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You are here: Home / Jordan Deglise Moore

Laemmle Sunset 5 general manager Roger Christensen on the latest Inside the Arthouse.

July 2, 2025 by Jordan Deglise Moore Leave a Comment

The staff members at your local arthouse — they’re generally as unique as the films they show, and thank God for that. Because without their disregard for corporate uniformity, the experience of going to the cinema would not have that distinctive quality that makes each visit unique.

In the latest episode of Inside the Arthouse, hosts Greg Laemmle and Raphael Sbarge get to talk with Roger Christensen, a longtime movie theater employee who spent the last part of his 40-plus year career as the locally famous, beloved, and hilarious general manager of the Sunset 5 in West Hollywood. At a time when that venue was the hottest arthouse west of the Angelika Film Center in New York, he was there when indie icons like Todd Haynes, Lisa Cholodenko, and Doug Liman debuted their first films. And just to prove that it wasn’t all Oscars and accolades, he also bears some responsibility for the launch of the phenomenon of Tommy Wisseau and his cult B movie hit The Room.

Downtown movie palaces fade away. New venues take over as the audience shifts geographically. Single screens give way to multiplexes. But through it all, the audience still craves that moment when the house lights dim and the screen comes to life. And for the people who work at the theater – the managers, projectionists, and box office and concessions personnel – they get to share in that journey of change and discovery that comes with seeing a great movie.

Leave a Comment Filed Under: Inside the Arthouse

THE LIFE OF CHUCK is an art house summer sleeper. Don’t skip this one.

July 2, 2025 by Jordan Deglise Moore Leave a Comment

We have been playing the Neon-released Stephen King adapatation The Life of Chuck at two of our theaters since mid-June and are expanding it to three more venues this Friday because the film, as they say, has legs. It’s a charmer and a sleeper. “Telling the story of Chuck’s life in reverse chronology, the film is a big, bold crowd-pleaser, complete with a showstopping dance number featuring [Tom] Hiddleston and Annalise Basso. But it’s also startlingly personal, as we learn about Chuck’s childhood being raised by his grandparents Albee (Mark Hamill) and Sarah (Mia Sara). The deceptively simple drama takes a look at the unexpected legacy we leave behind, kicked off by the appearance of cryptic billboards all over town reading: ‘Charles Krantz, 39 Great Years! Thanks, Chuck!’ The film…is buoyed by a remarkable ensemble that includes Chiwetel Ejiofor, Karen Gillan and several talented young actors sharing the role of the titular accountant.” ~ Janelle Riley, Variety

“A lot of movies barely have a point of view at all. This one is a prism in comparison. It gives viewers what David Lynch called ‘room to dream.'” ~ Matt Zoller Seitz, RogerEbert.com

“It’s an unexpected emotional wallop that knocks you off your feet. The Life of Chuck pricks the soul like that even as it warms our aching hearts.” ~ Randy Myers, San Jose Mercury News

THE LIFE OF CHUCK is an art house summer sleeper. Don't skip this one.

“This is one of the best ensembles of the year, filled in with appearances by many of Flanagan’s past collaborators.” ~ Brian Tallerico, RogerEbert.com

“A film that’s as sweet as it is scary, and whose frights are the sort that come from all-too-relatable fears about being alone, being apart, and being unable to hold onto the people and memories that matter most.” ~ Nick Schager, The Daily Beast

Leave a Comment Filed Under: Featured Post, Claremont 5, Featured Films, Films, Newhall, NoHo 7, Press, Santa Monica, Theater Buzz, Town Center 5

Filmmaker Embeth Davidtz & Executive Producer Trevor Noah in Person for DON’T LET’S GO TO THE DOGS TONIGHT July 10.

June 25, 2025 by Jordan Deglise Moore Leave a Comment

Based on Alexandra Fuller’s memoir of the same name, Don’t Let’s Go to the Dogs Tonight captures the childhood of eight-year-old Bobo on her family farm in Zimbabwe (formerly Rhodesia) at the end of the Zimbabwean War for Independence in 1980. Growing up in the midst of this long running war, Bobo internalizes both sides of the struggle. Conflicted by her love for people on opposing sides, she tries to make sense of her life in a magical way. Through her eight-year-old gaze we witness Rhodesia’s final days, the family’s unbreakable bond with Africa, and the deep scars that war leaves on survivors.

