Laemmle Theaters and the Anniversary Classics Series present two screenings of the provocative and lyrical sci-fi classic, Nicolas Roeg’s The Man Who Fell to Earth, which marked pop superstar David Bowie’s debut in a lead role on the big screen.
For the film’s 50th anniversary, it will screen Wednesday, May 20, at Laemmle’s NoHo at 7 p.m.; and Wednesday, May 27, at Laemmle’s Royal at 7 p.m. Oscar-nominated actress Candy Clark will appear at both screenings to share memories of her co-star, the director, and her long film career.
The film was adapted by Paul Mayersberg from the novel by Walter Tevis, who also wrote the novel that inspired Paul Newman’s classic, The Hustler. Rip Torn, Buck Henry, and Bernie Casey co-star in the film. Bowie plays a visitor from a distant planet who travels to Earth to find water for his dying planet. He quickly amasses great wealth as an industrialist, but his plans are scotched by a couple of devious antagonists as well as by his love affair with a good-hearted woman played by Clark.
Roeg did the celebrated 2nd unit photography on the Oscar-winning masterpiece from 1962, Lawrence of Arabia. He went on to be the chief cinematographer on such films as Roger Corman’s The Masque of the Red Death, John Schlesinger’s Far From the Madding Crowd, and Richard Lester’s Petulia, among other films. He made his directorial debut (sharing credit with Donald Cammell) on the 1970 cult favorite, Performance, which introduced another pop music icon, Mick Jagger, to dramatic filmmaking. Roeg made his solo directing debut on the exquisite Australian adventure, Walkabout, and followed with the classic thriller, Don’t Look Now, starring Julie Christie and Donald Sutherland.
Cinematographer Anthony Richmond, who worked with Roeg on Don’t Look Now, joined him again on The Man Who Fell to Earth. Shot mainly in New Mexico, the film was again notable for its striking visual style. The music for the film was coordinated by John Phillips of The Mamas and the Papas, with original score by Japanese composer Stomu Yamash-ta.
Most of Roeg’s films divided the critics, and this one was no exception, though it boasted a series of extraordinary reviews. At the time of its release, Richard Eder of The New York Times declared, “There are quite a few science-fiction movies scheduled to come out in the next year or so. We shall be lucky if even one or two are as absorbing and as beautiful as The Man Who Fell to Earth.” The New Yorker’s Pauline Kael wrote a mixed review of the film in 1976 but described Bowie as “the most romantic figure in recent pictures, the modern version of the James Dean lost-boy myth.” Years later, Joshua Rothkopf of Time Out confirmed Eder’s evaluation and called The Man Who Fell to Earth “the most intellectually provocative genre film of the 1970s.”
Robert Hawkins of Variety added to the praise for the film: “Bowie’s choice as the ethereal visitor is inspired… Candy Clark, as his naïve but loving mate, confirms the winning ways that won her an Oscar nom in American Graffiti… Her intimate scenes with Bowie… are among the pic’s highlights.”
One of these sex scenes, in which the two played with guns, led the distributor to cut some 20 minutes from the film before the 1976 release. This scene and others were restored when Rialto took over the release, and Laemmle will be screening the uncut version at both anniversary screenings.
Candy Clark earned her Oscar nomination for her warm portrayal of a local girl in George Lucas’s nostalgic breakthrough film, American Graffiti, in 1973. Her other movies include John Huston’s Fat City, Jonathan Demme’s Citizens Band, Blue Thunder, At Close Range, The Informant, and a wide range of television appearances over the decades. At both screenings Ms. Clark will participate in Q&As following the screenings, and will sign and sell her recent book of star photos, Tight Heads.
