ALIVE AND KICKING filmmaker Susan Glatzer will participate in Q&A’s after the 7:20 PM screenings at the Fine Arts on Friday and Saturday, April 7 and 8.
SHOT! THE PSYCHO-SPIRITUAL MANTRA OF ROCK Filmmaker in Person at the Music Hall.
SHOT! THE PSYCHO-SPIRITUAL MANTRA OF ROCK director Barnaby Clay will participate in Q&A’s after the 7:20 PM screenings at the Music Hall on Friday and Saturday, April 7th and 8th.
Filmmaker Q&A’s for the Acclaimed Jazz Documentary I CALLED HIM MORGAN Opening Weekend at the Monica Film Center.
I CALLED HIM MORGAN director Kasper Collin will participate in Q&A’s after the 7:40 shows at the Monica Film Center on Friday and Saturday, March 31 and April 1. Composer Bennie Maupin will join him for the Friday Q&A.
Step Up to the Plate Every Throwback Thursday in April at the NoHo 7 with Eat|See|Hear!
Spring has sprung, the Major League Baseball season starts Sunday, and our hopes for a World Series Championship in Los Angeles are renewed. Hopefully, they will be renewed so we can start enjoying our favorite sport again! When baseball season arrives, a lot of people get extremely excited, especially those who are looking to place some bets on their favorite team. A lot of people use mobile sports betting Indiana companies to place their bets, but this can vary depending on where the baseball fans live. Of course, placing bets isn’t essential, but it can make the games more fun to watch as there is the potential for fans to make some extra money if they place a bet on the correct team to win. If the Cubs can win it, so can the Dodgers, and lots and lots of experts are pointing to the Trolley Dodgers’ pitching, depth, and farm system and predicting they will, at the very least, play deep into October. Clayton Kershaw, Kenley Jansen, Justin Turner, Corey Seager, and Adrian Gonzalez are all back and surely the team won’t use the disabled list in 2017 as much as they did last year, right? Either way, I’m going to make sure the Dodgers play to win when it comes to my fantasy baseball league, as for if they actually will… Well, let’s hope.
Celebrate this very special sport, our erstwhile national pastime, by joining Laemmle and Eat|See|Hear for “April at Bat,” a full month of our favorite baseball movies at the NoHo 7 in North Hollywood! Our season opens on Thursday, April 6th with the THE BAD NEWS BEARS. Doors open at 7 PM, trivia starts at 7:30 PM, and films begin at 7:40 PM! Check out the full schedule below. For tickets and our full #TBT schedule, visit laemmle.com/tbt!
April 6: THE BAD NEWS BEARS (1976)
An aging, down-on-his-luck ex-minor leaguer coaches a team of misfits in an ultra-competitive California little league. Walther Matthau and Tatum O’Neal star. Get tickets.
April 13: THE NATURAL (1984)
Robert Redford stars as an unknown baseball player who comes out of nowhere to become a legend with almost divine talent. Based on Bernard Malumud’s novel, the stellar cast includes Glenn Close, Robert Duvall, Wilford Brimley, Barbara Hershey, and Kim Basinger. Get tickets.
April 20: FIELD OF DREAMS (1989)
In this tribute to dreamers, Kevin Costner stars as an Iowa farmer who constructs a baseball diamond in his fields after hearing the inspirational message, “If you build it, he will come.” James Earl Jones, Burt Lancaster, Ray Liotta, Amy Madigan, and Gaby Hoffman co-star. Based on W.P. Kinsella’s novel. Get tickets.
April 27: A LEAGUE OF THEIR OWN (1992)
Two sisters join the first female professional baseball league and struggle to help it succeed amidst their own growing rivalry. Tom Hanks, Madonna, and Geena Davis star. Get tickets.
Our New Twofer Tuesday Series Begins April 4th with a Double Dose of Bette Davis
Laemmle Theatres and the Anniversary Classics Series present Twofer Tuesdays, a classic movie double bill that will screen on the first Tuesday of each month as a recurring event at three Laemmle locations.
