A HAPPENING OF MONUMENTAL PROPORTIONS director Judy Greer will participate in Q&A’s after the 7 PM screenings at the Fine Arts and the 8 PM screenings at the Monica Film Center on Friday and Saturday, September 21 and 22.
Ahrya Fine Arts
CIELO Q&A’s with Astrophysicists at the Fine Arts.
Astrophysicists Marja Seidel and Johanna Teske will participate in Q&A’s at the Ahrya Fine Arts after the Friday 7:20 CIELO screening (Dr. Seidel) and the Saturday 7:20 show (Dr. Teske). Both have spent time at the Chilean observatory that is featured in the film.
https://www.youtube.com/watch?v=3962T4ZZyUI
65th Anniversary Screening of SHANE with David Ladd In Person on Sunday, August 26 at the Ahrya Fine Arts
Laemmle Theatres and the Anniversary Classics Series present a 65th anniversary screening of one of the most beloved Westerns of all time, George Stevens’ production of SHANE.
The 1950s happened to be a golden age for cowboy sagas, and as the Hollywood Reporter observed, “George Stevens’ SHANE earns a place along with ‘High Noon’ and ‘The Gunfighter’ as one of the great tumbleweed sagas of the decade.” Or as Leonard Maltin declared decades later, “Classic Western is splendid in every way.”
Alan Ladd, Paramount’s biggest star of the era, plays a mysterious gunfighter who arrives in a small Western town and finds a turf war between the farmers and cattle ranchers who want to drive them off the land.
Shane decides to become a protector of these homesteaders and strikes up a friendship with one family; Van Heflin plays the father, Jean Arthur (in her final screen performance) plays the mother, and young actor Brandon De Wilde plays their son, Joey.
Jack Palance was cast as the villain of the piece, a black-clad gunslinger hired by the cattle ranchers to eliminate Shane, along with the rest of the farmers.
The supporting cast includes gifted character actors Ben Johnson, Edgar Buchanan, Emile Meyer, and Elisha Cook Jr. Ladd received the best reviews of his career for the picture. The Saturday Review wrote, “As Shane, Alan Ladd has one of his best roles and gives what is surely his most rewarding performance.”
Stevens had won the Academy Award for best director of 1951 for ‘A Place in the Sun.’ SHANE gave him his third nomination in the directing category (he would win a second Oscar for ‘Giant’ in 1956).
SHANE earned six nominations in all, including Best Picture and two nods in the supporting actor category, for both Palance and De Wilde. The Oscar-nominated screenplay was written by A.B. Guthrie Jr., who adapted the novel by Jack Schaefer. The picture won the Oscar for the magnificent color cinematography of Loyal Griggs.
In tune with the fashions of the era, Stevens chose to shoot on location in the magnificent Grand Tetons outside Jackson Hole, Wyoming.
Because of the care he took with the production, the film went over budget, and the studio was nervous. But the film turned out to be a box office smash and proved enticing to adult and family audiences alike. Kids who saw the move in 1953 are not likely to forget the emotional ending and young De Wilde’s cry, “Come back, Shane!”
Joining us for a Q&A will be David Ladd, the son of Alan Ladd. David went on to be a popular child actor in the 1950s. He appeared with his father in two films, ‘The Big Land’ and ‘The Proud Rebel;’ he then starred on his own in two family hits, ‘Misty’ and ‘A Dog of Flanders.’ He went on to act in a few films as an adult but then segued into a career as producer and studio executive.
SHANE screens on Sunday, August 26, at 3pm at Ahrya Fine Arts Theatre. Click here for tickets.
Format: DCP
Q&A’s for RESTORING TOMORROW, Inspiring Documentary About the Wilshire Boulevard Temple.
This just in…
RESTORING TOMORROW filmmaker Aaron Wolf will participate in Q&A’s at select screenings with a variety of special guests. Join the conversation. Join the movement. This is a special moment for all cultures to come together and join the discussion, leaving with hope and a drive to take action.
Confirmed Q&A’s at Encino Town Center after the 7:30PM screenings on August 24th, 25th and the 3PM screening on August 26th.
August 27th at 7:30PM at the Ahrya Fine Arts.
August 28th at 7:30PM at the Laemmle Glendale.
August 29th at 7:30PM at NoHo 7.
August 30th at 7:30PM at Pasadena Playhouse 7.
Rabbi Steve Leder will join Aaron for the August 26th and 27th screenings. Other special guests TBA.
You can also see the filmmaker interviewed on Good Day L.A. here.
AUNTIE MAME 60th Anniversary with Co-Star Pippa Scott In Person August 4th in Beverly Hills
Laemmle Theatres and the Anniversary Classics Series present the 60th anniversary of AUNTIE MAME (1958), the hilarious film version of the best-selling novel by Patrick Dennis (Edward Everett Tanner III) based on his madcap, eccentric aunt, and starring Rosalind Russell in her signature role.
