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Tickets: http://laemmle.com/film/blind-willow-sleeping-woman | Subscribe: http://bit.ly/3b8JTym | A lost cat, a giant talkative frog and a tsunami help a bank employee without ambition, his frustrated wife and a schizophrenic accountant to save Tokyo from an earthquake and find a meaning to their lives in the animated feature Blind Willow, Sleeping Woman. Based on stories by acclaimed Japanese author Haruki Murakami (Drive My Car), the debut of composer Pierre Földes won the Jury Special Mention award at the renowned Annency Animation Film Festival.

Tokyo, a few days after the 2011 earthquake and tsunami. Kyoko suddenly leaves her husband after spending five days in a row glued to unfolding

Tickets: http://laemmle.com/film/blind-willow-sleeping-woman

RELEASE DATE: 4/14/2023

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/sanson-and-me | Subscribe: http://bit.ly/3b8JTym | During his day job as a Spanish criminal interpreter in a small town in California, filmmaker Rodrigo Reyes (499) met a young man named Sansón, an undocumented Mexican immigrant who was sentenced to life in prison without parole. With no permission to interview him, Sansón and Reyes worked together over a decade, using hundreds of letters as inspiration to create a portrait of a friendship navigating immigration and the depths of the criminal justice system.

Tickets: http://laemmle.com/film/sanson-and-me

RELEASE DATE: 3/20/2023
Director: Rodrigo Reyes

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
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Follow LAEMMLE on TWITTER: http://bit.ly/3O6adYv
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Tickets: http://laemmle.com/film/sweetwater | Subscribe: http://bit.ly/3b8JTym | Hall of Famer Nat "Sweetwater" Clifton makes history as the first African American to sign an NBA contract, forever changing how the game of basketball is played.

Tickets: http://laemmle.com/film/sweetwater

RELEASE DATE: 4/14/2023

-----
ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
Follow LAEMMLE on TWITTER: http://bit.ly/3O6adYv
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🎓 SCHOLARS $AVE DOLLARS! 🎟️ $9 tickets for Students w/valid ID and Teachers March 21-23! ⭐ALL SHOWS! 🍿 Plus Popcorn Discounts! laemmle.com ... See MoreSee Less

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☘️ WEAR GREEN ☘️ $AVE GREEN ☘️ $2 OFF your concessions order!⭐ St. Patrick's Day! Friday March 17th Only!-Movie ticket purchase not required-Like and show this post!🎟️ laemmle.com/discounts ... See MoreSee Less

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Los Angeles premiere of AMERICA! From the award-winning director of "The Cakemaker"! 100% "FRESH" on Rotten Tomatoes! Thursday, March 16th @ 7pm with director Ofir Raul Graizer in-person for Q&A - Exclusively at Laemmle Royal "Extraordinarily moving! Will stay with you long after you leave the theater." -The Jerusalem Post / JPost.com 🎟️ laemmle.com/film/americaWINNER - Best Actress (Oshrat Ingedashet) | Jerusalem Film FestivalWINNER - Audience Award | Philadelphia Jewish Film FestivalWINNER - Critics Jury Prize | Miami Jewish Film Festival ... See MoreSee Less

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Home » Theater Buzz » Town Center 5 » Page 2

“If watching a Jafar Panahi film is something of a political act, then it is also a soul-nourishing one.” NO BEARS opens Friday at the Royal, January 20 at the Claremont, Glendale and Town Center.

January 11, 2023 by Jordan Deglise Moore

A statement from Jafar Panahi, unjustly imprisoned since July 2022 by the fascist theocrats in Tehran:

“We are filmmakers. We are part of Iranian independent cinema. For us, to live is to create. We create works that are not commissioned. Therefore, those in power see us as criminals. Independent cinema reflects its own times. It draws inspiration from society. And cannot be indifferent to it.

“The history of Iranian cinema witnesses the constant and active presence of independent directors who have struggled to push back censorship and to ensure the survival of this art. While on this path, some were banned from making films, others were forced into exile or reduced to isolation. And yet, the hope of creating again is a reason for existence. No matter where, when, or under what circumstances, an independent filmmaker is either creating or thinking about creation. We are filmmakers, independent ones.”

