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Home » Theater Buzz » Glendale » Page 38

Our Filmic Cup Runneth Over: Drink Deep of the Oscar-Nominated Foreign Features and Documentaries.

January 22, 2020 by Lamb L.

Now is the time to enjoy fantastic films from around the world. All five of the Oscar-nominated documentary features — THE EDGE OF DEMOCRACY, THE CAVE, FOR SAMA, AMERICAN FACTORY and HONEYLAND are in theaters now, before the awards show on February 9. Four of the five Oscar nominees for Best International Feature — LES MISÉRABLES, PAIN AND GLORY, PARASITE and HONEYLAND (deservedly, it’s nominated twice!) are now in theaters.

We hope to open the Polish drama CORPUS CHRISTI, the fifth foreign film nominee and the dark horse in the race, on March 6 at the Monica Film Center, Playhouse and Town Center.

The film is about 20-year-old Daniel, who is released and sent to a remote village to work as a manual laborer after spending years in a Warsaw prison for a violent crime. The job is designed to keep him busy, but Daniel has a higher calling. While imprisoned he became deeply religious and now aspires to join the priesthood, but his criminal record makes it impossible. When Daniel arrives in town, one quick lie allows him to be mistaken for the town’s new priest, and he sets about tending to his newfound flock. An international sensation with an electrifying lead performance by a previously unknown actor, CORPUS CHRISTI is the twelfth Polish film to earn an Oscar nomination. Only one of them has taken home the prize, IDA in 2015.

https://www.youtube.com/watch?v=B27ORUHlp6E&t=4s

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Filed Under: Claremont 5, Featured Post, Films, Glendale, News, NoHo 7, Playhouse 7, Royal, Santa Monica, Town Center 5

FELLINI SATYRICON 50th Anniversary Screenings January 22 in Glendale, Pasadena, and West L.A.

January 8, 2020 by Lamb L.

Laemmle Theatres and the Anniversary Classics Series launch 2020 and the new decade with the 50th anniversary of the American release of FELLINI SATYRICON, the first installment of our monthly Abroad program.

The provocative adaptation of Petronius’s Satyricon, written in the first century AD during the reign of Nero in imperial Rome, is our fourth presentation of the films of Federico Fellini, one of the most acclaimed filmmakers in the history of cinema. Fellini garnered the third of four directing Oscar nominations for this effort; the Anniversary Classics Series has now showcased all of these nominated films, including La Dolce Vita, 8 ½, and Amarcord.

FELLINI SATYRICON, written by the Italian director with frequent collaborators Brunello Rondi and Bernardino Zapponi, is a freeform adaptation, emulating the fragmentary nature of Petronius’s work that survived. Petronius retold “degenerate” versions of Roman and Greek myth, and Fellini was fascinated by the gaps in the narrative, choosing a style that simulated hallucinatory dreams.

In the fevered tale, two students, Encolpius (Martin Potter) and Ascyltus (Hiram Keller), pursue the love of their young slave Giton (Max Born) through nine episodes of lurid hedonism. Petronius was a sensualist who celebrated and mocked decadence simultaneously, and Fellini matched that vision in the students’ travels and adventures in “grotesque drama and lurid fantasy,” as noted by Roger Ebert. Fellini achieved that effect through the vivid use of color, which was an ironic embrace of a medium the director disdained earlier in his career, preferring black-and-white hues in the 1950s and early 1960s in masterpieces like La Strada, Nights of Cabiria, and La Dolce Vita.

Another frequent collaborator, cinematographer Giuseppe Rotunno, fully realized Fellini’s vision; as described by TV Guide, “The masterful cinematography and stunning use of color, achieved through the use of deliberately artificial light sources, lend the film an almost hypnotic sheen.”

Fellini was questioned why he employed non-Italian actors to play the leads, and he elaborated on his casting choices, “They looked innocent…with Italians there is always a feeling of morality, but the Anglo-Saxon face has something detached, something crazy, something elegant.”

Critical reception varied from measured appraisals such as Rex Reed, who saw it as an “explosion of madness and perversion, designed like grand opera of the absurd,” to full endorsement from the New York Times’ Vincent Canby, calling it “the quintessential Fellini film, a travelogue through an unknown galaxy, a magnificently realized movie of his and our wildest dreams.”

