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Tickets: http://laemmle.com/film/conformist | Subscribe: http://bit.ly/3b8JTym | Bernardo Bertolucci’s breakthrough movie, The Conformist, is based on the celebrated novel by Alberto Moravia and was nominated for an Oscar for Best Adapted Screenplay of 1971. Set in the 1930s, the film explores the psychological roots of fascism as the main character, Marcello Clerici (Jean-Louis Trintignant), tries to expunge his artistic and homosexual inclinations by conforming to the brutally repressive mores of the times. "Bertolucci's masterpiece." (Village Voice)

Tickets: http://laemmle.com/film/conformist

RELEASE DATE: 2/3/2023
Director: Bernardo Bertolucci
Cast: Jean-Louis Trintignant, Stefania Sandrelli, Gastone Moschin, Dominique Sanda, Pierre Clémenti

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/filmmakers-prosecution-nuremberg-its-lesson-today | Subscribe: http://bit.ly/3b8JTym | FILMMAKERS: Near the end of WWII, filmmaker John Ford, head of the Field Photographic Branch of OSS, assigns the Schulberg brothers to carry out a special mission: track down German footage and photographs of Nazi atrocities in order to convict the leaders scheduled to stand trial. Screening w/NUREMBERG: ITS LESSON FOR TODAY: One of the greatest courtroom dramas in history, the film shows how  prosecutors built their case against Nazi war criminals using their own films and records.

Tickets: http://laemmle.com/film/filmmakers-prosecution-nuremberg-its-lesson-today

RELEASE DATE: 2/3/2023
Director: Jean-Christophe Klotz (FILMMAKERS) & Stuart Schulberg (NUREMBERG)

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
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Tickets: http://laemmle.com/film/geographies-solitude | Subscribe: http://bit.ly/3b8JTym | An immersion into the rich ecosystem of Sable Island, a remote sliver of land in the Northwest Atlantic, the film follows Zoe Lucas, a naturalist and environmentalist who has lived there for over 40 years collecting, cleaning and documenting marine litter that persistently washes up on the island's shores. Shot on 16mm and created using eco-friendly filmmaking techniques, Geographies of Solitude is a playful and reverent collaboration with the natural world filled with arresting images and made with an activist spirit.

Tickets: http://laemmle.com/film/geographies-solitude

RELEASE DATE: 2/13/2023
Director: Jacquelyn Mills

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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2 weeks ago

Laemmle Theatres
TOMORROW is #NationalPopcornDay, and we'll be offering ⭐ ONE FREE POPCORN ⭐ w/purchase of any beverage all day to celebrate! So Pop In!Here's a kernel of wisdom for you: Want free popcorn every Thursday? Become a Premiere Card holder for $3 off theatre tickets*, 20% off concessions, $6 Tuesdays and one free popcorn every Thursday!laemmle.com/premiere#laemmle #discounts #freepopcorn ... See MoreSee Less

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3 weeks ago

Laemmle Theatres
Please join Greg Laemmle tomorrow at the 1pm show of Only In Theaters for a Q&A at Laemmle Claremont 5, hosted by David Allen of the Inland Valley Daily Bulletin"Claremont 5 remains threatened by weak ticket sales. Laemmle says he’ll give his easternmost theater one year to turn around." ... See MoreSee Less

Laemmle calls off sale of Claremont 5 theater but needs more moviegoers

www.dailybulletin.com

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1 month ago

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⭐HAPPY NEW YEAR and THANK YOU! ⭐Thank you for all your #laemmlelove and support in 2022! We ended the year with a wonderful turnout for our annual Fiddler Sing-Along and are welcoming 2023 with many more powerful films! Also, there is still time to catch the best films of 2022! Tickets at laemmle.com ... See MoreSee Less

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Home » Q&A's » Page 4

JOCKEY Opens December 29 at the Royal.

December 27, 2021 by Jordan Deglise Moore

Updated: The 12/29 Q&A with JOCKEY star Clifton Collins Jr. and Laemmle Theatres president Greg Laemmle has been cancelled.