Some of the copious praise for No Bears, the film he finished just before being arrested:

“If watching a Jafar Panahi film is something of a political act, then it is also a soul-nourishing one.” ~ Barry Hertz, Globe and Mail

“[Panahi’s] work has not astonished like this in some time.” ~ Glenn Kenny, RogerEbert.com
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“There’s an urgency and a currency to No Bears that is evident even if you didn’t know Panahi is currently serving a six-year sentence for “producing anti-government propaganda,” both of which add a sting to its final act. You leave feeling like you’ve just seen a truly extraordinary late work produced by one of the era’s greatest working auteurs, quickly followed by the sense of experiencing a sucker punch when you remember that the man driving away from the scene of the crime onscreen isn’t able to go anywhere once that screen fades to black.” ~ David Fear, Rolling Stone
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“Panahi, whose courage and honesty are beyond doubt, has made a movie that calls those very qualities into question, a movie about its own ethical limits and aesthetic contradictions.” ~ A.O. Scott, New York Times
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“It’s a fierce critique of small-town traditionalism and religious dogma. But while this is an angry and ultimately devastating movie, it’s also a surprisingly playful and inventive one.” ~ Justin Chang, NPR’s Fresh Air
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“There’s no way to watch this film without feeling mournful, or fearing for the man who made it.” ~ Stephanie Zacharek, TIME Magazine

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Filed Under: Claremont 5, Director's Statement, Featured Films, Featured Post, Films, Glendale, News, Press, Royal, Theater Buzz, Town Center 5

Contest! Submit your Top Ten Films of 2022 for a chance to win gift cards & read Greg Laemmle on TÁR, RRR, HALLELUJAH and the seven other films on his 2022 Top Ten.

January 5, 2023 by Jordan Deglise Moore

Have you caught up on the 2022 movies you wanted to see? Regardless, it’s time to submit your Top Ten lists. Tell us which films you liked best here and you’ll be entered into a raffle for free Laemmle gift cards! If you need inspiration, here’s Greg Laemmle on the state of arthouse moviegoing and his favorite features of the last year, with some thoughts about each:

“At some level, the best that can be said is that at least we were open for all twelve months of the year. And after 2020 and 2021, that was a positive. But given that the year both started and ended with Omicron surges, the movie exhibition sector is still not in a post-Covid environment.

