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Exclusive clip from GOLDEN VOICES, “an original, unusual, and quite disarming film about the immigrant experience,” opening October 8.

September 29, 2021 by Jordan Deglise Moore Leave a Comment

The Israeli romantic dramedy GOLDEN VOICES, which we open on October 8 at our Encino, West L.A. and Pasadena theaters, follows Raya and Victor who built a shared career as the Soviet Union’s most beloved film dubbers. For decades they worked translating the films of auteurs like Federico Fellini and Stanley Kubrick into Russian. Upon the collapse of the USSR in 1990, the Jewish couple must immigrate to Israel and reinvent their talents to find employment.

Exclusive clip from GOLDEN VOICES, "an original, unusual, and quite disarming film about the immigrant experience," opening October 8.
Vladimir Friedman and Mariya Belkina.

As they strive to acclimate to their adopted home, opportunities for first-rate vocal performances are few and far between. Raya answers a help wanted ad searching for women with “pleasant voices” and finds herself catering to a lonely Russian community as a phone-sex operator, while Victor falls in with a band of black market film pirates from the VHS underground. A charming comedy about disrupting dynamics, starting anew, and rediscovering yourself in the most unexpected places, GOLDEN VOICES is also a stirring tribute to the redemptive power of cinema.

Here’s an exclusive clip:

https://www.youtube.com/watch?v=Wy0LZyfSVOA

Tablet Magazine described GOLDEN VOICES as “a sensitive and heartwarming film about immigration, growing old, love, and new beginnings” and The Australian called “an original, unusual, and quite disarming film about the immigrant experience.”

Director/co-writer Evgeny Ruman says of GOLDEN VOICES, “I came to Israel in 1990 when I was a kid with my family. Going to the cinema was too expensive, so the films I had seen in my first years in Israel were from illegal video libraries for Russian speakers. This is when my love of cinema was born – watching bleak pirate copies that were shot directly from cinema screens and amateurishly dubbed. I was a kid in a strange country and the world of films was the best escape from the harsh reality. Nowadays, being a part of Israeli society and the film industry, I like to look back at the past from a different perspective and turn it into a movie. This film was born from a love of cinema, but while developing the project I discovered it expresses something much bigger than that – the story of grown people that had to reinvent themselves completely in order to start a new life in Israel. The story of my parents.

Exclusive clip from GOLDEN VOICES, "an original, unusual, and quite disarming film about the immigrant experience," opening October 8.
Evgeny Ruman.

“I see this film as a sad comedy. I believe this story has very touching human moments, as well as very funny and entertaining ones. I want the viewers to experience both fully while watching the film. I certainly would prefer to get the audience to laugh out loud rather than just smile during the most absurd and funniest moments in the film, just as I want them to be deeply engaged in the dramatic storylines and maybe even shed a tear. The story is told in a simple, clean way. Shot in cinemascope wide lenses, the images are rich in details, telling the story visually. In addition to the dialogue and music, we use the point of view of the protagonists – so the audience can have the same experience as Victor and Raya.”

https://www.youtube.com/watch?v=7oJDT7_osCc

Leave a Comment Filed Under: Director's Statement, Exclusive clip, Featured Films, Featured Post, Films, News, Playhouse 7, Royal, Theater Buzz, Town Center 5

LA PISCINE, the Arthouse Hit of the Reopening, Back by Popular Demand October 8 at the Royal.

September 22, 2021 by Jordan Deglise Moore Leave a Comment

The summer of 2021 is over but not at the movies. Rialto Pictures’ restoration of Jacque Deray 1969 crime-romance has proven irresistible to cinephiles looking for something sexy, decadent, French, and from another time. We’re happy to bring it back for another fling.

Glynnis MacNicol wrote a terrific piece for the New York Times last month examining the film’s success, headlined “A Steamy French Thriller Is a ‘Sleeper Smash Hit;’ The 1969 film LA PISCINE was supposed to run for two weeks at New York’s Film Forum, but it’s been extended to the fall.” Here’s an excerpt:

“For the past 14 weeks at Film Forum, a longstanding independent and repertory theater on West Houston Street in Manhattan, the 1969 French film LA PISCINE has been playing — a run that has extended its initial engagement by 12 weeks, and counting.

