SLACK BAY Filmmaker Bruno Dumont in Person Opening Night at the Monicas.
SLACK BAY writer-director Bruno Dumont will participate in a Q&A after the 7 PM screening at the Monica Film Center on Friday, April 28. NPR film critic Ella Taylor will moderate.
A QUIET PASSION Actress Emma Bell in Person for a Q&A at the Royal Friday Night.

Emma Bell, who plays young Emily Dickinson in A QUIET PASSION, will participate in a Q&A after the 7 PM screening at the Royal this Friday, April 21. NPR film critic Ella Taylor will moderate.
Acclaimed British director Terence Davies (House of Mirth, The Deep Blue Sea) exquisitely evokes Dickinson’s deep attachment to her close knit family along with the manners, mores and spiritual convictions of her time that she struggled with and transcended in her poetry.
Described as “an absolute drop-dead masterwork” by The New Yorker’s Richard Brody and “quietly masterful” by The Independent’s Geoffrey Macnab, the film combines a dramatic plot with moments of tasteful humor.
A WOMAN, A PART Opening Weekend Q&A’s at the Monica Film Center.
A WOMAN, A PART writer-director Elisabeth Subrin, and lead actress Maggie Siff will participate in Q&A’s after the 7:20 screenings at the Monica Film Center on Friday and Saturday, April 14 and 15. They will be joined be joined by actors Lucas Near-Verbrugghe and director of photography Chris Dapkins on Friday and John Ortiz on Saturday. Actress Gaby Hoffman will moderate the Friday Q&A. Michelle Satter of the Sundance Institute will moderate the Saturday Q&A.
LOVE & TAXES Q&A’s with Josh and Jacob Kornbluth at the Monica Film Center and NoHo this Weekend.
LOVE & TAXES writer-star Josh Kornbluth and director Jacob Kornbluth will participate in Q&A’s after the 7:50 PM screening at the NoHo 7 on Friday, March 10 and after the 7 PM screening at the Monica Film Center on Saturday, March 11. Harry Shearer will join them for the Santa Monica screening.
WATER & POWER: Q&A with the Filmmaker Opening Night at the Monica Film Center.
WATER & POWER director Marina Zenovich will participate in a Q&A following the 7:40 PM screening at the Monica Film Center on Friday, March 3.
MARINA ZENOVICH (director, executive producer) is an Emmy award-winning filmmaker whose films have been praised for their powerful storytelling and thoughtful and sensitive approach to difficult subjects and controversial people.
Zenovich is best known for her compelling portraits of Roman Polanski and Richard Pryor and her sensitive retelling of the notorious Duke lacrosse case. Her films reframe familiar, high-voltage stories in new ways and always spark intense conversation and debate.
Zenovich’s breakthrough film, “Roman Polanski: Wanted and Desired,” premiered at the 2008 Sundance Film Festival to great acclaim and considerable media attention, and won the award for Best Editing. It then screened at the Cannes Film Festival as a Special Screening. Soon afterward, Roman Polanski’s lawyers used the film as evidence to reopen his 30-year-old case.
“Wanted and Desired” was selected by the National Board of Review as one of the Best Documentaries of 2008. The film also won Emmys for Outstanding Directing for Nonfiction Programming and Outstanding Writing for Nonfiction Programming (shared with Joe Bini and P.G. Morgan). Zenovich’s follow-up film, “Roman Polanski: Odd Man Out,” premiered at the 2012 Toronto and New York Film Festivals.
In 2013 Zenovich turned her attention to Richard Pryor, another electrifying and provocative figure. “Richard Pryor: Omit the Logic” premiered at the 2013 Tribeca Film Festival and then debuted on Showtime. The film was the highest-rated documentary on Showtime in the past 10 years and was nominated for an Emmy for Best Editing.

