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WHO WILL WRITE OUR HISTORY? Filmmakers will Participate in QA’s after Select Showtimes at the Town Center and Music Hall.

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WHO WILL WRITE OUR HISTORY? Q&A details are as follows:

Friday, 2/1
Town Center 7:30 pm Roberta Grossman (Director)

Saturday, 2/2
Music Hall 5:10 pm Roberta Grossman (Director)  & Nancy Spielberg (Executive Producer)

Sunday, 2/3
Music Hall 12:00 pm Roberta Grossman (Director) & Nancy Spielberg (Executive Producer)
Town Center 3:00 pm Roberta Grossman (Director) & Nancy Spielberg (Executive Producer)

Monday, 2/4
Town Center 7:30 pm Roberta Grossman (Director) & Nancy Spielberg (Executive Producer)

Tuesday, 2/5
Music Hall 7:50 pm Roberta Grossman (Director) & Nancy Spielberg (Executive Producer)

Wednesday, 2/6
Music Hall 7:50 pm July Hodara (Producer) & Roberta Grossman (Director)

Looking Forward to Looking Back: Repertory Cinema at Laemmle Theatres with Bergman, Truffaut and more.

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We are beginning the fifth year of our Anniversary Classics and Anniversary Classics Abroad series — our first three films back in 2015 were Exodus, Getting Straight and Where’s Poppa? — and got 2019 off to a strong start this week with Fellini’s Amarcord. Here’s what we have planning for the coming months:

We’ll screen Black Orpheus on February 20 at the Playhouse, Royal and Town Center. Winner of both the Best Foreign Language Film Oscar and the Palme d’Or at Canne, Marcel Camus’ film brings the ancient Greek myth of Orpheus and Eurydice to the twentieth-century madness of Carnival in Rio de Janeiro. With its eye-popping photography and ravishing, epochal soundtrack, Black Orpheus was an international cultural event, and it kicked off the bossa nova craze that set hi-fis across America spinning.

On February 26 at the Playhouse only we’ll screen The Wild Bunch. Sam Peckinpah’s controversial revisionist Western takes place in Texas and Mexico in 1913. The titular outlaws, headed by ethical-in-his-fashion Pike (William Holden), stages violent bank robberies in their old, time-honored tradition. After a particularly brutal holdup in the town of San Rafael, the gang — or what’s left of it — heads for the hills of Mexico, pursued by a posse led by Thornton (Robert Ryan). Our Pasadena neighbor Vroman’s Bookstore will present a Q&A and book signing with THE WILD BUNCH: Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film author W.K. Stratton in conversation with Stephen Farber after the screening.

François Truffaut’s 1959 The 400 Blows is the kind of film we at Laemmle Theatres cut our teeth on, so to speak, back in a very different time for film exhibition. With Jean-Pierre Léaud playing his stand-in for the film time, Truffaut brilliantly re-creates the trials of his own difficult childhood in the film that marked his emergence as one of Europe’s most brilliant auteurs and signaled the beginning of the French New Wave. We’re bringing it back for one night, March 20, at the Playhouse, Royal and Town Center.

This year is the 45th anniversary of the U.S. release of the French slapstick masterpiece The Mad Adventures of “Rabbi” Jacob. In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assassins from Slimane’s country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who’s returned to France for his first visit after 30 years in the United States. We’ll show it April 17 at the Playhouse, Royal and Town Center.

On May 15 we’ll screen Wild Strawberries at the Playhouse, Royal and Town Center. Ingmar Bergman’s elegiac story of elderly Professor Isak Borg (Victor Sjöström) facing his past is the film that catapulted the Swedish auteur to the forefront of world cinema. Released in 1957, this is the 60th anniversary of its release in the States.

On June 19 we’ll enjoy some laughs to celebrate the 40th anniversary of La Cage Aux Folles, the French comedy about a gay couple living in St. Tropez who have their lives turned upside down when the son of one of the men announces his impending marriage. Screening at the Playhouse, Royal and Town Center.

For our regular Anniversary Classics series we typically stick to domestic fare. To mark Valentine’s Day we’re planning a Twofer Tuesday double feature at the NoHo, Playhouse and Royal of two 1959 romantic comedy classics: Doris Day and Rock Hudson’s Pillow Talk and Billy Wilder’s Some Like It Hot with Tony Curtis, Jack Lemmon and Marilyn Monroe. With these two films, no chance of ending up with the fuzzy end of the lollipop!

45th Anniversary Screenings of Federico Fellini’s AMARCORD January 16th in Encino, Pasadena, and West LA

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Laemmle Theatres and the Anniversary Classics Series launch our Anniversary Classics Abroad program for 2019 with one of the most acclaimed foreign-language films of the 1970s, Federico Fellini’s boyhood-memory masterpiece, AMARCORD. Actor Michael Forest, who worked on the film, will share some memories of working with Fellini in a Q&A before the screening at the Royal Theater.