Don’t Let’s Go to the Dogs Tonight writer-director Embeth Davidtz & executive producer Trevor Noah will participate in an in-person Q&A after the July 10 early access screening at the Royal.

The regular engagement will begin the following day at the Royal, followed by an expansion to all but one of our other theaters on July 18.

Leave a Comment Filed Under: Actor in Person, Claremont 5, Featured Films, Featured Post, Filmmaker in Person, Films, Glendale, Newhall, NoHo 7, Q&A's, Royal, Special Events, Theater Buzz, Town Center 5

“A gorgeous drama with an open, aching heart,” FAMILIAR TOUCH opens Friday at the Royal, Town Center, and Glendale.

June 25, 2025 by Jordan Deglise Moore Leave a Comment

As we approach 2025’s midway point, we are about to open one of the year’s finest films, the locally produced Familiar Touch. A sampling of critics’ encomiums is below. Writer-director Sarah Friedland and star Kathleen Chalfant will participate in Royal Q&A’s after the 7:30 P.M. shows on June 27 & 28; at the Town Center following the 12:50 P.M. show on June 29; and at the Glendale after the 4:30 P.M. show on June 29. Lydia Storie, Director of Culture Change at Caring Across Generations, will moderate the June 27 screening. You can also catch Friedland and Chalfant’s interview on the latest episode of Inside the Arthouse.
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“Familiar Touch is a film about forgetting, but it’s also a reminder — as moving, sincere and gracefully unadorned as any I’ve seen in some time — of the actor’s art.” ~ Zachary Barnes, Wall Street Journal

“A gorgeous drama with an open, aching heart.” ~ Jourdain Searles, RogerEbert.com

“Because writer-director Sarah Friedland’s debut finds so much depth in its subjective approach to memory loss, it loses much of its stigma and discovers wonder in its place.” ~ Jacob Oller, AV Club

“Friedland’s film, as sharp as it is soft, conveys both the terror of losing the life you recognize, and the intermittent, fragmented joy of finding it again.” ~ Guy Lodge, Variety

“In the end,  Familiar Touch reveals itself to be less about the agonies of change than in the concessions we make to feel closer to our loved ones and ourselves.” ~ Beatrice Loayza, New York Times

“There is great emotional heft to a relatively simple film, and a dignity and empathy afforded to dementia patients that feels astonishingly rare on-screen, where sensationalism tends to bring the house down.” ~ Hannah Strong, Little White Lies

“Familiar Touch can be sad, without question, but it’s also salty and boundlessly tender.” ~ Alison Willmore, New York Magazine/Vulture

“What Friedland keenly understands is the power of what’s unsaid, how memories can tie themselves to sound, smell, and touch too, and how sometimes those are the last to go.” ~ Brian Tallerico, RogerEbert.com

“Like any good coming-of-age movie, Familiar Touch never condescends. It takes its protagonist’s experience with dislocation, unrequited love and the desire to be understood quite seriously.” ~ Lovia Gyarkye, The Hollywood Reporter

“Friedland, who also wrote the film‘s script, is not given over to histrionics or blaring displays of emotion, instead asking us to follow Ruth and experience the world through her eyes. The impact is profound.” ~ Kate Erbland, IndieWire

“There’s a profound tenderness in Sarah Friedland’s affecting first feature and a rare empathy.” ~ Wendy Ide, Screen International

Leave a Comment Filed Under: News, Actor in Person, Featured Films, Filmmaker in Person, Films, Glendale, Inside the Arthouse, Q&A's, Royal, Theater Buzz, Town Center 5

“An engrossing thriller fueled by female rage,” the Iranian-Israeli drama TATAMI opens Friday at the Royal, next week at the Laemmle Glendale and Town Center..

June 18, 2025 by Jordan Deglise Moore Leave a Comment

This Friday we are proud to open TATAMI, the acclaimed collaboration between Iranian and Israeli filmmakers. Some plaudits from top American film critics:

“A superb example of pop cultural translation that freshens up the clichés of the sports corruption thriller and gives the actors and filmmakers a chance to flex their considerable skills.” ~ Matt Zoller Seitz, RogerEbert.com

“The mounting tensions of these moving parts — and steely performances by Mandi and Amir — make for an engrossing thriller fueled by female rage.” ~ Beatrice Loayza, New York Times

"An engrossing thriller fueled by female rage," the Iranian-Israeli drama TATAMI opens Friday at the Royal, next week at the Laemmle Glendale and Town Center..

