The Official Blog of Laemmle Theatres.

blog.laemmle.com

The official blog of Laemmle Theatres

  • All
  • Theater Buzz
    • Claremont 5
    • Glendale
    • Newhall
    • NoHo 7
    • Royal
    • Santa Monica
    • Town Center 5
  • Q&A’s
  • Locations & Showtimes
    • Claremont
    • Glendale
    • NewHall
    • North Hollywood
    • Royal (West LA)
    • Santa Monica
    • Town Center (Encino)
  • Film Series
    • Anniversary Classics
    • Culture Vulture
    • Worldwide Wednesdays
  • Facebook
  • Instagram
  • TikTok
  • YouTube

Home » Festival

IndieCollect’s first-ever RescueFest — December 6-9 at the Monica Film Center, featuring Lily Tomlin, Jane Fonda, and more for in-person Q&A’s.

November 27, 2024 by Jordan Deglise Moore

IndieCollect’s first-ever RescueFest — December 6-9 — features 10 glorious new Indie Cinema restorations. Q&A’s with Lily Tomlin and Jane Wagner (moderated by Jane Fonda), Mario Van Peebles, Chaz Ebert, Rosalind Chao, Jan Oxenberg and more. Plus “Reel Resistance” Roundtable with indie luminaries Ted Hope & Gregory Nava on Dec 8. The full schedule is here. A terrific recent Indiewire piece on the festival and its centerpiece, the Search for Intelligent Life restoration, is here. Watch the trailer!

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Threads (Opens in new window) Threads
  • Click to email a link to a friend (Opens in new window) Email

Filed Under: Actor in Person, Actors in Person, Festival, Filmmaker in Person, Films, Q&A's, Santa Monica, Theater Buzz

“The future of cinema is where it started: in a movie theater.” ~ ANORA director Sean Baker in his Palme d’Or acceptance speech.

May 29, 2024 by Jordan Deglise Moore

Over the weekend, writer-director Sean Baker (Tangerine, The Florida Project, Red Rocket) was awarded the Palme d’Or, the top prize, at this year’s Cannes Film Festival for Anora, his comedy about a sex worker. New York Times film critic Manohla Dargis called the film “a giddily ribald picaresque.” In his acceptance speech, Baker spoke eloquently about seeing movies in theaters. You can watch the whole thing online, but here’s the key excerpt:
*
“This literally has been my singular goal as a filmmaker for the past 30 years. So I’m not really sure what I’m gonna do with the rest of my life, but I do know that I will continue to fight for cinema because right now, as filmmakers, we have to fight to keep cinema alive. This means making feature films intended for theatrical exhibition. The world has to be reminded that watching a film at home while scrolling through your phone and checking mail, emails and half paying attention is just not the way, although some tech companies would like us to think so. Watching a film with others in a movie theater is one of the great communal experiences. We share laughter, sorrow, anger, fear, and, hopefully, have a catharsis with our friends and strangers, and that’s sacred. So I see the future of cinema is where it started: in a movie theater.”

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Threads (Opens in new window) Threads
  • Click to email a link to a friend (Opens in new window) Email

Filed Under: Awards, Claremont 5, Festival, Films, Glendale, Moviegoing, Newhall, NoHo 7, Royal, Santa Monica, Theater Buzz, Town Center 5

“All 21 movies in competition at Cannes, ranked from worst to best.” Justin Chang reports from the world’s premiere film festival.

May 31, 2023 by Jordan Deglise Moore

For decades, we Angelenos have been deeply fortunate to have gifted writers covering film for us in the L.A. Times. Charles Champlin, Sheila Benson, Kevin Thomas, Kenneth Turan, Manohla Dargis and a strong stable of freelancers brought and now Justin Chang brings indefatigable movie love combined with trenchant insights and historical knowledge to our doorsteps (and now phone and computer screens) every week. For proof, read Justin Chang’s dispatch from the French Riviera, where he somehow managed to see dozens of films within a very short span of time and emerge bleary-eyed but still able to write beautifully and succinctly about the world cinema he had just digested. It goes without saying that Laemmle Theatres be screening most if not all of these in the months ahead. To whet your appetite, M. Chang’s favorites are below, ranked from quite good to superb. (Click through to the full story to read about the ones he panned or gave mixed reviews.)

