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“Dedicated to all the forgotten flaming florists and hairdressers who built the gay community and blazed the trail for the rights many of us cling to today,” SWAN SONG opens at the Playhouse, Royal & Town Center August 6.

July 28, 2021 by Jordan Deglise Moore Leave a Comment

Legendary actor Udo Kier stars as retired hairdresser Pat Pitsenbarger, who escapes the confines of his small-town nursing home after learning of his former client’s dying wish for him to style her final hairdo. Pat embarks on an odyssey to confront the ghosts of his past — and collect the beauty supplies necessary for the job. Swan Song is a funny, bittersweet journey about rediscovering one’s sparkle, and looking gorgeous while doing so.

"Dedicated to all the forgotten flaming florists and hairdressers who built the gay community and blazed the trail for the rights many of us cling to today," SWAN SONG opens at the Playhouse, Royal & Town Center August 6.

Writer-director Todd Stephens wrote the following about his new film:

“Back in 1984, I walked into my small-town gay bar for the first time — The Universal Fruit and Nut Company. There he was, glittering on the dancefloor. Wearing a teal feather boa, fedora and matching pantsuit, “Mister Pat” Pitsenbarger was busting old school moves straight out of Bob Fosse. I was seventeen, and Pat was a revelation.

"Dedicated to all the forgotten flaming florists and hairdressers who built the gay community and blazed the trail for the rights many of us cling to today," SWAN SONG opens at the Playhouse, Royal & Town Center August 6.

“Years later, when I set out to write my autobiographical Edge of Seventeen, I immediately thought of Mister Pat. I went back home to hunt him down, only to discover Pat had just suffered an aneurism and was temporarily unable to speak. But his lover David told me stories…about how Pat was once the most fabulous hairdresser in Sandusky, Ohio…about his legendary drag performances…about how he used to shop at Kroger’s dressed as Carol Burnett – in 1967! This was a man who always had the courage to be himself, long before that was safe.

"Dedicated to all the forgotten flaming florists and hairdressers who built the gay community and blazed the trail for the rights many of us cling to today," SWAN SONG opens at the Playhouse, Royal & Town Center August 6.

“The truth is, Mister Pat inspired me to write Edge of Seventeen. I wrote a significant “Pat” character as my protagonist’s mentor, but midway through the shoot, the part got cut. I always knew my muse would return someday in my writing, and when he finally did many years later, I looked for Pat again only to learn he just passed away. Sadly, Pat’s legendary hand-beaded rhinestone gowns are all lost to time. Only a shoebox remains – filled with some tarnished jewelry and a half-smoked pack of Mores.

"Dedicated to all the forgotten flaming florists and hairdressers who built the gay community and blazed the trail for the rights many of us cling to today," SWAN SONG opens at the Playhouse, Royal & Town Center August 6.

“Swan Song is a love letter to the rapidly disappearing “gay culture” of America. As it has become more acceptable to be queer, what used to be a thriving community is rapidly melting back into society. Thanks to assimilation and technology, small-town gay bars like The Universal Fruit and Nut Company are becoming extinct. Swan Song is dedicated to all the forgotten flaming florists and hairdressers who built the gay community and blazed the trail for the rights many of us cling to today. But, above all, for me this film is about learning that it’s never too late to live again.”

"Dedicated to all the forgotten flaming florists and hairdressers who built the gay community and blazed the trail for the rights many of us cling to today," SWAN SONG opens at the Playhouse, Royal & Town Center August 6.

Laemmle Theatres will open Swan Song on August 6 at the Playhouse, Royal and Town Center.

https://www.youtube.com/watch?v=heN0JtJu4pE

Leave a Comment Filed Under: Director's Statement, Featured Films, Featured Post, Films, Playhouse 7, Royal, Theater Buzz, Town Center 5

Revelatory Nigerian Drama EYIMOFE (This is My Desire) Opens at the Royal July 30.

