Glendale Archives – Page 45 Of 51

Show Me the Popcorn! Buy Tickets Online and Save on Concessions.

November 12, 2019 by Marc H 3 Comments

Listen up Laemmle-ites!

For a limited time, receive $1 off concessions for EACH ticket you buy on Lammle.com. We know, “unthinkable!” But we made it happen.

Here’s the scoop:

• Good at all Laemmle locations EXCEPT the Fine Arts.

• No menu restrictions – good for ANY concession item! “Even booze?” you ask. “Yes, indeed!” we reply.

• Not valid for merchandise.

• You can only use savings for ONE purchase, in-person, during the show you purchased tickets for.

• You can’t redeem it for cash. Meaning, there’s no money back if the price of your order comes in below the value of your discount. (But hey, if that does happen, you’ll get your entire order gratis! Not too shabby.)

To access these savings, simply buy your next movie on our website. Your ticket confirmation info will specify the amount of your discount. Just print out or be ready to present on your phone at the concessions stand.

Of course, such things never last! Offer expires on December 12th.

So get in while the gettin’ is good…

Vittorio De Sica’s THE BICYCLE THIEF: 70th Anniversary Screenings on November 19.

November 7, 2019 by Lamb Laemmle Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present this month’s installment in our popular Anniversary Classics Abroad program: a landmark in the Italian neorealist movement and a special Academy Award winner in 1949, Vittorio De Sica’s THE BICYCLE THIEF.

De Sica and screenwriter Cesare Zavattini, another of the key figures in this new wave of filmmaking, worked together several times over the course of their careers, on such films as Shoeshine, Umberto D, Miracle in Milan, Two Women, Boccaccio ’70, and the director’s final film, A Brief Vacation.

One of the hallmarks of the neorealist movement was to shoot on the streets of postwar Italy rather than in the studio and often to cast non-actors for increased verisimilitude. For THE BICYCLE THIEF, De Sica cast a newcomer and former factory worker, Lamberto Maggiaroni, in the title role.

The story, very loosely adapted from a novel by Luigi Bartolini, highlights the desperate circumstances of a working class family in Rome. The father finds a job as a courier, but when his bicycle is stolen, the family’s livelihood is threatened. He and his young son set out to find the thief and retrieve the bicycle, but there turn out to be no easy solutions for this family in crisis. Enzo Staiola plays the son, and Lianella Carell plays the hero’s wife.

In addition to its special Oscar (in the years before the Academy introduced a regular category for foreign-language films), THE BICYCLE THIEF earned a nomination for best screenplay.

Although some Italian critics disparaged the film for promoting a negative picture of postwar Italy, THE BICYCLE THIEF was embraced in most other parts of the world.

When it opened in America, the New York Times’ Bosley Crowther raved, “Again the Italians have sent us a brilliant and devastating film in Vittorio De Sica’s rueful drama of modern city life.”

In 1952 the British magazine Sight and Sound polled international critics to name the ten greatest movies in cinema history, and The Bicycle Thief topped the list.

Endorsements continued over the years. Pauline Kael wrote, “This neorealist classic, directed by Vittorio De Sica and written by Cesare Zavattini, is on just about everybody’s list of the greatest films.”

When a restored version was released in the United States many years later, Kenneth Turan of the Los Angeles Times observed, “This film manages to appeal to the better angels of our nature in a way that only deepens as we grow older along with the film.”

THE BICYCLE THIEF also inspired filmmakers in many other countries, including India’s Satyajit Ray and Britain’s Ken Loach.

Don’t miss our 70th anniversary screenings on Tuesday, November 19, at 7PM in Glendale, Pasadena, and West LA. Click here for tickets.

Format: DCP

DON’T BE NICE Daily Q&A’s with Cast & Crew Starting 9/27 at the Glendale.

September 24, 2019 by Lamb Laemmle Leave a Comment

DON’T BE NICE Q&A’s with producer Nikhil Melnechuk and guests following the 7:20 pm show.

Friday: Composer Khari Mateen, EP Melina Brown, hosted by actress Meital Dohan
Saturday: Composer Khari Mateen, EP Melina Brown, hosted by filmmaker Jacques Thelemaque
Sunday: hosted by Film Threat’s Chris Gore
Tuesday: hosted by actress Karla Mosley
Wednesday: hosted by festival director Theo DuMont
Thursday: hosted by filmmaker James Costa

SISTER AIMEE Q&A’s with Cast & Crew Opening Weekend at the Glendale.