Fellini collected his fourth and final directing Oscar nomination for the film, which won the Academy Award as the year’s best foreign language film. It was also named the best film of the year by the New York Film Critics, and Fellini was their choice for Best Director.

AMARCORD (the vernacular for “I remember” in Romagna) is an evocation of a year in the life of an Italian coastal town in the 1930s. It is not a literal recreation but more of a dreamlike memoir of a time filtered through sentimental, political, and erotic reminiscences of a bygone era.

There is no central character, but an assortment of townspeople played by an ensemble cast. Among them are Titta (Bruno Zanin), a teenager who possibly could be the young Fellini; Titta’s father (Armando Brancia), a socialist construction foreman openly at odds with the fascist government; Gradisca (Magali Noel), the town hairdresser and femme fatale; Titta’s foul-mouthed grandfather (Guiseppe Lanigro); Titta’s crazy uncle (Ciccio Ingrassia); and The Lawyer (Luigi Rossi), the narrator and master-of-ceremonies.

Fellini co-wrote the Oscar-nominated screenplay with Tonino Guerra (‘La Notte,’ ‘Blow-Up’) and employed frequent collaborator Nino Rota to compose the score, with color cinematography by Giuseppe Rotunno.

Critics of the day received the film rapturously. Time Out New York called the film “A funhouse tour through Fellini’s mind…he has mined his youth before but never with such jocularity and emotional force… [with] some of the most lyrical imagery the maestro has ever concocted.”

Vincent Canby of the New York Times was equally impressed, writing, “it’s a film of exhilarating beauty…may possibly be Fellini’s most marvelous film.”

Roger Ebert called it Fellini’s “last great film,” raving, “if ever there was a movie made entirely out of nostalgia and joy, by a filmmaker at the heedless height of his powers, that movie is Federico Fellini’s AMARCORD.”

AMARCORD screens Wednesday, January 16 at 7pm in Encino, Pasadena, and West LA. Click here for tickets.

Happy New Year! See the Shortlisted Foreign Films at Laemmle Theatres!

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And then there were nine. Eighty-seven nations submitted one film each to compete for the 2019 Best Foreign Language Film Oscar and last month the Academy announced its shortlist. Cinephiles can now or very soon see all but one of these extraordinary movies, which tell stories of Europe, the Middle East, North and South America, and Asia, on a Laemmle screen:

Birds of Passage (Colombia), dirs.: Cristina Gallego/Ciro Guerra
The Guilty (Denmark), dir: Gustav Moller
Never Look Away (Germany), dir: Florian Henckel von Donnersmarck
Shoplifters (Japan), dir: Hirokazu Kore-eda
Ayka (Kazakhstan), dir: Sergei Dvortsevoy (this one is still looking for a U.S. distributor)
Capernaum (Lebanon), dir: Nadine Labaki
Roma (Mexico), dir: Alfonso Cuaron
Cold War (Poland), dir: Pawel Pawlikowski
Burning (Korea), dir: Lee Chang-dong

The Academy will announce the final five nominees on January 22. Read Nancy Tartaglione’s Deadline Hollywood post about the shortlist, including a couple surprising omissions, here.

Are there any 2018 films you think should have made the cut? Or do you think AMPAS did well?

LAEMMLE LIVE presents: Kaleidoscope Orchestra January 27 in Santa Monica

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RSVP ON EVENTBRITE
This is a Free Event

LAEMMLE LIVE proudly launches its third season with the musicians of Kaleidoscope Orchestra. The critically acclaimed local conductorless chamber orchestra is dedicated to enriching lives through exhilarating concert experiences, artistic excellence, musician leadership, and connecting with the diverse communities of Los Angeles. They envision a world where commitment to collaborative artistic process results in profound orchestral performances that inspire people to pursue cooperation and artistry in their own creative, professional and personal lives. Benjamin Mitchell, President. For more info, please visit: www.kco.la

The program will include the Octet in F Major, D. 803 by Franz Schubert (1797-1828)

Benjamin Mitchell, clarinet

Nick Akdag, bassoon

Nicolee Kuester, horn

Benjamin Hoffman, violin

Chiai Tajima, violin

Alex Granger, viola

Stella Cho, cello

Rebecca Lawrence, bass

Sunday, January 27, 2019
11:00 AM
Monica Film Center
1332 Second Street
Santa Monica

 