Our first attraction celebrates Hollywood legend Bette Davis in one of her most beloved roles, NOW, VOYAGER (1942), on its 75 th anniversary. As a bonus feature, we are pairing it with MARKED WOMAN (1937; 80th anniversary) starring Davis and Humphrey Bogart. Both movies will show as a double feature (two movies, one admission price) at the Ahrya Fine Arts in Beverly Hills, NoHo 7 in North Hollywood, and Playhouse 7 in Pasadena.
Click here to buy tickets to the 5PM show of MARKED WOMAN, admission to the 7:15pm NOW, VOYAGER is included. Click here to get tickets to the 7:15PM show of NOW, VOYAGER, admission to the 9:45pm MARKED WOMAN is included.
NOW, VOYAGER is considered a consummate “woman’s film,” a genre that was Davis’ forte in her heyday in Hollywood’s Golden Age of the 1930s and 40s, an era that she ruled as a top box office star.
The plush melodrama, based on a novel by Olive Higgins Prouty (author of “Stella Dallas,” another classic tale of a self-sacrificing, independent woman), was adapted by Casey Robinson (Dark Victory) and directed by Irving Rapper (Deception).
The film was nominated for 3 Academy Awards, including Davis as Best Actress as a repressed spinster who emerges from her shell in one of the screen’s most dramatic makeovers.
Co-starring Paul Henreid as her suave romantic partner, Oscar nominee Gladys Cooper (Supporting Actress) as her domineering mother and Claude Rains (one of Davis’ favorite actors), as a paternal psychiatrist; the film was a huge commercial hit, the biggest box office success for Davis in that period.
In “The Essentials: 52 Must-See Movies and Why They Matter,” author Jeremy Arnold calls it “a movie that has stood the test of time for its high entertainment value, romanticism, and subversive theme of female empowerment.”
Featuring a lushly romantic Oscar-winning score by Max Steiner, and with one of the most memorable closing lines in movie history, Now, Voyager was added to the National Film Registry in 2007.
Our bonus feature, MARKED WOMAN stars Davis as a nightclub “hostess” who becomes the target of a vengeful mobster (Eduardo Ciannelli), who in turn is prosecuted by a crusading district attorney (Humphrey Bogart). Co-written by Robert Rossen (All the King’s Men, The Hustler) and Abem Finkel (Jezebel, Sergeant York), and directed by Lloyd Bacon (42 nd Street), the movie is notable for its “torn from the headlines” realism that characterized Warner Bros. style in the 1930s.
Because of the censorious Production Code, the brothel employing Davis’ character was disguised as a clip joint. Davis’ assured performance and the film’s success contributed to her rise as queen of the Warner’s lot, a position she held for the next decade.
The Twofer Tuesdays double feature of NOW, VOYAGER and MARKED WOMAN plays April 4 at three locations: Ahrya Fine Arts, NoHo 7, and Pasadena Playhouse 7. Special Introduction by film historian Jeremy Arnold at the Ahrya Fine Arts only.
NOW, VOYAGER plays at 7:15 pm; MARKED WOMAN at 5:00 pm and 9:45 pm.
MISSION CONTROL Q&A with NASA Engineer Terry Watson.
NASA engineer Terry Watson will participate in a Q&A after the 7:10 PM screening of MISSION CONTROL at the Monica Film Center on Saturday, April 15.
45th Anniversary Screening of Billy Wilder’s AVANTI! March 29th at the Royal with Co-Stars Juliet Mills and Clive Revill In-person
Laemmle Theatres and the Anniversary Classics Series present a 45th anniversary screening of AVANTI! (1972) followed by a Q&A with co-stars Juliet Mills and Clive Revill on Wednesday, March 29, at 7 PM at the Royal Theatre in West Los Angeles. Click here for tickets.
Six-time Oscar winner Billy Wilder made one of his most underrated movies, Avanti!, in 1972. The film’s stature has risen dramatically in recent years. In his 1999 book, Conversations with Wilder, Oscar-winning writer-director Cameron Crowe declared, “The prize of Wilder’s later-period work, Avanti! is a melancholy classic.”
To make the film, Wilder reteamed with his favorite actor, Jack Lemmon (the star of Some Like It Hot and The Apartment), and Crowe declared, “The picture was a new peak in the collaboration of Wilder and the actor most tuned to his nuances.”