LA PISCINE, the Arthouse Hit of the Reopening, Back by Popular Demand October 8 at the Royal.
Romy Schneider, top, and Alain Delon. Rialto Pictures

“Rear Window, 8 ½, La Strada and a popular Humphrey Bogart series that included Casablanca have all come and gone, but LA PISCINE swims on.

“If there is a film of New York’s 2021 summer, this may be it.

“LA PISCINE (which means “The Swimming Pool”) revolves around Jean-Paul (played by Alain Delon) and Marianne (Romy Schneider), who have retreated to a house with a large pool outside St. Tropez.

“Sadly, he only gets one month of vacation. The lovers are unexpectedly joined by Harry (Maurice Ronet), Marianne’s former paramour and Jean-Paul’s former best friend, and his 18-year-old daughter, Penelope (Jane Birkin). Much decadence and extremely French crossover love ensues.”

You can read the rest of the piece here (spoiler alert!) but better yet, come take a dip in LA PISCINE again or, if you haven’t yet gotten wet, come on in, the water’s fine!

“Icily erotic! Seething passion and emotional chaos lie beneath the symbolically placid surface of the villa’s swimming pool, which becomes the site for both seduction and violent revenge.” — Dave Kehr, The New York Times

“Romy Schneider’s crowning cinematic moment, where she delivered her most enchanting onscreen performance.” — Manon Garrigues, Vogue Paris

“Erotic languor turns gradually into fear and then horror in this gripping and superbly controlled thriller…The pool is a primordial swamp of desire, a space in which there is nothing to do but laze around, furtively looking at semi-naked bodies.” — Peter Bradshaw, The Guardian

“Set in a to-die-for villa in the verdant hills overlooking Saint-Tropez, this icily elegant pas de quatre involves four of the most outrageously photogenic actors to ever appear on screen… We sit and revel in the glamour of it all, waiting for those hormonal and homicidal impulses to boil over – as, of course, they do.” — David Melville, Senses of Cinema

“Pretty people behaving poorly in beautiful settings is something we don’t see as much of in cinema as we used to. This is a master class in the subgenre, and one of unusual depth.” (Glenn Kenny, New York Times)

https://www.youtube.com/watch?v=s1mdihKkMFY

Leave a Comment Filed Under: Featured Films, Featured Post, Films, News, Repertory Cinema, Royal

Bicycle Benevolence: Ride the Tour de Summer Camps October 31.

September 22, 2021 by Jordan Deglise Moore Leave a Comment

For years, we here at Laemmle Theatres have been passionate supporters of cycling — bicycles can save the world! — especially for a good cause. A good cause is coming up next month: Tour de Summer Camps.

From Greg Laemmle: “Funds raised go directly to providing scholarships for L.A. kids to attend summer camp.  The money stays in the community, and helps provide life-changing (and life-improving) experiences for kids who will grow up to become the leaders of our community, Jewish and otherwise. Laemmle Theatres would not be what it is today were it not for the lessons learned by me while growing up at Camp Alonim, or the sense of mission instilled in company VP Jay Reisbaum from his years as a camper and staff member at Camp Ramah.
“We know that all our patrons are not Jewish (to steal a line from INDEPENDENCE DAY, “Nobody’s perfect.”), but we hope that all our patrons can recognize that the Jewish community has contributed much to the tapestry that is Los Angeles, and help us in giving something back through this event.
“Ride with Team Laemmle!”

Leave a Comment Filed Under: Around Town, Charity Opportunity

Bernardo Bertolucci’s THE CONFORMIST ~ 50th Anniversary Screenings.

