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Tickets: http://laemmle.com/film/blind-willow-sleeping-woman | Subscribe: http://bit.ly/3b8JTym | A lost cat, a giant talkative frog and a tsunami help a bank employee without ambition, his frustrated wife and a schizophrenic accountant to save Tokyo from an earthquake and find a meaning to their lives in the animated feature Blind Willow, Sleeping Woman. Based on stories by acclaimed Japanese author Haruki Murakami (Drive My Car), the debut of composer Pierre Földes won the Jury Special Mention award at the renowned Annency Animation Film Festival.

Tokyo, a few days after the 2011 earthquake and tsunami. Kyoko suddenly leaves her husband after spending five days in a row glued to unfolding

Tickets: http://laemmle.com/film/blind-willow-sleeping-woman

RELEASE DATE: 4/14/2023

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/sanson-and-me | Subscribe: http://bit.ly/3b8JTym | During his day job as a Spanish criminal interpreter in a small town in California, filmmaker Rodrigo Reyes (499) met a young man named Sansón, an undocumented Mexican immigrant who was sentenced to life in prison without parole. With no permission to interview him, Sansón and Reyes worked together over a decade, using hundreds of letters as inspiration to create a portrait of a friendship navigating immigration and the depths of the criminal justice system.

Tickets: http://laemmle.com/film/sanson-and-me

RELEASE DATE: 3/20/2023
Director: Rodrigo Reyes

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
Follow LAEMMLE on TWITTER: http://bit.ly/3O6adYv
Follow LAEMMLE on INSTAGRAM: http://bit.ly/3y2j1cp
Tickets: http://laemmle.com/film/sweetwater | Subscribe: http://bit.ly/3b8JTym | Hall of Famer Nat "Sweetwater" Clifton makes history as the first African American to sign an NBA contract, forever changing how the game of basketball is played.

Tickets: http://laemmle.com/film/sweetwater

RELEASE DATE: 4/14/2023

-----
ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
Follow LAEMMLE on TWITTER: http://bit.ly/3O6adYv
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Los Angeles premiere of AMERICA! From the award-winning director of "The Cakemaker"! 100% "FRESH" on Rotten Tomatoes! Thursday, March 16th @ 7pm with director Ofir Raul Graizer in-person for Q&A - Exclusively at Laemmle Royal "Extraordinarily moving! Will stay with you long after you leave the theater." -The Jerusalem Post / JPost.com 🎟️ laemmle.com/film/americaWINNER - Best Actress (Oshrat Ingedashet) | Jerusalem Film FestivalWINNER - Audience Award | Philadelphia Jewish Film FestivalWINNER - Critics Jury Prize | Miami Jewish Film Festival ... See MoreSee Less

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Home » Q&A's » Page 2

ETERNAL SPRING Q&As at the Royal.

November 15, 2022 by Jordan Deglise Moore

Eternal Spring director Jason Loftus and subject-animator Daxiong will participate in Q&As at the Royal following the 7:10 PM screening on Saturday, November 19 and the 1:20 screening on Sunday, November 20. Matt Carey will moderate.

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Filed Under: Filmmaker in Person, Films, Q&A's, Royal, Theater Buzz

“Sublime,” “meditative and deeply romantic” UTAMA opens Friday the Royal. Plus: Current & coming competitors for the Best International Film Oscar.

November 9, 2022 by Jordan Deglise Moore

Winner of the World Cinema Grand Jury Prize this year at Sundance, Utama is set in the arid Bolivian highlands and follows an elderly Quechua couple that has been living the same daily routine for years. While he takes their small herd of llamas out to graze, she keeps house and walks for miles with the other local women to fetch precious water. When an uncommonly long drought threatens everything they know, Virginio and Sisa must decide whether to stay and maintain their traditional way of life or admit defeat and move to the city with their descendants. Their dilemma is precipitated by the arrival of their grandson Clever, who comes to visit with news. The three of them must face, each in their own way, the effects of a changing environment, the importance of tradition, and the meaning of life itself. (Watch the trailer.)

This visually jaw-dropping debut feature by photographer-turned-filmmaker Alejandro Loayza Grisi is lensed by award-winning cinematographer Barbara Alvarez (Lucretia Martel’s The Headless Woman).

We open Utama Friday at the Royal. Loayza Grisi and producer Santiago Loayza Grisi will participate in Q&As after the 7:30 PM screenings on Friday and Saturday, November 11 and 12. Moderators: Friday – Carlos Aguilar (Los Angeles Times, New York Times); Saturday – Katie Walsh (Los Angeles Times, The Wrap).