Lemmon plays a crass businessman who travels to Italy to claim the body of his father, who was killed in an automobile accident while on vacation. There he learns that his father was carrying on a long extra-marital affair with an Englishwoman, who died with him in the accident. He meets the woman’s daughter, played by Juliet Mills, and it seems that history may repeat itself as Lemmon and Mills fall in love. As Crowe wrote, Mills “is a wonderful foil for Lemmon.”
The uproarious and poignant film represents a sly reworking of one of Wilder’s favorite themes, the encounter of an innocent American and more worldly Europeans. It was a subject that Wilder first explored in his Oscar-nominated screenplay for Hold Back the Dawn in 1941, and he revisited this terrain in such other films as A Foreign Affair, Sabrina, Love in the Afternoon, and One Two Three. Avanti! was filmed on glorious Italian locations that gave added richness to the director’s exploration of the innocent abroad.
Clive Revill and Edward Andrews co-star in the film, which was written by Wilder and his long-time collaborator, I.A.L. Diamond. Luigi Kuveiller was the cinematographer, and the production designer was Ferdinando Scarfiotti, the Oscar-winning designer of The Last Emperor, The Conformist, and Death in Venice. Leonard Maltin called Avanti! a “sadly underrated comedy… lovely scenery, wonderful performances by all.” The film was nominated for six Golden Globes.
Juliet Mills is a member of one of the most distinguished British acting families. Her father, John Mills, was an Oscar winner as well as a lion of the theater. Her younger sister, Hayley Mills, the star of Disney classics Pollyanna and The Parent Trap, has also enjoyed a long career. Juliet has distinguished herself on stage, on screen, and on television. She was nominated for a Golden Globe for her performance in Avanti! and for her role on the hit television series, Nanny and the Professor. She won an Emmy for her performance in the miniseries, QB VII, and she was nominated for a Tony for her performance in Peter Shaffer’s first Broadway play, Five Finger Exercise.
Clive Revill was nominated for a Golden Globe for his delightful performance as the beleaguered hotel manager in Avanti! He has also had a stellar career in film, theater, and television. He earned a Tony nomination for his performance as Fagin in the original Broadway production of Lionel Bart’s Oliver. He co-starred in another Billy Wilder movie, The Private Life of Sherlock Holmes, and also appeared in Modesty Blaise, The Assassination Bureau, and The Legend of Hell House. His television roles include the miniseries Centennial and such series as Columbo and Star Trek: The Next Generation.
For more about our Anniversary Classics Series, visit www.laemmle.com/ac and join our Facebook Group.
Art in the Arthouse presents TRIMBLED at the Royal
Laemmle’s Art in the Arthouse is proud to announce our newest exhibit, TRIMBLED, showcasing the works of artist SCOTT TRIMBLE. The show appears at the Royal Theatre through May 2017.
Curated by Joshua Elias, the exhibit features gestural oil paintings that tap into the psyche of the artist – and the world at large – in an arresting and provocative manner. Trimble’s unique application of color is also fascinating to behold. Don’t miss seeing Trimbled in person!
Laemmle Royal
Based in Hermosa Beach, SCOTT TRIMBLE is a graduate of USC’s School of Cinema and Television where he focused on film history and criticism. He now creates psychological portraits in oil.
A Trimble Game: Walk down the aisle and take in each of Trimble’s paintings. Read the titles of each painting aloud to your self and move on. Then double back.
You will not be the same person. Moved through movement, visual richness, and a distinct phraseology you will be lent a hand, a journey, and a lens from the vantage point of the artist.
This is an experiential show – a blur inside a whir. It is a period in time where nothing makes sense. The paintings fragments are held together through poetic phrases, animated beings, cagey, sometimes frightened figures, not so carefully fielding their steps across a landscape within a room.
Rife with contradiction, each work is a navigation in an unnavigable urban setting. This noir mise-en-scene is a political horror house, where an implausible arm of a figure is reaching around the corners searching for the edge. Grappling for significance, in a world of continual motion, Trimble’s paintings offer a soulful rope to the long climb ahead.
– Joshua Elias, Curator
Critical Review for Scott Trimble:
Shana Nys Dambrot writing for the Huffington Post
- « Previous Page
- 1
- …
- 153
- 154
- 155
- 156
- 157
- …
- 263
- Next Page »