Q&A with Pawel Pawlikowski, director of the Oscar shortlisted film COLD WAR, following the 5:20 pm show on Saturday, January 12th at the Royal in West LA. His previous film IDA won the Oscar for Best Foreign Language Film in 2014. Click here for tickets.
Q&A with Hirokazu Kore-eda, Oscar Shortlisted Filmmaker of SHOPLIFTERS on January 13th in West LA
Filmmaker Hirokazu Kore-eda will participate in a Q&A following the 1:20pm screening of his Oscar shortlisted, Palme d’Or winning masterpiece, SHOPLIFTERS, on Sunday, January 13th at the Laemmle Royal in West LA. Click here for tickets. NPR film critic Ella Taylor will moderate.
45th Anniversary Screenings of Federico Fellini’s AMARCORD January 16th in Encino, Pasadena, and West LA
Laemmle Theatres and the Anniversary Classics Series launch our Anniversary Classics Abroad program for 2019 with one of the most acclaimed foreign-language films of the 1970s, Federico Fellini’s boyhood-memory masterpiece, AMARCORD. Actor Michael Forest, who worked on the film, will share some memories of working with Fellini in a Q&A before the screening at the Royal Theater.
Fellini collected his fourth and final directing Oscar nomination for the film, which won the Academy Award as the year’s best foreign language film. It was also named the best film of the year by the New York Film Critics, and Fellini was their choice for Best Director.
AMARCORD (the vernacular for “I remember” in Romagna) is an evocation of a year in the life of an Italian coastal town in the 1930s. It is not a literal recreation but more of a dreamlike memoir of a time filtered through sentimental, political, and erotic reminiscences of a bygone era.
There is no central character, but an assortment of townspeople played by an ensemble cast. Among them are Titta (Bruno Zanin), a teenager who possibly could be the young Fellini; Titta’s father (Armando Brancia), a socialist construction foreman openly at odds with the fascist government; Gradisca (Magali Noel), the town hairdresser and femme fatale; Titta’s foul-mouthed grandfather (Guiseppe Lanigro); Titta’s crazy uncle (Ciccio Ingrassia); and The Lawyer (Luigi Rossi), the narrator and master-of-ceremonies.
Fellini co-wrote the Oscar-nominated screenplay with Tonino Guerra (‘La Notte,’ ‘Blow-Up’) and employed frequent collaborator Nino Rota to compose the score, with color cinematography by Giuseppe Rotunno.
Critics of the day received the film rapturously. Time Out New York called the film “A funhouse tour through Fellini’s mind…he has mined his youth before but never with such jocularity and emotional force… [with] some of the most lyrical imagery the maestro has ever concocted.”
Vincent Canby of the New York Times was equally impressed, writing, “it’s a film of exhilarating beauty…may possibly be Fellini’s most marvelous film.”
Roger Ebert called it Fellini’s “last great film,” raving, “if ever there was a movie made entirely out of nostalgia and joy, by a filmmaker at the heedless height of his powers, that movie is Federico Fellini’s AMARCORD.”
AMARCORD screens Wednesday, January 16 at 7pm in Encino, Pasadena, and West LA. Click here for tickets.
ASHES IN THE SNOW Q&A with Cast and Crew Opening Day at the Music Hall.
ASHES IN THE SNOW Q&A with actor Martin Wallstrom (Mr. Robot), director Marius Markevicius, screenwriter Ben York Jones and editor Jonathan Dillon following the 5:30 pm show on Friday, 1/11.
BEYOND THE NIGHT Q&A’s with Cast and Crew Opening Weekend at the Glendale.
BEYOND THE NIGHT Q&A with filmmaker Jason Noto and actor Chance Kelly following the 7:00 pm show on Friday, 1/11. Filmmaker will also participate in a Q&A following the 7:00 pm show on Sunday, 1/13.
The Distant Barking of Dogs Q&A Opening Weekend at the Royal.
THE DISTANT BARKING OF DOGS filmmakers Simon Lereng and Monica Hellstrøm will participate in a Q&A after the 11 am show on Sunday, 1/6.
https://youtu.be/MyMESL6Tc7g
Happy New Year! See the Shortlisted Foreign Films at Laemmle Theatres!
And then there were nine. Eighty-seven nations submitted one film each to compete for the 2019 Best Foreign Language Film Oscar and last month the Academy announced its shortlist. Cinephiles can now or very soon see all but one of these extraordinary movies, which tell stories of Europe, the Middle East, North and South America, and Asia, on a Laemmle screen:
Birds of Passage (Colombia), dirs.: Cristina Gallego/Ciro Guerra |
The Guilty (Denmark), dir: Gustav Moller |
Never Look Away (Germany), dir: Florian Henckel von Donnersmarck |
Shoplifters (Japan), dir: Hirokazu Kore-eda |
Ayka (Kazakhstan), dir: Sergei Dvortsevoy (this one is still looking for a U.S. distributor) |
Capernaum (Lebanon), dir: Nadine Labaki |
Roma (Mexico), dir: Alfonso Cuaron |
Cold War (Poland), dir: Pawel Pawlikowski |
Burning (Korea), dir: Lee Chang-dong |
The Academy will announce the final five nominees on January 22. Read Nancy Tartaglione’s Deadline Hollywood post about the shortlist, including a couple surprising omissions, here.
Are there any 2018 films you think should have made the cut? Or do you think AMPAS did well?
Q&A’s with Anna Zamecka, Oscar Shortlisted Filmmaker of COMMUNION.
COMMUNION filmmaker Anna Zamecka will participate in Q&A’s at the Fine Arts on January 3 (after the 7:30 PM show); at the Laemmle Glendale on January 4 (following 3:00 PM and 7:30 PM shows); and at the Monica Film Center on January 5 (following 11:00 AM show).
Sean Penn and the International Documentary Association’s Claire Aguilar will co-host the January 3rd screening at the Fine Arts.
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