September 15, 2021 by Jordan Deglise Moore Leave a Comment

We continue our Anniversary Classics series with Bertolucci’s stunner at 7 o’clock on Wednesday, September 29 at our Glendale, Newhall, Pasadena and West L.A. theaters. The film follows Marcello Clerici (Jean-Louis Trintignant), a member of the secret police in Mussolini’s fascist Italy. He and his new bride, Giulia (Stefania Sandrelli), travel to Paris for their honeymoon, where Marcello also plans to assassinate his former college professor Luca Quadri (Enzo Tarascio), an outspoken anti-fascist living in exile. But when Marcello meets the professor’s young wife, Anna (Dominique Sanda), both his romantic and his political loyalties are tested.

Bernardo Bertolucci's THE CONFORMIST ~ 50th Anniversary Screenings.

“It’s easy to overlook how stark THE CONFORMIST‘s political and allegorical message is because it’s just so damn beautiful.” (Aja Romano, Vox)

Bernardo Bertolucci's THE CONFORMIST ~ 50th Anniversary Screenings.

“Bertolucci’s masterpiece—made when he was all of 29—will be the most revelatory experience a fortunate pilgrim will have in a theater this year.” (Michael Atkinson, Village Voice)

Bernardo Bertolucci's THE CONFORMIST ~ 50th Anniversary Screenings.

“THE CONFORMIST is celebrated for cinematographer Vittorio Storaro’s tumbling autumn leaves, but its emotional impact involves a tumbling soul.” (Joshua Rothkopf, Time Out New York)

Bernardo Bertolucci's THE CONFORMIST ~ 50th Anniversary Screenings.

“THE CONFORMIST is a beautiful and provocative film, and its theme could not be more timely.” (John Hofsess, Maclean’s Magazine)

Leave a Comment Filed Under: Abroad, Anniversary Classics, Films, Glendale, Newhall, News, Playhouse 7, Repertory Cinema, Royal

Ninety of His Former Dancers Finally Open Up about the Magic IN BALANCHINE’S CLASSROOM.

September 15, 2021 by Jordan Deglise Moore 1 Comment

IN BALANCHINE’S CLASSROOM, which we’ll open September 24 at the Playhouse, Royal, and Town Center, takes us back to the glory years of Balanchine’s New York City Ballet through the remembrances of his former dancers and their quest to fulfill the vision of a genius. Opening the door to his studio, Balanchine’s private laboratory, they reveal new facets of the groundbreaking choreographer: taskmaster, mad scientist, and spiritual teacher. Today, as his former dancers teach a new generation, questions arise: what was the secret of his teaching? Can it be replicated?

Filled with never before seen archival footage of Balanchine at work during rehearsals, classes, and in preparation for his most seminal works, along with interviews with many of his adored and adoring dancers and those who try to carry on his legacy today, this is Balanchine as you have never seen him, and a film for anyone who loves ballet and the creative process.

DIRECTOR’S STATEMENT by Connie Hochman:

IN BALANCHINE’S CLASSROOM grew out of my lifelong interest in the work of the groundbreaking choreographer George Balanchine. As a child in the 1960s, I trained at his School of American Ballet and danced alongside the New York City Ballet, with Balanchine at the helm. During these years, I witnessed a profound bond between Balanchine and his dancer-disciples, which continued to inspire and fascinate me.

In the 1970s, as a dancer with Pennsylvania Ballet, I experienced the thrill and exhilaration of dancing many of Balanchine’s greatest ballets. Still, I wanted to know more about Balanchine, the teacher. I remembered that friends of mine who joined New York City Ballet had the opportunity each morning to take company class with him. But whenever I asked about it, they froze. No one would discuss Balanchine’s classroom.

Ninety of His Former Dancers Finally Open Up about the Magic IN BALANCHINE'S CLASSROOM.

Something told me that what transpired in that room – off limits to anyone outside New York City Ballet – was important. My curiosity only grew. Why did Balanchine teach and not just choreograph? How did his class relate to his ballets? What was it that he sought from his already proficient dancers? Why wouldn’t they talk about it?

Ninety of His Former Dancers Finally Open Up about the Magic IN BALANCHINE'S CLASSROOM.