8. ‘Last Summer’ (Catherine Breillat) ~ A French-language remake of a well-received Danish movie (2019’s “Queen of Hearts”) wasn’t the comeback anyone expected of Breillat, who’s known for her fearless and provocative explorations of sexuality (“Romance,” “Fat Girl,” “Anatomy of Hell”) but hasn’t made a new feature in 10 years. Still, there’s a telltale absence of easy moralizing in this drama about a married lawyer (a fantastic Léa Drucker) who has a torrid affair with her teenage stepson (Samuel Kircher). That’s not a spoiler; what’s surprising here is the explosive, ever-shifting power dynamics that ensue, which Breillat explores and unpacks with delectable, diamond-hard rigor. It’s wonderful to have her back.

7. ‘Fallen Leaves’ (Aki Kaurismäki) ~ The title readies you for an autumnal work from Finland’s master of deadpan comic melancholy, though of all the familiar Kaurismäkian virtues on display here — the precise compositions, the brilliant gags, the swells of emotion that the characters feel deeply but can’t express — it’s the curious timelessness of the whole endeavor that shines through. That’s true even when the director ushers in overheard radio chatter about the war in Ukraine, a pointed touch that exists in steadily pulsing tension with an exquisitely directed love story, beautifully acted by Alma Pöysti and Jussi Vatanen. Oh, and it runs 81 minutes, making it the shortest movie in competition as well as one of the best.

6. ‘May December’ (Todd Haynes) ~ In exploring the decades-later aftermath of a sexual relationship between a woman and a young boy, Haynes’ densely layered, disarmingly funny, Netflix-acquired melodrama finds itself in playful, coincidental conversation with a few other movies on this list: “Last Summer,” of course, and also “Four Daughters,” with its layered inquiry into the nature of acting and cinematic artifice. Julianne Moore and Natalie Portman give superbly matched performances as, respectively, the movie’s Mary Kay Letourneau figure and the actor chosen to play her, and Haynes shrewdly leaves it to us to decide which of the two, if either, deserves condemnation. Caught in the middle is the young boy turned confused man, played by a revelatory Charles Melton, with a heartache so real and vivid it chokes the laughter in your throat.

5. ‘The Pot-au-Feu’ (Trần Anh Hùng) ~ The purest pleasure in this year’s competition is this two-and-a-half-hour French foodie romance, adapted from Marcel Rouff’s novel, that consists of long, dramatically uninflected sequences of Juliette Binoche and Benoît Magimel cooking up a storm in their enormous 19th century kitchen. But what a graceful, perfectly controlled and utterly mouthwatering storm it is, and what an ideal vehicle this is for Trần, a Vietnamese French director known for his sensuality-first filmmaking. If you’ve wanted to see vol-au-vent and baked Alaska assembled from the inside out, or observe the proper, napkin-over-the-head consumption of an ortolan, or just watch Binoche juggle veal racks and cream sauces with masterly ease, this is a picture to place on the arthouse culinary porn shelf alongside “Babette’s Feast” and “Eat Drink Man Woman.” You’ll never bother with “Julie & Julia” again.

4. ‘Youth (Spring)’ (Wang Bing) ~ Though it clocks in at more than three and a half hours, this utterly engrossing documentary — the first nonfiction work to compete at Cannes in some time — is a relatively short effort from Wang, whose films can stretch to six, eight or more hours at a time. His subject, as ever, is the perilous state of modern China, witnessed here in the numbing daily routines of teenage garment workers as they manufacture children’s clothes in the privately owned workshops of Zhili City. As this lengthy but never-leisurely work unfolds, you may find yourself mesmerized by the speed and dexterity with which these workers stitch each piece together, infuriated by how ruthlessly they’re exploited, and reminded — by all the laughter, horseplay and sexual frustration that occasionally burst into the frame — of just how young they truly are. Long as the movie is, its grim observations and implications linger far longer.

3. ‘La Chimera’ (Alice Rohrwacher) ~ The best archaeological adventure yarn at Cannes this year wasn’t “Indiana Jones and the Dial of Destiny”; it was Rohrwacher’s richly enveloping story of a young Englishman (a superbly scruffy, melancholy Josh O’Connor) with a heart full of ache and a talent for rooting out buried artifacts in the Italian countryside. With her wondrous 2018 Cannes entry, “Happy as Lazzaro,” Rohrwacher inflected the traditions of classic Italian cinema with a bracingly modern spirit. In this strange, layered and moving new work — by turns a ghost story, a romance, a crime drama and a bittersweet evocation of communal life — she shows a similar fascination with the old and the new, weaving the treasures of the past into a work of art rooted in the here and now.