July 21, 2021 by Jordan Deglise Moore 1 Comment

On Friday, July 30 we’ll open the Nigerian drama EYIMOFE (THIS IS MY DESIRE) at the Royal. A triumph at the 2020 Berlin International Film Festival, the revelatory debut feature from co-directors (and twin brothers) Arie and Chuko Esiri is a heartrending and hopeful portrait of everyday human endurance in Lagos, Nigeria. Shot on richly textured 16 mm film and infused with the spirit of neo-realism, Eyimofe traces the journeys of two distantly connected strangers—Mofe (Jude Akuwudike), an electrician dealing with the fallout of a family tragedy, and Rosa (Temi Ami-Williams), a hairdresser supporting her pregnant teenage sister—as they each pursue their dream of starting a new life in Europe while bumping up against the harsh economic realities of a world in which every interaction is a transaction. From these intimate stories emerges a vivid snapshot of life in contemporary Lagos, whose social fabric is captured in all its vibrancy and complexity. traces the journeys of two distantly connected strangers—Mofe (Jude Akuwudike), an electrician dealing with the fallout of a family tragedy, and Rosa (Temi Ami-Williams), a hairdresser supporting her pregnant teenage sister—as they each pursue their dream of starting a new life in Europe while bumping up against the harsh economic realities of a world in which every interaction is a transaction. From these intimate stories emerges a vivid snapshot of life in contemporary Lagos, whose social fabric is captured in all its vibrancy and complexity.

Writing at Film Threat, Hanna B. called EYIMOFE “a touching, beautiful, and complex tableau about how to overcome adversity and seek opportunities when you are at an impasse: a Nigerian story, an African story, a migrant story, a human story.”

https://www.youtube.com/watch?v=CDww3ndrs44

1 Comment Filed Under: Featured Films, Featured Post, Films, Royal, Theater Buzz

Kurosawa, Varda, Bertolucci, Renoir, Fellini & Cuarón: Laemmle’s Anniversary Classics Abroad Series Returns.

July 21, 2021 by Jordan Deglise Moore Leave a Comment

We’re pleased to announce the resumption of our Anniversary Classics Abroad series so moviegoers can again appreciate international cinematic masterpieces as they were meant to be seen, on the big screen. We’ll show the films all over L.A. County simultaneously at our Newhall, Pasadena, West L.A. and Glendale theaters starting July 28 with a 70th anniversary (going by its U.S. release) screenings of Akira Kurosawa’s timeless RASHOMON. Check out our trailer.
Kurosawa, Varda, Bertolucci, Renoir, Fellini & Cuarón: Laemmle's Anniversary Classics Abroad Series Returns.
On August 25 we’ll screen Agnès Varda’s gorgeous drama about adultery in a Parisian suburb, LE BONHEUR to celebrate the 55th anniversary of its release.
Kurosawa, Varda, Bertolucci, Renoir, Fellini & Cuarón: Laemmle's Anniversary Classics Abroad Series Returns.
We’ll follow that on September 29th with 50th anniversary screenings of Bernardo Bertolucci’s ravishing critique of  1930s Italian fascism, THE CONFORMIST.
Kurosawa, Varda, Bertolucci, Renoir, Fellini & Cuarón: Laemmle's Anniversary Classics Abroad Series Returns.
On October 13 we’ll celebrate the 65th anniversary of Jean Renoir’s FRENCH CANCAN, a musical dramedy that chronicles the revival of Paris’ most notorious dance with the story of a theater producer (cinematic titan Jean Gabin) who turns a humble washerwoman into a Moulin Rouge star. Edith Piaf co-stars!
Kurosawa, Varda, Bertolucci, Renoir, Fellini & Cuarón: Laemmle's Anniversary Classics Abroad Series Returns.
We’ll show Fellini’s LA DOLCE VITA on November 17. It’s the 60th anniversary of Fellini’s sardonic epic about the decadence of modern Rome.
Kurosawa, Varda, Bertolucci, Renoir, Fellini & Cuarón: Laemmle's Anniversary Classics Abroad Series Returns.

It’s the 20th anniversary of Alfonso Cuarón’s impossibly sexy, funny Y TU MAMÁ TAMBIÉN, which we’ll screen on December 8.

Kurosawa, Varda, Bertolucci, Renoir, Fellini & Cuarón: Laemmle's Anniversary Classics Abroad Series Returns.

Leave a Comment Filed Under: Abroad, Anniversary Classics, Featured Post, Films, Glendale, Newhall, News, Playhouse 7, Repertory Cinema, Royal, Theater Buzz

Special One Night Return Engagements of Roy Andersson’s Tour de Force ABOUT ENDLESSNESS in Claremont, Glendale, Newhall, Pasadena and West L.A. July 19.