Decades later, my childhood memories of Balanchine, fueled by my desire to solve the mystery of his classroom, impelled me to seek answers. I proposed a series of interviews with former Balanchine dancers. To my delight, many said yes – 90 in all. One by one, they opened up about the phenomenon of Balanchine’s teaching. His unorthodox methods. The extremes. The charged atmosphere. His unrelenting presence.

Ninety of His Former Dancers Finally Open Up about the Magic IN BALANCHINE'S CLASSROOM.

As each dancer travels back in time to the creative whirlwind of the Balanchine era, they relive the lessons he teaches about dance and beyond: those “a-ha” moments when resistance gives way to surrender and a super-intelligence takes over. Balanchine’s class is more than just a metaphor for life. It is Life itself – short, fleeting, intense, with rewards in proportion to one’s engagement and dedication. The dancers’ words, at last, began to quench my thirst for understanding and IN BALANCHINE’S CLASSROOM was conceived.

Ninety of His Former Dancers Finally Open Up about the Magic IN BALANCHINE'S CLASSROOM.

In addition to the dancer testimonials, which form the basis for the film, I launched an extensive search for visuals to bring the story to life. In the process, I discovered a trove of never-before-seen archival footage of Balanchine in America. With special permission from The George Balanchine Trust, I traveled across the country and to Europe to film Balanchine’s former dancers staging his ballets, teaching classes, and faithfully passing on their unique knowledge to the next generation. As I witnessed this painstaking process of transference, new questions arose which ultimately drive the final film: What happens when a master is gone? What was the secret of his teaching? Can it be replicated?

Ninety of His Former Dancers Finally Open Up about the Magic IN BALANCHINE'S CLASSROOM.

My fervent wish is to share with others the story of this extraordinary teacher and his extraordinary disciples. It is, in essence, the artist’s journey, a subject rarely tackled in film. The magic of Balanchine’s classroom was like nothing on earth. By opening the door, I invite you in to see for yourself.

Ninety of His Former Dancers Finally Open Up about the Magic IN BALANCHINE'S CLASSROOM.

DIRECTOR’S BIOGRAPHY: Connie Hochman was a professional ballet dancer with Pennsylvania Ballet where she performed many Balanchine masterworks. In 2007, Connie began a series of interviews with former Balanchine dancers – ninety in all – to explore the phenomenon of Balanchine’s classroom. Why did he teach and not just choreograph? What did he teach? How did he teach? How did his daily class relate to his ballets? Their remembrances of his unorthodox methods and transformative teaching form the basis of IN BALANCHINE’S CLASSROOM.

Ninety of His Former Dancers Finally Open Up about the Magic IN BALANCHINE'S CLASSROOM.
Filmmaker Connie Hochman.

In addition to the oral histories, Connie launched an extensive and painstaking search for visuals that would bring the story to life. Over years, she discovered a trove of never- before-seen archival footage of Balanchine in America. With approval from The George Balanchine Trust, Connie traveled around the country and to Europe to film Balanchine’s former dancers staging his ballets, teaching class, and passing on their knowledge to today’s generation.

As a first-time filmmaker, Connie consulted with Louis Psihoyos (The Cove, Chasing Extinction), and Dan Geller and Dayna Goldfine (Ballets Russes, The Galapagos Affair), each of whom offered guidance and helped her form the creative team behind IN BALANCHINE’S CLASSROOM.

https://www.youtube.com/watch?v=GpiLckkMYCU

1 Comment Filed Under: Director's Statement, Featured Films, Featured Post, Films, Playhouse 7, Royal, Theater Buzz, Town Center 5

Peter Bennett’s New Book THE LOS ANGELES RIVER Now Available for Pre-Order.