2. ‘Anatomy of a Fall’ (Justine Triet) ~ A man falls to his death in the snow; did he stumble or jump, or was he pushed? The murder trial that follows in this intricate and enthralling courtroom whodunit, acquired for theatrical distribution by Neon on the strength of its enthusiastic Cannes reception, means to get at the truth. But it succeeds only in teasing out more questions: about men and women, parents and children, and the burdens of guilt and responsibility in a difficult marriage. There are, however, a few matters that can be settled beyond a reasonable doubt: Sandra Hüller, who plays the widow on trial, is one of the foremost actors of her generation, and Triet, who previously directed Hüller in their enjoyable 2019 meta-comedy, “Sibyl,” has taken a major leap forward.

Sandra Hüller in ‘Anatomy of a Fall.’

1. ‘The Zone of Interest’ (Jonathan Glazer) ~ I’ve written much already about this one and will be writing more about it in the future, when it’s released theatrically by A24. But Glazer’s brilliantly unfaithful adaptation of a novel by the late Martin Amis was the most gripping movie I saw at Cannes and the one that refused to leave me alone. A formally controlled portrait of a Nazi commandant (Christian Friedel) and his family going about their lives right next door to Auschwitz, it’s a brilliant negative-space vision of the Holocaust, a mesmeric portrait of human evil observed from the inside, and its images and words have come rushing back to me with alarming frequency and clarity all Cannes long. Given the mixed festival reactions to Glazer’s earlier triumphs “Birth” and “Under the Skin,” it feels gratifyingly right to see “The Zone of Interest” already getting its due.

From ‘The Zone of Interest.’

And finally, this is how my personal Cannes jury of one would dole out the awards. In spread-the-wealth fashion, I’m allowing a couple ties, and I’m also limiting each movie to just one win, with one exception (per the festival’s rules, a movie can win both an acting prize and a screenplay prize).

Palme d’Or: “The Zone of Interest” (Jonathan Glazer)

Grand Prix: “Youth (Spring)” (Wang Bing)

Jury Prize (tie): “The Pot-au-Feu” (Trần Anh Hùng) and “Fallen Leaves” (Aki Kaurismäki)

Director: Alice Rohrwacher, “La Chimera”

Actress: Sandra Hüller, “Anatomy of a Fall” (Justine Triet)

Actor (tie): Charles Melton, “May December” (Todd Haynes), and Koji Yakusho, “Perfect Days” (Wim Wenders)

[To see how the festival jury doled out the prizes, click here]

 

 

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Threads (Opens in new window) Threads
  • Click to email a link to a friend (Opens in new window) Email

Filed Under: Awards, Claremont 5, Featured Post, Festival, Films, Glendale, Newhall, News, NoHo 7, Royal, Santa Monica, Theater Buzz, Town Center 5

Documentary about Laemmle ONLY IN THEATERS plays Saturday at the Newport Beach Film Festival.

October 12, 2022 by Jordan Deglise Moore

     This Saturday presents a chance for an advance screening of the documentary Only in Theaters at the Newport Beach Film Festival. The filmmaker and some cast members will be there for a Q&A. We’ve been in business since 1938 but this is the first time we’ve been the subject of a film. Director Raphael Sbarge started filming a few months before the pandemic started and it was an opportune moment in terms of dramatic content because of course COVID-19 shut us down for a year, but he kept on filming. Variety Magazine described the film as “2022’s most emotional theatrical experience so far…watching Greg Laemmle struggle with the fate of his family’s eponymous arthouse business.”
     Synopsis: The Laemmle Theatres, a beloved 84-year-old art house cinema chain in Los Angeles, is facing seismic change. The family members behind this multigenerational business—whose sole mission has been to support the art of film—remain determined, despite enormous challenges.
     Some of the people interviewed for Only in Theaters include Ava DuVernay, Cameron Crowe, James Ivory, Nicole Holofcener, Kevin Thomas, Leonard Maltin, Kenneth Turran, Allison Anders, and Greg Laemmle.
     If you want to wait to see Only in Theaters at a Laemmle Theatre, we’ll open it on 11/18 at the Royal and other venues.