“Sublime. From the breathtaking opening shot… the film looks unlike anything else.” – Variety

“Meditative and deeply romantic. Rarely has the [climate] crisis been addressed as organically—or with quite so many llamas.” – RogerEbert.com

“Visually stunning… combines magical realism with gorgeously precise cinematography. The images conjured in Utama momentarily let us into the language of the unknown, of what we can not comprehend unless we are as in tune with the land as those whose existence is so deeply tied to it.” – IndieWire

Utama is one of several Best International Oscar competitors that we’re already screening, with more to come, including:

Holy Spider (Denmark)
Decision to Leave (South Korea) This one ends Thursday, though we’ll probably bring it back if it gets an Oscar nomination.
EO (Poland)
Return to Seoul (Cambodia)
Corsage (Austria)
Alcarras (Spain)
Last Film Show (India)
Cinema Sabaya (Israel)
BARDO, False Chronicle of a Handful of Truths (Mexico)
Saint Omer (France)
Hirokazu Koreeda’s Broker will not be Japan’s submission but we’re going to show it anyway, of course!

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Filed Under: Featured Films, Featured Post, Filmmaker in Person, Films, News, Press, Q&A's, Royal, Theater Buzz

ONLY IN THEATERS, documentary about Laemmle Theatres, tickets on sale + Q&A schedule.

November 2, 2022 by Jordan Deglise Moore

We have launched advance ticket sales for Only in Theaters, the new documentary about our 84-year-old art house cinema chain. What’s more, Laemmle Theatres third-generation president Greg Laemmle will participate in multiple Q&As all over L.A. County:
*
Friday, 11/18 @ 7:30 PM @ Royal
Saturday, 11/19 @ 1:30 PM @ Claremont, moderated by Claremont Courier Editor Mick Rhodes.
Saturday, 11/19 @ 4:30 PM @ Newhall
Saturday, 11/19 @ 7:30 PM @ Royal
Sunday, 11/20 @ 1:20 PM @ Town Center
Sunday, 11/20 @ 4:30 PM @ Royal
Sunday, 11/20 @ 7:30 PM @ NoHo
Monday, 11/21 @ 7:30 PM @ Royal
Tuesday, 11/22 @ 7:30 PM @ Glendale
*
Greg’s wife Tish Laemmle will join him for the Q&As at the Royal on the 18th and 19th, and possibly more. Filmmaker Raphael Sbarge will join him for all but the November 18 screening. The film’s editor, Rick Pratt, will join for the Q&A at the Newhall on Saturday at 4:30 PM. We hope you can join them too!
Watch the trailer!

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Filed Under: Claremont 5, Featured Films, Filmmaker in Person, Films, Glendale, Greg Laemmle, Newhall, NoHo 7, Q&A's, Royal, Theater Buzz, Town Center 5

Tribute to Angela Lansbury ~ THE MANCHURIAN CANDIDATE 60th Anniversary Screening.

November 2, 2022 by Jordan Deglise Moore

As a tribute to the late Angela Lansbury, we present a 60th anniversary screening of the movie that she considered her greatest achievement, The Manchurian Candidate. When Lansbury joined us in person for a sold-out anniversary screening of Death on the Nile in 2018, she told the audience that The Manchurian Candidate was her favorite of all her film roles. She received her third and final Oscar nomination for her performance in this 1962 movie. The screening is Wednesday, November 16, 7 PM at the Royal Theater.

John Frankenheimer’s film was a hit in 1962 and remains one of the most highly acclaimed of all political thrillers. In 1994 it was selected for the National Film Registry of the Library of Congress, an honor reserved for films of “historical, cultural, or aesthetic significance.” This story of a diabolical plot to engineer a Russian takeover of the White House was provocative in 1962 and seems frighteningly prescient today. As Frankenheimer said in remarkably prophetic comments a few years before his death, “I think our society is brainwashed by television commercials, by advertising, by politicians, by a censored press… More and more I think that our society is becoming manipulated and controlled.”

The Manchurian Candidate was adapted from Richard Condon’s novel by screenwriter George Axelrod, who also wrote such films as The Seven-Year Itch and Breakfast at Tiffany’s. It tells the chilling story of a soldier in the Korean War, played by Laurence Harvey, who is captured and brainwashed by Russian and Chinese Communists into becoming an assassin in the employ of the Soviet regime. Frank Sinatra plays a fellow soldier trying to halt the assassination plot. Lansbury won awards from the Hollywood Foreign Press and the National Board of Review for her portrayal of Harvey’s manipulative mother, who plays a crucial role in the conspiracy.

