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Home » Theater Buzz » Santa Monica » Page 8

FOOD AND COUNTRY Director Laura Gabbert: “Ruth [Reichl] and I set out to follow the unfolding stories of innovators in every corner of America experimenting to transcend a broken food system.”

October 2, 2024 by Jordan Deglise Moore

Ruth Reichl—trailblazing New York Times food critic, groundbreaking Gourmet Magazine editor, best-selling memoirist, and, for decades, one of the most influential figures shaping American food culture—grows concerned about the fate of small farmers, ranchers, and chefs as they wrestle with both immediate and systemic challenges as the pandemic takes hold.

In Food and Country, Reichl reaches across political and social divides to discover innovators who are risking it all to survive on the front lines. As one person leads her to the next, she follows the unfolding stories of ranchers in Kansas and Georgia; farmers in Nebraska, Ohio, and the Bronx; a New England fisherman; and maverick chefs on both coasts. As she witnesses them navigate intractable circumstances, Reichl shares pieces of her own life, and, in doing so, begins to take stock of the path she has traveled and the ideals she left behind. Through her eyes, we get to know the humanity and struggle behind the food we eat. As Reichl says: “How we grow and make our food shows us our values– as a nation and as human beings.

Food and Country filmmaker Laura Gabbert will participate in Q&As after the 10/9 and 10/10 screenings at the Laemmle Monica Film Center and Glendale. The regular engagement at the Royal begins on October 11.

DIRECTOR’S STATEMENT

“What drives me as a filmmaker is finding ways to put us inside, to humanize someone else’s experience; in short to connect us. My own instincts lead me back to food stories again and again because they’re a rich prism through which to understand culture and our relationships to each other. Food is a conduit, a vehicle that connects people to people, and people to culture.

“My 2015 documentary, City of Gold, is about the late Jonathan Gold, the first food writer to win a Pulitzer Prize for criticism. Jonathan’s writing gave me a way to understand and love Los Angeles. He wrote about restaurants and food as the gateway to connection and empathy across perceived boundaries in a city bursting with multiple cultures and ethnicities. In my next culinary film, Ottolenghi and the Cakes of Versailles, decadent cakes became an expression and critique of contemporary excess, and laid bare our longing for community in a world of inequity and exclusion. Food and Country, my third food foray, was prompted by Covid, but it’s not actually about Covid; it’s about the people behind our food. Transcending blue state/red state politics, their resilience and ingenuity are the heart of this film.

“In March 2020, as the Covid-19 pandemic took hold, I saw that independent restaurants were the canary in the coalmine and began to worry about the restaurant owners, chefs, and workers with whom I had grown close while making City of Gold. Knowing so many people in the food world with urgent, compelling stories that needed to be told, I felt I had to document their plight. How they would adapt to survive. I wondered how the potential loss of these businesses would change the fabric of our communities and cities.

“Just as I was preparing to film struggling Los Angeles restaurants, storied food writer Ruth Reichl reached out to me and said, “I hear we’re working on something similar. Let’s talk.” Ruth was taking a bigger picture approach to the crisis — grasping right away the devastating impact the pandemic could have on the entire food chain. Ruth and I quickly decided to join forces and began reaching out to pivotal players in food through video calls. Ruth’s stellar reputation as chronicler and voice of American food culture for the last four decades opened doors, but everywhere we turned, it was Ruth’s authenticity, curiosity, and warmth that inspired trust and elicited truth telling. People across the front lines of the food chain and political divides — from the most celebrated chefs, to food equity activists, to farmers and ranchers— wanted to talk with her. And, we would soon learn, they also wanted to open up and confide in her, and even seek solace. But the connection between Ruth and our characters is a two-way street. Just as they rely on Ruth, so too does Ruth lean on them for insight and closeness.

“Ruth and I set out to follow the unfolding stories of innovators in every corner of America experimenting to transcend a broken food system. Collectively their story is the story of all independent businesses fighting to survive an ever-consolidating industry. Their stories also hold up a mirror. How we make and grow our food tells us who we are as a country, who we are as human beings.” — Laura Gabbert

 

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Filed Under: Director's Statement, Featured Films, Filmmaker in Person, Filmmaker's Statement, Films, Glendale, Q&A's, Royal, Santa Monica, Theater Buzz

The “spiky, hilarious, and thoroughly unorthodox screwball comedy” BETWEEN THE TEMPLES is charming critics and audiences.

