EVERYBODY KNOWS…ELIZABETH MURRAY filmmaker Kristi Zea will participate in Q&As following the 6:10 and 8:00 PM screenings at the Music Hall on Friday through Sunday, November 3-5.
HEAL Q&A’s with Special Guests All Weekend at the Monicas.
HEAL Q&A schedule this weekend at the Monica Film Center:
FRIDAY 10/27 7:10pm
Peter Crone, Patti Penn, Dianne Porchia, Dr. Jeffrey Thompson, Moderator – Peter Rader (Producer of AWAKE and Writer of WATER WORLD)
SATURDAY 10/28 4:30pm
Peter Crone, Dianne Pocria, Dr Jeffrey Thompson, Moderator – TBD
SUNDAY 10/29 4:30pm
Dr Michael Bernard Beckwith (Founder of Agape) and Filmmaker Kelly Noonan Gores, Moderator Ginger Pullman
MULLY Filmmakers in Person at the Music Hall.
MULLY producer Lukas Behnken will introduce and/or participate in Q&A’s at the Music Hall on Friday, October 27 for the 5:10, 7:30p, and 9:50pm screenings. Director Scott Haze and producer Elissa Shay will join him for the 7:30 and 9:50 shows on Saturday, October 28. Ms. Shay will attend the 5:10, 7:30, and 9:50 shows on Monday, October 30.
https://www.youtube.com/watch?v=lu4ZR34rAkE&feature=youtu.be
ATOMIC HOMEFRONT Special Guests at the Playhouse Opening Night.
Opening night 7:10 show features a post-film conversation with ATOMIC HOMEFRONT Producer/Director Rebecca Cammisa, Producer Jim Freydberg, and film subject Dawn Chapman, co-founder of Just Moms STl.
Halloween Twofer Tuesday: THE MUMMY and CAT PEOPLE on October 31st in NoHo, Pasadena, and West LA
Laemmle Theatres and the Anniversary Classics Series present a special Halloween double feature in the popular Twofer Tuesday Series (two films for the price of one) on October 31.
We will show a “double treat” of the 85th anniversary of THE MUMMY (1932) with the 75th anniversary of CAT PEOPLE (1942). Both films epitomize atmospheric black-and-white chills from the classical studio era.
THE MUMMY was one of the early efforts from Universal studios to capitalize on the their success in the horror genre (following the 1931 hits Dracula and Frankenstein).
Karl Freund, the German émigré cinematographer of Metropolis and Dracula, made his directorial debut with this film inspired by the opening of Tutankhamen’s tomb in 1922.
Producer Carl Laemmle Jr. hired one of the writers of Dracula, John L. Balderston, to craft a screenplay from a story by Nina Wilcox Putnam and Richard Schayer, and cast Boris Karloff, fresh from his star-making performance in Frankenstein, as the three-thousand-year-old mummy stalking an English girl (Zita Johann) he believes is the reincarnation of his ancient love.
The cinematography is credited to Charles Stumar (who shot the Lon Chaney silent The Hunchback of Notre Dame). The result is a masterpiece of mood, described by critic Pauline Kael as “…disturbingly beautiful. No other horror film has ever achieved so many emotional effects by lighting; the film has a languorous, poetic feeling, and the eroticism that lives on under Karloff’s wrinkled parchment skin is like a bad dream of undying love.”
With David Manners, Bramwell Fletcher, Arthur Byron, and Edward Van Sloan.
CAT PEOPLE was the first venture from producer Val Lewton (I Walked With a Zombie, Curse of the Cat People, The Body Snatcher) as head of RKO’s new horror division in 1942. He gave Jacques Tourneur the chance to direct his first feature with this tale of a new bride (Simone Simon) who fears she is a descendant of a predatory cat family.
DeWitt Bodeen (I Remember Mama, Billy Budd) wrote the screenplay from a short story by producer Lewton, who also employed cinematographer Nicholas Musuraca and editor Mark Robson (future director of Peyton Place and Valley of the Dolls), to create one of the most imaginative low-budget films ever made. Tourneur and Musuraca later collaborated on one of the seminal film noirs, Out of the Past.
