The Official Blog of Laemmle Theatres.

Laemmle Theatres

Film Reviews & Previews

  • All
  • Theater Buzz
    • Claremont 5
    • Glendale
    • Newhall
    • NoHo 7
    • Royal
    • Santa Monica
    • Town Center 5
  • Q&A’s
  • Locations & Showtimes
    • Claremont
    • Glendale
    • NewHall
    • North Hollywood
    • Royal (West LA)
    • Santa Monica
    • Town Center (Encino)
  • Film Series
    • Anniversary Classics
    • Culture Vulture
    • Worldwide Wednesdays
  • Facebook
  • Instagram
  • TikTok
  • YouTube

You are here: Home / Q&A's

PRESSURE POINT 60th Anniversary Screening in Tribute to Sidney Poitier with Actor Barry Gordon in Person.

May 25, 2022 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present a tribute to the late Sidney Poitier with one of his lesser known but most provocative movies, PRESSURE POINT from 1962. Bobby Darin (in one of his first dramatic performances) and Peter Falk co-star in this gritty, still-timely film about racism and anti-Semitism. Our guest speaker will be co-star Barry Gordon, who played Darin’s character as a child in visually striking flashback scenes. The screening is at the Royal on Wednesday, June 22 at 7 PM. Buy tickets here.

 PRESSURE POINT 60th Anniversary Screening in Tribute to Sidney Poitier with Actor Barry Gordon in Person.

The film is based on a real psychiatric case about a doctor who tried to fathom the reasons for the racial prejudices of a belligerent patient. As he probes the character’s past, he discovers some of the reasons for the convict’s poisonous ideas but is unable to “cure” him of his antisocial attitudes. It was the film’s producer, Stanley Kramer (THE DEFIANT ONES, JUDGMENT AT NUREMBERG, GUESS WHO’S COMING TO DINNER), who suggested altering the real case by making the psychiatrist a Black man. This gave an added edge to the story. Both Poitier and Darin contribute outstanding performances. The script by director Hubert Cornfield and S. Lee Pogostin incisively scrutinizes the psychological roots of race prejudice and fascism. A film exposing the poison of white supremacy remains just as timely today as it was in 1962.

PRESSURE POINT 60th Anniversary Screening in Tribute to Sidney Poitier with Actor Barry Gordon in Person.

Barry Gordon had a highly successful career as a child actor in the 1950s and 60s. After completing PRESSURE POINT, he starred on Broadway as Jason Robards’ nephew in Herb Gardner’s tribute to nonconformity, A THOUSAND CLOWNS. Gordon earned a Tony nomination for that performance and reprised his role in the Oscar-winning 1965 film version of the play. Gordon went on to co-star in many TV comic and dramatic series, from ‘The New Dick Van Dyke Show’ and ‘Archie Bunker’s Place’ to ‘L.A. Law,’ ‘NYPD Blue,’ and ‘Curb Your Enthusiasm.’ He also portrayed the character of Donatello in the smash hit animated series, ‘Teenage Mutant Ninja Turtles.’ In addition, Gordon was the longest-serving president of the Screen Actors Guild, with a seven-year tenure from 1988 to 1995.

PRESSURE POINT 60th Anniversary Screening in Tribute to Sidney Poitier with Actor Barry Gordon in Person.

Critic Leonard Maltin called PRESSURE POINT an “intelligent drama” about an American Nazi. Writing in the Saturday Review, Hollis Alpert declared that director Cornfield “achieves several scenes of stark brilliance.” Ernest Haller provided the striking cinematography, and Oscar winner Ernest Gold composed the score.

Leave a Comment Filed Under: Anniversary Classics, Actor in Person, Featured Post, Films, News, Q&A's, Repertory Cinema, Royal, Theater Buzz

“Mind-bending, hammed-up, highly paced, farcical, funny, and suspenseful dark fairy tale” ’18 1/2′ coming soon.