September 8, 2021 by Jordan Deglise Moore Leave a Comment

Local fine art photographer Peter Bennett has a beautiful new, long-in-the-works book coming out called The Los Angeles River and Greg and Tish Laemmle are thrilled to help spread the word: “Peter had a terrific Art in the Arthouse show at our NoHo theatre a few years back. We now have some of the photos at our other venues, and we also have several prints in our permanent collection. We’ve been longtime supporters of Friends of the L.A. River, FOLAR, via the Laemmle Charitable Foundation, and believe that anything that can be done to change the perception of the River will be for the benefit of the city. The River is there, trying to break through the concrete and bring nature back to the city.  We just have to stop fighting and instead help it. Peter’s photographs help bring that message to the fore.”
Learn more about Peter’s book and pre-order a copy here.
Peter Bennett's New Book THE LOS ANGELES RIVER Now Available for Pre-Order.

Leave a Comment Filed Under: Around Town, News

Culture Vulture Returns! Tickets Now on Sale.

September 8, 2021 by Jordan Deglise Moore 3 Comments

Nature is healing and Culture Vulture is back! We will restart the weekly series this month with Monday evening (7:30 PM) and Tuesday matinee (1:00 PM) screenings at our Claremont, Glendale, Newhall, Playhouse and Royal venues. We have something for everyone, including fine art, musical theatre, legitimate theatre, ballet and much more. The schedule, starting with something from London’s West End:
https://www.youtube.com/watch?v=8LcGGBrqhS4

09/20 & 09/21 – SKYLIGHT – On a bitterly cold London evening, schoolteacher (Carey Mulligan) receives an unexpected visit from her former lover (Bill Nighy), a successful and charismatic restaurateur whose wife has recently died. David Hare’s highly-anticipated production, directed by Stephen Daldry (The Audience), was recorded live on the West End by National Theatre Live.

https://vimeo.com/580755653/5679f08d86

09/27 & 09/22 – LIVE AT MR. KELLY’S – A look back at the legendary Chicago club Mister Kelly’s, which launched talent like Barbra Streisand, Woody Allen, Bette Midler, and Richard Pryor. Its visionary owners George and Oscar Marienthal smashed color and gender barriers to put fresh, irreverent voices in the spotlight and transform entertainment in the 50s, 60s, and ’70s.

https://vimeo.com/583451750

10/04 & 10/11 – ALGREN – A journey through the gritty world, brilliant mind, and noble heart of Nelson Algren, the writer who defined post-war American urban fiction. Featuring John Sayles, William Friedkin, Philip Kaufman, Billy Corgan and more, the film paints an intimate, witty portrait.

https://vimeo.com/thefaithful/trailer

10/11 & 10/12 – THE FAITHFUL – This documentary powerfully explores fandom, memorabilia and the magnetic appeal of three of the most influential cultural icons of our time: Elvis Presley, Princess Diana, and Pope John Paul II.

https://www.youtube.com/watch?v=XwnUJmFBhs4

10/18 & 10/19 – RAPHAEL REVEALED – Marking the 500th anniversary of Raphael’s death, the greatest exhibition ever held of his works took place in Rome. This film provides beautifully-filmed access to this once-in-a-lifetime show featuring over two hundred masterpieces.

https://www.youtube.com/watch?v=st6F5QZWJSY

10/25 & 10/25 – FOLLIES – New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves. After a sold-out run in 2017, the winner of the Olivier Award for Best Musical Revival returned for a strictly limited season in 2019. Stephen Sondheim’s legendary musical includes such classic songs as Broadway Baby, I’m Still Here and Losing My Mind.

https://vimeo.com/ondemand/putinswitnes/585517424

11/01 & 11/02 – PUTIN’S WITNESSES serves as a fascinating look at Putin in the earliest days of his presidency, when the seeds of his authoritarianism were already being sown, filmed by a former friend and colleague, now living in exile, who had intimate access.

https://vimeo.com/582143536

11/08 & 11/09 – PRISM – Filmmakers Eléonore Yameogo of Burkina Faso, An van. Dienderen of Belgium, and Rosine Mbakam of Cameroon examine biases and racism in the cinematic technology, deconstructing the camera’s objectivity, exposing its inherent power imbalance. At the same time, they work together collaboratively to construct and reconstruct. Like a chain letter, PRISM brings interviews, monologues, and images on the racism of cinematic technology into emotional, aesthetic, and intellectual dialogue.