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Threads (Opens in new window) Threads
  • Click to email a link to a friend (Opens in new window) Email

Filed Under: Around Town, Claremont 5, Featured Post, Festival, Filmmaker in Person, Films, Glendale, Greg Laemmle, Newhall, News, NoHo 7, Press, Q&A's, Royal, Special Events, Theater Buzz, Town Center 5

Cronenberg, Kore-eda, Denis, Östlund and more, coming soon from Cannes.

May 25, 2022 by Jordan Deglise Moore

Things being what they are, it’s a relief to look away from hard news to cinema news, and there’s a lot of it as the world’s most prestigious film festival wraps up this weekend having screened some reportedly wonderful movies. A selection of press about films most likely coming soon or soonish from Cannes to a Laemmle theater near you before year’s end or in early 2023:

L.A. Times: Justin Chang compiled a promising list of 12 films he’s looking forward to seeing at Cannes, including David Cronenberg’s “Crimes of the Future,” which we’re opening June 3, Hirokazu Kore-eda’s “Broker,” and Claire Denis’ “Stars at Noon,” about which he wrote, “Claire Denis (“Beau Travail,” “35 Shots of Rum”) has been one of the world’s great filmmakers for decades, which is why it’s bewildering that she hasn’t competed at Cannes since her great 1988 debut, “Chocolat.” But she finally cracked the competition a second time with this romantic thriller adapted from a Denis Johnson novel; it stars Joe Alwyn and Margaret Qualley and unfolds against the tumultuous backdrop of the 1984 Nicaraguan revolution. It’s Denis’ second new movie of 2022 after “Both Sides of the Blade,” which won the directing prize at this year’s Berlin International Film Festival. (Coincidentally, that movie stars Vincent Lindon, who happens to be the president of this year’s Cannes competition jury. Hmm … )”

Viggo Mortensen and Kristen Stewart in ‘Crimes of the Future.’

Variety‘s Matt Donnelly and Elsa Keslassy: “Neon has bought Ruben Östlund’s satire “Triangle of Sadness” in one of the biggest deals to close on a Cannes Film Festival official selection title.

“30West and WME handled domestic rights to the comedy, which stars Woody Harrelson as a rabid Marxist who is the captain of a cruise for the super rich. According to insiders, the asking price was close to $8 million. Several top-tier buyers, including A24, were circling the movie.

“Sweden’s leading contemporary filmmaker and producer, Östlund was previously at the festival with “Force Majeure” in 2014 and “The Square,” which won the Palme d’Or in 2017. “Triangle of Sadness” marks his English-language debut.

““Triangle of Sadness” earned a rowdy eight-minute standing ovation following a lively screening punctuated by hysterical laughter, which Östlund later described as being like a “football game.”

“Variety’s Peter Debruge called the film “wickedly funny,” writing: “There’s a meticulous precision to the way [Östlund] constructs, blocks and executes scenes — a kind of agonizing unease, amplified by awkward silences or an unwelcome fly buzzing between characters struggling to communicate.””

The New York Times‘s Manohla Dargis: “In “Scarlet,” the director Pietro Marcello bridges time through the story of a World War I veteran and his daughter. The dead still litter the fields when Raphaël (Raphaël Thiéry, an astonishment) hobbles back home, returning to a small village with few friendly faces. His wife is dead and his baby girl, Juliette, is being cared for by a local woman, Adeline (the marvelous Noémie Lvovsky), who lives in a small enclave outside the village. There, Raphaël — a talented craftsman who works with wood — nestles into a tiny homey community and painfully tries to resume something like normal life, despite his harrowing losses.

““Scarlet” is a fascinating, slippery movie filled with lyrical beauty, acts of barbarism, moments of magic and unexpected hope. The first half focuses on Raphaël, a huge, lumbering man with a jutting brow and hands the size of hams. As Juliette grows (and is eventually played by Juliette Jouan), the narrative center of gravity shifts from father (a product of the 19th century) to daughter (a woman of the 20th). As he did in “Martin Eden,” Marcello takes an expansive, visually adventurous approach to a story about people and the historical forces that define, imprison and sometimes liberate them. I’m still grappling with the movie, and am eager to see it again.”