The highlight of the poignant new drama Jockey is the performance by Clifton Collins Jr., the prolific character actor here in the title role as an aging jockey training for a final championship. At Sundance earlier this year he earned the U.S. Dramatic Special Jury Award for acting. We open the film Wednesday at the Royal, January 21 at the Playhouse and Town Center, and February 4 at the Claremont, Glendale, Newhall and NoHo.

“An evocative study of American life on the fringes that unfolds alongside the grand mysticism of stallions. Clifton Collins Jr. delivers a haunting, profoundly poignant performance.” ~ Tomris Laffly, Harper’s Bazaar

“Bentley’s intimate character study shows a man coming to terms with his vulnerability, resting on a career-best performance from Clifton Collins Jr, who navigates the role of athlete and father with subtle but striking conviction.” ~ Emily Maskell, Little White Lies

“Jockey is a modest, intimate film, to be sure, but an impressively assured one. It finds a lovely, low-key groove early on and maintains it, and draws performances from its key players that are terrific and true.” Todd McCarthy, Deadline Hollywood Daily

“You’ve certainly seen [Collins Jr.] before, but never quite like this.” ~ Carlos Aguilar, TheWrap

“Somewhere between swagger and selflessness, win and lose, Jockey takes the home stretch.” ~ Sheri Linden, Hollywood Reporter

https://www.youtube.com/watch?v=YWI6Q-yKFbc

 

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Filed Under: Actor in Person, Claremont 5, Featured Films, Featured Post, Glendale, Newhall, NoHo 7, Playhouse 7, Q&A's, Royal, Theater Buzz, Town Center 5

WRITING WITH FIRE Q&A with the filmmakers and Kenneth Turan.

November 29, 2021 by Jordan Deglise Moore

Rintu Thomas and Sushmit Ghosh, co-directors of the double Sundance-winning film WRITING WITH FIRE, will participate in a Q&A at the Royal following the 7:20 PM screening on Thursday, December 2. Film critic Kenneth Turan will moderate.

https://www.youtube.com/watch?v=MFBWKklVEOU

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Filed Under: Featured Films, Filmmaker in Person, Films, Q&A's, Royal, Theater Buzz

THE FIRST WAVE Director in Person for Q&As in Santa Monica.

November 18, 2021 by Jordan Deglise Moore

THE FIRST WAVE director Matt Heineman will participate in Q&As at the Monica Film Center after the 7:30 PM screening on Saturday, November 20 and after the 4:40 screening on Sunday, November 21. Joining him will be Covid survivor Ahmed Ellis and his wife Alexis, Dr. Nathalie Dougė, and physical therapist Karl Arabian.

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Filed Under: Filmmaker in Person, Films, Q&A's, Santa Monica, Theater Buzz

Q&A with the ‘Kurt Vonnegut’ Filmmaker Opening Night at the Royal.

November 18, 2021 by Jordan Deglise Moore

KURT VONNEGUT: UNSTUCK IN TIME director Robert B. Weide will participate in a Q&A after the 7:10 PM screening at the Royal on Friday, November 19. Michael Sragow will moderate.

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Filed Under: Featured Films, Filmmaker in Person, Films, Q&A's, Royal, Theater Buzz

A triple award winner at Sundance, the Albanian drama HIVE opens at the Royal and Playhouse this Friday, November 12. The filmmaker and lead actress will attend two Royal screenings for Q&As.

November 10, 2021 by Jordan Deglise Moore

Winner of the Audience, Directing and Grand Jury Prize for World Cinema at Sundance earlier this year, HIVE is an intense, beautifully wrought drama based on the true story of Fahrije, an Albanian war widow coping with poverty and patriarchy. New York cinephiles turned out in force at the Film Forum last weekend following Manohla Dargis’ rave review in the Times. Headlined “In the Aftermath of War, a Survivor Finds Herself: In a tough, taut drama, the director Blerta Basholli explores the lives of women whose husbands went missing in the Kosovo War,” here’s an excerpt: “The spare, tightly wound drama HIVE opens with the movie equivalent of a hand grabbing your throat. An unsmiling woman with a hard, monumental profile stands alone next to a truck. People mill around nearby, murmuring indistinctly. Abruptly, the woman ducks under some police tape and into the truck, where she hastily begins unzipping one white body bag after another and just as quickly scanning their contents, her nose wrinkling at the exposed bundles of tattered clothing, remnants of missing persons. She’s soon ejected by a worker, but her search continues.
Photo by Alexander Bloom.