“For those of us who have returned to communal moviegoing, there were some memorable movies to see. But overall, we are still dealing with fewer movies in release, less review coverage in the local press of theatrically released films, and distributor marketing campaigns for critically driven films that are still adjusting to the new landscape. There are hopeful signs. But we are still not out of the woods.
“But enough about the business. How about the films! Following is my Top 10. Like all lists, this is a work in progress, given that there are a number of films which I have not yet had a chance to watch. So if you are wondering why something is not included, it may just be that I haven’t gotten around to seeing it…yet!”
#1 – TÁR – I will admit that there is something emotionally unsatisfying about this film. But not every story can be tied up in a neat bow at the end, and such is the case here. The complex character at the center of this tale is a mass of contradictions, and to its credit, the film does not try to smooth out the rough edges. Built around Cate Blanchett’s masterful performance, Todd Field’s film is one that grows richer with each viewing.
#2 – RRR – If my top film is one that requires rigorous viewing, this #2 title is perhaps the polar opposite. But director S. S. Rajamouli is equally in control of his canvas, and the resulting film is again something that provides pleasure after repeated viewing.
#3 – HALLELUJAH: LEONARD COHEN, A JOURNEY, A SONG – There have been a number of worthwhile Leonard Cohen documentaries. But in focussing on the lengthy process involved with the creation of his most famous (and most covered) song, this film reveals something about the spiritual quest that each of us go through, and becomes something more than a film about a famous work of art. It is a revelation about the universal search for meaning.
#4 – HOLY SPIDER – Another spiritual journey. But this time, a cautionary tale about how the desire to do God’s work in the world can be corrupted. And all that is wrapped up in a taut thriller that features two great performances.
#5 – LIVING – I’m not a fan of remakes. And given that Akira Kurosawa’s IKIRU is a favorite, there was every reason to dislike this film. And yet, it gets so much right, being both respectful of the original film and understanding the need to bring the tale into a new and different setting. No film delivered as much emotionally in 2022, aided no doubt by Bill Nighy’s tremendous lead performance.
#6 – CORSAGE – Another film that benefits from a masterful lead performance. Vicky Krieps is terrific in this beautifully made costume drama. But as much as we focus on the corsets and gowns from a different era, we are really drawn into the inner life of this complex historical figure. Kudos to director Maria Kreutzer for for the complete film that supports and enhances the lead performance, creating a whole that is so much more than the sum of its parts.
#7 – CHA CHA REAL SMOOTH – Too few people saw this terrific American indie film, the sophomore effort from actor-writer-director Cooper Raiff. That’s a real shame as I found it to be one of the year’s more interesting efforts. You can find it on Apple TV, and hopefully the interplay between Raiff, the emotionally raw Dakota Johnson, and the newcomer Vanessa Burghardt delivers the same punch. I look forward with great anticipation to filmmaker Raiff’s next picture.
#8 – THE BATMAN – Yes, it’s long. Yes, it’s dark. Yes, it is a commercial film. But it is also a work that represents the singular vision of director Matt Reeves, marshalling all the talents both in front of and behind the camera to present his spin on this oft-told tale. I’m an indie guy. But I also believe that Hollywood should be given its due when it gets things right. And with this film (also TOP GUN: MAVERICK and – in a different way – ELVIS), the raw power of studio filmmaking is clear.
#9 – THE NORTHMAN – Director Robert Eggers (THE LIGHTHOUSE) was given a huge budget to make this Nordic tale. That may not have made the most financial sense, but the film itself delivers. Look for big screen revival showings.
#10 – ONLY IN THEATERS – Is it fair to include this on my list? Probably not. But is it fair to exclude it? Director Raphael Sparge’s documentary about the history of Laemmle Theaters, and our struggles over the past few years as we weathered bad box office and then the pandemic is 100% fresh on Rotten Tomatoes, so critics agree that it is a worthy effort. And so many people have approached me at the theatres to say how much they enjoyed the film as well. As we work in the coming year to rebuild our business, this film reminds us how powerful and worthwhile the experience is of seeing a movie with an audience in a movie theatre. And isn’t that something to be thankful for?
Happy New Year and Happy Moviegoing,
Greg Laemmle

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Filed Under: Claremont 5, Contests, Featured Post, Films, Glendale, Greg Laemmle, Newhall, News, NoHo 7, Royal, Santa Monica, Theater Buzz, Town Center 5

Which are the ten best movies of 2022?

December 22, 2022 by Jordan Deglise Moore

We all like a good Top Ten list. They’re fun to make, entertaining to read, and amusing to argue over. In 2003 I included Love, Actually on my Top Ten list and an erudite film critic friend practically did a spit take he was so shocked I would put such an admittedly middlebrow entertainment among my other choices, which were more esoteric and in line with his tastes. But, hey! Enjoy the art you enjoy and don’t be ashamed of it.

This is a roundabout way of saying we’ll be collecting your Top Ten lists the first week of 2023. We’ll include the entry form in that week’s newsletter and, assuming he catches up on the buzzy films he hasn’t seen yet, Greg Laemmle’s Top Ten list. By submitting your list you’ll be entered into a raffle for free Laemmle gift cards!

For inspiration, here are some Top Ten lists the nation’s leading film critics have submitted and — good news! — many of the titles — No Bears, One Fine Morning, EO, and Return to Seoul — are either now playing or coming soon so you can see them as they were meant to be seen, theatrically. They are hyperlinked below.

Justin Chang, Los Angeles Times
1. No Bears
2. Aftersun
3. The Eternal Daughter
4. Tár
5. Benediction
6. Decision to Leave
7. Kimi
8. Crimes of the Future
9. One Fine Morning
10. EO
11. Nope

Manohla Dargis, New York Times

1. EO
2. Petite Maman
3. Nope
4. No Bears
5. Kimi
6. The Eternal Daughter
7. Happening
8. Decision to Leave
9. Expedition Content
10. All the Beauty and the Bloodshed

From NO BEARS. Courtesy of Sideshow and Janus Films.

