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Wonder of Wonders – It’s Fiddler Sing-a-Long Time Again!

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*** FIDDLER UPDATES  (skip to main article)
We’re pleased to announce an all-star line-up of Fiddler Hosts for 2015!
Also, as in year’s past, we’ll have food trucks out at select locations. Here’s the per-location rundown of what’s shaking in the shtetl:

Ahrya Fine Arts
Dr. Ron Wolfson – author, professor – BUY TIX
BONUS! – Dr. Wolfson will be signing a copies of his new book, The Best Boy in the United States of America: A Memoir of Blessings and Kisses.

Claremont 5
Cantor Paul Buch – BUY TIX

NoHo 7
Craig Taubman – entertainer, community organizer – BUY TIX
FOOD TRUCK – The Deli Doctor (truck food welcome inside the theater)

Playhouse
Gary Wexler – blogger, public speaker – BUY TIX
FOOD TRUCK – Hungry Nomad (truck food welcome inside the theater)

Royal
Naomi Ackerman – actress, social activist – BUY TIX
BONUS! – Naomi will be joined by BARBARA ISENBERG who will be signing copies of her book TRADITION!: The Highly Improbable, Ultimately Triumphant Broadway-to-Hollywood Story of Fiddler on the Roof, the World’s Most Beloved Musical.
FOOD TRUCK – The Hurricane Kitchen (truck food welcome inside the theater)

Town Center 5
Cantors Herschel Fox & Phil Baron – BUY TIX

See below to find out more about our hosts.

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Wonder_of_Wonders_edit_2Will the matchmaker make you “the perfect match?” There’s only one way to find out … join us this year for our 8th annual FIDDLER ON THE ROOF Christmas Eve SING-A-LONG!

(Scroll down to watch the event trailer.  For tickets, visit Laemmle.com/Fiddler).

This year, the popular Fiddler program has been extended to more venues to accommodate demand including, for the first time, the recently reopened AHRYA FINE ARTS in Beverly Hills.

In addition to exuberant movie and song, the evening will feature TRIVIA with PRIZES being awarded to Fiddler buffs with the quickest recall.  Dressing in COSTUME is not required, but highly encouraged!  Will the best costume will garner a prize?  That will be up to the emcee.

Craig_pix_01_edit_lr_crop_4_p
CRAIG TAUBMAN will be hosting at the NoHo 7
Ron_Wolfson_pix_02_crop_p
RON WOLFSON will be hosting at the Fine Arts

Speaking of which, we’re very excited to announce two new, dynamic hosts for this year.  Acclaimed Jewish singer-songwriter and founder of the Pico Union Project CRAIG TAUBMAN will be bringing his signature blend of charisma and high-powered energy to the NOHO 7.  Over in the city side, professor, author, and community mensch Dr. RON WOLFSON will be headlining at the stunning AHYRA FINE ARTS in Beverly Hills. Wolfson is most recently the author of The Best Boy in the United States of America: A Memoir of Blessings and Kisses offered by Jewish Light Publishing. You can’t go wrong with either of these incredible gentlemen!

Our own Greg Laemmle is enthusiastic as ever about the Fiddler experience, declaring that “Christmas Eve isn’t just Chinese food anymore!”  Furthermore, “we welcome all those in the community who are looking for an alternative Christmas Eve experience.”

He continues, “This is your once-a-year chance to be the star of the shtetl. Join voices with friends and neighbors and sing your heart out alongside Fiddler’s screen legends. And it’s okay if you haven’t memorized all the songs. We provide the lyrics.”

Song highlights include the iconic “TRADITION”, “IF I WERE A RICH MAN”,  “TO LIFE”, “SUNRISE SUNSET”, “DO YOU LOVE ME?” and “ANATEVKA”, among many, many more.

Don’t miss the buggy! Those who wish to attend the program are advised to purchase tickets in advance as the program has traditionally sold to capacity.

See you in the shtetl…

https://www.youtube.com/watch?v=CnuyNaOEBt4&feature=youtu.be

Fiddler Hosts – 2015

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Dr. Ron Wolfson at the Ahrya Fine Arts (Beverly Hills)
Renowned educator and author DR. RON WOLFSON will be our host at the Fine Arts in Beverly Hills. Wolfson is a Fingerhut Professor of Education at the American Jewish University and, most recently, author of The Best Boy in the United States of America: A Memoir of Blessings and Kisses offered by Jewish Lights Publishing. A pioneer in the field of Jewish family education, Dr. Wolfson is a frequent scholar-in-residence for synagogues and communities and a co-founder of Synagogue 3000. He is also the author of the well-known Art of Jewish Living book series.