“Despite its urgent political engagement, TATAMI never forgets to be a gripping watch.” ~ Catherine Bray, Variety

“Vibrantly helmed and performed, with co-director and Cannes best actress winner Zar Amir Ebrahimi playing one of the leads, the film is a win both behind and in front of the camera.” ~ Jordan Mintzer, Hollywood Reporter

Leave a Comment Filed Under: News, Featured Films, Featured Post, Films, Glendale, Royal, Theater Buzz, Town Center 5

A winning portrait of New Zealand’s Jacinda Ardern, PRIME MINISTER screens this weekend at the Laemmle Claremont, Glendale, Monica Film Center, Newhall, and Town Center.

June 18, 2025 by Jordan Deglise Moore Leave a Comment

In August 2017, in the lead-up to national elections, Jacinda Ardern unexpectedly became New Zealand’s opposition party leader. She had just turned 37. Two frenetic months later, she was Prime Minister. Just before the final vote was in, she discovered she was pregnant. She would become only the second head of state in history to give birth while in office.

Ardern quickly became one of the most recognizable leaders in the world. She drew global attention from people craving a sensitive and compassionate approach to the critical issues of our time. In private, she struggled with being a mother and proving herself to a public skeptical of women’s leadership. A series of crises – the Christchurch massacre, pandemic lockdowns, and disinformation-fueled protests outside Parliament – would test that leadership and the feminine touch she brought to it. She resigned from office in January 2023, shocking her supporters and critics alike.

Going behind the scenes of her administration and her private life, PRIME MINISTER follows Jacinda for seven years as she is catapulted to the top of New Zealand politics, becomes a feminist political icon, resigns suddenly from office and continues to champion the fight against isolationism, fear, and the distortion of truth. Intimate home footage shot by her husband and audio interviews that Jacinda did while in office give us unparalleled access. Along with in-depth contemporaneous interviews, these form the emotional backbone of the story, giving viewers an unfiltered window into her years in power.

The world is at a perilous political crossroads. Trust in institutions, expertise, and liberal democracy itself are under dire strain. Which direction will we go? PRIME MINISTER leaves viewers wondering what the world might be like with more Jacindas at the helm.

“The qualities that endeared Ardern to the world and — for her first term, at least — to her country were a directness, intelligence, drive and unglamorous charm that PRIME MINISTER convincingly presents as entirely unmanufactured.” ~ Ty Burr, Washington Post

“In many ways, the documentary is as unprecedented as Ardern’s career.” ~ Sheila O’Malley, RogerEbert.com

“PRIME MINISTER’s portrait of Ardern is so persuasive it might make you wish you could vote for her.” ~ Caryn James, The Hollywood Reporter

“World leaders have rarely been captured with as much intimacy.” ~ Siddhant Adlakha, Variety

Leave a Comment Filed Under: Theater Buzz, Claremont 5, Films, Glendale, Monica Film Center, Newhall, Santa Monica, Town Center 5

Allison Janney & Bryan Cranston in EVERYTHING’S GOING TO BE GREAT ~ “Buy One, Get One Free” Father’s Day Screenings!

June 11, 2025 by Jordan Deglise Moore Leave a Comment

Lions Gate Films and Laemmle Theatres are pleased to present the new comedy-drama from the writer and producer of I, Tonya, Everything’s Going to Be Great.

In honor of Father’s Day, be the first to see Everything’s Going to Be Great starring Bryan Cranston and Allison Janney on June 15 at the Monica Film Center and Town Center. The 3:20 P.M. screening in Santa Monica and the 3:00 P.M. screening in Encino are “Buy One, Get One Free” screenings. Offer good online and in person at the box offices.

ABOUT THE FILM: There’s no business like show business — for Buddy and Macy Smart (Emmy-winner Bryan Cranston and Oscar-winner Allison Janney) that means an unpredictable life in regional theater while trying to raise their radically different sons, Lester and Derrick. Through it all, Buddy pursues his unstoppable dreams, and Macy is left to pull it all together and keep the family afloat. As the family grapples with identity and belonging, they share a funny, heartfelt journey of self-discovery and learning the power of owning your spotlight, no matter what stage of life you’re in.