“The woman, Fahrije (Yllka Gashi), is looking for her husband, one of the missing, who disappeared years ago during the Kosovo War. Now, with her two children and a disabled father-in-law, she struggles to keep the family going. She labors with the beehives that her husband once managed, selling jars of honey at a local market. Sales are modest and sometimes close to nonexistent, but the bees are her only means of scraping together a meager living. Every so often, she meets up with a women’s collective whose members face the same hurdles under the unhelpful watch of the town’s men. And she keeps looking for her husband — a haunting, troubling phantom.

Photo by Astrit Ibrahimi.

“A liberation story told with easy naturalism and broad political strokes, HIVE tracks Fahrije on her path to independence. (It’s based on the experiences of an Albanian Kosovo woman of the same name.) Like its protagonist, the movie is stern, direct and attentive to ordinary life. The writer-director Blerta Basholli doesn’t bludgeon you with the character’s miseries, or hold your emotions hostage. Fahrije isn’t lovable; sometimes she’s scarcely likable, which means she’s more of a human being than an emblem of virtuous suffering. She has her charms, though these tend to emerge in the intimacies she shares with her family and female friends like Naza (a piquant Kumrije Hoxha)…HIVE seizes and holds your interest simply through the drama created by sympathetic characters trying to surmount awful, unfair hurdles. Mostly, though, what holds you rapt is Gashi’s powerful, physically grounded performance, which lyrically articulates her taciturn character’s inner workings. Together, the performer and her director reveal the arc of a life through Fahrije’s gestures and in the hard lines of her jaw, in her unsmiling lips and in her quickly lowered gaze. And while the character’s stoicism seems like an unbreachable wall, these two women dismantle — and rebuild it — to stirring effect.”

Photo by Alexander Bloom.

HIVE writer-director Blerta Basholi, producer Yll Uka, and lead actress Yllka Gashi will participate in Q&As at the Royal after the 7:30 PM screenings on Friday and Saturday, November 12 and 13. Clayton Davis, President of the Latino Entertainment Journalists Association, will moderate the Friday Q&A.

https://www.youtube.com/watch?v=8Yqwb2IfyUY

 

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Filed Under: Actor in Person, Featured Films, Featured Post, Filmmaker in Person, Films, Playhouse 7, Press, Q&A's, Royal, Theater Buzz

“In ‘Speer Goes to Hollywood,’ Vanessa Lapa uses uncovered audio and never-before-seen archival images to show how Hitler’s confidant tried to make a movie to whitewash his past.”

November 3, 2021 by Jordan Deglise Moore

Check out this excellent piece by Renee Ghert-Zand in The Times of Israel:

Award-winning Israeli doc on camera-hungry Nazi Albert Speer opens in NYC and L.A.: In ‘SPEER GOES TO HOLLYWOOD,’ Vanessa Lapa uses uncovered audio and never-before-seen archival images to show how Hitler’s confidant tried to make a movie to whitewash his past.

[SPEER GOES TO HOLLYWOOD director Vanessa Lapa and producer Tomer Eliav will participate in Q&As on Friday and Saturday, November 5 and 6 after the 7:20 pm shows at the Royal and Saturday and Sunday, November 6 and 7 after the 1:40pm shows at the Town Center.]

In her lauded 2014 documentary film, “The Decent One,” filmmaker Vanessa Lapa used SS leader and Final Solution architect Heinrich Himmler’s private family letters to expose just how deep his evil ran.