In addition to its achievements as a political thriller, the film was one of the first to satirize the anti-Communist hysteria that had gripped the country and divided the Hollywood community during the 1950s. James Gregory plays Lansbury’s husband, a dimwitted U.S. Senator modeled on Joseph McCarthy. This mockery of fanatical politicians enraged right wing pundits at the time of the film’s release, but it received the best reviews of any movie released in 1962. Variety wrote, “Every once in a rare while a film comes along that works in all departments… Such is The Manchurian Candidate.”

Over the years, rave reviews continued to pour in. Roger Ebert called it “a work as alive and smart as when it was first released.” Pauline Kael said, “The picture plays some wonderful, crazy games about the Right and the Left; although it’s a thriller, it may be the most sophisticated political satire ever made in Hollywood.” Writing in Time magazine in 2007, Richard Corliss said, “Lansbury and Harvey are both sensational in a movie that remains pointed and current. It still touches you like a clammy hand in the dark.”

Lansbury’s portrayal of the malevolent Mrs. Iselin was ranked as one of the 25 greatest villains in film history by the American Film Institute. Unlike other female villains in film noir, who were motivated by sex or money, Lansbury’s character had much more grandiose ambitions; her aim was to become the most powerful person in the entire country, a concept that was way ahead of its time in 1962.

After the screening, Stephen Farber and Michael McClellan, co-authors of Cinema ’62: The Greatest Year at the Movies (which includes a lengthy section on The Manchurian Candidate) will discuss the film with the audience. Other surprise guests may join the conversation.

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Filed Under: Anniversary Classics, Featured Post, Films, News, Q&A's, Royal, Theater Buzz

Documentary about Laemmle ONLY IN THEATERS plays Saturday at the Newport Beach Film Festival.

October 12, 2022 by Jordan Deglise Moore

     This Saturday presents a chance for an advance screening of the documentary Only in Theaters at the Newport Beach Film Festival. The filmmaker and some cast members will be there for a Q&A. We’ve been in business since 1938 but this is the first time we’ve been the subject of a film. Director Raphael Sbarge started filming a few months before the pandemic started and it was an opportune moment in terms of dramatic content because of course COVID-19 shut us down for a year, but he kept on filming. Variety Magazine described the film as “2022’s most emotional theatrical experience so far…watching Greg Laemmle struggle with the fate of his family’s eponymous arthouse business.”
     Synopsis: The Laemmle Theatres, a beloved 84-year-old art house cinema chain in Los Angeles, is facing seismic change. The family members behind this multigenerational business—whose sole mission has been to support the art of film—remain determined, despite enormous challenges.
     Some of the people interviewed for Only in Theaters include Ava DuVernay, Cameron Crowe, James Ivory, Nicole Holofcener, Kevin Thomas, Leonard Maltin, Kenneth Turran, Allison Anders, and Greg Laemmle.
     If you want to wait to see Only in Theaters at a Laemmle Theatre, we’ll open it on 11/18 at the Royal and other venues.

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Filed Under: Around Town, Claremont 5, Featured Post, Festival, Filmmaker in Person, Films, Glendale, Greg Laemmle, Newhall, News, NoHo 7, Press, Q&A's, Royal, Special Events, Theater Buzz, Town Center 5

REEL TALK WITH STEPHEN FARBER moves to Laemmle’s Monica Film Center.

October 4, 2022 by Jordan Deglise Moore

Laemmle Theatres is pleased to announce that veteran film critic Stephen Farber’s popular REEL TALK WITH STEPHEN FARBER screening series is moving to Laemmle’s Monica Film Center this fall! See a variety of outstanding films from the U.S. and around the world, including many top awards contenders. Then meet the filmmakers for provocative and revealing discussions led by Stephen.  The first screening — CALL JANE — will be October 17 and special guests will be announced soon. Visit laemmle.com/reeltalk for updates.

Recent films and speakers at Reel Talk have included:

MRS. HARRIS GOES TO PARIS, with director Anthony Fabian;

THE PHANTOM OF THE OPEN, with actors Christian Lees and Jonah Lees;

HAPPENING, with director Audrey Diwan and actress Anamaria Vartolomei;

THE UNBEARABLE WEIGHT OF MASSIVE TALENT, with director/co-writer Tom Gormican and co-writer Kevin Etten;

OPERATION MINCEMEAT, with screenwriter Michelle Ashford;

FIDDLER’S JOURNEY TO THE BIG SCREEN, with producer Sasha Berman and co-writer Michael Sragow;

AS THEY MADE US, with writer-director Mayim Bialik.