September 23, 2019 by Lamb Laemmle Leave a Comment

SISTER AIMEE Q&A’s following the 7:40 pm show with Anna Margaret, Bettina Barrow, Michael Mosley and moderated by Lily Rabe on Friday, 9/27; with Marie Schlingmann, Samantha Buck, Anna Margaret, Michael Mosley, Amy Hargreaves and moderated by Danielle DiGiacomo on Saturday, 9/28 and with Marie Schlingmann, Samantha Buck, Bettina Barrow; moderator TBD.

https://youtu.be/WP4fQNnA5DI

Sister Aimee (2019) | Official Trailer HD (https://youtu.be/WP4fQNnA5DI)

25th Anniversary Screenings of BELLE EPOQUE September 18 in Glendale, Pasadena, and West LA.

September 5, 2019 by Lamb Laemmle Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present the latest offering in their monthly Abroad program with 25th anniversary screenings of the American release (and Oscar winner) of the delightful Spanish comedy BELLE EPOQUE. The Academy Award winner for foreign-language film will play at three Laemmle locations: West Los Angeles, Glendale, and Pasadena on September 18.

Starring Penelope Cruz (Oscar winner for Vicky Christina Barcelona) in only her second film, the period pastorale is set in 1931 with the beginning of the disruptive Spanish Civil War, chronicling the amorous adventures of a young Army deserter, Fernando (Jorge Sanz), who seeks refuge in the country house of a reclusive old anarchist painter, Manolo (Fernando Fernan Gomez). After finding employment as the household cook, Sanz also finds his carnal appetites stimulated by Gomez’ four daughters, played by Maribel Verdu, Ariadna Gil, Miriam Diaz-Aroca, and Cruz. As the youngest of the siblings, Cruz impatiently awaits her turn as the amorous partner of Sanz. As the sexual games seemingly reach a climax, the return of the opera singer family matriarch from a world tour with her manager-lover brings the plot to a boil.

Writer-director Fernando Trueba (co-scripting with Rafael Azcona and Jose Luis Garcia Sanchez) concocts the right recipe of food and sex, with a soupçon of political commentary, and the result charmed the Academy, audiences, and critics of the day.

Roger Ebert noted how the film celebrated sensuality and the human body: “Here is a film so inviting you would love to sit in the sun with old Manolo and his friend the priest and talk about the great matters of life.”

Leonard Maltin found the film a “delightfully earthy, cheery comedy.”

The Washington Post enjoyed the “sun-soaked lyricism” and found the performances ingratiating, extolling the film as a “recipe for sensual self-expression.”

Upon receiving the Oscar, Trueba paid tribute to his inspiration in his acceptance speech, “I would like to believe in God in order to thank him, but I just believe in Billy Wilder, so …thank you, Mr. Wilder.”

Our 25th anniversary presentation of BELLE EPOQUE screens on Wednesday, September 18th at 7pm in Glendale, Pasadena, and West LA. Click here for tickets.

Format: DCP

Philippe de Broca’s THAT MAN FROM RIO 55th Anniversary Screenings in Glendale, Pasadena, and West LA.

August 8, 2019 by Lamb Laemmle Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present this month’s installment in our Anniversary Classics Abroad program: one of the most popular and entertaining foreign films of the 1960s, Philippe de Broca’s action romp, THAT MAN FROM RIO.

De Broca, the director of intimate, character-driven films like The Five-Day Lover, shifted gears with this bigger-budget comic thriller. Two top stars of French cinema, Jean-Paul Belmondo and Francoise Dorleac (the sister of Catherine Deneuve who died tragically in an auto accident just three years later), added to the film’s allure.

The action begins when Dorleac is kidnapped as part of a museum heist of a valuable statuette, and Belmondo follows her kidnappers to Brazil to save her life and find the treasure. There he battles international criminals, assassination attempts, and even a hungry crocodile on the Amazon.

The film was designed in part as a spoof of the James Bond movies that were catching fire all around the world. De Broca’s tongue-in-cheek approach to the genre, along with a series of spectacular action set-pieces, led to box office success wherever the film was shown. The film was also nominated for the Oscar for Best Original Screenplay. De Broca wrote the script with Jean-Paul Rappeneau, Ariane Mnouchkine, and Daniel Boulanger. Veteran actors Jean Servais and Adolfo Celi co-star.

Along with the wit of the script and the skill of the performers, the film benefited from lush cinematography (by Edmond Sechan) of Paris, Rio, Brasilia, and other South American locations. The New York Times’ Bosley Crowther acknowledged the film’s homage to silent comedy: “Jean-Paul Belmondo is dandy as a fast, fearless modern-day Harold Lloyd.” He added that de Broca “uses the actual locations so vividly and artistically that they generate a kind of excitement that blends superbly with the dazzle of the plot.”

The New Republic’s Stanley Kauffmann also praised de Broca: “he has wit, tenderness, dexterity, a superb eye for composition and color, a prodigious sense of rhythm and movement, a perfect command of the medium.” Time magazine noted that the film was “shrewdly calculated to make the customer laugh out loud at all the lousy movies he has ever seen and at the same time have a wild and wonderful time watching them again.”