Vanessa Lapa. (Aline Frisch)

Now she is again using a top Nazi’s words against him — this time with audio recordings made by Hitler’s chief architect and minister of armaments, Albert Speer, as he worked on a script for a feature film based on his blockbuster 1970 memoir, “Inside the Third Reich.”

In her new film, SPEER GOES TO HOLLYWOOD, Lapa shows just how cunning the manipulative Speer was in whitewashing his crimes, which included enslaving 12 million Jewish, Polish and Soviet prisoners and forced laborers — at least a third of whom died of starvation, injury, or exhaustion — to produce German armaments during World War II. Creating a reputation for himself as “the good Nazi,” he was sentenced to only 20 years in prison at the Nuremberg Trials, while his co-conspirators and subordinates went to the gallows.

Albert Speer testifying at the Nuremberg Trials, 1945-1946. (Realworks LTD)

Speer spent his time in prison writing extensive notes for his memoir on paper napkins, and charmed sympathetic guards who illegally smuggled them out of prison for him.

Still buzzing with excitement from the film’s having won the 2021 Ophir Award for best Israeli documentary film earlier this month, Lapa recently spoke to The Times of Israel from her Tel Aviv studio, as she geared up for the United States theatrical release of SPEER GOES TO HOLLYWOOD. The film opens in New York on October 29 and in Los Angeles on November 5 [at Laemmle’s Royal and Town Center theaters].

Vanessa Lapa (second from right) being awarded the award for best documentary film for ‘Speer Goes to Hollywood’ at the Ophir Awards, Israel’s version of the Academy Awards, October 5, 2021. (Biran and Eliran Avital)

As with Himmler’s letters, the 46-year-old, Belgian-born Lapa stumbled upon Speer’s recordings serendipitously. At a 2014 screening for “The Decent One” at New York’s Film Forum, a lawyer named Stanley Cohen approached her and told her that he had bought the film rights to the English edition of Speer’s “Inside the Third Reich,” and had approached Paramount Pictures in 1971 about making a movie based on it.

Paramount commissioned the British writer Andrew Birkin, a protégé of the director Stanley Kubrick, to develop a script. To do so, Birkin, then only 26 years old, traveled to Heidelberg to interview Speer. (By that time, after being released from prison in 1966, Speer was living comfortably in the German countryside and making frequent media appearances.)

Cohen did not know that Birkin had recorded his conversations with Speer, but Lapa discovered that there were 40 hours of tapes recorded in 1971-1972, when she went to visit Birkin in Wales in February 2015.

“After Andrew played me five minutes of the tapes, it was clear to me I wanted to hear all of them and make a film with them,” Lapa said.

According to the filmmaker, Birkin wanted the recordings to be used, and was happy to hand them over to her.

“He had never listened to them again in the last half-century, but he did digitize them at some point in an effort to preserve them,” Lapa said.

On the tapes, Speer and Birkin are heard discussing various scenes from a draft script for the possible Paramount project. It is clear that this was to be a scripted drama, and not a documentary.

“It must be very far away from a documentary. The farther away, the better it is,” listeners hear Speer saying.

Birkin speaks about the need to have the audience identify with Speer, the “hero,” in the first five minutes of the film. The notion of an audience identifying with a person responsible for the enslavement and murder of millions of people may be shocking today, but in the early 1970s people were enthralled with Speer’s book, in which he positioned himself as an impressionable young Nazi leader who really cared about the German people.

In a 2017 New Yorker piece, Nigerian writer Chimamanda Ngozi Adichie, reflected on why she was so taken with “Inside the Third Reich” as a child, but so disgusted by it 30 years later.

“Speer demonstrates a slick honesty whose goal is to disarm. If it disarmed me as a child, it repels me as an adult. His rueful acknowledgment of his dedication to Hitler, and his philosophical puzzlement at his own complicity, seeks to cast a glaze of innocence over him,” Adichie wrote.