August 28, 2024 by Jordan Deglise Moore

The new comedy Between the Temples, starring Jason Schwartzman as a troubled cantor who finds his world turned upside down when his grade school music teacher (a never-better Carol Kane) re-enters his life as his adult Bat Mitzvah student, is living up to the hype and bringing audiences into theaters. Peruse this sampling of the catalyst for the film’s success, critics’ reviews:

“A spiky, hilarious, and thoroughly unorthodox screwball comedy about a grief-stricken cantor who loses his voice, only to find that he’s surrounded by a chorus of well-intentioned people who are happy to speak for him.” ~ David Ehrlich, indieWire

“We get the sense that Silver would be perfectly happy just sitting there and watching these people forever, story and conflict and resolution be damned. And it really is in these characters’ close exchanges that the movie comes to life.” ~ Bilge Ebiri, New York Magazine/Vulture

“Both stars — romantic leads with character actor cred — have the power to be funny and heartbreaking simultaneously, and their unique chemistry drives the film’s craziness and humanity.” ~ Thelma Adams, AARP Movies for Grownups

“Between the Temples emerges as a quirky and effective showcase for two actors known for playing oddball characters. Kane and Schwartzman bounce off each other so well that their work alone makes the film worth seeing.” ~ Odie Henderson, Boston Globe

“The relationship that unfolds, with shades of Harold and Maude, is honest and unsparing, as well as being blatantly Freudian.” ~ Kevin Maher, Times

“The movie is consistently funny, but its humor tends to be fairly gentle because it’s rooted in human behavior rather than in condescending, judgmental ideas about such behavior.” ~ Manohla Dargis, New York Times

“Schwartzman is very affecting as a perplexed, tragicomic galoot and Kane is a marvel.” ~ Jonathan Romney, Financial Times

“Shot wanly on film in wintertime, Between the Temples takes a while to reveal its depths – its linguistic wit, its cockeyed humor and compassion, how it can modulate from deadpan-slapstick to achingly poignant and still feel authentic in both keys.” ~ Kimberley Jones, Austin Chronicle

“With both misery and comedy, director Nathan Silver satisfyingly captures the Jewish experience.” ~ Joey Shapiro, Chicago Reader

“The real attraction here is the interplay between the two leads, which makes Between the Temples sing.” ~ Randy Myers, San Jose Mercury News

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Filed Under: Claremont 5, Featured Films, Films, Glendale, Newhall, News, NoHo 7, Press, Royal, Santa Monica, Theater Buzz, Town Center 5

Dropping Today: The First Episode of INSIDE THE ARTHOUSE.

August 28, 2024 by Jordan Deglise Moore

Introducing the new video podcast Inside the Arthouse. Hosted by Greg Laemmle, President of Laemmle Theatres, and actor and Emmy award-winning director Raphael Sbarge, Inside the Arthouse is an insider’s perspective on filmmakers and the people responsible for the movies showing on arthouse screens across the U.S.

Episode 101: Merchant Ivory: A Conversation with Stephen Soucy is now live everywhere you get your podcasts.

Laemmle Theatres opens Merchant Ivory this Friday at the Royal/West L.A. and Town Center/Encino. In his Hollywood Reporter review, David Rooney wrote of the film, “anyone with a fondness for…what might be described as a gentlemen guerrilla filmmaking operation will find immense pleasure here.” Merchant Ivory director Stephen Soucy will do in-person Q&As following the 7 PM screenings at the Royal on August 30 and 31. Film critic David Ansen will moderate the Q&A on the 30th.

Learn more about Inside the Arthouse at Insidethearthouse.com.

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Filed Under: Claremont 5, Featured Films, Featured Post, Filmmaker in Person, Films, Glendale, Greg Laemmle, Newhall, NoHo 7, Q&A's, Royal, Santa Monica, Theater Buzz, Town Center 5

Greg Laemmle and Raphael Sbarge Launch New Video Podcast INSIDE THE ARTHOUSE.

August 21, 2024 by Jordan Deglise Moore

Greg Laemmle, President of Laemmle Theaters, along with actor and Emmy Award-winning director Raphael Sbarge, are launching a new  Video Podcast called INSIDE THE ARTHOUSE. The show is dedicated to highlighting new  releases, repertory classics, filmmakers, distributors, and the key personalities who bring movies to the big screen. INSIDE THE ARTHOUSE will be filmed and recorded at the Laemmle Royal Theatre, the 100-year-old theater that has been operated by three generations of Laemmles for the past half century.  