Roger Ebert called Cat People one of the “Great Movies,” extolling it as “frightening in an eerie, mysterious way that was hard to define; the screen harbored unseen threats, and there was an undertone of sexual danger that was more ominous because it was never acted upon.”
With Kent Smith, Tom Conway, and Jane Randolph. Inducted into the National Film Registry in 1993.
Our Halloween Twofer plays October 31 at three locations: Royal, NoHo 7 and Pasadena Playhouse 7. The complete double feature screens twice, with THE MUMMY shown at 5:00 pm and 8:20 pm; CAT PEOPLE at 6:40 pm and 10:00 pm.
NEVER HERE Filmmaker Camille Thoman and Star Mirelle Enos in Person for a Q&A Saturday at the Fine Arts.
NEVER HERE writer-director Camille Thoman and lead actress Mireille Enos will participate in a Q&A following the 7:20 PM screening at the Ahrya Fine Arts on Saturday, October 21. Film writer Susan King will moderate.
32 PILLS: MY SISTER’S SUICIDE Filmmaker in Person for Q&A’s at the Playhouse.
32 PILLS: MY SISTER’S SUICIDE filmmaker Hope Litoff will participate in Q&A’s after the 7:40 PM screenings at the Playhouse on Friday and Saturday, October 20 and 21.
MANSFIELD 66/67 with THE GIRL CAN’T HELP IT + WILL SUCCESS SPOIL ROCK HUNTER October 25-November 2 at the Ahrya Fine Arts Theater
Laemmle Theatres joins FilmBuff, The Ebersole Hughes Company, and Vintage Los Angeles for the opening night premiere of MANSFIELD 66/67, featuring the directors P. David Ebersole and Todd Hughes with special guests. Scheduled to appear: AJ Benza, Richmond Arquette, Mary Woronov, Donna Loren, Alison Martino and more! October 25 premiere seating is limited and tickets are $20 each.
MANSFIELD 66/67 is about the last two years of movie goddess Jayne Mansfield’s life, and the rumor that her untimely death was caused by a curse after her alleged romantic dalliance with Anton LaVey, head of the Church of Satan.
Welcome to MANSFIELD 66/67, a true story based on rumor and hearsay, where classic documentary interviews (including John Waters, Kenneth Anger, Dolly Read, Tippi Hedren, Mamie Van Doren, AJ Benza, Marilyn, Peaches Christ, Mary Woronov, Susan Bernard and more) and archival materials are blended with wild dance numbers, performance art and animation (voiced by Ann Magnuson and Richmond Arquette), elevating a tabloid tale of a fallen Hollywood idol into a celebration of the mythical proportions of a true original we can’t help but live to love more each day.
We open the film for a week-long engagement at the Fine Arts on Friday, October 27th and will also screen two Mansfield classics, THE GIRL CAN’T HELP IT from October 27th – 29th and WILL SUCCESS SPOIL ROCK HUNTER? on October 28 and 29.
WEEKEND SCHEDULE AND PRICING:
Friday, October 27th
MANSFIELD 66/67 – 7:30PM ($13 General, $10 Senior)
THE GIRL CAN’T HELP IT: 9:45PM ($8 General or $5 with purchase to MANSFIELD 66/67)
Saturday, October 28th
THE GIRL CAN’T HELP IT – 2:45PM ($8 General, Double feature with SUCCESS)
WILL SUCCESS SPOIL ROCK HUNTER? – 5:00PM ($8 General)
MANSFIELD 66/67 – 7:30PM ($13 General, $10 Senior)
WILL SUCCESS SPOIL ROCK HUNTER? – 9:45PM ($8 General or $5 with purchase to MANSFIELD 66/67)
Sunday, October 29th
MANSFIELD 66/67 – 12:30PM ($10 General, $7 Senior)
THE GIRL CAN’T HELP IT – 2:45PM ($8 General, Double feature with SUCCESS)
WILL SUCCESS SPOIL ROCK HUNTER? -5:00PM ($8 General)
MANSFIELD 66/67 – 7:30PM ($13 General, $10 Senior)
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