Craig_pix_01_edit_lr_crop_4_pCraig Taubman at the NoHo 7 (North Hollywood)
Beloved Jewish singer/songwriter and community builder CRAIG TAUBMAN will be our host at the NoHo 7 venue in North Hollywood. Taubman is renowned for original compositions and live performances that speak to the Jewish American experience. He is the originator of events such as Friday Night Live, The Big Jewish Tent, and A Sacred Noise, among others. Most recently, he founded the Pico Union Project, an interfaith community center near L.A.’s downtown that celebrates diversity and unity within the framework of art, music, and worship.

Herschel Fox_prCantor Herschel Fox
at the Town Center 5 (Encino)
For over three decades, HERSCHEL FOX (top) has shared his knowledge, talent, and Yiddishkeit with Temple Valley Beth Shalom (Encino) and the greater L.A Jewish community. Born in Europe and raised in Winnipeg, Canada, among Holocaust survivors, he became a cantor at the age of 13.  In his early career, he performed in Yiddish theater, opening for Molly Picon, Fiddler’s “Yente the Matchmaker” for many years. Fox teaches classes in Yiddish language, culture and song, prayer and the art of the cantor.

Phil Baron_prCantor Phil Baron
at the Town Center 5 (Encino)
Also of VBS (Valley Beth Shalom), cantor PHIL BARON (left) is the son of a violinist and the grandson of a Vilna rabbi. Before becoming a cantor, he took a successful detour into children’s entertainment, where he had over 300 original songs recorded – nearly 200 of these by the Walt Disney Co. He co-created two television series for Jewish children, Bubbe’s Boarding House, and the multiple award-winning series Alef…Bet…Blast-off! As a vocalist he has been featured with the Los Angeles Jewish Symphony, the Cleveland Orchestra and the New Orleans Philharmonic.

Gary Wexler_prGary Wexler at the Playhouse 7 (Pasadena)
GARY WEXLER is a USC Adjunct Professor in the Masters program at the Annenberg School of Communication, teaching both Nonprofit Marketing, as well as Advertising and Copywriting. Wexler’s first career was as a Clio-winning copywriter for ad agencies such as Chiat-Day, DDB-Needham and others with clients ranging from Apple to Coca Cola. He since made the switch to the non-profit world, working with over 1000 nonprofits, including the foundations of Steven Spielberg, the Ford Foundation, United Ways and Jewish Federations. Today, he is an active blogger, consultant, seminar leader, and public speaker.

Naomi Ackerman_prNaomi Ackerman at the Royal (West L.A.)
An actress, social activist, and special education teacher, NAOMI ACKERMAN’s credits include theater, musicals, films, television as well as being an accomplished street performer and professional clown. She was a founding member of View Points an Arab Jewish dialogue theater produced by the Shimon Peres Center for Peace. In addition, she wrote, directed and performed the acclaimed one woman show Flowers Aren’t Enough. In 2011 she founded The Advot Project, transforming the lives of incarcerated girls in the L.A. probations system through drama instruction. This garnered her KCET’s Local Hero Award in 2014.

Paul Buch_prCantor Paul Buch at the Claremont 5 (Claremont)
Cantor PAUL BUCH has served Temple Beth Israel in Claremont since 2003. He came to the cantorate after a 25 year career in TV and film production in Los Angeles, New York, and Portland. In addition to his cantorial duties, Buch is President of the Claremont Interfaith Council and serves on the Faith-Based Roundtable of the Pomona Unified School District. He is also Chair of the City of Claremont’s Human Relations Committee and serves on an advisory committee at the Claremont School of Theology. This will be his third consecutive year as our Fiddler host in Claremont!

 

Epic adventure film THEEB opens November 27

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Please note: On Sunday, 11/29, at the Fine Arts, THEEB screens at 1:50pm only. THEEB screens on a full schedule on Friday, and Sunday through Thursday. Check showtimes here: http://www.laemmle.com/films/40117

After winning acclaim and awards at the best film festivals on five continents, Jordan’s official submission to the Oscars, THEEB , begins engagements at the Playhouse, Town Center and Fine Arts on the day after Thanksgiving. Writing in Variety, Jay Weissberg called it “a classic adventure film of the best kind, and one that’s rarely seen these days.”