Owen Gleiberman, Variety

  1. Tár
  2. The Fabelmans
  3. The Batman
  4. Bros
  5. Navalny
  6. Holy Spider
  7. Whitney Houston: I Wanna Dance with Somebody
  8. Vengeance
  9. Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb
  10. 13: The Musical

Peter Debruge, Variety

  1. Tár
  2. Saint Omer
  3. Good Luck to You, Leo Grande
  4. Playground
  5. The Batman
  6. Corsage
  7. Happening
  8. After Yang
  9. The Whale
  10. You Won’t Be Alone

Alissa Wilkinson, Vox

1. Tár
2. Aftersun
3. No Bears
4. Return to Seoul
5. Riotsville, USA
6. We Met in Virtual Reality
7. All the Beauty and the Bloodshed
8. Emily the Criminal
9. The Cathedral
10. Top Gun: Maverick

The critics of RogerEbert.com

1. The Banshees of Inisherin
2. The Fabelmans
3. Decision to Leave
4. Tár
5. Aftersun
6. Nope
7. No Bears
8. Everything Everywhere All at Once
9. RRR
10. Babylon

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Filed Under: Claremont 5, Contests, Films, Glendale, Newhall, News, NoHo 7, Press, Royal, Santa Monica, Theater Buzz, Town Center 5

Join our tradition: SING-ALONG FIDDLER ON THE ROOF tickets are going fast!

December 21, 2022 by Jordan Deglise Moore

So few movies stand the test of time and can delight wildly different audiences even decades after their release. Fifty-one years later, Fiddler on the Roof is one of those few. All of which is to say that tickets for our Christmas Eve Sing-Along Fiddler on the Roof screenings at six of our seven theaters are going fast. There is still room for those who want to come out and celebrate, but act soon. Bring your Hanukkah menorah (and candles) to the theatre and help celebrate the miracles in our lives, not least of which is the “Wonder of Wonders” that Laemmle Theatres is still open after a year of closure and two years of halting recovery.  Are brighter days ahead? Who knows. But I’m betting on yes. So buy a ticket, and I’ll feel as “If I Were a Rich Man” because there are still people who value the “Tradition” of seeing a movie in a movie theatre! ~ Greg Laemmle
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Filed Under: Claremont 5, Featured Films, Featured Post, Films, Glendale, Greg Laemmle, Newhall, News, NoHo 7, Repertory Cinema, Royal, Special Events, Theater Buzz, Town Center 5

The 80th Golden Globes Award nominees at Laemmle.

December 14, 2022 by Jordan Deglise Moore

If you’re not yet caught up with some of the standout art films of 2022, the Hollywood Foreign Press Association announced its nominations for the 80th Golden Globe awards, they’re a handy to do list. The Banshees of Inisherin (now playing at the NoHo with a return engagement starting Friday at the Monica Film Center and Town Center) received the most nods, with eight, including Best Film (Musical or Comedy), Best Director and Screenplay for Martin McDonagh, and acting nominations for Colin Farrell, Brendan Gleeson, Kerry Condon and Barry Keoghan.

Triangle of Sadness (now playing at the Monicas with a return engagement in Glendale slated for December 23) earned Best Film (Musical or Comedy) and Best Supporting Actress for Dolly De Leon. Todd Field and Cate Blanchett were honored for TÁR with Best Film (Drama), Screenplay and Actress (Drama) nominations. We’re currently playing TÁR in Santa Monica. Now in its eighth week at the Laemmle Glendale, Decision to Leave (South Korea) got a Best non-English language film nomination. Now in its fourth week, we have The Menu (Best Actor and Actress – Musical or Comedy nods for Ralph Fiennes and Anya Taylor-Joy) Claremont, Glendale and Santa Monica. We open Sam Mendes’ Empire of Light this Friday at the NoHo, Newhall, Claremont, Town Center, Glendale and Monica Film Center. Olivia Colman got a Best Actress (Drama) nomination for her role.

Finally, we have films by three of the five nominees for Best Actor (Drama) coming soon: Brendan Fraser in The Whale (starts December 21 at the NoHo and January 20 at the Claremont, Newhall and Town Center; Hugh Jackman in The Son (starts January 20 at the Claremont, Newhall, NoHo, Glendale, Town Center and Royal; and Bill Nighy in Living (December 23 at the Royal and January 13 at the Newhall, Claremont, Glendale, and Town Center.