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Filed Under: Featured Post, Filmmaker in Person, Films, News, Q&A's, Santa Monica, Special Events, Theater Buzz

Vincent D’Onofrio in Person for FULL METAL JACKET 35th Anniversary Screening Sept. 13

September 7, 2022 by Jordan Deglise Moore

Laemmle Theatres and the Anniversary Classics Series present a 35th anniversary screening of Stanley Kubrick’s savage anti-war drama Full Metal Jacket, which scored a box office success in 1987 and also earned an Oscar nomination for Best Adapted Screenplay. Kubrick, celebrated Vietnam author Michael Herr, and Gustav Hasford adapted Hasford’s 1979 novel, The Short-Timers. The acclaimed cast includes Matthew Modine, Vincent D’Onofrio, Adam Baldwin, Dorian Harewood, and R. Lee Ermey. D’Onofrio will join for a Q&A after the 7 PM screening at the Royal on Tuesday, September 13.

Kubrick came late to the Vietnam war movie cycle, after such Oscar-winning films as Coming Home, The Deer Hunter, and Platoon. But he added his own sardonic and biting slant to his dissection of the terrible war. One of Kubrick’s early celebrated movies was his 1957 drama Paths of Glory, set during World War I. And his 1964 Oscar nominee, Dr. Strangelove, took a unique black comic approach to the terrifying subject of nuclear annihilation. Some of the same dark humor freshens Full Metal Jacket, though it also contains deadly serious depictions of brutal basic training as well as the horrors of a misguided, doomed war.

The first section of the film dramatizes the basic training of a platoon of Marine recruits at Parris Island, South Carolina. Former real-life drill instructor R. Lee Ermey portrays the savage sergeant in charge of the soldiers’ training. Ermey improvised much of the scathing and scatological dialogue, based on his own personal experience as a sergeant during the Vietnam War. He bullies and brutalizes all of the recruits but takes special pleasure in tormenting the overweight soldier played by D’Onofrio, whom he nicknames Gomer Pyle. Modine tries to protect D’Onofrio, with little success.

When the action shifts to Vietnam during the Tet offensive, it retains its hard-edged, nihilistic spirit. The entire film was actually shot in England, but Kubrick and his technical crew did an extraordinary job of recreating an American military base and the cities and jungles of Southeast Asia without ever leaving the English countryside.

Critical reactions to the film were very strong. Gene Siskel called Full Metal Jacket “a great piece of filmmaking.” The Los Angeles Times’ Sheila Benson wrote, “Aiming for minds as well as hearts, Kubrick hits his target squarely.” The Chicago Reader’s Jonathan Rosenbaum raved, “This is the most tightly crafted Kubrick film since Dr. Strangelove, as well as the most horrific.” The New York Times’ Vincent Canby called it “a film of immense and very rare imagination.” Canby’s Times colleague Janet Maslin added, “No one who sees Full Metal Jacket will easily put the film’s last glimpse of D’Onofrio, or a great many other things about Kubrick’s latest and most sobering vision, out of mind.”

After his breakthrough performance in Full Metal Jacket, D’Onofrio went on to co-star in such films as Mystic Pizza, JFK, The Player, Ed Wood, The Whole Wide World, Men in Black, Jurassic World, and Steal This Movie, in which he played Abbie Hoffman. He had a ten-year run in Law and Order: Criminal Intent. More recently he has appeared in the series Daredevil, Godfather of Harlem, and Ratched. Last year he had a major role as Jerry Falwell in the Oscar-winning The Eyes of Tammy Faye.

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Filed Under: Actor in Person, Anniversary Classics, Featured Films, Films, News, Q&A's, Repertory Cinema, Royal, Special Events, Theater Buzz

“Death will cease to be absolute.” THREE MINUTES: A LENGTHENING opens August 19 with the director in person.

August 10, 2022 by Jordan Deglise Moore

The beautiful new documentary feature Three Minutes: A Lengthening is based on a mere three minutes of footage, shot by David Kurtz in 1938, that are the only moving images remaining of the Jewish inhabitants of Nasielsk, Poland before the Holocaust. Director Bianca Stigter takes those three minutes and expands and explores them to create “an original and incisive meditation on history, memory, memorials and the very nature of celluloid.” (Alissa Simon, Variety) We open the film August 19 at the Royal and August 26 at the Town Center. The August 16 at the Royal will be hosted by the Los Angeles Jewish Film Festival and followed by a discussion with Ms. Stigter and author Glenn Kurtz. Scholar Michael Berenbaum of American Jewish University will moderate.