It’s 1916. While war rages in the Ottoman Empire, Hussein raises his younger brother Theeb (“Wolf”) in a traditional Bedouin community that is isolated by the vast, deadly desert. The brothers’ quiet existence is suddenly interrupted when a British Army officer and his guide ask Hussein to escort them to a well located along the old pilgrimage route to Mecca. So as not to dishonor his recently deceased father, Hussein agrees to lead them on the long, treacherous journey. The young, mischievous Theeb secretly chases after his brother, but the group soon find itself trapped amidst threatening terrain riddled with Ottoman mercenaries, Arab revolutionaries, and outcast Bedouin raiders. Naji Abu Nowar’s powerful and assured directorial debut, set in the land of Lawrence of Arabia, is a wondrous “Bedouin Western” about a boy who, in order to survive, must become a man and live up to the name his father gave him.

“A beautifully simple and stunningly elegant film – that can be seen as something of a companion piece to Lawrence of Arabia – Naji Abu Nowar’s delightful THEEB is a striking film, old-fashioned in tone and structure but always watchable and modestly powerful.” – Mark Adams, Screen Daily

“It is a spectacularly epic film with a wonderfully intimate human story. It possesses everything that allows me fall in love with cinema, again and again…THEEB is…the kind of film that grabs a hold of you and doesn’t let go.” – E. Nina Rothe, Huffington Post

https://vimeo.com/137044587

Writer-director Deniz Gamze Ergüven on MUSTANG, her fierce, feminist debut feature.

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On November 20 at the Royal and Christmas Day at the Playhouse and Town Center we’ll be opening one of the best films we’ve screened all year, the Turkish/French production MUSTANG. It begins in a village in Northern Turkey in early summer. Five free-spirited teenaged sisters splash about on the beach with their male classmates. Though their games are innocent fun, a neighbor passes by and reports to the girls’ family what she considers illicit behavior. The family overreacts, removing all “instruments of corruption,” like cell phones and computers, essentially imprisoning the girls, subjecting them to endless lessons in housework in preparation for them to become brides. As the eldest sisters are married off, the younger ones bond together to avoid the same fate. Their fierce love for each other emboldens them to rebel and chase a future where they can determine their own lives in the filmmaker’s feature debut, a powerful portrait of female empowerment.

https://www.youtube.com/watch?v=r_JXyi1EGJk

The filmmaker is Deniz Gamze Ergüven. Born in Ankara in 1978, she had a very cosmopolitan upbringing, between France, Turkey and the United States. A compulsive cinephile, she studied directing at La Fémis in Paris, after a BA in literature and an MA in African History at Johannesburg. Her graduation film, Bir Damla Su (Unegoutted’eau), screened at the Cannes Festival Cinéfondation and won a Leopards of Tomorrow award at the Locarno Festival. Opening with a shot of a veiled woman blowing a bubble with chewing gum, the 19-minute short tells the story of a young Turkish woman (played by Deniz herself) rebelling against the patriarchal attitudes and authoritarianism of the men in her community.

After graduating from La Fémis, Denis Gamze Ergüven developed a debut feature set in South Los Angeles, during the 1992 riots. Titled Kings, the project was selected by Emergence, the Cinéfondation Workshop and Sundance Screenwriters Lab. Ms. Ergüven set it aside in favor of MUSTANG, co-written with Alice Winocour in the summer of 2012.

The story of an emancipation, MUSTANG is a powerful, feminist take on contemporary Turkey. Ms. Ergüven shot it around Inebolu in northern Turkey, 600 kilometers from Istanbul.

INTERVIEW WITH DIRECTOR DENIZ GAMZE ERGÜVEN

You were born in Ankara but have lived mostly in France. Why shoot your debut feature in Turkey?

Most of my family still lives in Turkey and I spent my whole life going back and forth. I feel particularly concerned by stories set in Turkey because the region is really fizzing, everything is changing. Recently, the country has swung toward a more conservative position but you can still feel the force and energy. There is a sense of being at the heart of something, that everything could go into a spin at any time, that it could go in any direction. It’s also an unbelievable reservoir of fiction.

MUSTANG_director_headshot
Deniz Gamze Ergüven

 

Just like your graduation short, MUSTANG is the story of an emancipation.  What were the origins of the project?