IndieWire‘s Ryan Lattanzio: “A24 is staying in the Paul Mescal business.

“The studio that also shepherded the “Normal People” actor’s Directors’ Fortnight entry “God’s Creatures” has acquired North American rights for Charlotte Wells’ well-liked Critics’ Week entry “Aftersun,” IndieWire has learned. A source close to the film’s production confirmed that the studio bought rights to release the drama in the U.S. and Canada in a deal in Cannes on Monday. The buy is said to be in the mid-seven-figure range. (The news was later confirmed by A24.)

““Aftersun,” a standout from the Critics’ Week sidebar that annually promotes first- and second-time directors, stars Mescal as a father on a melancholy holiday with his 11-year-old daughter Sophie, played by Francesca Corio, in Turkey in the late 1990s. Sophie, in the present day, is reflecting on the holiday they shared two decades prior. Memories real and imaginary collide, filling the gaps between mini-DV footage as Sophie tries to reconcile the father she knew with the man she didn’t. The film stars filmmaker, actress, and choreographer Celia Rowlson-Hall (“Ma”) as the adult version of Sophie.

“Mescal’s performances in both “Aftersun” and fishing-village drama “God’s Creatures” have been widely praised by Cannes press. No release date has been set for either.”

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Threads (Opens in new window) Threads
  • Click to email a link to a friend (Opens in new window) Email

Filed Under: Claremont 5, Festival, Films, Glendale, Newhall, News, NoHo 7, Playhouse 7, Press, Royal, Santa Monica, Theater Buzz, Town Center 5

“Beautiful…timely” new documentary about Laemmle Theatres ‘Only in Theatres’ premieres at the Santa Barbara International Film Festival.

March 2, 2022 by Jordan Deglise Moore

The new documentary about Laemmle Theatres, ONLY IN THEATERS, was begun just before the pandemic began and completed last year. It recounts the company’s history and features interviews with all the surviving players as they face the seismic changes in the film exhibition industry. The family members behind this multigenerational business—whose sole mission has been to support the art of film—remain determined to see it survive, despite enormous challenges. From the festival program:

“Laemmle Theaters, the beloved L.A. art house cinema chain, has an astonishing legacy with ties to the origins of Hollywood. This is a story about a family business and their determination to survive in the face of headlines that question the future of movie theaters. For more than 84 years and through three generations, this family’s personal mission has been to elevate the art of films and the artists who make them.”

ONLY IN THEATRES premieres this Saturday night at the prestigious Santa Barbara International Film Festival. There is a second screening on Monday, March 7. Programming Director Claudia Puig was quoted in the L.A. Times today calling it “a beautiful film, and a timely one.”

Follow the film on Facebook for updates on future screenings at https://www.facebook.com/onlyintheaters and check out the trailer:

https://vimeo.com/547583876

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Threads (Opens in new window) Threads
  • Click to email a link to a friend (Opens in new window) Email

Filed Under: Claremont 5, Featured Post, Festival, Glendale, Newhall, News, NoHo 7, Playhouse 7, Royal, Santa Monica, Theater Buzz, Town Center 5

Ahrya Fine Arts Theater News: 25th Anniversary Screening of THE LAST KLEZMER, New Operator, Israel Film Festival,

October 30, 2019 by Lamb L.

The propulsive Jewish folk music known as klezmer that was played by itinerant bands throughout Eastern Europe before World War II has earned many sobriquets, among them “Jewish jazz.” The pumping rhythms, modal harmonies and cantorial cry of this European roots music have filtered into countless Broadway musicals. Probably no one did more to perpetuate klezmer traditions, especially in Europe, than Leopold Kozlowski, the subject of Yale Strom’s absorbing 1994 documentary The Last Klezmer. Strom will participate in a Q&A and play his violin following a 1:00 pm screening on Sunday, November 3rd at the Fine Arts in Beverly Hills.

In other Fine Arts news, on November 1 Laemmle Theatres will cease operation of the theater, turning the facility over to Screening Services Group. SSG will return the theater to its longtime name, the Fine Arts Theatre. Laemmle operated the Fine Arts from 1985 to 1994 and again from September 2015 until now. Laemmle Theatres President Greg Laemmle said, “It has been our privilege to show movies at this beautiful single-screen theater and we’re happy that Screening Services Group will continue to maintain it as a destination for Los Angeles cinephiles.”