https://vimeo.com/545187506

11/15 & 11/16 – DELPHINE’S PRAYERS – A portrait of a Cameroonian immigrant to Belgium. Quick-witted, engaging, passionate, and intense, she shares her incredible survival story.

https://www.youtube.com/watch?v=z6I-r4oLHIY

11/22 & 11/23 – M.C. ESCHER: JOURNEY TO INFINITY – Equal parts history, psychology, and psychedelia, Robin Lutz’s entertaining, eye-opening portrait gives us the famous Dutch graphic artist through his own words and images: diary musings, excerpts from lectures, correspondence and more are voiced by British actor Stephen Fry, while Escher’s woodcuts, lithographs, and other print works appear in both original and playfully altered form.

Culture Vulture Returns! Tickets Now on Sale.11/29 & 11/30 – SPARTACUS – Huge in scale and spectacular in effect, SPARTACUS is a true tour de force of a ballet, set to Aram Khachaturian’s superb score. With an incredible display of might from the four leading dancers to the entire corps de ballet and its passionate pas de deux, it is the ultimate spectacle of virtuosity and lyricism born at the Bolshoi Theatre.

Culture Vulture Returns! Tickets Now on Sale.

12/06 & 12/07 – THE DANISH COLLECTOR: DELACROIX TO GAUGUIN – Denmark’s Ordrupgaard Collection is a treasure trove featuring some of the finest Impressionist works ever painted. Includes Realist paintings by Corot, Delacroix and Courbet; landscapes of Monet, Pissarro, Cézanne and Sisley; and beautifully observed portraits by Degas, Manet, Morisot, and Gonzalès.

https://www.youtube.com/watch?v=WJdet3cdKro&feature=emb_title

12/13 & 12/14 – LOUIS VAN BEETHOVEN – This lavish historical drama illuminates the story of the world-famous composer from different perspectives.

3 Comments Filed Under: Claremont 5, Culture Vulture, Featured Post, Glendale, Newhall, News, Opera, Playhouse 7, Royal, Theater Buzz

THE LOST LEONARDO, the Whole Story of the Most Talked About Painting of the Century.

September 1, 2021 by Jordan Deglise Moore 1 Comment

THE LOST LEONARDO is the inside story behind the Salvator Mundi, the most expensive painting ever sold at $450 million. From the moment the painting is bought for $1175 at a shady New Orleans auction house, and the restorer discovers masterful Renaissance brush strokes under the heavy varnish of its cheap restoration, the Salvator Mundi’s fate is determined by an insatiable quest for fame, money and power. As its price soars, so do questions about its authenticity: is this painting really by Leonardo da Vinci?

Unravelling the hidden agendas of the richest men and most powerful art institutions in the world, THE LOST LEONARDO reveals how vested interests in the Salvator Mundi are of such tremendous power that truth becomes secondary.

Now playing at our Encino and Pasadena theaters, this Friday we are expanding this fabulous documentary to our Claremont, Glendale, Santa Monica, Newhall, and North Hollywood venues as well.

THE LOST LEONARDO, the Whole Story of the Most Talked About Painting of the Century.

DIRECTOR’S NOTES by Andreas Koefoed:

This is a film about the incredible journey of a painting, the Salvator Mundi, the Saviour of the World, possibly by Leonardo da Vinci. It is a true story, yet a fairytale worthy of H.C. Andersen: A damaged painting, neglected for centuries, is fortuitously rediscovered and soon after praised as a long-lost masterpiece of divine beauty. At its peak in the spotlight, it is decried as a fake, but what is revealed most of all is that the world around it is fake, driven by cynical powers and money.

THE LOST LEONARDO, the Whole Story of the Most Talked About Painting of the Century.