ART IN THE ARTHOUSE: More Art for the Holidays

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If you are in Claremont, Pasadena, NoHo or West Los Angeles this holiday season, check out our fine art galleries. No ticket required. Laemmle’s ART IN THE ARTHOUSE continues to connect film audiences with the visual arts all year long and our artwork is for sale.  You might be inspired to buy a memorable work of art for someone special. Our CLAREMONT ART SHOW, curated by Joshua Elias, is winding down in late January. Highlights include digital works by Ron Dunlap, florals by Kathy Leeds and dynamic images by James Miley. Or peruse the artworks of our PASADENA artists including the playful collages of Lois Keller, bold paintings by Lynn Chang, dynamic watercolors by Mitsuko Hays and bright abstracts by Alla Vilesova. Our Pasadena show runs till March 2019. Before the end of February, visit our innovative SCREENINGS show in NoHo, featuring 36 Los Angeles-based artists, commissioned to make artwork in the format of the movie screen. The artists selected represent diverse practices including painting, printmaking, conceptual art, film, and video. The show was curated by Conor Thompson. At Laemmle venues around town, we provide movie goers with the opportunity to bond with notable and emerging visual artists. We focus on local talent and the robust Los Angeles arts scene, applying high curatorial standards to long-lasting exhibits that allow for repeat visits and extended reflection. Contribute to the conversation and become a Laemmle patron of the arts. Going to the Royal any time soon? Say hello to a festival of color from the duo of HILL & STUMP, lovingly curated by Tish Laemmle. These breathtaking floral compositions will grace our walls till February 2019. Please know, we proudly donate a portion of art sales to the Laemmle Foundation which supports a variety of environmental and humanitarian non-profits doing inspired, essential work in our community.

 

ART IN THE ARTHOUSE: Art for the Holidays

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With the holidays right around the corner, why not consider giving a meaningful gift of art or simply stop by to view our galleries. No tickets required. ART IN THE ARTHOUSE connects film audiences with the visual arts all year long and our artwork is for sale.  We proudly deliver a unique, alternative art-viewing experience at seven of our nine venues. You might be inspired to buy a memorable work of art for someone special.

Check out the bold, dynamic paintings and collages of Isabella Kelly-Ramirez at the Monica Film Center. Ramirez coopts images from fashion and art magazines, repurposing them to create surreal urban legends and ironic emblems of commercialism. Her show runs till early January, 2019. Or get on up to Glendale for Caley O’Dwyer’s modern mixed media works; we extended his NoHo show to our newest Laemmle theatre. O’Dwyer explores multiple selves through deft application of gouache and collage cutouts. His work is on display till February, 2019.

At Laemmle venues around town, we provide movie goers with the opportunity to bond with notable and emerging visual artists. We focus on local talent and the robust Los Angeles arts scene, applying high curatorial standards to long-lasting exhibits that allow for repeat visits and extended reflection. Contribute to the conversation and become a Laemmle patron of the arts.

Going to Encino Town Center any time soon?  Take a look at Kirk Mann’s colorful nature photographs. We recently moved his show over from the Royal. With an awe and reverence for the natural world, Mann presents a unique artistic convergence of Eastern philosophy and nature’s essence. His exhibit runs till February, 2019. Please know, we proudly donate a portion of art sales to the Laemmle Foundation which supports a variety of environmental and humanitarian non-profits doing inspired, essential work in our community.

ART IN THE ARTHOUSE presents: HILL & STUMP at the Royal

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ART IN THE ARTHOUSE happily welcomes back artists DAPHNE HILL and ANNA STUMP, this time to the Royal for a festival of color just in time for the holidays. Swing by our gallery for a look at their newest work. The exhibit runs through February, 2019.

About the exhibit

Successful collaboration in the world of painting is a rare phenomenon. The duo of HILL and STUMP,  known for their breathtaking floral compositions, have nourished a unique and productive partnership. In a kind of creative symbiosis, they appear to “finish each other’s sentences,” layering each piece and editing each other to create something entirely new. Stump comments, “Our process is almost egoless because we can’t, as individual artists, get attached to anything we do. Hill confirms, “We never call a piece finished unless we’re both happy with it.”

Each application of paint is separated from the next by a layer of clear resin, lending depth and brilliance to the compositions. Their work includes nods to Rococo foliage, gilt decoration, Japanese motifs, and Impressionism. Artists such as JAKUCHU, FRAGONARD and SARGENT, as well as the light and spectacle of the Southern California landscape serve as inspiration.

In this exhibit, curated for Art in the Arthouse by Tish Laemmle, the magic of the flower is utilized as a vehicle for light and form to express itself. Nothing is overlooked. Whether realized or abstracted, each individual mum, magnolia, or cactus blossom is rendered until it glows. The artists work together in their studio in San Diego and also maintain a space in the El Sereno neighborhood of Los Angeles. Hill has recently become bicoastal, returning to her childhood home of Tennessee while Stump has become involved in the blooming High Desert community. Both teach art in college and at a men’s maximum security prison.
– Tish Laemmle, curator