 

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Filed Under: Awards, Claremont 5, Films, Glendale, Newhall, News, NoHo 7, Royal, Santa Monica, Theater Buzz, Town Center 5

“A gem of the Iranian new wave,” THE RUNNER opens Friday at the Royal & Town Center.

December 14, 2022 by Jordan Deglise Moore

Featuring one of the finest cinematic performances by a child actor (Madjid Niroumand) and a peer to classics like Truffaut’s The 400 Blows, De Sica’s The Bicycle Thief and Luis Buñuel’s Los Olvidados, Amir Naderi’s The Runner (1984) has been beautifully restored by Rialto Pictures. We are proud to open the film this Friday, December 16 at the Royal and Town Center.
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“A gem of the Iranian new wave…crisply restored with improved subtitles…admirably lean and remarkably well-constructed…the light is often dazzling; the array of bottles floating in the harbor is bewitching… has a subtle fairy tale quality.” — J. Hoberman, The New York Times
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“To say that the 1984 movie doesn’t seem at all dated is almost an understatement. I can’t think of any 2022 film that radiates so much joy in the act of filmmaking, or that can serve as such an electrifying inspiration to younger artists.” ~ Godfrey Cheshire, RogerEbert.com
 
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“Niroumand gives a remarkable performance, thoroughly uninhibited and completely engrossing.” ~ John Anderson, Newsday
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“A work of astonishing power and simplicity, reminiscent of the finest Italian neo-realist films.” ~ Kevin Thomas, Los Angeles Times
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“One of the best films in town right now.” ~ Derek Malcolm, Guardian
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“The film uses stylization and photographic compositions of remarkable beauty (the director of photography was Firooz Malekzadeh) without ever compromising the tough reality of the lives of these undaunted young outcasts.” ~ David Robinson, Times (UK)
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“[Amiro’s] unguarded exuberance hits you with unexpected force. It stays with you.” ~ Hal Hinson, Washington Post
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“Like Bunuel, Naderi shows a keen understanding of children’s camaraderie and determination.” ~ Ted Shen, Chicago Reader
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“If The Runner is tentatively optimistic, it is also drenched in a mood of yearning lyricism.” ~ Stephen Holden, New York Times
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“Young Nirumand gives a performance to make Rossellini weep, and the soundtrack is a joy.” ~ Pierre Hodgson, Time Out
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Filed Under: Featured Films, Press, Repertory Cinema, Royal, Theater Buzz, Town Center 5

“An exploration of how power works in the U.S., how historic change happens, and how people find the courage to become part of it through movements,” TO THE END opens December 9.

November 30, 2022 by Jordan Deglise Moore

Filmed over four years of hope and crisis, To the End captures the emergence of a new generation of leaders and the movement behind the most sweeping climate change legislation in U.S. history. Award-winning director Rachel Lears (Knock Down the House) follows four exceptional young women— Rep. Alexandria Ocasio-Cortez, activist Varshini Prakash, climate policy writer Rhiana Gunn-Wright, and political strategist Alexandra Rojas— as they grapple with new challenges of leadership and power and work together to defend their generation’s right to a future.

From street protests to the halls of Congress, these bold leaders fight to shift the narrative around climate, revealing the crisis as an opportunity to build a better society. Including up-to-the-minute footage that culminates in 2022’s landmark climate bill, To the End.

We open To the End at the Town Center, Monica Film Center, Glendale and Claremont on Friday, December 9.

Director’s Statement: The idea for To the End came about in Fall 2018 during the post-production of Knock Down the House. I became galvanized to focus a new project on the climate crisis when the UN’s 2018 IPCC report revealed that the key to averting climate catastrophe is political will. The project soon coalesced around Rep. Alexandria Ocasio-Cortez and three other visionary young leaders working on the Green New Deal: Varshini Prakash, Alexandra Rojas, and Rhiana Gunn-Wright. Building upon my last two features, I think of To the End as a continuing exploration of how power works in the U.S., how historic change happens, and how people find the courage to become part of it through movements. Like my previous films, this film required a leap of faith, foresight and risk to commit to following a controversial vérité story with an uncertain outcome.