According to CinemaTreasures.org, the Fine Arts first opened in April 1937 as the Wilshire Regina, with seating for 800.

Longtime Beverly Hill resident Shawn Far purchased the theater in May of 2015. He has a great respect for historical buildings and owns several in the Los Angeles area. The theater was closed from 2010 to 2015 and once Mr. Far purchased it he began renovations using a state-of-the-art Digital Cinema system including a fully equipped 3D system as well as 35mm and 70mm projectors.

Screening Services Group is an excellent screening room operator in the Los Angeles area, operating three screening rooms in Beverly Hills and one in West LA. The Fine Arts Theatre will be operated as a public movie theatre and a special venue for movie premieres and other special events.

The theatre will host Israel Film Festival next month, and tickets will still be available on the Laemmle website once the schedule is finalized.  We hope to continue working with SSG on Sing-Along Fiddler on the Roof  Christmas Eve screenings (2019 host TBA) and other programs into 2020. Onward!

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Threads (Opens in new window) Threads
  • Click to email a link to a friend (Opens in new window) Email

Filed Under: Ahrya Fine Arts, Featured Post, Festival, Filmmaker in Person, Films, Live Performance, News, Q&A's

Celebrate 40 years of George Harrison’s HandMade Films at THE OTHER HANDMADE’S TALE FILM FESTIVAL

October 2, 2019 by Lamb L.

HandMade Films was the boutique movie company created by George Harrison to finance MONTY PYTHON’S LIFE OF BRIAN. Started by a Beatle to help some Pythons, the company went on to revitalize the British film industry with movies such as TIME BANDITS, WITHNAIL & I, MONA LISA, and many others.

Celebrate 40 years of HandMade Films with the first-ever U.S. retrospective of the films made by the studio. THE OTHER HANDMADE’S TALE runs Thursday, October 10th through Sunday, October 20th at the Ahrya Fine Arts in Beverly Hills. presented by The Mods & Rockers Film Festival in association with Laemmle Theatres.

Opening night on Thursday, October 10th will feature the U.S. Premiere of the brand-new documentary about HandMade Films, AN ACCIDENTAL STUDIO, with unreleased archive interviews and footage with Harrison, new and exclusive interviews with Michael Palin, Terry Gilliam, Richard E. Grant and Neil Jordan plus previously-unseen interview footage with Bob Hoskins.

A few additional highlights from the festival include:

  • A Bob Hoskins double feature of MONA LISA (1986) and THE LONG GOOD FRIDAY (1981).
  • MONTY PYTHON’S LIFE OF BRIAN (1979) with producer John Goldstone and musical director John Altman in person!
  • A Richard E. Grant double feature of HOW TO GET AHEAD IN ADVERTISING (1989) and WITHNAIL AND I (1987).
  • TIME BANDITS (1981).
  • NUNS ON THE RUN (1990) in 35mm.
  • And much, much more!

Click here for full details and schedule of films!

Share this:

  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Threads (Opens in new window) Threads
  • Click to email a link to a friend (Opens in new window) Email

Filed Under: Ahrya Fine Arts, Featured Post, Festival, News, Q&A's, Repertory Cinema

  • 1
  • 2
  • Next Page »

Search

Featured Posts

1970s New York City on the brink ~ DROP DEAD CITY opens tomorrow.

“Laura Piani’s splendid debut balances reality with the effervescent charm of vintage swooners.” JANE AUSTEN WRECKED MY LIFE opens May 23.

Instagram

‼️In-Person Q&A with Director Jerry Zucker!
📍Join Us Wednesday May 21st @ 7pm

Laemmle Theatres and the Anniversary Classics Series present a special screening of one of the best loved movies of the 20th century, Jerry Zucker’s smash hit supernatural fantasy, 'Ghost.'
Part of the #WorldwideWednesdays Series! 🎟️ l Part of the #WorldwideWednesdays Series! 🎟️ laem.ly/419gzQ1