“…[Speer] with calm canniness, assembles his follies in flattering light. His self-criticism has a too-smooth edge; it is as though he has considered all possible criticisms he might face and taken them on himself, and there is an egotistical undertone to this that is perverse,” she continued.

According to Lapa, “Inside the Third Reich” still sells 2,000 copies a year.

“It is mind blowing that there is still no preface in the book that puts it in context for today’s readers,” she said.

In Lapa’s film, we hear Birkin checking in with a mentor, who warns him that the script he is working on with Speer is a whitewash, especially with regard to Speer’s denial of knowing about Auschwitz and the Final Solution. But Birkin seems unconcerned.

“I think Birkin did his best. Was he gullible? He was young and it was a time when people knew less about the war and the Holocaust than we do now,” Lapa said.

“Speer managed to charm and manipulate Birkin, just like he charmed and manipulated everyone, including the judges at Nuremberg. Even Speer’s biographer Gitta Sereny believed his regret,” she said.

By contrast, Lapa, who was initially also under Speer’s sway, found extensive archival documentation to contradict Speer’s claims. It led her to see his regret as completely disingenuous and to call him out on his historical lies.

“What I found was a man for whom human life had no intrinsic value…We also see this from the fact that he convinced Hitler to prolong the war by two-and-a-half years, when he knew that Germany was losing.” Lapa said.

Lapa and Joëlle Alexis wrote the script for SPEER GOES TO HOLLYWOOD, based on the 40 hours of the uncovered audio, and then Lapa and her team spent several years doing extensive archival research to find still and moving images to match and juxtapose with the audio.

The dissonance between the lies of the audio and the truths of the images is powerfully effective. Although actors lend their voices to Speer and Birkin because the quality of the original recordings were not good enough to use, Lapa assured The Times of Israel that every word is uttered verbatim from the tape’s exact transcripts.

Lapa is passionate about using only preexisting material, which she lets tell the story. Her films have no narrators, talking heads, or newly shot footage.

“When you have such an amount of archival material to show to the world, it is a waste not to do so,” the filmmaker said.

Realizing that Speer was trying to play fast and loose with the facts and truth, Paramount ultimately decided not to greenlight the film based on the Nazi’s memoir.

“Had this film been made, it would have rewritten the history of a historical injustice and transformed its villain into its unchallenged hero,” Lapa said.

Speer maneuvered to avoid the death sentence at Nuremberg and passed away a free man in 1981 at age 76. Forty years later, Lapa, with her incisive film, has let him hang by his own rope.

https://www.youtube.com/watch?v=F7XMi5Xqqv0

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Filed Under: Featured Films, Featured Post, Filmmaker in Person, Films, Press, Q&A's, Royal, Theater Buzz, Town Center 5

Filmmaker in Person Saturday for SUNKEN ROADS: THREE GENERATIONS AFTER D-DAY.

November 3, 2021 by Jordan Deglise Moore

SUNKEN ROADS filmmaker Charlotte Juergens will participate in a Q&A at the Royal on Saturday, November 6, after the 7:30 PM show.

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Filed Under: Filmmaker in Person, Films, Q&A's, Royal, Theater Buzz

Q&A with FINDING KENDRICK JOHNSON director Jason Pollock & EP Jenifer Lewis Friday at the NoHo.

October 25, 2021 by Jordan Deglise Moore

FINDING KENDRICK JOHNSON director Jason Pollock and executive producer Jenifer Lewis will participate in a Q&A at the NoHo following the 7:15 PM screening on Friday, October 29.

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Filed Under: Filmmaker in Person, Films, NoHo 7, Q&A's, Theater Buzz

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The Top Ten Films of 2022 contest results are in!

Top Ten Films of 2022 contest ends Sunday: Tell us your favorites for a chance to win free movie passes!

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TOMORROW is #NationalPopcornDay, and we'll be offe TOMORROW is #NationalPopcornDay, and we'll be offering ⭐ ONE FREE POPCORN ⭐ w/purchase of any beverage to celebrate! Pop In! 