May 18, 2022 by Jordan Deglise Moore Leave a Comment

Dan Mirvish Guest Blog for Laemmle Theaters:

I’m thrilled and honored to be bringing my newest film, 18½ back to my filmmaking home in LA, Laemmle Theaters! 18½ is about a White House transcriber who tries to leak Nixon’s 18½-minute gap to the press, but runs afoul of hippies, swingers and nefarious forces. It stars Willa Fitzgerald (Reacher), John Magaro (Kelly Reichardt’s First Cow and Cannes competition Showing Up), Vondie Curtis Hall (Harriet), Richard Kind, Catherine Curtin and the voices of Ted Raimi as Gen. Al Haig, Jon Cryer as HR Haldeman and Bruce Campbell as Richard Nixon.

"Mind-bending, hammed-up, highly paced, farcical, funny, and suspenseful dark fairy tale" '18 1/2' coming soon.

The film is having its L.A. Premiere at the Laemmle Monica, on May 27th and screening for a week there, with bonus screenings at the Glendale on May 31 and NoHo7 on June 1, with guest Q&As for most of the screenings.  After winning audience and jury awards and screening at some 21 film festivals on four continents over the last few months, it’s very exciting to finally bring the film to the greater Los Angeles community.

"Mind-bending, hammed-up, highly paced, farcical, funny, and suspenseful dark fairy tale" '18 1/2' coming soon.

My history with Laemmle theaters goes back to 1995 when my first film, Omaha (the movie) screened for 11 straight weeks. Whether I was showing up at the old Sunset 5 wearing a sandwich board, or throwing raw steaks at the audience, I was buoyed in my efforts by Bob and Greg Laemmle, who not only tolerated but encouraged my indie film shenanigans. The Laemmle family support of independent film in the heart of Los Angeles has proved time and time again that Hollywood is more than just big budget studio superhero films and streaming “content.” Laemmle Theaters are truly one of the last bastions of support for independent filmmaking in the belly of the beast. We are all indebted to their decades-long support of all our films, and our ability to share them with audiences and engage in a uniquely live cinematic conversation.

"Mind-bending, hammed-up, highly paced, farcical, funny, and suspenseful dark fairy tale" '18 1/2' coming soon.

As a filmmaker who lives a block south of the biggest studios in the world (so, technically they’re in my shadow), 18½ was largely produced during the pandemic with the incredible support and help of my Culver City neighbors, family and friends – for whom I baked sourdough bread as barter for music cues, VFX shots, cameras, posters and sound mixing. I’m looking forward to seeing many of them at our screenings, and I know you’ll love meeting such amazing collaborators as composer Luis Guerra, featured vocalist Caro Pierotto, and so many other talented artists who will be joining me for our Q&As.  If it takes a village to make a film, it takes a village idiot like me to make one in the middle of a pandemic!

"Mind-bending, hammed-up, highly paced, farcical, funny, and suspenseful dark fairy tale" '18 1/2' coming soon.

But don’t take my word on why you should see the film. I’m thrilled and humbled by all the fantastic reviews we’ve been getting…

“18½ is a rare find in the current landscape of filmmaking, an original story that draws you in from the opening frame…18½ is weird, engrossing, and thoroughly enjoyable.” – Susan Leighton, ScreenAnarchy

“18½ is a mind-bending, hammed-up, highly paced, farcical, funny, and suspenseful dark fairy tale. This makes it a timeless curveball aimed to hit the strike zone of our minds.” – Lloyd Sederer, M.D., Psychology Today 

“Mirvish’s film is a fun and eccentric outing, relishing in the “what ifs” of alternate political history; a much-needed breath of fresh air when taking on politics in today’s charged climate.” – Sammy Levine, Hammer to Nail

“18½ is so riveting and immersive that I forgot I was making a cup of tea and found a cup of cold, over-steeped leaf water after the final credits rolled.” – Jamie Toth, The Somewhat Cyclops

Looking forward to seeing you at Laemmles and talking about 18½!

Leave a Comment Filed Under: Director's Statement, Filmmaker in Person, Films, Glendale, NoHo 7, Q&A's, Santa Monica, Theater Buzz

Q&As this Friday with HATCHING filmmaker Hanna Bergholm.

April 26, 2022 by Jordan Deglise Moore Leave a Comment

HATCHING filmmaker Hanna Bergholm will participate in Q&As after the 7:30 PM screening at the Monica Film Center and after the 10:15 PM screening at the Laemmle Glendale on Friday, April 29.

https://www.youtube.com/watch?v=DS1oDoElwqc

 

Leave a Comment Filed Under: Q&A's, Featured Films, Filmmaker in Person, Films, Glendale, Santa Monica, Theater Buzz

Virtual Q&A with the CHARLOTTE filmmakers this Sunday, April 24.

