary criticism by Sandra M. Gilbert and Susan Gubar. The lengthy final essay is on Emily Dickinson. The book’s title is an allusion to one of the writers Dickinson admired, Charlotte Brontë. The poem that Dickinson wrote when Bronte died ends, “Oh, what an afternoon for heaven, / When Brontë entered there!”
Sandra M. Gilbert is also a poet. Her homage to Dickinson is in the title poem in her poetry collection Emily’s Bread, and in the final section and final poem, both entitled “The Emily Dickinson Black Cake Walk.”
Miss Emily. This 2015 novel by the award-winning Irish writer Nuala O’Connor is an intimate fictional portrait of daily life in the Dickinson household. Told in the first person, it shifts back and forth between Emily and the family’s Irish maid, Ada.
The American Frugal Housewife by Lydia Maria Child. This cookbook, first published in 1832, was used in the Dickinson household.
The Emily Dickinson Museum: https://www.emilydickinsonmuseum.org/
TOMORROW Screenings All Over L.A. County Next Week.
Next week we’ll begin screenings of the César Award winner for Best Documentary, TOMORROW. It is a galvanizing film that showcases alternative and creative ways of viewing agriculture, economics, energy and education and offers constructive solutions to act on a local level to make a difference on a global level. The co-director, Cyril Dion, will be in attendance for a Q&A after the April 18 screening at the Monica Film Center and we’ll begin a limited engagement on April 21 at the Music Hall with Saturday/Sunday morning shows at the Claremont 5 and Playhouse 7. Mr. Dion will participate in a Q&A after the 7 PM screening at the Music Hall on Friday, April 21. TOMORROW tries to encourage local communities around the world to change the way they live for the sake of our planet.
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