Here's a kernel of wisdom for you: Want free popcorn every Thursday? Become a Premiere Card holder for $3 off theatre tickets*, 20% off concessions, $6 Tuesdays and one free popcorn every Thursday

laemmle.com/premiere
#laemmle #discounts #freepopcorn
⭐HAPPY NEW YEAR and THANK YOU! ⭐ Thank you fo ⭐HAPPY NEW YEAR and THANK YOU! ⭐

Thank you for all your #laemmlelove and support in 2022! We ended the year with a wonderful turnout for our annual Fiddler Sing-Along and are welcoming 2023 with many more powerful films!

Also, there is still time to catch the best films of 2022! 
Tickets at laemmle.com
⭐ Tickets going fast! ⭐ Fiddler on the Roof Si ⭐ Tickets going fast! ⭐ Fiddler on the Roof Sing-a-Long! Don't miss the buggy! 

Belt out your holiday spirit … or your holiday frustrations on the 7th night of Hanukkah SATURDAY, DEC. 24th for an alternative Christmas Eve and candle lighting! 

🎟️ laemmle.com/fiddler
JOIN US on the 7th night of Hanukkah SATURDAY, DEC JOIN US on the 7th night of Hanukkah SATURDAY, DEC. 24th for an alternative Christmas Eve and candle lighting! That's right - It's time for the return of our Fiddler on the Roof Sing-a-Long! #fiddlerla

⭐Typically, Fiddler sells out … so don't miss the buggy! ⭐

Belt out your holiday spirit … or your holiday frustrations. Either way, you'll feel better as you croon along to all-time favorites like “TRADITION,” “IF I WERE A RICH MAN,” among many others.

🎟️ laemmle.com/fiddler
📽️ youtube.com/watch?v=9EAQUuv5HqE
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  • Moviegoers, start your guesses: The Umpteenth Annual Laemmle Oscar Contest has begun.
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  • The Top Ten Films of 2022 contest results are in!
  • Top Ten Films of 2022 contest ends Sunday: Tell us your favorites for a chance to win free movie passes!
  • “One of the most visually ravishing pictures of all time,” THE CONFORMIST opens February 3 at the Royal, February 10 at the Laemmle Glendale.
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laemmle Laemmle Theatres @laemmle ·
19 Jan

TOMORROW is #NationalPopcornDay, and we'll be offering ⭐ ONE FREE POPCORN ⭐ w/purchase of any beverage all day to celebrate! So Pop In!

Here's a kernel of wisdom: Want free popcorn every Thursday? Become a Premiere Card holder!

http://laemmle.com/premiere
#freepopcorn

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laemmle Laemmle Theatres @laemmle ·
31 Dec

⭐HAPPY NEW YEAR and THANK YOU! ⭐

Thank you for all your #laemmlelove and support in 2022! We ended the year with a wonderful turnout for our Fiddler Sing-Along and are welcoming 2023 with many more powerful films!

See you in the New Year!
🎟️ http://laemmle.com

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laemmle Laemmle Theatres @laemmle ·
18 Dec

⭐ Tickets going fast! ⭐ Fiddler on the Roof Sing-a-Long! Don't miss the buggy!

Belt out your holiday spirit … or your holiday frustrations on the 7th night of Hanukkah SATURDAY, DEC. 24th for an alternative Christmas Eve and candle lighting!

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9 Dec

⭐ Persona (1967) ONE NIGHT ONLY! 12/13! ⭐

Join us at the 55th anniversary screening of Ingmar Bergman’s PERSONA. The intense, provocative psychological drama was one of the keystone films of the late-period golden age of the art-house in the 1960s.

🎟️ http://laemmle.com/film/persona-0

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laemmle Laemmle Theatres @laemmle ·
26 Nov

⭐ A special message to @laemmle audiences from Academy Award-winning filmmaker Fernando Trueba!

“MEMORIES OF MY FATHER is a tenderly funny family drama." @Guardian

NOW PLAYING @laemmleroyal and @towncenter5
🎟️ http://laemmle.com/film/memories-my-father

@CohenMediaGroup

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