April 22, 2022 by Jordan Deglise Moore Leave a Comment

CHARLOTTE co-directors Tahir Rana and Éric Warin, screenwriter David Bezmozgis and producer Julia Rosenberg will participate in a virtual Q&A on Sunday, April 24. Johanna Schneller of the Globe & Mail will moderate. Click here or scan the QR code below to register.

Virtual Q&A with the CHARLOTTE filmmakers this Sunday, April 24.

Leave a Comment Filed Under: Featured Films, Claremont 5, Films, Playhouse 7, Q&A's, Royal, Theater Buzz, Town Center 5

“Smashing…touching and piercing. A stirring and true-spirited romantic film.” The overlooked 1970 British classic ‘Bronco Bullfrog’ gets a proper U.S. release starting April 29 at the Laemmle Glendale.

April 20, 2022 by Jordan Deglise Moore Leave a Comment

The debut film by “one of the forgotten heroes of British cinema” (Matthew Sweet, BBC Radio 4), Barney Platts-Mills’ Bronco Bullfrog is “remarkable” (Mollie Panter-Downes, The New Yorker), a “breathtaking time capsule” (Peter Bradshaw, The Guardian), and a “revelation” (Kieron Corless, Sight & Sound).

Seventeen-year-old Del, with no money and nowhere to go, breaks into train cars with his cool, fresh-out-of-borstal (reform school) pal Bronco Bullfrog. But one day he meets the lovely Irene, and despite an earful from his dad (and her mum), the two young lovers run away together… but to where?

Shot in London’s East End in 1969, cast with Doc Marten-wearing “suedehead” locals, and set to a dynamic soundtrack by early ’70s art rock band Audience, Bronco Bullfrog has been compared to the work of Mike Leigh and Ken Loach, but with a punk rock spirit. After a minuscule American release following its Edinburgh and Cannes premieres, this “lost gem” (Dave Calhoun, Time Out) returns over 50 years later as a cult landmark of two teens in love, in black and white and cockney—with subtitles.

"Smashing...touching and piercing. A stirring and true-spirited romantic film." The overlooked 1970 British classic 'Bronco Bullfrog' gets a proper U.S. release starting April 29 at the Laemmle Glendale.
Del Walker and Anne Gooding in Barney Platts-Mills’ Bronco Bullfrog. (Credit: Seventy-Seven.)

Sadly, filmmaker Barney Platts-Mills passed away last year so is not here to be part of the re-release of his film. In his stead, Oscar-winning director James Scott will participate in a Q&A after 7:30 PM screening of Bronco at the Laemmle Glendale on Friday, April 29.

From Sasha Frere-Jones recent piece in the Observer:

“The British 1970 film Bronco Bullfrog…is about kids in the streets, full stop. Del (Del Walker) starts up a romance with Irene (Anne Gooding) and bounces around with his friend Joe, aka Bronco Bullfrog (Sam Shepherd), running from cops and parents through Stratford, East London. A year before starring in this neo-realist dream, Walker was talking to director Barney Platts-Mills while they made a short documentary of Walker and his friends doing improvisatory theater with director Joan Littlewood.

"Smashing...touching and piercing. A stirring and true-spirited romantic film." The overlooked 1970 British classic 'Bronco Bullfrog' gets a proper U.S. release starting April 29 at the Laemmle Glendale.
Left to Right: Anne Gooding, Tina Syer, Chris Shepherd, and Del Walker in Barney Platts-Mills’ Bronco Bullfrog. (Credit: Seventy-Seven.)

“‘Is this better than hanging about in the streets? Is that all you do?’ Platts-Mills asks him.

“‘It’s all I’ve ever done,’ Walker says. “Streets—Stratford, Plaistow, Green Gate, East Ham, Leyton, Sleaford. Everywhere. Get a bit sick of it.’

“That film is called Everybody’s An Actor, Shakespeare Said, but that statement is the plot of Bronco Bullfrog, almost in total. Now rereleased by Gabriele Caroti and Seventy-Seven, a “boutique movie and music label focusing on vintage, underseen, and underappreciated work,” Bronco Bullfrog is a funnel right back into 1969 East London, a bright black-and-white look at several working class kids with no future and all the time in the world. Before Quadrophenia, before the Jam, before the Sex Pistols, there was this.