Director Bianca Stigter’s statement: 

“As a child, David Kurtz emigrated from Poland to the United States. In 1938 he returned to Europe for a sightseeing trip and whilst there he visited Nasielsk, the town of his birth. Specifically for this trip, he bought a 16mm camera, then still a novelty rarely seen in a small town never visited by tourists. Eighty years later his ordinary pictures, most of them in color, have become something extraordinary. They are the only moving images that remain of Nasielsk prior to the Second World War. Almost all the people we see were murdered in the Holocaust. 

“On Facebook, I stumbled upon a book written about this film, Three Minutes in Poland by Glenn Kurtz. The title fascinated me. I ordered the book and watched the footage, which can be found on the website of the United States Holocaust Memorial Museum. While watching, I wondered: could you make those three minutes last longer, to keep the past in the present? 

“For this film essay, I examined the footage in the fullest detail, to see what the celluloid would yield to viewers almost a century later. The footage is treated as an archaeological artifact to gain entrance to the past. 

“I contacted Glenn Kurtz, traveled to Nasielsk to see if any traces remained from the past, and went to Detroit to speak with survivor Maurice Chandler and his family. 

“After this extensive research, I edited the footage in different ways to bring to life as many of the facts and stories about Nasielsk as possible. A few seconds of the recording of a café becomes a dance scene, a single shot of the market square tells the story of the deportation of its Jewish citizens. All the faces that appear in the film are singled out and magnified to pay homage to the people of Nasielsk. The old images of the Polish town are combined with the way Nasielsk sounds today, creating a tense fusion of the past and the present. 

“Three Minutes: A Lengthening is an experiment that turns scarcity into a quality. Living in a time marked by an abundance of images that are never viewed twice, we do the opposite here: circle the same moments again and again, convinced that they will give us a different meaning each time. The film starts and ends with the same unedited found footage, but the second time you will look at it quite differently. 

“Three Minutes: A Lengthening investigates the nature of film and the perception of time. Through the act of watching, the viewers partake in the creation of a memorial.”

“When apparatuses like these are available to the public, when everyone can photograph those who are dear to them, not only their posed forms but their movements, their actions, their familiar gestures, with words at the tip of their tongues, death will cease to be absolute.’’  ~ The French newspaper La Poste, 30 December 1895, after the Lumières’ first public showing of a film in Paris. 

https://www.youtube.com/watch?v=TsepXNV7N_w

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Filed Under: Director's Statement, Featured Films, Featured Post, Filmmaker in Person, Films, Q&A's, Royal, Theater Buzz, Town Center 5

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Farewell, Chaim Topol.

“A pity party that has no business being so much fun,” UNA VITA DIFFICLE opens in the U.S. after a 62 year wait.

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Los Angeles premiere of AMERICA! From the award-wi Los Angeles premiere of AMERICA! From the award-winning director of "The Cakemaker"! 100% "FRESH" on Rotten Tomatoes!

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WINNER - Best Actress (Oshrat Ingedashet) | Jerusalem Film Festival
WINNER - Audience Award | Philadelphia Jewish Film Festival
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laemmle Laemmle Theatres @laemmle ·
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🎟️ http://laemmle.com/film/america

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laemmle Laemmle Theatres @laemmle ·
12 Mar

⭐⭐⭐⭐ @sydneyartsguide

MARY CASSATT: PAINTING THE MODERN WOMAN tells a riveting tale of great social and cultural change at a time when women were fighting for their rights and the language of art was being completely rewritten.

3/13 & 3/14 ONLY 🎟️ http://laemmle.com/film/mary-cassatt-painting-modern-woman

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laemmle Laemmle Theatres @laemmle ·
11 Mar

⭐ TICKETS ONSALE! SPECIAL ONE NIGHT SCREENINGS 3/27 w/post film discussion!
⭐ IN VIAGGIO: THE TRAVELS OF POPE FRANCIS is a decade-long chronicling of the head of the Catholic church.
❗ "Remarkable for its access to Pope Francis's life." @IndieWire
🎟️ http://laemmle.com/film/viaggio-travels-pope-francis

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laemmle Laemmle Theatres @laemmle ·
5 Mar

Arthur Miller’s THE CRUCIBLE captured live at the National Theatre!

🎟️ 3/6 @ 7PM http://laemmle.com/film/crucible?date=2023-03-06
🎟️ 3/7 @ 1PM http://laemmle.com/film/crucible?date=2023-03-07

Lyndsey Turner (Hamlet) directs this contemporary new staging, designed by Tony Award-winner Es Devlin (The Lehman Trilogy).

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