Leave a Comment Filed Under: Films, Monica Film Center, Santa Monica, Special promotion, Theater Buzz, Town Center 5

A new comedy that draws inspiration from the great ones of the past, BAD SHABBOS opens Friday.

June 4, 2025 by Jordan Deglise Moore 1 Comment

A huge hit last weekend in New York, we’re excited to open the comedy Bad Shabbos this Friday at the Royal and Town Center with expansion runs planned around L.A. County in the subsequent weeks. The film follows David and his fiancée, Meg, who are about to have their parents meet for the first time over a Shabbat dinner. Things get far more complicated because of an accidental death (or murder?). With Meg’s Catholic parents due any moment, the family dinner soon spirals into a hilarious disaster.

The following Bad Shabbos screenings will feature in-person introductions or Q&A’s: Thursday, June 5 at the Royal w/director Daniel Robbins, producer Adam Mitchell & star Theo Taplitz, moderated by Hilary Helstein; Saturday, June 7, Town Center 5:15 P.M. with Robbins & Taplitz & 7:30 P.M (introduction only).; Royal 7:30 P.M. w/Robbins & Taplitz; Sunday, June 8, Town Center 1:00 w/Robbins & 3:05 P.M. (intro only); Royal 3:05 and 5:15 P.M. w/Robbins.

Bad Shabbos director Daniel Robbins is interviewed on the latest episode of Greg Laemmle and Raphael Sbarge’s video podcast Inside the Arthouse and also wrote the following about his film:

“My grandfather liked to joke that Christians will tell you they’re Christian, Muslims will tell you they’re Muslim, but Jews will tell you they’re Jew…ish.

“There’s a wide range to Judaism and the characters in this film fall in the middle of the spectrum. They’re people who take their faith seriously, but also interact with the secular world. People who, instead of planting their flag on one end of the spectrum, try to exist in between. People who try to manage the polarities of a secular life and a religious one.

“I chose to portray this segment of Judaism not just because it’s how I grew up, but because of the metaphor it presents for a family. Each family is constantly managing its own polarities. Between familial expectations and personal freedoms. Between unconditional love and constructive criticism.

“Between tradition of the old and tolerance for the new. This film is about a family trying to find its place, on a night when they’re meeting the in-laws for the first time, while there’s a dead body in their bathroom.

“It’s a fun, kinetic ride that pulls from the great comedies of the past. There are pieces stolen from Ernst Lubitsch’s blocking, Billy Wilder’s efficiency, Woody Allen’s aesthetic, Mike Nichols’s performances, and Nora Ephron and Neil Simon’s dialogue. But the greatest heist is probably from the early 2000’s comedies I grew up watching. The films Meet the Parents and My Big Fat Greek Wedding were constantly playing on my parents’ TV, broken up with whatever commercials TNT decided to include. These two films were comedies with tight scripts, big laughs, some heart, and authentic portrayals of their subcultures — Chicago Greeks and Long Island Christians. Additional influences were The Birdcage and Death at a Funeral.

The film was shot entirely on location on the Upper West Side. It was important to make it as authentic as possible and stay true to that setting – including shooting at the iconic Upper West Side staple Barney Greengrass and giving the owner Gary Greengrass a small role. The apartment was an actual apartment on 81st Street on the 16th floor, however the lobby was shot in a different building on Riverside drive, the same building they used for Tom Hanks’s lobby in You’ve Got Mail (also a favorite of ours).

Our team’s first goal with Bad Shabbos was to make a film that authentically portrays my subculture — New York Jews. My family gathered for Shabbos dinner every Friday night and, even on the more chaotic nights, there was an underlying warmth. Then our second and, perhaps, main goal was to take everything we love about the comedies of old and — like the characters in this film — try to adapt to modern times.”

From Bob Strauss’s review in the San Francisco Chronicle:

“Jews and gentiles in love have been comically upsetting their respective families for at least 103 years, since the popular stage play “Abie’s Irish Rose” debuted. Dinner parties gone awry are also a theatrical — and by extension, movie and television — staple.

“Mix them together with an inconvenient corpse, and you’ve got the recipe for Bad Shabbos. More crucial ingredients in Daniel Robbins’ New York farce include verbal dexterity and spry visuals, which give the sense of a well-done theatrical production that’s a real movie as well.

“Primarily set in an Upper West Side apartment, the film also boasts a game ensemble, each member of which knows just how to take their moments in the spotlight. Characters aren’t deep but not stick figures either; their flaws and needs become more pronounced as the pressure mounts from a sudden death  — or was it murder?