"Smashing...touching and piercing. A stirring and true-spirited romantic film." The overlooked 1970 British classic 'Bronco Bullfrog' gets a proper U.S. release starting April 29 at the Laemmle Glendale.
Del Walker, Anne Gooding, and Roy Haywood in Barney Platts-Mills’ Bronco Bullfrog. (Credit: Seventy-Seven.)

“‘We both loved the Italian neo-realists, Barney and me,’ cinematographer Adam Barker-Mill told me. ‘Joan and the boys had something.’ In the late ‘60s, Littlewood had been working in a theater in East London, putting on shows with local teens. The gang of boys hanging about in front of the theater was slowing things down, so she put them to work.”

Read the rest of Frere-Jones’ piece here.

https://www.youtube.com/watch?v=fW8SRdee-j0&t=1s

Leave a Comment Filed Under: Films, Glendale, Q&A's, Repertory Cinema, Theater Buzz

‘Fiddler’s Journey to the Big Screen,’ the engrossing behind-the-scenes story of one of our finest movie musicals, opens May 6.

April 20, 2022 by Jordan Deglise Moore Leave a Comment

The fall of 2021 marked the 50th anniversary of Fiddler on the Roof, the film Pauline Kael called “the most powerful movie musical ever made.” Narrated by Jeff Goldblum, Fiddler’s Journey to the Big Screen captures the humor and drama of director Norman Jewison’s quest to recreate the lost world of Jewish life in Tsarist Russia and re-envision the beloved stage hit as a wide-screen epic. We have an advance screening of Fiddler’s Journey to the Big Screen May 5 at the Royal followed by week-long engagements at the Royal, Playhouse and Town Center beginning May 6.

For a taste of the film, here’s a clip in which composer John Williams and Jewison discuss enlisting the brilliant violinist Isaac Stern to provide the title character’s music.

We are planning a series of Q&As at the Royal: Thursday, May 5th – evening show for LAJFF – Q&A with Daniel Raim (director), moderated by Hilary Helstein (LAJFF); Fri. May 6 – 7:30pm – Q&A with Daniel Raim (director), Sasha Berman (producer), and Michael Sragow (co-writer, co-producer); Sat. May 7th – 7:30pm – Moderated by film critic Kenneth Turan, Q&A with Daniel Raim (director), Sasha Berman (producer), and Michael Sragow (co-writer, co-producer); Wed. May 11 at 7:30pm – Q&A with Michael Sragow (co-writer, co-producer).

'Fiddler's Journey to the Big Screen,' the engrossing behind-the-scenes story of one of our finest movie musicals, opens May 6.
Director Norman Jewison (pointing) and star Tevye (holding hat) on the set of The Fiddler on the Roof. As seen in Fiddler’s Journey to the Big Screen. A film by Daniel Raim. A Zeitgeist Films release in association with Kino Lorber.

Finally, here’s an excerpt from a rave review Raquel Stecher recently posted on her site Out of the Past:

“Director Daniel Raim continues his quest to champion the art of filmmaking with his latest documentary Fiddler’s Journey to the Big Screen (2022). Narrated by Jeff Goldblum, this documentary takes a deep dive into the making of Fiddler on the Roof (1971), director Norman Jewison’s personal and professional journey and all of the key players who came to together to make one of the greatest musical films of all time.

'Fiddler's Journey to the Big Screen,' the engrossing behind-the-scenes story of one of our finest movie musicals, opens May 6.
Director Norman Jewison (right) and star Tevye on the set of The Fiddler on the Roof. As seen in Fiddler’s Journey to the Big Screen. A film by Daniel Raim. A Zeitgeist Films release in association with Kino Lorber.

“Fiddler on the Roof was the brainchild of composer Jerry Bock, lyricist Sheldon Harnick and writer Joseph Stein. The inspiration came from a selection of short stories by Yiddish writer Sholem Aleichem called Teyve and his Daughters as well as artist Marc Chagall’s 1912 painting The Fiddler. The play opened on Broadway in 1964 and there was some concern that the story would only appeal to a small Jewish audience. However, Fiddler’s tale of a Jewish dairy farmer who attempts to marry off his five daughters in pre-revolutionary Russia, is a story of family, tradition and the inevitability of change. This gave the story a universal appeal and along with the excellent story and top-notch musical numbers, Fiddler was an international success. And naturally it was destined to become a film.