In a retrospective review in 2001, Roger Ebert wrote, “It is so much more ambitious and audacious than most of what we see today that simply as a reckless gesture, it shames these timid times.”

See it Wednesday, January 22nd at 7pm in Glendale, Pasadena, and West L.A. Click here for tickets.

Format: Blu-ray

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Filed Under: Abroad, Anniversary Classics, Featured Post, Glendale, Playhouse 7, Repertory Cinema, Royal

Fellini, Godard, and Renoir Begin Our Anniversary Classics Abroad Series for 2020.

December 19, 2019 by Lamb L.

We are delighted to announce the first four films of 2020 in our Anniversary Classics Abroad series! A companion to our American repertory film series Anniversary Classics, our Abroad program screens great foreign films one Wednesday every month at three venues simultaneously: the Royal in West L.A., the Glendale, and the Playhouse 7 in Pasadena.

Laemmle patrons with a Premiere Card save $3 on tickets and receive 20% food and drinks! Learn about the perks of our Premiere Card here.

January 22: FELLINI SATYRICON
Federico Fellini’s surreal depictions of ancient Rome is loosely based on Petronius’s Satyricon, written during the reign of the Nero and set in imperial Rome. The film is divided into nine episodes and follows the scholar Encolpius and his friend Ascyltus as they try to win the heart of the young boy Gitón, whom they both love. Roger Ebert said, “It is so much more ambitious and audacious than most of what we see today that simply as a reckless gesture, it shames these timid times.” Click here for tickets.

February 19: ALPHAVILLE
In ALPHAVILLE, Jean-Luc Godard’s hard-boiled detective/science fiction fusion, Lemmy Caution (Eddie Constantine), comes to Alphaville, the capital of a totalitarian state, in order to destroy its leader, an almost-human computer called Alpha 60. While on his mission, Lemmy meets and falls in love with Natacha (Anna Karina), the daughter of the scientist who designed Alpha 60. Their love becomes the most profound challenge to the computer’s control. Click here for tickets.

March 18: EAST/WEST
EAST/WEST, French director Regis Wargnier’s (Indochine) romantic period drama, is set in 1946 when Stalin launched a propaganda campaign offering amnesty to Russians who had settled in the West. Alexei Golovin (Oleg Menshikov) decides to takes his young French wife Marie (Sandrine Bonnaire) and son Serioja with him on the long journey back to his homeland but Stalin’s offer is not what it appeared. This 1999 Best Foreign Language nominee also stars Catherine Deneuve and Bohdan Stupka. Click here for tickets.

April 22: FRENCH CANCAN
Jean Renoir’s musical dramedy chronicles the revival of Paris’ most notorious dance as it tells the story of a theater producer who turns a humble washerwoman into a Moulin Rouge star. The Guardian’s Peter Bradshaw said, “The glorious final sequence, in which the cancan is finally unveiled to the rowdy audience, is some kind of masterpiece, perhaps the equal of anything Renoir ever achieved: wild, free, turbulent, exhilarating.” Click here for tickets.

Again, we will show all Anniversary Classics Abroad films at three venues, the Royal, Playhouse, and Glendale, at 7pm. Come experience these classics of world cinema as they were intended to be experienced, on a big screen in a dark auditorium full of fellow cinephiles. Click here for full details.

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Filed Under: Anniversary Classics, Featured Post, Films, Glendale, News, Playhouse 7, Repertory Cinema, Royal

Show Me the Popcorn! Buy Tickets Online and Save on Concessions.

November 12, 2019 by Marc H

Listen up Laemmle-ites!

For a limited time, receive $1 off concessions for EACH ticket you buy on Lammle.com.  We know, “unthinkable!”  But we made it happen.

Here’s the scoop:

• Good at all Laemmle locations EXCEPT the Fine Arts.

• No menu restrictions – good for ANY concession item!  “Even booze?” you ask.  “Yes, indeed!” we reply.

• Not valid for merchandise.

• You can only use savings for ONE purchase, in-person, during the show you purchased tickets for.

• You can’t redeem it for cash.  Meaning, there’s no money back if the price of your order comes in below the value of your discount. (But hey, if that does happen, you’ll get your entire order gratis!  Not too shabby.)

To access these savings, simply buy your next movie on our website.  Your ticket confirmation info will specify the amount of your discount.  Just print out or be ready to present on your phone at the concessions stand.