July 14, 2021 by Jordan Deglise Moore Leave a Comment

In case you missed it in May, you’ll have another chance to see ABOUT ENDLESSNESS, one of the year’s sleeper greats, on the big screen July 19 at the Claremont, Newhall, Glendale, Playhouse or Royal. It’s on several lists as one of the best films released in the first half of 2021. Writing in the National Review, Armond White described the film as “a series of tableaux depicting mankind’s fragility and guilt” and “a moral, artistic tour de force.” Peter Bradshaw of the Guardian called it “a masterpiece. Utterly unique. A mesmerizing odyssey to the heart of existence.”
Special One Night Return Engagements of Roy Andersson's Tour de Force ABOUT ENDLESSNESS in Claremont, Glendale, Newhall, Pasadena and West L.A. July 19.

ABOUT ENDLESSNESS is a reflection on human life in all its beauty and cruelty, its splendor and banality. We wander, dreamlike, gently guided by our Scheherazade-esque narrator. Inconsequential moments take on the same significance as historical events: a couple floats over a war-torn Cologne; on the way to a birthday party, a father stops to tie his daughter’s shoelaces in the pouring rain; teenage girls dance outside a cafe; a defeated army marches to a prisoner-of-war camp.

Special One Night Return Engagements of Roy Andersson's Tour de Force ABOUT ENDLESSNESS in Claremont, Glendale, Newhall, Pasadena and West L.A. July 19.

Simultaneously an ode and a lament, ABOUT ENDLESSNESS presents a kaleidoscope of all that is eternally human, an infinite story of the vulnerability of existence.

“Give Roy Andersson 76 minutes, and he’ll give you the universe.” ~ David Ehrlich, IndieWire

Special One Night Return Engagements of Roy Andersson's Tour de Force ABOUT ENDLESSNESS in Claremont, Glendale, Newhall, Pasadena and West L.A. July 19.

An official selection of the Venice Film Festival (where Andersson won the Silver Lion for Best Director), the Toronto International Film Festival, and the Palm Springs International Film Festival.

https://www.youtube.com/watch?v=X1YlILv8eMo

Leave a Comment Filed Under: Claremont 5, Featured Films, Featured Post, Films, Glendale, Newhall, Playhouse 7, Royal

“I believe God made me for a purpose, but he also made me fast. And when I run I feel his pleasure.” CHARIOTS OF FIRE 40th Anniversary Screenings.

July 14, 2021 by Jordan Deglise Moore Leave a Comment

To celebrate the 2021 Olympics, Laemmle Theatres and the Anniversary Classics Series present one of the best-loved sports movies of all time: the 1981 Oscar-winning drama, ‘Chariots of Fire.’ The picture retrieved a largely forgotten chapter of Olympic lore, the British triumphs at the 1924 games in Paris. In a neat parallel to the story told on screen, the film’s victory at the Academy Awards ceremony has to be considered one of the most surprising but gratifying upsets in Oscar history. We’ll screen the film July 20 at the Newhall, Playhouse and Royal at 7 PM.

"I believe God made me for a purpose, but he also made me fast. And when I run I feel his pleasure." CHARIOTS OF FIRE 40th Anniversary Screenings.

The year 1981 was one of the most competitive years in recent memory. The other films nominated for Best Picture were Warren Beatty’s ‘Reds’ (with a total of 12 nominations), ‘On Golden Pond’ (10 nominations), ‘Raiders of the Lost Ark’ (eight nominations), and Louis Malle’s ‘Atlantic City.’ ‘Chariots of Fire‘ came into the ceremony with a total of seven nominations, and unlike the other contenders, it had no major stars in the cast. Yet audience and industry love for the movie pushed it over the finish line. In addition to winning Best Picture, it also won Best Original Screenplay for Colin Welland, Best Costume Design, and Best Musical Score by Vangelis. The film also earned nominations for Hugh Hudson as Best Director, Ian Holm for Best Supporting Actor for his delightful portrayal of the track coach who guided the winning runners, and Best Film Editing.

"I believe God made me for a purpose, but he also made me fast. And when I run I feel his pleasure." CHARIOTS OF FIRE 40th Anniversary Screenings.

The two leading roles in the film are portrayed by Ian Charleson as Eric Liddell and Ben Cross as Harold Abrahams. Both of them confronted daunting obstacles in their preparation for the 1924 Olympics. Liddell, the son of Scottish missionaries, came from a strict Christian upbringing, and he created complications for the British team when he refused to race on Sunday. Abrahams was Jewish and faced discrimination as a student at Cambridge and as an Olympic competitor. The excellent supporting cast includes Oscar winner John Gielgud and acclaimed director Lindsay Anderson as two stuffy, bigoted Cambridge dons, Alice Krige, Nigel Havers, Cheryl Campbell, and young American actors Dennis Christopher (‘Breaking Away’) and Brad Davis (‘Midnight Express’).