Laemmle says, “My family has been dedicated to providing a home for independent, foreign and documentary film for almost a century, and we have decided to launch INSIDE THE ARTHOUSE in order to promote the release of new films that will ultimately play in arthouses all across the country.” 

“Our interviews will be recorded in person or via Zoom, with filmmakers appearing large on  the screen,” says Sbarge, an independent filmmaker himself. “Opening a movie in theaters requires all the support they can get, and INSIDE THE ARTHOUSE, is dedicated to the  celebration of seeing films in theaters.” 

Their first guests include Stephen Soucy, the director of MERCHANT IVORY, a documentary about art house mainstays Ismail Merchant and James Ivory; the Golden Lion-winning director of the Swedish film PARADISE IS BURNING, Mika Gustafson; the writer and director  of PREY FOR ROCK AND ROLL, Cheri Lovedog and Alex Steyermark, re-released in theaters via Kino Lorber, for their 20th anniversary; and the co-directors of the new documentary UNION, out of the Sundance and Tribeca film festivals, Brett Story and Steven Main.

In subsequent episodes – initially to be released every two weeks – INSIDE THE ARTHOUSE will focus on new releases and repertory classics, filmmakers, distributors, and  personalities who are responsible for bringing movies to the big screen. The first episode of INSIDE THE ARTHOUSE will premiere on August 28, 2024. The show can be found on  YouTube and all major podcast platforms. For more information, visit www.insidethearthouse.com!

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Filed Under: Claremont 5, Featured Post, Films, Glendale, Greg Laemmle, Moviegoing, Newhall, News, NoHo 7, Playhouse 7, Royal, Santa Monica, Theater Buzz, Town Center 5

“I just wanted to look at that moment of girlhood where you are shifting away from being ostensibly under the protection of your parents, but also realizing like, ‘Oh, I’m actually not protected by the world. I have to figure out my own, my own way forward.’” India Donaldson on her new film GOOD ONE.

August 14, 2024 by Jordan Deglise Moore

In India Donaldson’s fantastic debut film Good One, 17-year-old Sam (Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome, brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, tries to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested. Selected for both Sundance and Cannes’ Directors’ Fortnight, Good One is an emotionally expansive work that probes the limits of familial trust, understanding, and ultimately, forgiveness.

We open Good One this Friday in Santa Monica and a week from Friday in North Hollywood.

The nation’s film critics are not holding back. A small sample:

“Collias captures something gossamer here, a quiet shift into adult womanhood that happens, literally, overnight. She’s the new moon, ready to emerge. But unlike the moon, she makes her own light.” ~ Stephanie Zacharek, TIME Magazine

“In its lived-in quality and gathering churn, Good One is a dream of an indie, from the craft in every frame to the humor, epiphanies and mysteries that gird its portraiture.” ~ Robert Abele, Los Angeles Times

“Its most distinctive quality is how much Donaldson and her trio of actors … trust the subterranean, and allow it to do its work far beneath the surface, between the words.” ~ Sheila O’Malley, RogerEbert.com

“So much of the grace and, ultimately, the emotional resonance of Good One lies in Collias’ performance, and how she turns a symphony of reaction shots into a portrait of a woman caught in a crossfire of middle-aged male malaise.” ~ David Fear, Rolling Stone

“Subtly dark, humorous, and wise, Good One leans into its wilderness backdrop in all of its liberating (and, sometimes, paradoxically claustrophobic) properties.” ~ Tomris Laffly, Harper’s Bazaar

Donaldson has sat for several recent interviews to talk about her film. Here’s an excerpt from one with Jordan Raup of The Film Stage:

The best directorial debut of the year, India Donaldson’s Good One, is a carefully-observed portrait of both womanhood and fatherhood, capturing the 17-year-old Sam (Lily Collias, in a revelatory breakthrough performance) who embarks on a camping trip in the Catskills with her father (James Le Gros) and his best friend (Danny McCarthy). As the men are in the middle of a midlife crisis of sorts, Sam is witness to their mindless banter and subtle indecencies, culminating in a piercing point of no return.

Ahead of the film’s limited release beginning this Friday, I spoke with Donaldson about the character dynamics, the film’s subtle accumulation of details, the Hou Hsiao-Hsien and Kelly Reichardt films she watched as inspiration, and the journey from Sundance to New Directors/New Films to the Cannes Film Festival.