The book became a hit Broadway play in 1956, adapted by Jerome Lawrence and Robert E. Lee. For the film version, acclaimed screenwriters Betty Comden and Adolph Green (Singin’ in the Rain, The Bandwagon) fashioned a witty script from the same source material. The film was a box office bonanza, the second highest grossing movie released that year.
The story focuses on Mame Dennis, a wealthy Manhattan sybarite with a social conscience, who takes charge of her orphaned ten-year-old nephew Patrick in 1928. Their adventures through the next two decades exposes Patrick to bohemian characters and lifestyles that clash with the upper class conventions, prejudices and pretensions of the era.
Mame’s financial wipeout in the Wall Street Crash of 1929 only adds to the merriment as she resourcefully pursues her life’s philosophy, “Life is a banquet, and most poor suckers are starving to death!” Directed by Morton Da Costa (The Music Man), who brought the same touches he used for the stage version (blackouts, fadeouts) to the film for a tone of heightened theatricality.
The movie version garnered six Academy Award nominations, including best picture, best actress (Russell) and best supporting actress (Peggy Cass), both of whom had originated their parts on Broadway. Other nominations went to Harry Stradling’s bright color cinematography, Malcolm Bert’s and George James Hopkin’s lavish art direction-set decoration, and William Ziegler’s film editing.
Rosalind Russell, the celebrated comedienne and dramatic actress (The Women, His Girl Friday, My Sister Eileen, Picnic, Gypsy), had the role of a lifetime with Auntie Mame, and she made the most of it, resulting in her greatest career triumph. She is ably supported by a game and skilled cast, including Broadway holdovers (Peggy Cass, Jan Handzlik, Yuki Shimoda) and Hollywood players (Roger Smith, Coral Browne, Fred Clark, Joanna Barnes, Pippa Scott, Patric Knowles, Lee Patrick).
Critical consensus felt that the character could have easily been overbearing in the wrong hands, but Russell and company overcame any reservations. Bosley Crowther of The New York Times offered high praise for Russell, “Lets herself go with even more gushiness and grandeur of gesture than she did on the stage,” he said, also noting the warmth and heart she brought to the part. Variety cheered the “handsome and slick production… hilarious and human in equal measure.”
Crowther’s opening line of his highly favorable review in 1958 indicates the appeal of the film, which has never dated. As he stated, “Hurricanes may be out of season, but one blew into the (Radio City) Music Hall yesterday…this full movie version of the stage play with Rosalind Russell again at the center of it, does sure enough generate gales of laughter as it sweeps across the screen.”
Come see AUNTIE MAME once again on the big screen, showing at the Ahrya Fine Arts theatre on Saturday, August 4 at 7:30pm. Before the screening there will be a Q&A with co-star Pippa Scott (The Searchers, Petulia), one of the last remaining survivors of the cast. Click here for tickets.
Format: DCP
ROMAN HOLIDAY 65th Anniversary Screening on Sunday, July 22 at the Ahrya Fine Arts with Catherine Wyler In Person
Laemmle Theatres and the Anniversary Classics Series present a 65th anniversary screening of one of the most beloved romantic films of all time, William Wyler’s ROMAN HOLIDAY. In fact, when the American Film Institute conducted a poll surveying the greatest movie romances, Roman Holiday ranked #4, right behind such classics as Casablanca and Gone With the Wind.
The film was nominated for 10 Academy Awards in 1953, and, in her first major screen role, Audrey Hepburn won the Oscar for best actress, launching one of the most dazzling careers of the next two decades. Future Oscar winner Gregory Peck co-stars.
After World War II, many Hollywood productions began to take advantage of overseas locations that obviously had not been available when the war was raging. Roman Holiday was filmed in its entirety in the Eternal City, with memorable scenes taking place at the Colosseum, the Trevi Fountain, and other iconic locales, with interiors shot at burgeoning Cinecitta Studios.
The story concerns a young European princess who, while visiting Rome, decides to flee her official responsibilities and explore the city on her own. She meets a reporter, played by Peck, and he becomes first her guide and then her romantic partner. Peck has an ulterior motive because when he learns her identity he imagines landing an exclusive inside story that will turn his colleagues green with envy. When the two begin to fall for one another, however, he begins to question his journalistic mission. Can the princess and the commoner overcome all the forces conspiring to keep them apart? That question is left unanswered until the memorable, bittersweet finale.