"I believe God made me for a purpose, but he also made me fast. And when I run I feel his pleasure." CHARIOTS OF FIRE 40th Anniversary Screenings.

Producer David Puttnam (‘Midnight Express,’ ‘The Killing Fields,’ ‘Local Hero’) had conceived the film as a drama about faith and principle, in the tradition of such earlier award winners as ‘A Man for All Seasons.’ He assembled a first-rate team, including award-winning cinematographer David Watkin (‘Out of Africa,’ ‘Moonstruck,’ ‘Yentl’) and first-time feature director Hudson. Perhaps Puttnam’s boldest move was to hire Greek-born electronic composer Vangelis to provide an innovative musical score. Vangelis said that he was inspired by the fact that his father was a runner, and the score was intended as a kind of family tribute. His music has proved especially durable, serving as the theme for the 2012 Olympics held in London 30 years after the film’s release.

"I believe God made me for a purpose, but he also made me fast. And when I run I feel his pleasure." CHARIOTS OF FIRE 40th Anniversary Screenings.

Reviews were largely celebratory. Kathleen Carroll of the New York Daily News praised “a movie that, with the help of Vangelis’s wonderfully stirring score, lifts the spirits to a new high.” Time magazine’s Richard Schickel added, “Like every element in this picture, the actors look right; they seem to emerge from the past, instead of being pasted on to it.” Roger Ebert declared, “’Chariots of Fire’ is one of the best films of recent years.” Later evaluations echoed the praise. Writing in 2012, Kate Muir of the UK Times said “From the opening scene of pale young men racing barefoot along the beach, full of hope and elation, backed by Vangelis’s now famous anthem, the film is utterly compelling.”

Leave a Comment Filed Under: Anniversary Classics, Featured Post, Films, Newhall, News, Playhouse 7, Repertory Cinema, Royal

J. Hoberman on the Restoration of the 1949 Masterpiece DISTANT JOURNEY, Opening July 9.

June 30, 2021 by Jordan Deglise Moore Leave a Comment

One of the first films to confront the horrors of the Holocaust remains one of the most powerful. Suffused with the visceral dread of a waking nightmare, Distant Journey draws from director and Holocaust survivor Alfréd Radok’s own experiences to tell the story of a Czechoslovak Jewish family—including a young doctor (Blanka Waleská) and her gentile husband (Otomar Krejča)—whose lives are torn apart by the terrors of the Nazi occupation, leading them inexorably to a grim fight for survival in the Theresienstadt concentration camp. Blending expressionistic cinematography with archival documentary footage (some drawn from Triumph of the Will) to potent effect, this harrowing vision of human atrocity was banned in its home country for more than forty years, only to reemerge as urgent and impactful as ever.

J. Hoberman on the Restoration of the 1949 Masterpiece DISTANT JOURNEY, Opening July 9.
Courtesy of Janus Films.

Tablet Magazine recently published J. Hoberman’s authoritative article about the film. Here are the opening paragraphs:

“Alfred Radok’s 1949 first feature, Distant Journey, was (and is) a landmark—a movie of its time that continues to speak to ours. Made in a no longer extant, once-communist state during the Cold War winter of 1948-1949, Radok’s remarkable debut is a masterpiece of Czech cinema. It was also one of the first and remains among the strongest, most original, and most influential movies to deal with the murder of European Jewry.

J. Hoberman on the Restoration of the 1949 Masterpiece DISTANT JOURNEY, Opening July 9.
Courtesy of Janus Films.

“Distant Journey had its New York premiere in August 1950, not three months into the Korean War, at the Stanley, a shabby theater off Times Square that then served as the home of Yiddish movies, Israeli documentaries, and Soviet imports. The film was given the Yiddish title Geto Terezin, for the “transit camp” Theresienstadt, known in Czech as Terezin, where it was largely set and partially filmed; it was so enthusiastically received that it was held for over a month.