Zenovich’s latest film, “Fantastic Lies” — about the Duke lacrosse scandal — screened at SXSW in 2016 and then premiered on ESPN’s “30 for 30” documentary series to great acclaim. The film generated an enormous amount of social media coverage and was subsequently repeated on ABC. “Fantastic Lies” has been seen by an estimated five million people and is often rated as one of the top five episodes of “30 for 30.”
Zenovich’s directing credits also include a range of imaginative and innovative shorter films. They include “Who Is Bernard Tapie?” about the French former politician and convicted criminal turned actor, and her fascination with him; “Independent’s Day” about the struggles of independent filmmakers set in Park City, Utah; and “Estonia Dreams of Eurovision!” about the wacky world of Tallinn, Estonia, as it prepares to host the Eurovision Song Contest. She has also made short films about Julian Schnabel, Takashi Murakami, Vanessa Beecroft and Robert Wilson, among others.
Q&A with KEDI Filmmaker Ceyda Torun Opening Weekend at the Royal.
KEDI filmmaker Ceyda Torun will participate in Q&As after the following screenings:
FRIDAY, 2/17
5:30pm – Ceyda Torun at the Royal
7:50pm – Ceyda Torun at the Royal
SATURDAY, 2/18
1:00pm – Ceyda Torun at the Royal
3:20pm – Ceyda Torun at the Royal
5:30pm – Ceyda Torun at the Royal
7:50pm – Ceyda Torun at the Royal
SUNDAY, 2/19
1:00pm – Ceyda Torun at the Royal
3:20pm – Ceyda Torun at the Royal
5:30pm – Ceyda Torun at the Royal
https://vimeo.com/152779982
Enchanting Turkish Cat Documentary KEDI Slinks into L.A. Theaters February 17.
Hundreds of thousands of Turkish cats roam the metropolis of Istanbul freely. For thousands of years they’ve wandered in and out of people’s lives, becoming an essential part of the communities that make the city so rich. Claiming no owners, the cats of Istanbul live between two worlds, neither wild nor tame –and they bring joy and purpose to those people they choose to adopt. In Istanbul, cats are the mirrors to the people, allowing them to reflect on their lives in ways nothing else could.
Critics and internet cats agree – the cat documentary KEDI, which we open at the Royal, Playhouse and Town Center on February 17, will charm its way into your heart and home as you fall in love with the cats in Istanbul. This film is a sophisticated take on your typical cat video that will both dazzle and educate. What’s more, free organic “Turkish blend” catnip to opening weekend audiences, while supplies last!
https://vimeo.com/152779982
In his Variety review, Joe Leydon called KEDI a “magical and remarkable…splendidly graceful and quietly magical documentary about the multifaceted feline population of Istanbul…heartfelt…the beautifully spare musical score by Kira Fontana provides the perfect accompaniment for what gradually emerges as a profoundly affecting meditation, at once dreamy and precise, on a force of nature – several forces of nature, actually, with paws and tails – surviving and thriving in an industrialized world.”
Writing in the Hollywood Reporter, Sheri Linden said, “for anyone who’s curious about the historical events and municipal policies affecting Istanbul’s thriving population of street cats, KEDI offers little in the way of informative detail. But if you’d just like to hang with a few of the scrappy felines, Ceyda Torun’s entrancing documentary is manna from the cat gods. A collective portrait that’s as elegant as its light-footed subjects, it’s guaranteed to soothe a weary mind, and just might lower blood pressure, too.
Born in Istanbul, KEDI director-producer Ceyda Torun spent her formative early years among the street cats while her mother worried she’d get rabies and her sister worried she’d bring home fleas. After her family left the country when she was eleven, Ceyda lived in Amman, Jordan, and ended up in New York for her high school years, never encountering a street cat. Ceyda studied Anthropology at Boston University, returned to Istanbul to assist director Reha Erdem and then off to London to work alongside producer Chris Auty. She returned to the U.S. and co-founded Termite Films with cinematographer Charlie Wuppermann and has since directed her first feature documentary. She still misses her feline companions, gets excited whenever she sees a cat on the streets of Los Angeles, but they rarely feel the same way about her. About KEDI, she said the following:
“I grew up in Istanbul until I was eleven years old and I believe my childhood was infinitely less lonesome than it would have been if it weren’t for cats. And I wouldn’t be the person I am today. Every year that I returned to the city, I saw it change in ways that made it less and less recognizable, except for the cats; they were the one constant element, becoming synonymous with the city itself and ultimately, embodying its soul. This film is, in many ways, a love letter to those cats and the city, both of which are changing in ways that are unpredictable.
“When we set out to make this film, I had many ideas about what it should be. I hoped to show Istanbul in ways that went beyond tour guides and news headlines. I wanted to explore philosophical themes that would make you, the audience, ponder about our relationship to cats, to nature, to each other.

“In the end, I hope this film makes you feel like you just had a cat snuggle up on your lap unexpectedly, and purr fervently for a good long time, while allowing you to stroke it gently along its back; forcing you, simply because you can’t move without letting go of that softness and warmth, to think about things that you may not have given yourself time to think about in the busy life you lead, to discuss them with a group of new friends, friends from Istanbul who tell you what the city is really like.
“Hopefully this film will be that experience for you, and that you’ll leave with a yearning in your hands to pet a cat, and visit Istanbul.”
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