Dalton Trumbo provided the Oscar-winning original story, but because he was blacklisted during the 1950s, his name could not appear on the film, which was credited to Ian McLellan Hunter and John Dighton. In 1993, 40 years after the film’s premiere, Trumbo’s widow finally received the statuette. Wyler had already won two Oscars for directing Mrs. Miniver and The Best Years of Our Lives, and he would win a third a few years later for Ben-Hur. He received a nomination for his work on Roman Holiday, and with 12 nominations over the course of his career, he has a record that has not been matched by any other director and probably never will be equaled.
The critics were enchanted by the film in 1953, and reviews have remained rapturous over the years. Pauline Kael wrote, “This is the picture that made Audrey Hepburn a movie star… (Wyler’s) calm, elegant style prepares the scenes and builds the character until she has the audience in thrall, and when she smiles we’re all goners.”
The Boston Globe’s Ty Burr praised “a classic of romantic wish fulfillment.” And in England, The Observer’s Philip French commented aptly, “Only the big screen can do justice to its scintillating monochrome images.”
Franz Planer and Henri Alekan were cinematographers, and Georges Auric and Victor Young provided the music. Edith Head designed the Oscar-winning costumes. Eddie Albert, Harcourt Williams, and Margaret Rawlings co-star. The film was added to the National Film Registry in 1999.
Catherine Wyler has produced documentaries for PBS and other companies. She also produced the narrative feature Memphis Belle, which was inspired by a documentary that her father directed during World War II. She will participate in a Q&A at the screening.
Join us for this 65th anniversary screening on Sunday, July 22, at 4pm at the Ahrya Fine Arts in Beverly Hills. Click here for tickets.
Please note: Eastbound Wilshire Blvd. will be closed in front of the Fine Arts on the day of this screening. The sidewalk will remain open. For passenger drop-off we suggest using Le Doux Road or Stanley Drive. Plenty of parking is available along La Cienega and at nearby lots.
B-Movie Titan KING COHEN in Person for Q&A’s!
KING COHEN subject-star Larry Cohen and director Steve Mitchell will participate in Q&A’s at the Fine Arts screenings on Friday and Saturday, July 20 and 21, at the NoHo screening on Monday, July 23, and at the Monica Film Center screening on Thursday, July 26. Actor-interviewee Laurene Landon will join them for the Friday screening. Filmmaker-interviewee Mick Garris and screenwriter-interviewee David J. Schow will join them for the Monday screening.
AIMEE & JAGUAR in 35mm with Star Maria Schrader in Person on July 9th in Beverly Hills
In 1943, while the Allies are bombing Berlin and the Gestapo is purging the capital of Jews, a dangerous love affair blossoms between two women. One of them, Lilly Wust (NOWHERE IN AFRICA’s Juliane Köhler), married and the mother of four sons, enjoys the privileges of her stature as an exemplar of Nazi motherhood. For her, this affair will be the most decisive experience of her life. For the other woman, Felice Schragenheim (Maria Schrader), a Jewess and member of the underground, their love fuels her with the hope that she will survive.
A half-century later, Lilly Wust told her incredible story to writer Erica Fischer, and the book, AIMÉE & JAGUAR, first published in 1994 immediately became a bestseller and has since been translated into eleven languages. Max Färberböck’s debut film, based on Fischer’s book, is the true story of this extraordinary relationship. The film was nominated for a 1999 Golden Globe Award and was Germany’s submission for the Best Foreign Language Film Oscar. Both actresses received Silver Bears at the 1999 Berlin International Film Festival for their portrayals of “Aimée” and “Jaguar.”
Join us for a special Q&A with AIMEE & JAGUAR star Maria Schrader following the 7:30pm screening on Monday, July 9th at the Ahrya Fine Arts in Beverly Hills. Presented in 35mm. Click here for tickets.
About Maria Schrader:
Two-time winner of the German Film award and two-time winner of the Bavarian Film award, Maria Schrader worked with directors such as Margarethe von Trotta, Doris Dörrie (“Nobody Loves Me”), Hans W. Geissendörfer, Peter Greenaway, Rajko Grilic and Agnieszka Holland (“In Darkness”). In 1999, at the Berlinale, she received the Silver Bear for Best Actress in “Aimée & Jaguar” directed by Max Färberböck. Recently, she thrilled television audiences in the Emmy award-winning and internationally renowned series “Deutschland 83″ (2015). “Deutschland 86” will premiere in October, 2018.
Ms. Schrader co-directed “The Giraffe” with Dani Levy (1998). Her directorial debut “Love Life” was shot in Israel in 2007 and was based on Zeruya Shalev’s novel by the same title. The film premiered at the Festa del Cinema in Rome in 2007. “Stefan Zweig: Farewell to Europe” is her second feature as a director; she was nominated for Best Director at the 2017 German Film Awards, and the film won the People’s Choice Award at the 2017 European Film Awards.
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