I wanted to talk about what it’s like to be a girl and a woman in modern-day Turkey, where the condition of women is more than ever a major public issue. Clearly, the fact that I had a different perspective, because I frequently left Turkey for France, played an important role. Every time I go back, I feel a form of constriction that surprises me. Everything that has anything to do with femininity is constantly reduced to sexuality. It’s as if everything a woman or even a young girl does is sexually loaded. For example, there are stories of school principals who ban boys and girls using the same stairs to get to class. They build separate staircases. It lends a huge erotic charge to the most banal things; climbing the stairs becomes a really big deal. It demonstrates the absurdity of that kind of conservatism: everything is sexual. In the end, they talk about sex the whole time. And a conception of society emerges that reduces women to baby-making machines who are only good for housework. Turkey was one of the first countries to give women the right to vote, in the 1930s, and now we have to defend basic rights, such as abortion.  It’s sad.

Why the English-sounding title, MUSTANG?

A mustang is a wild horse that perfectly symbolizes my five spirited and untamable heroines. Visually, even, their hair is like a mane and, in the village, they’re like a herd of mustangs coming through. And the story moves fast, galloping forward, and that energy is at the heart of the picture, just like the mustang that gave it its name.

How much of you personally is in the movie?

In the opening scenes, the minor scandal that the girls provoke by climbing onto the boys’ shoulders before being violently reprimanded really happened to me when I was a teen. Except that my reaction back then was absolutely not to answer back. I hung my head in shame. It was years before I was able even to protest. I wanted my characters to be heroines. And their courage had to pay off. They had to win in the end, in the most exhilarating way possible. I see the five girls as a kind of five-headed monster that loses a part of itself every time one of the girls is absent from the story, but the last-remaining piece succeeds. It’s because her elder sisters were ensnared that Lale, the youngest, rejects their destiny. She is a condensed version of everything I dream of being.

You seem to be saying that the only way out is education.

The girls’ removal from school and the reaction it provokes in them is crucial to the story, but I don’t adopt a militant approach. A film is not a political speech. Romain Gary used to say that he didn’t go on protests because he had a whole shelf of books that marched for him. There’s an element of that. The film expresses things much more sensitively and powerfully than I ever could. I see it as a fairy tale with mythological motifs, such as the Minotaur, the labyrinth, the Lernaean Hydra—the girl’s five-headed body—and a ball that is signified here by the soccer match that the girls long to attend.

A family with five teenage girls who arouse desires in local boys and must be protected for their own good. It brings to mind Sofia Coppola’s The Virgin Suicides. What were your cinematic references in making the movie?

[Read more…]

Behold! Our new Culture Vulture trailer.

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Have you partaken in one of our weekly screenings of opera, ballet, theater and fine art exhibitions or would you like to know more? For a taste, check out this new trailer we’ll be running on all Laemmle screens starting Friday:

https://www.youtube.com/watch?v=sWn3qxF2XFM

You can enjoy one of these screenings every Monday evening at 7:30 and every Tuesday afternoon in far-flung corners of Los Angeles County: from the Ahrya Fine Arts in Beverly Hills, the Playhouse 7 in Pasadena, the Town Center 5 in Encino, to the Claremont 5 in, uh, Claremont and early next year we’ll likely add the long-awaited, hotly-anticipated Monica Film Center to that list. We’ll announce the early 2016 program soon but for now here’s where you can always find our Culture Vulture slate and what we’ve got coming up as 2015 draws to a close: www.laemmle.com/culturevulture. (Hot tip: those December 21 and 22 screenings of HAMLET star one of the most exciting actors of his generation, Mr. Benedict Cumberbatch. Get your tickets while they last.)

WHAT OUR FATHERS DID and WELCOME TO LEITH: Two superb docs about Nazis, long ago and far away, but also here and now.

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Next month we’ll be opening two acclaimed documentaries about that notorious and virulent ideology, Nazism, one that deals with its incarnation in Germany during World War II and another about its presence here and now.

A poignant, thought-provoking account of friendship and the toll of inherited guilt, WHAT OUR FATHERS DID: A NAZI LEGACY explores the relationship between two men, each of whom are the children of very high-ranking Nazi officials and possess starkly contrasting attitudes toward their fathers. Eminent human rights lawyer Philippe Sands investigates the complicated connection between the two, and even delves into the story of his own grandfather, who escaped the same town where their fathers carried out mass killings. The three embark on an emotional journey together, as they travel through Europe and converse about the past, examining the sins of their fathers and providing a unique view of the father-son relationship, ultimately coming to some very unexpected and difficult conclusions.