'Fiddler's Journey to the Big Screen,' the engrossing behind-the-scenes story of one of our finest movie musicals, opens May 6.
Filming The Fiddler on the Roof. As seen in Fiddler’s Journey to the Big Screen. A film by Daniel Raim. A Zeitgeist Films release in association with Kino Lorber.

“Fiddler’s Journey to the Big Screen explores the history behind the Broadway show, how Norman Jewison came to be involved, the casting, musical direction, art direction, location scouting, choreography, cinematography and many other elements that came to make the film as well as Fiddler‘s legacy. There is so much here to take in but it never feels overwhelming.

“The documentary includes interviews with director Norman Jewison, lyricist Sheldon Harnick, musical director John Williams, actresses Rosalind Harris (Tzeitel), Michele Marsh (Hodel) and Neva Small (Chava) and film critic Kenneth Turan. There are also archival interviews of Jewison back in 2000 as well as actor Topol and art director Robert F. Boyle. The interviews add so much to this documentary. There is nothing quite like firsthand accounts of an important moment in film history. And much like Daniel Raim’s other documentaries, there are illustrations from artist Patrick Mate as well as plenty of archival footage and behind-the-scenes photographs. The documentary is also is chock full of interesting facts even beyond just the making of Fiddler on the Roof. Watching it felt like I was getting two documentaries for the price of one: the making of a film and the biography of its director.”

Read the rest of Ms. Stecher’s review here.

https://www.youtube.com/watch?v=D19flnSG79Q

Leave a Comment Filed Under: Exclusive clip, Featured Films, Featured Post, Filmmaker in Person, Films, Playhouse 7, Press, Q&A's, Royal, Theater Buzz, Town Center 5

“COMPARTMENT NO. 6 evokes a powerful nostalgia for a type of loneliness we don’t really have any more, and for the type of love that was its cure.” The Finnish Oscar contender opens next week.

January 19, 2022 by Jordan Deglise Moore Leave a Comment

We love a movie set on a train and are excited to open an excellent new addition to the genre, the acclaimed new Finnish movie COMPARTMENT NO. 6. (We may be hosting the filmmaker for a Q&A; check our website for news.) The film follows a young woman who escapes an enigmatic love affair in Moscow by boarding a train to the Arctic port of Murmansk. Forced to share the long ride and a tiny sleeping car with a larger than life Russian miner, the unexpected encounter leads the occupants of compartment no. 6 to face major truths about human connection. In addition to the Royal engagement starting Wednesday, January 26, we’ll expand the film to Encino and Pasadena on February 4. The Academy has short-listed the film for its Best International Feature Oscar and prompted some glowing reviews:

“An engrossingly offbeat rail movie…the two leads…walk us through the human condition with the nuances of a big Russian novel.” ~ Deborah Young, The Film Verdict

"COMPARTMENT NO. 6 evokes a powerful nostalgia for a type of loneliness we don't really have any more, and for the type of love that was its cure." The Finnish Oscar contender opens next week.

“It makes for a take on the love story as fresh, resonant and honest… as you’ll find in a contemporary film.” ~ Robert Abele, L.A. Times

"COMPARTMENT NO. 6 evokes a powerful nostalgia for a type of loneliness we don't really have any more, and for the type of love that was its cure." The Finnish Oscar contender opens next week.

“As bleak as the settings may be, it has a delicious black comic streak and shares the buzz of personal re-awakening without ever feeling obvious or cheap. It turns out to be a beacon of warmth amid a frozen wasteland.” ~ Dave Calhoun, TimeOut

"COMPARTMENT NO. 6 evokes a powerful nostalgia for a type of loneliness we don't really have any more, and for the type of love that was its cure." The Finnish Oscar contender opens next week.

“COMPARTMENT NO. 6 evokes a powerful nostalgia for a type of loneliness we don’t really have any more, and for the type of love that was its cure.” ~ Jessica Kiang, Variety

"COMPARTMENT NO. 6 evokes a powerful nostalgia for a type of loneliness we don't really have any more, and for the type of love that was its cure." The Finnish Oscar contender opens next week.