“Sure, certain roles bear unmistakable traces of stereotype, but no one is solely defined by the fact that they’re a Jewish mother or Midwestern Catholic. Everyone’s core impulses take them to surprising and darkly funny but believable places. And growth is a nice, nourishing dish on this Sabbath comedy’s table.

“Jon Bass (“Miracle Workers”) and Meghan Leathers (“For All Mankind”) are David and Meg, facing their final hurdle to getting married: her Catholic parents coming in from Wisconsin to meet his Jewish family, the Gelfands, for Friday night dinner.

“Observant but not super orthodox, David’s mom Ellen (Kyra Sedgwick) has issues with her future daughter-in-law’s not quite kosher kitchen skills (for starters), while his dad Richard (David Paymer) seems more devoted to his self-help psychology books than to the Talmud.

“Also at the Shabbat is David’s scrawny kid brother, a wannabe Israel Defense Forces commando named Adam (Theo Taplitz, who has the looks and intensity of a very young Adrien Brody), their sister Abby (Milana Vayntrub) and her crummy boyfriend Benjamin (Ashley Zukerman). They all work up believable irritations and concerns before the deadly incident hijacks everyone’s attention.

“With varying success, they attempt to carry on like nothing’s wrong when Meg’s parents, Beth (Catherine Curtin) and John (John Bedford Lloyd), arrive. Prayers and rituals get made up to keep the visitors distracted and away from the body in the kitchen. There are high degrees of cleverness and silliness to all of this.

“But top comic delivery honors go to Vayntrub (of AT&T commercials and, more recently, the Menendez brothers “Monsters” fame) as an unhappy woman who becomes both increasingly drunk and the situation’s moral center. When Ellen disapprovingly learns she drove over on the Sabbath, Abby replies, “How is this worse than murder?”

“Likewise, Lloyd is a slow-burn marvel who builds John from a subtle to a loudly aggrieved fount of micro-anti-semitisms.

“Honorable mention goes to Clifford “Method Man” Smith, who as the building’s doorman Jordan makes it his business to help the only resident family he likes. Additionally, Jordan brings a suspensefully useful ticking clock element as his shift change approaches.

“As noted, Bad Shabbos is about growth as well as laughs, and no one exemplifies that better than Leathers. Lightly touching on Meg’s resentment at having to convert while her fiancé needn’t do anything, she nonetheless gleans practical insights from her rabbinical studies and has a gift for sharing what she knows. As does writer-director Robbins, who modeled the Gelfands on his own family.

“Without making a big deal out of any of their traits, he gives us specific, authentic characters who live their traditional beliefs with modern attitudes. Neither too “oy vey” nor “Weekend at Bernie’s” but steeped in the best aspects of both Jewish and black comedy, Bad Shabbos is a treat any night of the week.”

1 Comment Filed Under: News, Actor in Person, Director's Statement, Featured Films, Featured Post, Filmmaker in Person, Filmmaker's Statement, Films, Glendale, Greg Laemmle, Inside the Arthouse, Newhall, NoHo 7, Press, Q&A's, Royal, Theater Buzz, Town Center 5

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For the 21st consecutive year, Laemmle will be scr For the 21st consecutive year, Laemmle will be screening the Oscar-Nominated Short Films, opening on Feb. 20th. Showcasing the best short films from around the world, the 2026 Oscar®-Nominated Shorts includes three feature-length programs, one for each Academy Award® Short Film category: Animated, Documentary and Live Action.

ANIMATED SHORTS: (Estimated Running Time: 83 mins)
The Three Sisters
Forevergreen
The Girl Who Cried Pearls
Butterfly
Retirement Plan
 
LIVE ACTION SHORTS (Estimated Running Time: 119 minutes)
The Singers
A Friend Of Dorothy
Butcher’s Stain
Two People Exchanging Saliva
Jane Austin’s Period Drama

DOCUMENTARY SHORTS (Estimated Running Time: 158 minutes)
Perfectly A Strangeness
The Devil Is Busy
Armed Only With A Camera: The Life And Death Of Brent Renaud
All The  Empty Rooms
Children No More: “Were And Are Gone”

Please note that some films may not be appropriate for audiences under the age of 14 due to gun violence, shootings, language and animated nudity.
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Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
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Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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