In her Screen Daily review, Fionnuala Halligan described the film as “chilling” and “a layered examination of brutality, self-deception, guilt and the nature of justice which is compelling throughout.” We’ll screen WHAT OUR FATHERS DID beginning November 2nd at the Royal and November 13th at the Town Center.

https://www.youtube.com/watch?v=QGWY59hFBsI

WELCOME TO LEITH, which we’ll open November 6th at the Music Hall, chronicles the attempted takeover of a small town in North Dakota by notorious white supremacist Craig Cobb. As his behavior becomes more threatening, tensions soar, and the residents desperately look for ways to expel their unwanted neighbor. With incredible access to both longtime residents of Leith and white supremacists, the film examines a small community in the plains struggling for sovereignty against an extremist vision. In his Variety review, Dennis Harvey called the film “as engrossing as a fictional thriller.” In the New York Times, Stephen Holden wrote, “Mr. Cobb is a truly scary presence whose eyes burn with fervor as he describes his racist, anti-Semitic agenda. At the same time, he is articulate, intelligent, determined and dangerous.”

https://vimeo.com/131895164

“Riotously funny” sleeper MEET THE PATELS is “a lively and engaging universal story made with an unmistakable sense of fun.”

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Every year there are at least one or two films that come out of left field and delight audiences enough to generate that most ineffable and valuable kind of publicity, word of mouth publicity. Such is the case with the new comedic documentary MEET THE PATELS, which has shown great legs and made its way from a humble start in just one of our theaters to six of them: by this Friday we’ll be showing it at the NoHo, Royal, Claremont, Town Center and Playhouse. PATELS is a laugh-out-loud real life romantic comedy about Ravi Patel, an almost-30-year-old Indian-American who enters a love triangle between the woman of his dreams…and his parents. This hilarious and heartwarming film reveals how love can be a family affair.

In his L.A. Times review, Kenneth Turan wrote that the film “[turns] one man’s culturally specific journey into a lively and engaging universal story made with an unmistakable sense of fun.” In the New York Daily News, Jordan Hoffman wrote: “MEET THE PATELS is warm and loaded with laughs, and it might even create some intercultural understanding. If only all our relationship woes could be so worthwhile.” In Variety Andrew Barker called the film “often riotously funny.” If you haven’t seen it yet, check it out!

https://www.youtube.com/watch?v=7litSYXbpRs

Win tickets to a Halloween screening of Dr. Jekyll and Mr. Hyde at the Walt Disney Concert Hall

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UPDATE: Winners have been drawn and emailed. Details below!

It’s “Horror in the Hall” this Halloween as the silent classic, DR. JEKYLL AND MR. HYDE, is accompanied live by Clark Wilson on the Walt Disney Concert Hall’s monster organ.

jekyllParamount’s Dr. Jekyll and Mr. Hyde, directed by John S. Robertson and produced by Famous Players-Lasky, was the first of three film treatments of Robert Louis Stevenson’s famous novella produced in 1920. It starred John Barrymore as the fatally split personalities, and featured Martha Mansfield and Nita Naldi as their love interests, roles based on a stage treatment, not the original story.

Four winners (selected at random) will each receive a pair of tickets to DR. JEKYLL AND MR. HYDE. As a bonus, winners will also receive two tickets to Laemmle’s very own pre-Halloween double feature of THE BRIDE OF FRANKENSTEIN (1935) & ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948) on Friday, 10/30 at the Ahrya Fine Arts in Beverly Hills. Good luck!

Enter below!

Halloween at the Walt Disney Concert Hall Ticket Giveaway

Special thanks to the LA Phil for making these tickets available to our customers! If you don’t win, please consider purchasing tickets here.

“Theodore Bikel: In the Shoes of Sholom Aleichem” ~ Join Aimee Ginsburg Bikel and Leonard Maltin to Celebrate the Legendary Actor-Singer-Author-Activist

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Portraits of two beloved icons — Sholom Aleichem and Theodore Bikel — are woven together in the enchanting new documentary Theodore Bikel: In the Shoes of Sholom Aleichem. The two men had much in common: wit, wisdom and talent, all shot through with deep humanity and Yiddishkeit. The film combines Bikel’s charismatic storytelling and masterful performances with a broader exploration of Aleichem’s remarkable life and work.