“Seida Haarla gives a winning, intelligent performance as a naturally very clever person made to feel small and helpless in a strange land. But Yuriy Borisov pops from the first moments you see him.” ~ Mark Asch, Little White Lies

"COMPARTMENT NO. 6 evokes a powerful nostalgia for a type of loneliness we don't really have any more, and for the type of love that was its cure." The Finnish Oscar contender opens next week.
Juho Kuosmanen

Director/co-screenwriter Juho Kuosmanen penned the following about his film:

“COMPARTMENT NO. 6 is an Arctic road movie, perhaps it could be seen as a clumsy attempt to find harmony and peace of mind in a world of chaos and anxiety. The core of the story lies in the notion of acceptance. It’s a hard duty to accept that you are part of this chaotic world, and that you exist as you do. Our hero, Finnish student Laura, takes a long train ride to visit some ancient petroglyphs. She quotes a man she met: “To know yourself, you need to know your past.” She would like to be an archaeologist who gets fulfilment out of these kind of things, petroglyphs and such. But is she really that person? Or is this just a stolen dream from a person she would like to be?

“On the train she meets Ljoha, an annoying Russian miner who follows her like a shadow. She wanted to know her past, and Ljoha is the embodiment of it. It’s unpleasant and banal, but it is what it is.

“Road movies are often about freedom. In a car you can go where you want, every crossroad is a possibility. But I tend to think that freedom isn’t an endless number of options but rather, the ability to accept your limitations. A train ride is more like destiny. You can’t decide where to go, you just have to take what it gives you.”

https://www.youtube.com/watch?v=itL_GpBalA4

Leave a Comment Filed Under: Director's Statement, Featured Films, Featured Post, Filmmaker in Person, Films, Playhouse 7, Q&A's, Royal, Theater Buzz, Town Center 5

Author and film critic Stephen Farber on Peter Bogdanovich: “Although he was a lover of old Hollywood, he saw the blemishes as well as the triumphs; he was a most clear-eyed observer.”

January 12, 2022 by Jordan Deglise Moore Leave a Comment

“All film lovers were saddened by the passing of director Peter Bogdanovich last week, but I may have felt it a bit more keenly. Peter joined us for an Anniversary Classics screening of The Last Picture Show in December of 2016 at the Fine Arts Theatre, and he shared incisive memories about the making of the movie and about many of his other encounters with Hollywood legends over the decades. We were all impressed with how well his film held up after 45 years. As many people commented, it didn’t seem dated at all. The evocation of a dying Texas town in the early 1950s remained incisive and poignant.

Author and film critic Stephen Farber on Peter Bogdanovich: "Although he was a lover of old Hollywood, he saw the blemishes as well as the triumphs; he was a most clear-eyed observer."
Peter Bogdanovich & Stephen Farber in 2016. Photo courtesy of Gary Paul Andre.

“That was not my first encounter with Bogdanovich. I first met him when I was a graduate student at UCLA film school in the late 1960s and he taught a class on Howard Hawks, one of his friends and idols. I remember we got into a bit of an argument when I suggested that Hawks’ To Have and Have Not was not quite as original as he claimed but might have owed something to Casablanca, which came out a couple of years earlier and was directed by non-auteur Michael Curtiz. Anyway, Peter cheerfully dismissed my criticisms. Around the same time, I saw his first film, Targets, which impressed me greatly. Its portrayal of a mass shooter was way ahead of its time, and this story was welded skillfully to an inside-Hollywood tale starring the legendary Boris Karloff in one of his last screen performances. After that came The Last Picture Show and two other huge hits, What’s Up, Doc? and Paper Moon. We are hoping to pay tribute to Peter with a 50th Anniversary screening of Doc this year.

“Not all of his later movies were as successful, but he continued working productively, and he also scored successes as an actor and as a film historian. His books of interviews with directors and actors were enormously valuable to all film students and film lovers.