J. Hoberman on the Restoration of the 1949 Masterpiece DISTANT JOURNEY, Opening July 9.
Courtesy of Janus Films.

“The New York Times critic Bosley Crowther called Distant Journey “the most brilliant, the most powerful and horrifying film on the Nazis’ persecution of the Jews,” that he had ever seen, albeit cautioning “the faint of heart” to see the movie “at their own risk.” The Yiddish daily Morgn Frayhayt reported the amazed public response of at least one spectator who claimed to recognize her fictionalized self on the screen—as well she might. The first fiction films to represent the Holocaust, produced in Eastern Europe soon after the war were typically made by and/or with actual survivors. All had aspects of psychodrama, docudrama, and documentary.

J. Hoberman on the Restoration of the 1949 Masterpiece DISTANT JOURNEY, Opening July 9.
Courtesy of Janus Films.

“Nothing if not personal, Distant Journey was written by Erik Kolár, an assimilated Czech Jewish lawyer who, married to a gentile, managed to stave off deportation to Terezin until 1945. Director Radok, the son of a Catholic mother and a Jewish father, grew up in a Bohemian village and spent much of the war in hiding before being sent to a forced labor camp for mischlings in Poland. Both his father and grandfather died in Terezin. Based on his experiences, Kolár took a conciliatory attitude toward his gentile countrymen; based on his experience, Radok did not. In its attitude and attention to detail, Distant Journey was the most Jewish film made in Czechoslovakia up until that time and perhaps ever.”

Read the full article on Tablet’s website.

Laemmle Theatres will open Distant Journey July 9 at the Royal and Town Center and on watch.laemmle.com.

https://vimeo.com/542776321

Leave a Comment Filed Under: Featured Films, Featured Post, Laemmle Virtual Cinema, News, Press, Repertory Cinema, Royal, Theater Buzz, Town Center 5

THE LADYKILLERS Alec Guinness, Peter Sellers, and Herbert Lom Arrive at the Royal, Playhouse, and Town Center July 2.

June 16, 2021 by Jordan Deglise Moore Leave a Comment

In the newly restored British comedy THE LADYKILLERS (1955), a crew of thieves led by Professor Marcus (Alec Guinness) pulls off a daring heist and tricks their elderly landlady, who believes them to be a string quintet, into sneaking the loot past the authorities. When things don’t go as planned, the crew must improvise to keep their treasure and to ensure the old woman’s silence. Widely considered one of the finest comedies ever filmed, we’re proud to screen it at the Royal, Playhouse and Town Center starting July 2.

THE LADYKILLERS Alec Guinness, Peter Sellers, and Herbert Lom Arrive at the Royal, Playhouse, and Town Center July 2.
Katie Johnson and Alec Guinness in Alexander Mackendrick’s THE THE LADYKILLERS (1955). Courtesy: Rialto Pictures/StudioCanal.

“A superbly elegant comedy. Even after 65 years, it still kills… Subversive, hilarious and as English as Elgar… A mixture of cynicism with guileless innocence.” – Peter Bradshaw, The Guardian

“Extravagantly funny.” – Pauline Kael

THE LADYKILLERS Alec Guinness, Peter Sellers, and Herbert Lom Arrive at the Royal, Playhouse, and Town Center July 2.
Peter Sellers and Danny Green in Alexander Mackendrick’s THE LADYKILLERS (1955). Courtesy: Rialto Pictures/StudioCanal.

“Near flawless.” — Philip French

THE LADYKILLERS Alec Guinness, Peter Sellers, and Herbert Lom Arrive at the Royal, Playhouse, and Town Center July 2.

“The last, most enduring and best known of all the studio’s comedies, in which the sheer blackness of the central concept is barely disguised by the accomplished farce which surrounds it.” – Time Out

THE LADYKILLERS Alec Guinness, Peter Sellers, and Herbert Lom Arrive at the Royal, Playhouse, and Town Center July 2.

Rialto Pictures on the 2021 restoration:

As the last British film shot in three-strip Technicolor, THE LADYKILLERS is fortunate to have all thirty-three reels of its original Technicolor camera negative. So it was crucial and important that these elements be used for StudioCanal’s restoration, the best version of the film since its original release.

The restoration began with the 4K pin-registered scanning of the original 1950s Technicolor three-strip camera negative. With three-strip Technicolor (a process that was last used by Hollywood in the early 1970s), three color separations (r yellow, cyan and magenta) are combined to create the full Technicolor palette. Therefore, though the release prints of THE LADYKILLERS are 11 reels total, there are 33 reels of camera negative.