The Film Stage: Can you talk about how you initially formed the dynamic between these three characters? In some ways, it feels like an update on Old Joy but with an entirely new perspective.

India Donaldson: When I wrote the script, it was like deep COVID, and I was living back at home for the first time since high school, basically. And I have two half-siblings who at the time were in high school and I was kind of reflecting. I never thought about, before this moment, exploring that moment in film or writing. But through them this triangulation happened where I was reflecting on my own teen years and memories, of the ways that I dealt with conflict, the ways that I was avoidant of conflict, just my qualities of being in the world as a teenager. And how I felt like I had spent my 20s kind of trying to beat back certain instincts I had––to please or this kind of thing that had worked for me as a teenage girl, I feel like it wasn’t working for me in my professional life. I felt like I didn’t have the confidence to really pursue what I wanted to pursue, all these things. I just wanted to look at that moment of girlhood where you are shifting away from being ostensibly under the protection of your parents, but also realizing like, “Oh, I’m actually not protected by the world. I have to figure out my own, my own way forward.”

If you just look at the logline you could think it’s like a coming-of-age movie, but I feel like throughout the movie you learn she’s actually more mature in some ways, and level of maturity is not defined by age. She’s picking up on different social cues. What was it like writing her character and after you met Lily, did her character expand? 

The character was on the page for sure, but the moment I met Lily and saw her audition, she just had added this edge to the character. I was always kind of nervous about the character that she would come across as too much of a doormat. That it would be sort of unsatisfying to watch somebody repeatedly act kind of in service of these men and their needs and struggle with that. Lily just had this quality where even when the character’s at her most obedient, I could always feel her pushing against it. Because I think Lily herself has a natural kind of rebellious [spirit]. She’s a real freethinker and has this incredible confidence that the character doesn’t have. But I think it bleeds into the performance and so it evolved in that sense. As soon as it was sort of in her hands, the character became more powerful to me. Which was a cool thing to discover.

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Filed Under: Featured Films, Featured Post, Films, News, NoHo 7, Press, Santa Monica, Theater Buzz

Glendale Arts Summer Soiree “Under A Thousand Stars” to Honor Laemmle Theatres’ Greg & Tish Laemmle.

July 16, 2024 by Jordan Deglise Moore

Laemmle Theatres President Greg Laemmle and his wife Tish Laemmle are being honored by the good folks at Glendale Arts “in recognition of their unparalleled legacy of dedication to independent filmmakers and the art of storytelling on the screen.” Glendale Arts is an award-winning 501(c)3 non-profit organization that generates opportunities throughout greater Los Angeles to showcase, promote, encourage, and engage with the arts. From their announcement:

Glendale Arts proudly announces the organization’s highly-anticipated Summer Soiree “Under A Thousand Stars” to be held on Saturday, July 27, 2024 from 7:00-10:00 P.M. at ace/121 Gallery. Tickets for the event of the season are now available for purchase here.

Guests are invited to revel in the dazzling beauty of the gallery, transformed into an elegant indoor/outdoor spectacle of art and performance. The inspirational evening will comprise epicurean delights, artful mixology, a silent auction featuring original works of art by emerging and renowned artists from the Los Angeles area and beyond, and a celebratory program highlighting GA’s dynamic programmatic pillars – the Glendale International Film Festival, Solo Fest, and ace/121 Gallery.

A highlight of the event will be the presentation of The Aura, Glendale Arts’ inaugural award honoring luminaries who power the arts. The first-ever recipients of The Aura are Laemmle Theatres Head Greg Laemmle and his wife Tish Laemmle, Art in the Arthouse Curator at the family-run theatres which have brought the best of foreign and independent cinema to Los Angeles for over 85 years. The Laemmles will be honored in recognition of their unparalleled legacy of dedication to independent filmmakers and the art of storytelling on the screen.

Summer Soiree proceeds benefit Glendale Arts, the city’s premier arts non-profit. Funds raised will support GA’s mission to cultivate year-round opportunities for artists and audiences to convene around mutually enriching experiences that promote creativity, foster meaningful connections, and build community through the performing, cinematic, and visual arts mediums.

“We are excited to bring supporters and community, business, and industry leaders together for a night that salutes the transformative power of the arts,” said Glendale Arts Board Chair Marci DeSousa. “The Summer Soiree will not only showcase the heart and soul that drives Glendale Arts’ mission, but will also celebrate what distinguishes GA as a unique non-profit with local roots, regional impact, and a global footprint.”