#DesertOfNamibia
Yôko Yamanaka’s second feature follows a 21-year-old Japanese woman with erratic humor as she ghosts one boyfriend after another. A beautician with little commitment to her work and no real desire to achieve anything, she burns every bridge, accumulating broken hearts in her wake. "Yuumi Kawai is immediately magnetic…Yamanaka’s work defies binaries… The film and its lead feel[s] pulsatingly alive." ~ Variety #DesertOfNamibia #WorldwideWednesdays #yokoyamanaka #yuumikawaii #山中瑶子 #河合優実
Part of the #WorldwideWednesdays Series! 🎟️ l Part of the #WorldwideWednesdays Series! 🎟️ laem.ly/42UjkpA
#AllToPlayFor
Single mother Sylvie (César Award-winner Virginie Efira) lives with her two young sons, Sofiane and Jean-Jacques. One night, Sofiane is injured while alone, and child services removes him from their home. Sylvie is determined to regain custody of her son, against the full weight of the French legal system in this searing Cannes official selection.

“Virginie Efira excels [in this] gripping debut.” - Hollywood Reporter
Part of the #AnniversaryClassics Series! 🎟️ l Part of the #AnniversaryClassics Series! 🎟️ laem.ly/3EtHxsR

Join Us Wednesday May 21st @ 7pm 
In-Person Q&A with Director Jerry Zucker!

Laemmle Theatres and the Anniversary Classics Series present a special screening of one of the best loved movies of the 20th century, Jerry Zucker’s smash hit supernatural fantasy, 'Ghost.' When the movie opened in the summer of 1990, it quickly captivated audiences and eventually became the highest grossing movie of the year, earning $505 million on a budget of just $23 million.
Follow on Instagram

Laemmle Theatres

Laemmle Theatres
Tickets: http://laemmle.com/film/echo-valley | Subscribe: http://bit.ly/3b8JTym | Kate lives a secluded life—until her troubled daughter shows up, frightened and covered in someone else's blood. As Kate unravels the shocking truth, she learns just how far a mother will go to try to save her child

Tickets: http://laemmle.com/film/echo-valley

RELEASE DATE: 6/13/2025

-----
ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
Follow LAEMMLE on TWITTER: http://bit.ly/3O6adYv
Follow LAEMMLE on INSTAGRAM: http://bit.ly/3y2j1cp
Tickets: http://laemmle.com/film/drop-dead-city | Subscribe: http://bit.ly/3b8JTym | NYC, 1975 - the greatest, grittiest city on Earth is minutes away from bankruptcy when an unlikely alliance of rookies, rivals, fixers and flexers finds common ground - and a way out. Drop Dead City is the first-ever feature documentary devoted to the NYC Fiscal Crisis of 1975, an extraordinary, overlooked episode in urban American history.

Tickets: http://laemmle.com/film/drop-dead-city

RELEASE DATE: 5/23/2025
Director: Michael Rohatyn, Peter Yost

-----
ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
Follow LAEMMLE on TWITTER: http://bit.ly/3O6adYv
Follow LAEMMLE on INSTAGRAM: http://bit.ly/3y2j1cp
Tickets: http://laemmle.com/film/lost-starlight | Subscribe: http://bit.ly/3b8JTym | In 2050 Seoul, astronaut Nan-young’s ultimate goal is to visit Mars. But she fails the final test to onboard the fourth Mars Expedition Project. The musician Jay buries his dreams in a vintage audio equipment shop.

The two fall in love after a chance encounter. As they root for each other and dream of a new future. Nan-young is given another chance to fly to Mars, which is all she ever wanted…

“Don’t forget. Out here in space, there’s someone who’s always rooting for you

Tickets: http://laemmle.com/film/lost-starlight

RELEASE DATE: 5/30/2025

-----
ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
Follow LAEMMLE on TWITTER: http://bit.ly/3O6adYv
Follow LAEMMLE on INSTAGRAM: http://bit.ly/3y2j1cp
Load More... Subscribe

Recent Posts

  • NORTHERN LIGHTS restored.
  • 1970s New York City on the brink ~ DROP DEAD CITY opens tomorrow.
  • RAN, Akira Kurosowa’s final epic masterpiece, back on the big screen May 23.
  • “Laura Piani’s splendid debut balances reality with the effervescent charm of vintage swooners.” JANE AUSTEN WRECKED MY LIFE opens May 23.
  • I KNOW CATHERINE week at Laemmle Glendale.
  • Argentine film MOST PEOPLE DIE ON SUNDAYS “squeezes magic out of melancholy.”

Archive