“In the 50 years between that UCLA class and the screening of The Last Picture Show, I encountered Peter on several occasions, and he was always warm and engaging. When I was writing a story about Cher in the 1990s, he shared some incisive memories of directing her in Mask, even though he spoke quite candidly about the tensions between them. Although he was a lover of old Hollywood, he saw the blemishes as well as the triumphs; he was a most clear-eyed observer. Hollywood did not always treat him any better than it treated some of his idols, like his good friend Orson Welles, but he survived to tell the tales, and he never surrendered to bitterness. I feel fortunate to have known him and to have shared a stage with him at that memorable anniversary screening five years ago.”

~ Stephen Farber was president of the Los Angeles Film Critics Association from 2012-2016. He is currently a critic for The Hollywood Reporter, a curator of Laemmle’s Anniversary Classics series and co-author of Cinema ’62: The Greatest Year at the Movies.

Leave a Comment Filed Under: Anniversary Classics, Claremont 5, Featured Post, Filmmaker in Person, Films, Glendale, Newhall, News, NoHo 7, Playhouse 7, Q&A's, Repertory Cinema, Royal, Santa Monica, Theater Buzz, Tribute

  • « Previous Page
  • 1
  • …
  • 16
  • 17
  • 18
  • 19
  • 20
  • …
  • 141
  • Next Page »

Search

Instagram

🚀 STOP! THAT! TRAIN! AN EPIC PRIZE PACK GIVEAWAY! 🚀 STOP! THAT! TRAIN! AN EPIC PRIZE PACK GIVEAWAY!

👉 ENTER in BIO!
#StopThatTrain - A NYT Critic’s Pick! sees RuPaul and many of your favorite DRAG RACE stars in a high speed comedy aboard a locomotive headed for disaster.

⭐️ Starring @rupaulofficial, directed by @adamshankman, produced by @worldofwonder, distributed by @bleeckerstfilms, in association with @unapologeticprojects

🎟️ GET TICKETS: in BIO!
This is the way. 🍿 Exclusive Mandalorian & Grogu p This is the way. 🍿 Exclusive Mandalorian & Grogu popcorn tins and collectible figurines. Yours with a Mando Combo purchase! Very limited supply. 

@LaemmleNewhall & @LaemmleNoHo

🎟️Tickets: laem.ly/4aoKwRb
🖌️Sandwich board art by @mikaelparis_

#StarWars #TheMandalorian #Grogu
☘️ WEAR GREEN ☘️ $AVE GREEN ☘️ $2 OFF your concess ☘️ WEAR GREEN ☘️ $AVE GREEN ☘️ $2 OFF your concessions order!

⭐ St. Patrick's Day! Tuesday March 17th Only!

-Movie ticket purchase not required
-Like and show this post!
🎟️ laemmle.com/discounts
🚀 PROJECT HAIL MARY, AN EPIC PRIZE PACK GIVEAWAY! 🚀 PROJECT HAIL MARY, AN EPIC PRIZE PACK GIVEAWAY!
👉 ENTER in BIO!

#ProjectHailMary — starring Academy Award® nominee Ryan Gosling and directed by Academy Award®-winning filmmakers Phil Lord & Christopher Miller. Based on Andy Weir's New York Times best-selling novel.

🎟️ GET TICKETS in BIO!
Follow on Instagram

 

Laemmle Theatres

Laemmle Theatres
Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

-----
ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
Follow LAEMMLE on TWITTER: http://bit.ly/3O6adYv
Follow LAEMMLE on INSTAGRAM: http://bit.ly/3y2j1cp
Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

-----
ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
Follow LAEMMLE on TWITTER: http://bit.ly/3O6adYv
Follow LAEMMLE on INSTAGRAM: http://bit.ly/3y2j1cp
Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

-----
ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
Follow LAEMMLE on TWITTER: http://bit.ly/3O6adYv
Follow LAEMMLE on INSTAGRAM: http://bit.ly/3y2j1cp
Subscribe

Recent Posts

  • ‘Romería’: Carla Simón’s Moving Portrait of Loss, Identity, and Belonging
  • John Early’s ‘Maddie’s Secret’ Finds Heart Beneath the Camp
  • ‘O Horizon’ Explores Loss in the Age of AI

Archive

Featured Posts

An “embrace of what makes us unknowable yet worthy of forgiveness,” A LITTLE PRAYER opens Friday at the Claremont, Newhall, Royal and Town Center.

Leaving Laemmle: A Goodbye from Jordan