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Filed Under: Around Town, Art in the Arthouse, Charity Opportunity, Claremont 5, Glendale, Greg Laemmle, Newhall, NoHo 7, Royal, Santa Monica, Theater Buzz, Town Center 5

“THELMA is a terrific picture, and one that I hope gets a ton of support from audiences.  It is a warm and funny film, and the central performances from veteran actors June Squibb and Richard Roundtree are precious.” ~ Greg Laemmle on the winning new comedy.

June 19, 2024 by Jordan Deglise Moore

I don’t often step up and offer personal thoughts on new openings.  After all, we are opening several films every week, and we love all our children equally.  Also, those of you who have spotted me at the theatre (after ONLY IN THEATERS, I’ve sacrificed any anonymity I might have enjoyed) know that sometimes I’m catching up on films together with you at regular screenings.  Not surprisingly, I prefer to see things in a theatre and don’t like to watch things via screening links, even if offered in advance.
But with THELMA, we have a film that I did get to see at an early festival showing, and I LOVED it so much that I can’t help but share my enthusiasm.  Even after making allowance for the euphoria that can come with a festival screening, I think THELMA is a terrific picture, and one that I hope gets a ton of support from audiences.  It is a warm and funny film, and the central performances from veteran actors June Squibb and Richard Roundtree are precious. We open the film on Friday at all but one of our theaters.
Mind you, I’m not alone in being a fan of this film.   Since it premiered at Sundance earlier this year, critics have been almost unanimous in their support.  The film is at 99% on Rotten Tomatoes, which is pretty impressive for a comedy.  Here’s a sampling of some of the reviews:
“Holding out until the age of 94 for her first lead role, June Squibb proves what her legion of devoted fans has always known: she’s a superstar.” ~ Fionnuala Halligan, Screen International

“Bolstered by some cheeky action tropes, including twists, chases, gunplay, and even an explosion, Thelma is more than a winsome romp. It’s a real thrill.” ~ Kristy Puchko, Mashable

“Thelma’s adventures with her assisted-living chum (the late Richard Roundtree) generated some of the best laughs from any film in the fest, and those scenes between grandma and grandson touched my soul.” ~ Randy Myers, San Jose Mercury News

“Margolin hails from improv comedy and he’s based Thelma on his own grandma; there’s much love and humour in this most unlikely of action movies.” ~ Peter Howell, Toronto Star

“It’s likely to draw laughs if you’ve ever coached someone on how to use a computer, tears if you’ve ever loved an elderly person who held tightly to their dignity. And Squibb is as understatedly funny and commanding as you’d expect.” ~ Adrian Horton, Guardian

“Although the film’s action tropes are played for laughs, there’s a real sweetness under all the gags. A lesser actress could’ve turned Thelma into a retirement home caricature, but Squibb, of course, brings a thoughtful and sweet nuance to her heroine.” ~ Devan Coggan, Entertainment Weekly

A big part of the film is about the relationship between Grandmother and Grandson.  And as someone who was fortunate to have a close relationship with my grandmother, that really resonated with me, including the issue of helping an older generation learn to adopt to new technologies.  When Thelma in the film mistakenly posts to Instagram, I think back to my grandmother not understanding how answering machines worked, and leaving long messages on the tape thinking that I had picked up her call but was not responding.   Of course, if I’m so blessed, I can also see myself in the film, 20 years from now trying to figure out whatever fresh hell the tech geniuses of the world have foisted on us.  Like the Tralfalmadorians in Vonnegut’s SLAUGHTERHOUSE-FIVE, we know what horrors the future will bring us, but we have just surrendered to the idea that we are powerless to stop it from happening.As humans, we know that aging is inevitable. And that certain aspects of aging may also be inevitable. Physical frailty. Diminished mental acuity. The loss of friends and things (work, social clubs, etc.) that keep us connected to the broader world.

Is this inevitable? We probably can do something to change or ameliorate the situation. But will we? THELMA certainly shows us one badass grandma who isn’t about to take things lying down!

So maybe that is what is what I love most about THELMA.  I can see myself as all of the generations represented in the film.  And, just maybe, I can hope that I will be as feisty and resourceful as Thelma when I get to that age.  ~ Greg Laemmle

Here’s Ms. Squibb’s recent interview on the Today Show:

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Filed Under: Claremont 5, Featured Films, Featured Post, Films, Glendale, Greg Laemmle, Newhall, NoHo 7, Santa Monica, Theater Buzz, Town Center 5

I USED TO BE FUNNY starring Rachel Sennott opens Friday.