The climate crisis can be so overwhelming that it can lead to feelings of despair or cynicism, especially when we see how it intertwines with other crises including the pandemic, racial and economic inequality, and political violence. Our protagonists confront this reality head on, and find the courage to act in the face of it, drawing inspiration from social movements that have successfully sparked transformative change in the past. Their efforts lead directly to major climate policy becoming a priority of the Biden administration and the Democratic Party, and ultimately to a scaled back but still major climate bill being passed. While the film ends here, the story does not, as our protagonists vow to continue fighting for solutions that match the scale that science demands and leave no one behind. Moreover, we feel strongly that telling these women’s stories has particular historic significance because the leadership and contributions of women of color have so often been overlooked in the United States.

To the End is grounded in character-based, on-the-ground vérité storytelling and intimate interviews in the style of Knock Down the House, an approach I’ve been working with for over a decade. The film incorporates large-scale aerial cinematography to evoke the sheer scale of the systems that have to change to address the climate crisis. We use archival collage to explore the historical and cultural dimensions of paradigm shift, and to examine critically how the media shape worldviews and horizons of possibility. By playing with tropes of dystopian fiction in aspects of the score, lighting, color grading, and sound design, we aim to draw audiences into a cinematic world where critical issues become the backdrop for individuals to forge a path that is always at once heroic and imperfect. Throughout, we build a driving narrative and explore our characters’ vulnerability and strength in a behind-the-scenes, first-person account of history as it is made.

Shot in 11 states and Washington, D.C. over the course of nearly four years of interlocking global and national tumult, the production process of To the End required our committed core team to continually draw inspiration and learning from the strength, dedication and self-reflection of our remarkable protagonists. The film frames their fight for a just and sustainable future as an epic coming of age story of courageous young women confronting multiple dystopian dimensions—climate disaster itself, the corporate media, and the Kafkaesque world of D.C. politics. I want To the End to stand as a unique historical document of how the United States came to make the largest investment to fight the climate crisis ever made by any country, while also offering viewers an opportunity to emotionally process the existential anxiety of this historical moment, and imagine themselves in new roles as part of changing the future.

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Filed Under: Claremont 5, Director's Statement, Featured Films, Films, Glendale, Santa Monica, Theater Buzz, Town Center 5

The “deeply felt and tenderly funny family drama” MEMORIES OF MY FATHER opens Friday at the Royal and Town Center.

November 23, 2022 by Jordan Deglise Moore

Colombia’s official selection for the 93rd Academy Awards and an official selection at Cannes 2022, Memories of My Father follows the life of Héctor Abad Gómez, one of Colombia’s most beloved national figures. Beautifully dramatized by Fernando Trueba, the director of Academy Award winning Belle Epoque, we open the film this Friday at the Royal in West L.A. and the Town Center in Encino.

 

Almodóvar regular Javier Cámara plays Gómez, in this adaptation of his son’s Héctor Abad Faciolince richly evocative memoir. It recounts life in the turbulent South American country in the 1970s and 1980s, charting how the city of Medellín’s descent into corruption transformed the halcyon days of Héctor’s youth as his father became an increasingly outspoken critic of the government. Shifting between the stark black and white images of the 1980s and warmer color tones that define life the 1970s, Fernando Trueba’s film balances a nuanced portrait of family life with the harsher realities of a rapidly changing world. Cámara, who drew worldwide acclaim as the nurse in Talk to Her, movingly captures Gómez as both caring father and activist whose politics were based less on ideology and more on the human rights of everyday people in being able to access the necessities of life: Food, water and adequate shelter.

“This is a wonderfully sympathetic, deeply felt and tenderly funny family drama with a novelistic attention to details and episodes.” ~ Peter Bradshaw, The Guardian

“A bracingly affectionate biopic that compels despite (and because) of its unapologetic sentimentality, Fernando Trueba’s Memories of My Father pays loving tribute to someone who took comfort in the knowledge that he would be forgotten.” ~ David Ehrlich, indieWire
“Those seeking a pleasantly expansive, somewhat old-school dose of laughter and tears — one not so distant from the director’s Oscar-winning “Belle Epoque” three decades ago — will enjoy this handsomely produced tale.” ~ Dennis Harvey
Variety

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