Of course, such things never last!  Offer expires on December 12th.

So get in while the gettin’ is good…

 

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Filed Under: Claremont 5, Glendale, News, NoHo 7, Playhouse 7, Royal, Santa Monica, Theater Buzz, Town Center 5

Vittorio De Sica’s THE BICYCLE THIEF: 70th Anniversary Screenings on November 19.

November 7, 2019 by Lamb L.

Laemmle Theatres and the Anniversary Classics Series present this month’s installment in our popular Anniversary Classics Abroad program: a landmark in the Italian neorealist movement and a special Academy Award winner in 1949, Vittorio De Sica’s THE BICYCLE THIEF.

De Sica and screenwriter Cesare Zavattini, another of the key figures in this new wave of filmmaking, worked together several times over the course of their careers, on such films as Shoeshine, Umberto D, Miracle in Milan, Two Women, Boccaccio ’70, and the director’s final film, A Brief Vacation.

One of the hallmarks of the neorealist movement was to shoot on the streets of postwar Italy rather than in the studio and often to cast non-actors for increased verisimilitude. For THE BICYCLE THIEF, De Sica cast a newcomer and former factory worker, Lamberto Maggiaroni, in the title role.

The story, very loosely adapted from a novel by Luigi Bartolini, highlights the desperate circumstances of a working class family in Rome. The father finds a job as a courier, but when his bicycle is stolen, the family’s livelihood is threatened. He and his young son set out to find the thief and retrieve the bicycle, but there turn out to be no easy solutions for this family in crisis. Enzo Staiola plays the son, and Lianella Carell plays the hero’s wife.

In addition to its special Oscar (in the years before the Academy introduced a regular category for foreign-language films), THE BICYCLE THIEF earned a nomination for best screenplay.

Although some Italian critics disparaged the film for promoting a negative picture of postwar Italy, THE BICYCLE THIEF was embraced in most other parts of the world.

When it opened in America, the New York Times’ Bosley Crowther raved, “Again the Italians have sent us a brilliant and devastating film in Vittorio De Sica’s rueful drama of modern city life.”

In 1952 the British magazine Sight and Sound polled international critics to name the ten greatest movies in cinema history, and The Bicycle Thief topped the list.

Endorsements continued over the years. Pauline Kael wrote, “This neorealist classic, directed by Vittorio De Sica and written by Cesare Zavattini, is on just about everybody’s list of the greatest films.”

When a restored version was released in the United States many years later, Kenneth Turan of the Los Angeles Times observed, “This film manages to appeal to the better angels of our nature in a way that only deepens as we grow older along with the film.”

THE BICYCLE THIEF also inspired filmmakers in many other countries, including India’s Satyajit Ray and Britain’s Ken Loach.

Don’t miss our 70th anniversary screenings on Tuesday, November 19, at 7PM in Glendale, Pasadena, and West LA. Click here for tickets.

Format: DCP

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Filed Under: Abroad, Anniversary Classics, Featured Post, Glendale, Playhouse 7, Royal

DON’T BE NICE Daily Q&A’s with Cast & Crew Starting 9/27 at the Glendale.

September 24, 2019 by Lamb L.

DON’T BE NICE Q&A’s with producer Nikhil Melnechuk and guests following the 7:20 pm show.

Friday: Composer Khari Mateen, EP Melina Brown, hosted by actress Meital Dohan
Saturday: Composer Khari Mateen, EP Melina Brown, hosted by filmmaker Jacques Thelemaque
Sunday: hosted by Film Threat’s Chris Gore
Tuesday: hosted by actress Karla Mosley
Wednesday: hosted by festival director Theo DuMont
Thursday: hosted by filmmaker James Costa

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Filed Under: Filmmaker in Person, Films, Glendale, Q&A's

SISTER AIMEE Q&A’s with Cast & Crew Opening Weekend at the Glendale.

September 23, 2019 by Lamb L.

SISTER AIMEE Q&A’s following the 7:40 pm show with Anna Margaret, Bettina Barrow, Michael Mosley and moderated by Lily Rabe on Friday, 9/27; with Marie Schlingmann, Samantha Buck, Anna Margaret, Michael Mosley, Amy Hargreaves and moderated by Danielle DiGiacomo on Saturday, 9/28 and with Marie Schlingmann, Samantha Buck, Bettina Barrow; moderator TBD.

https://youtu.be/WP4fQNnA5DI

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Filed Under: Actor in Person, Filmmaker in Person, Films, Glendale, Q&A's

25th Anniversary Screenings of BELLE EPOQUE September 18 in Glendale, Pasadena, and West LA.