June 12, 2024 by Jordan Deglise Moore

Actress Rachel Sennott (Shiva Baby, Bottoms) returns to Laemmle screens this Friday at the Monica Film Center, NoHo 7 and Town Center 5 with I Used to Be Funny. She plays an aspiring stand-up comedian and au pair struggling with PTSD as she decides whether or not to join the search for Brooke (Olga Petsa), a missing teenage girl she used to nanny.
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Click here to watch the trailer.
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“Rachel Sennott has the greatest face. It cannot lie, no matter what her characters are saying. That honesty makes her ideal for films with tricky tones… And it’s essential to I Used to Be Funny.” – Johanna Schneller, Globe and Mail
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“In her film debut, [writer-director Ally Pankiw] delivers a full and fulfilling narrative arc that is anchored by a surprisingly complex performance from Sennott.” – Katie Walsh, Tribune News Service

“Pankiw and Sennott bring Sam’s story to life with an inventive yet sensitive approach, creating a sympathetic portrait of someone learning to cope with the tragedies of life and embrace their funny side despite it all.” – Monica Castillo, RogerEbert.com

“A former stand-up herself, Sennott holds a stage with command.” – Amy Nicholson, New York Times

“Healing is not linear, and I Used to Be Funny adeptly displays that process, exploring Sam’s pain without making the experience of watching the film painful, and honestly refreshing exploration of a subject that’s so often brutal to witness.” – Jenny Nulf, Austin Chronicle

“Sennott is perfectly cast, portraying Sam as simultaneously lifeless and hilarious with her default blasé attitude and dry-wit humor.” – Weiting Liu, Little White Lies

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Filed Under: Featured Films, Films, News, NoHo 7, Press, Santa Monica, Theater Buzz, Town Center 5

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An “embrace of what makes us unknowable yet worthy of forgiveness,” A LITTLE PRAYER opens Friday at the Claremont, Newhall, Royal and Town Center.

Leaving Laemmle: A Goodbye from Jordan

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Part of the #WorldwideWednesday Series! 🎟️ laemmle Part of the #WorldwideWednesday Series! 🎟️ laemmle.com/ww
#ThePropagandist
Drawing on previously unpublished interviews, journals, family footage and propaganda films, THE PROPAGANDIST tracks the rise and fall of the Dutch filmmaker Jan Teunissen, who lived from 1898 to 1975.
❗FREE SNEAK PREVIEW SCREENING of MODI TONIGHT! 👇 ❗FREE SNEAK PREVIEW SCREENING of MODI TONIGHT!
 
👇 RSVP Instructions Below
🎟️ NOHO (North Hollywood) TONIGHT at 7:15pm 

Johnny Depp directs this depiction of a seventy-two-hour whirlwind in the life of bohemian artist Amedeo Modigliani (Riccardo Scamarcio). Al Pacino is the art collector who may change his life forever.
 
RSVP Instructions 
📆 TONIGHT at 7:15pm 
📍Laemmle NoHo (North Hollywood)
LINK IN BIO
Part of the #WorldwideWednesday Series! 🎟️ laem.ly Part of the #WorldwideWednesday Series! 🎟️ laem.ly/4n3m4Yx
#JuDou
Forbidden passion ignites in rural China! 🔥 A young bride, a cruel husband, and a forbidden love that births a dangerous secret. Witness the explosive drama of Ju Dou, a visually stunning masterpiece. #ForbiddenLove #ChineseCinema #ZhangYimou #GongLi
Part of the #WorldwideWednesday Series! 🎟️ laem.ly Part of the #WorldwideWednesday Series! 🎟️ laem.ly/4lv0JGc

#ChainsawsWereSinging

Monty Python meets Texas Chainsaw Massacre meets... Les Misérables.

Chainsaws Were Singing is an absolutely bonkers action-horror-musical-comedy B-movie epic from Estonia. Shot guerilla style in 2013, this true love letter to crowd-pleasing exploitation cinema then spent a modest 10 years in post-production and is finally out in 2024.

Due to some rude language and over-the-top comedic violence, it is probably not suitable for children under 2.
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Laemmle Theatres

Laemmle Theatres
Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
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Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
Follow LAEMMLE on TWITTER: http://bit.ly/3O6adYv
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