Join us for a perfect piece of lighthearted summertime entertainment with two of the most engaging international stars ever to grace the screen. Belmondo remained at the center of French film culture for decades, and de Broca went on to direct one of the most popular of all arthouse movies, King of Hearts.

Our 55th anniversary presentation of THAT MAN FROM RIO screens on Wednesday, August 21st at 7pm in Glendale, Pasadena, and West LA. Click here for tickets.

Format: DCP

ART IN THE ARTHOUSE presents: GERARD BURKHART: NoHo & Shimmering Sky

July 15, 2019 by Lamb Laemmle 3 Comments

Art in the Arthouse presents a fascinating exploration of local cityscapes and nearby landscapes in our latest art show in North Hollywood. Don’t miss photographer Gerard Burkhart’s exhibit NOHO & SHIMMERING SKY, now extended through 2020. All of the art is for sale and a portion of the proceeds benefits the Laemmle Foundation and its support of humanitarian and environmental causes in Los Angeles.

About the Exhibit
As a NoHo resident from 1999 to 2001, Photographer Gerard Burkhart viewed his neighborhood as his own personal Cuba – an island in the vast sea of Los Angeles untouched by a larger outside world, waiting to be opened. Years later, Burkhart produced Shimmering Sky as an artist-in-residence for the Mojave National Preserve Foundation, living in a canvas bell tent at Hole in the Wall Campground. Despite a government shutdown and the 2018 drought, Burkhart explored the soul nurturing inventiveness that desert isolation encourages.

States the artist, “Arguably, visual art is an indulgence of perception. We can use our interior landscape of experience to filter and decode the world we inhabit. As a photojournalist, it is a prism that sees the outside world with a critical eye for accurate and fair storytelling images. As an artist, it is a fertile realm rich with the possibilities of creation. The NoHo and Shimmering Sky projects represent a 20-year development crossing back and forth through both those territories. The North Hollywood Neighborhood Project was made with a keen eye toward community engagement with a pure photojournalistic ethic. Shimmering Sky was a near-transcendent journey struggling with the constraints and celebrations of photography’s realism. Spiritually, they both contain the same DNA.”

Burkhart’s photos have been published in Newsweek, U.S. News and World Report, USA Today, the Washington Post, the New York Times and internationally through the Associated Press. He worked at the Los Angeles Times for six years where his photos were included in three collaborative Pulitzer Prize winning editions.

– Sheryl Myerson, curator

Ang Lee’s EAT DRINK MAN WOMAN 25th Anniversary Screenings on July 24 in West LA, Pasadena, and Glendale.

July 11, 2019 by Lamb Laemmle Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present this month’s installment in our popular Anniversary Classics Abroad program, Ang Lee’s delectable 1994 comedy, EAT DRINK MAN WOMAN. Lee had directed two previous films that earned acclaim, but this 1994 film was nominated for the Best Foreign Language Film Oscar and propelled his career to a new level of esteem and success.

Made in Taipei, the film centers on a widowed master chef, Mr. Chu (played by Sihung Lung), who has weekly feasts for his three unmarried daughters (Kuei-Mei Yang, Chien-Lien Wu, Yu-Wen Wang), during which he tries to oversee their personal lives along with their eating habits. An ensemble piece in the spirit of movies like Love, Actually and The Joy Luck Club, the film interweaves the personal and professional stories of the three daughters, along with the issues facing their father, who also embarks on a new romantic adventure during the course of the movie. Winston Chao (who starred in Lee’s earlier film, The Wedding Banquet) and Sylvia Chang co-star.

The script by Lee, James Schamus, and Hui-Ling Wang etches all the characters with wit and finesse. Equally important to the film’s success are the lovingly photographed scenes of an abundance of Chinese delicacies, which led the movie to be compared to other memorable movies about food, including the Oscar-winning Babette’s Feast, Tampopo, and Like Water for Chocolate. Time magazine’s Richard Schickel wrote, “Like the cuisine it celebrates, this movie is tart, sweet, generous and subtle.” The New York Times’ Janet Maslin called the film “wonderfully seductive, and nicely knowing about all of its characters’ appetites.”

Variety’s Leonard Klady summed up the film’s achievement: “The overall result is a cinematic feast that will have audiences returning for Lee’s next movie meal.” Those words proved to be prophetic. Lee’s next film, Sense and Sensibility, released in 1995, was nominated for Best Picture, and over the next several years, he produced an extraordinary body of work, including the international blockbusters Crouching Tiger, Hidden Dragon and Life of Pi. Lee won two Oscars for Best Director — for Brokeback Mountain as well as Life of Pi — and is now universally regarded as one of the leading auteurs of our time. His remarkable journey was prefigured by his early achievement with Eat Drink Man Woman.

EAT DRINK MAN WOMAN screens Wednesday, July 24, at 7 PM in Glendale, Pasadena, and West L.A. Click here for tickets.

Format: Blu-ray.