September 5, 2019 by Lamb L.

Laemmle Theatres and the Anniversary Classics Series present the latest offering in their monthly Abroad program with 25th anniversary screenings of the American release (and Oscar winner) of the delightful Spanish comedy BELLE EPOQUE. The Academy Award winner for foreign-language film will play at three Laemmle locations: West Los Angeles, Glendale, and Pasadena on September 18.

Starring Penelope Cruz (Oscar winner for Vicky Christina Barcelona) in only her second film, the period pastorale is set in 1931 with the beginning of the disruptive Spanish Civil War, chronicling the amorous adventures of a young Army deserter, Fernando (Jorge Sanz), who seeks refuge in the country house of a reclusive old anarchist painter, Manolo (Fernando Fernan Gomez). After finding employment as the household cook, Sanz also finds his carnal appetites stimulated by Gomez’ four daughters, played by Maribel Verdu, Ariadna Gil, Miriam Diaz-Aroca, and Cruz. As the youngest of the siblings, Cruz impatiently awaits her turn as the amorous partner of Sanz. As the sexual games seemingly reach a climax, the return of the opera singer family matriarch from a world tour with her manager-lover brings the plot to a boil.

Writer-director Fernando Trueba (co-scripting with Rafael Azcona and Jose Luis Garcia Sanchez) concocts the right recipe of food and sex, with a soupçon of political commentary, and the result charmed the Academy, audiences, and critics of the day.

Roger Ebert noted how the film celebrated sensuality and the human body: “Here is a film so inviting you would love to sit in the sun with old Manolo and his friend the priest and talk about the great matters of life.”

Leonard Maltin found the film a “delightfully earthy, cheery comedy.”

The Washington Post enjoyed the “sun-soaked lyricism” and found the performances ingratiating, extolling the film as a “recipe for sensual self-expression.”

Upon receiving the Oscar, Trueba paid tribute to his inspiration in his acceptance speech, “I would like to believe in God in order to thank him, but I just believe in Billy Wilder, so …thank you, Mr. Wilder.”

Our 25th anniversary presentation of BELLE EPOQUE screens on Wednesday, September 18th at 7pm in Glendale, Pasadena, and West LA. Click here for tickets.

Format: DCP

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Filed Under: Abroad, Anniversary Classics, Featured Post, Glendale, News, Playhouse 7, Repertory Cinema, Town Center 5

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Tickets: http://laemmle.com/film/thursday-murder-club | Subscribe: http://bit.ly/3b8JTym | Based on Richard Osman’s international best-selling novel of the same name, The Thursday Murder Club follows four irrepressible retirees - Elizabeth (Helen Mirren), Ron (Pierce Brosnan), Ibrahim (Ben Kingsley) and Joyce (Celia Imrie) - who spend their time solving cold case murders for fun. When an unexplained death occurs on their own doorstep, their causal sleuthing takes a thrilling turn as they find themselves with a real whodunit on their hands. Directed by Chris Columbus, the film is the latest to be produced through the Netflix and Amblin Entertainment partnership

Tickets: http://laemmle.com/film/thursday-murder-club

RELEASE DATE: 8/29/2025
Director: Chris Columbus
Cast: Helen Mirren, Pierce Brosnan, Ben Kingsley, Celia Imrie, David Tennant, Jonathan Pryce, Naomi Ackie, Daniel Mays, Richard E. Grant

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Tickets: http://laemmle.com/film/k-pop-demon-hunters | Subscribe: http://bit.ly/3b8JTym | When they aren't selling out stadiums, K-pop superstars Rumi, Mira and Zoey use their secret identities as badass demon hunters to protect their fans from an ever-present supernatural threat. Together, they must face their biggest enemy yet – an irresistible rival boy band of demons in disguise.

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RELEASE DATE: 6/20/2025

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RELEASE DATE: 5/30/2025
Director: Han Ji-won
Cast: Justin H. Min, Kim Tae-ri, Hong Kyung

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  • A new comedy that draws inspiration from the great ones of the past, BAD SHABBOS opens Friday.

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