One of the biggest issues to overcome was the proper alignment of the separations. This was automated to a certain extent, but a huge amount of manual tweaking was required, involving tracking each one of the perforations. This is performed to avoid “fringing,” which causes colored outlines on edges of objects, faces etc.

Manual and automated digital restoration was then carried out over the aligned images. This was to remove particles of dirt, debris, hair, sparkle and then moving onto bigger issues such as stains, marks and scratches. The film suffered from a few extreme issues such as blue marks in the middle to right hand side of frame throughout the film that had to be removed. There was significant flicker that has been corrected as best as possible on a shot-by-shot basis. Many shots suffered from instability and some sections also suffered from scratching, the worst being four minutes of scratched film throughout an entire sequence.

In total, the film benefitted from over 1000 hours’ worth of 4K digital restoration. A 35mm Technicolor print was used as a reference for the color grade to ensure the new HDR Dolby Vision master stayed true to the film’s original 1950s “color by Technicolor” look.

https://www.youtube.com/watch?v=TdJGho9p-wA

 

Leave a Comment Filed Under: Featured Films, Featured Post, Films, News, Playhouse 7, Repertory Cinema, Royal, Town Center 5

Israeli Hit ASIA Finally Reaches L.A. on June 25.

June 16, 2021 by Jordan Deglise Moore 2 Comments

Laemmle Theatres is pleased to present Ruthy Pribar’s ASIA, beginning Friday, June 25 at the Playhouse, Royal, and Town Center. Shira Haas made an indelible impression (she was nominated for an Emmy and won an Independent Spirit Award) as the lead in the acclaimed recent TV series Shtisel and Unorthodox. Here she stars as a Russian émigré to Israel, navigating (with her single mother) her teenage years, burdened by a largely undefined illness that makes all of her decisions infinitely more poignant. First-time writer-director Ruthy Pribar does an exquisite job of defining the complexities of a mother-daughter relationship that eschews clichés and sentimentality. Instead both actresses (Alena Yiv plays the mother) give riveting, yet understated performances that explore the inevitable chasm that divides the generations and creates barriers between the healthy and the sick—while limning a universal and timeless story of maternal love and loss.

Israeli Hit ASIA Finally Reaches L.A. on June 25.
Shira Haas and Alena Yiv. Photo courtesy of Menemsha Films.

ASIA swept the 2020 Ophir Awards (Israeli Oscars) winning nine honors (eight going to women), including Best Picture, Actress, Supporting Actress, Cinematography, Editing, and Score. The film also won multiple awards at the 2020 Tribeca Film Festival: Best Actress for Shira Haas; Best Cinematography for Daniella Nowitz; and The Nora Ephron Award for Ruthy Pribar.

Israeli Hit ASIA Finally Reaches L.A. on June 25.
Shira Haas. Photo courtesy of Menemsha Films.

Film critics have started to weigh in with warm reviews:

“Rigorously unsentimental, this impressive Israeli feature debut from Ruthy Pribar stars a mesmerising Shira Haas (recently seen in Unorthodox) as Vika, the daughter struggling to resolve her frail, failing body with the urge to be a normal, rebellious teenager. As her mother, Asia, Alena Yiv is superb, creating a flawed, flesh-and-blood character who is smart enough to know that doing the right thing by her daughter might place her at odds with society and perhaps even the law.” (Wendy Ide, Guardian)

“Sparse and gorgeously acted.” (Linda Marric, Jewish Chronicle)

“Delivers an emotional wallop. Modest. Intimate. Subtle. Eschews sentimentalism for a patient inquisitive character study.” (Eric Kohn, Indiewire)

Israeli Hit ASIA Finally Reaches L.A. on June 25.
Alena Yiv and Shira Haas. Photo courtesy of Menemsha Films.

“The maturity of the directorial voice is evident in its clear-eyed, rigorously unsentimental assessment of a shattering situation.” (David Rooney, Hollywood Reporter)

“From Daniella Nowitz’s muted, intimately lit lensing to the plaintive, judiciously used piano strains of Karni Postel’s score, every formal element of ASIA serves to illustrate and enrich the tricky, evolving relationship at its center.” (Guy Lodge, Variety)

Israeli Hit ASIA Finally Reaches L.A. on June 25.

2 Comments Filed Under: Featured Films, Featured Post, Films, News, Playhouse 7, Royal, Town Center 5

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Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
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Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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