The story lays bare the mechanisms of the human psyche, our longing for the divine, and our post-factual capitalist societies in which money and power override the truth. The painting becomes a prism through which we can understand ourselves and the world we live in. To this day there is no conclusive proof that the painting is – or is not – a da Vinci and as long as there is a doubt, people, institutions, and states can use it for the purpose that serves them the most.

THE LOST LEONARDO, the Whole Story of the Most Talked About Painting of the Century.

Making this film has been a huge team effort. The producers, writers, editor, and DOP have worked side-by-side and devoted so much of themselves to the project. For that I am deeply grateful. It has been a fantastic voyage into secret worlds that are otherwise entirely inaccessible. Worlds in which anything can be bought and sold, where prestige, power, and money play out beneath the beautiful surface of the art world.

THE LOST LEONARDO, the Whole Story of the Most Talked About Painting of the Century.

The main character is the painting. Brooding over it is its restorer, Dianne Modestini, who began working on it just after losing her husband, Mario, a world-famous restorer himself. For Modestini the restoration becomes a symbiotic process of mourning in which the painting and Mario at times become one. After she lets go of the painting, it is locked away in a freeport somewhere, leaving Dianne feeling alone, and criticized for her work. Did her restoration go as far as to transform a damaged painting into a Leonardo? She is forced to defend herself and her integrity, and seek closure on the painting and her grief.

THE LOST LEONARDO, the Whole Story of the Most Talked About Painting of the Century.

What fascinates — and disillusions — me is that art is being used for economic speculation and as a token in political games. Art is a beautiful manifestation of human feelings and expressions throughout history. In my view, art belongs to humanity. Instead of being publicly accessible, it is hidden away in freeports and used for cynical and speculative purposes.

THE LOST LEONARDO, the Whole Story of the Most Talked About Painting of the Century.

None of the prominent institutions involved in the story – The National Gallery, Christie’s, the Louvre, or states of France and Saudi Arabia – wanted to talk, perhaps unsurprisingly. The supposedly independent scientific and scholarly approach to the painting is under enormous political pressure. In the end, not only the painting is lost, but also the truth itself. The painting, a product of the very Renaissance that valued freedom of science and art, ultimately becomes a victim of vested interests and power games. As Jerry Saltz says in the film, the story is “a telling fable of our time.”

I hope the film will engage, surprise and intrigue the viewers who themselves become detectives in the story, leaving them with a question: What do I believe to be the truth?”

https://www.youtube.com/watch?v=KS4NJgdPITk

1 Comment Filed Under: Claremont 5, Director's Statement, Featured Films, Featured Post, Films, Glendale, Newhall, News, NoHo 7, Playhouse 7, Santa Monica, Theater Buzz

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For the 21st consecutive year, Laemmle will be scr For the 21st consecutive year, Laemmle will be screening the Oscar-Nominated Short Films, opening on Feb. 20th. Showcasing the best short films from around the world, the 2026 Oscar®-Nominated Shorts includes three feature-length programs, one for each Academy Award® Short Film category: Animated, Documentary and Live Action.

ANIMATED SHORTS: (Estimated Running Time: 83 mins)
The Three Sisters
Forevergreen
The Girl Who Cried Pearls
Butterfly
Retirement Plan
 
LIVE ACTION SHORTS (Estimated Running Time: 119 minutes)
The Singers
A Friend Of Dorothy
Butcher’s Stain
Two People Exchanging Saliva
Jane Austin’s Period Drama

DOCUMENTARY SHORTS (Estimated Running Time: 158 minutes)
Perfectly A Strangeness
The Devil Is Busy
Armed Only With A Camera: The Life And Death Of Brent Renaud
All The  Empty Rooms
Children No More: “Were And Are Gone”

Please note that some films may not be appropriate for audiences under the age of 14 due to gun violence, shootings, language and animated nudity.
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Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
Follow LAEMMLE on TWITTER: http://bit.ly/3O6adYv
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Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
Follow LAEMMLE on TWITTER: http://bit.ly/3O6adYv
Follow LAEMMLE on INSTAGRAM: http://bit.ly/3y2j1cp
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