We will screen Theodore Bikel: In the Shoes of Sholom Aleichem Monday, 10/19 at 7:30 PM and Tuesday, 10/20 at 1 PM at the Ahrya Fine Arts/Beverly Hills, Town Center 5/Encino, Playhouse 7/Pasadena and Claremont 5. Film critic Leonard Maltin and Mr. Bikel’s widow, Aimee Ginsburg Bikel, will introduce and participate in a Q&A after the Monday screening in Beverly Hills. Mrs. Bikel will also participate in a Q&A after the 1 PM screening of the film on Tuesday, October 20th in Encino.

Mrs. Bikel wrote the following about her husband: “Nothing gave Theodore Bikel more pleasure than telling stories and singing songs that connected deeply to his own roots. “I sing the songs of all nations,” he would say, “and all of humanity are my brothers and sisters, we are like flowers in a garden. So,” he would add, “I sing my songs not because they are better, but because they are mine. And if I don’t tend to them, they will wither, and die.”

“On July 21 Theo Bikel passed away, leaving us with an enormous vacuum. Theo was a giant and there will be no one who can walk in his shoes. Actor, singer, author, activist for peace and human rights, he did everything with a deep joy and a commitment to making our world a better place.
“Theo considered this film his crowning achievement, and spent this past year appearing in person at the many film festivals that screened it. The audiences, cheering and clapping, loved it. Theo, who made the film at 88, improved with the years, his voice and performance deepening and softening; his humor and humanity shining bright.
“This will be the first public screening and Theo would have wanted to appear in person. Please come with your friends and family and share with us in the legacy of the one and only and forever Theodore Bikel.”

Mr. Maltin wrote the following, which he titled “Celebrating Theodore Bikel.”

“The challenge in discussing Theodore Bikel is where to start? He led so many lives—as an actor, folksinger, Civil Rights activist, union leader, and more. He is the only person I could think of who could say he worked with Humphrey Bogart, Rodgers and Hammerstein, and Frank Zappa! (He played a band manager in 200 Motels, but gently refused Zappa’s request to dress as a nun for one scene.) He was the original Baron von Trapp in The Sound of Music on Broadway, a best-selling recording artist, and a busy character actor who earned an Oscar nomination playing a Southern sheriff in The Defiant Ones. Those are just a handful of his many credits.

“His lifelong connection to the celebrated author Sholom Aleichem predates his casting as Tevye in the musical Fiddler on the Roof. (He logged more than 2,000 performances, and acknowledged that the play’s universal appeal is based in part on its ability to make the author’s work palatable to a non-Jewish audience. He described it as “Sholom Aleichem lite.”)

“As for his facility with languages, Theo explained that his father spoke only Yiddish at home and prided himself on his library of Sholom Aleichem books, which they were forced to leave behind when his family fled from Vienna to Palestine in 1938. The postscript is quite amazing: his grandmother, who stayed behind, hounded the Nazis who guarded confiscated property—so much so that they eventually let her reclaim the books, which turned up on the Bikels’ doorstep in Palestine, to the utter amazement of Theo and his parents.

“His mother spoke German at home, his father spoke Yiddish, he was given Hebrew lessons as a child, and learned French while visiting a family retreat during the summer. English was his fifth language—the fifth of many. (When he played linguist Zoltan Karpathy in My Fair Lady and George Cukor asked him to draw on his skill with dialects, Bikel reminded Cukor that of the two of them, he was not the one with Hungarian roots.)

“My wife remembers attending protest rallies at Washington Square Park in the 1960s when Theo’s folk songs roused the young people. When Alice and I moved to Los Angeles and went to our first Rosh Hashanah service, we found ourselves sitting in front of Theo and had the thrill of hearing his sonorous voice in prayer all night long.

“He continued performing, and making a difference, to the very end of his life. In 2013 he was invited to appear before the Austrian Parliament to commemorate the 75th anniversary of Krystallnacht—the dreadful night that synagogues were burned to the ground throughout Germany and Austria. He recognized that today’s Austria is not run by, or populated by, the same people who were responsible for those atrocities, and while he could never forget, he was willing to move on.

“Many of his achievements are covered in the documentary Theodore Bikel: In the Shoes of Sholom Aleichem.  No one film could include every facet of Theo’s remarkable life…but this one provides a welcome overview. And, like Theo himself, it is consistently entertaining.”

https://vimeo.com/114923514