- Anora
- Conclave
- The Brutalist
- Dune: Part Two
- A Complete Unknown
- Emilia Pérez
- Wicked
- A Real Pain
- Challengers
- The Substance
“A visually arresting exploration of resistance,” the acclaimed WWII drama THE FISHING PLACE opens March 7 at the Monica Film Center.


“[Rob] Tregenza displays a virtuosity that is fully integrated into his comprehensive cinematic vision, his finely imagined re-creation of history, and his long-gestating complex of ideas. Not only is he an artist; he’s an artisan of the highest order, whose sense of craft and skill are finer, deeper, and more adventurous than most of the competition in Hollywood—or, for that matter, anywhere. Very few of the year’s officially acclaimed and critically lauded cinematographers can match him in audacity and in achievement; none of the five Oscar-nominated directors unites a world view and an aesthetic as staunchly or deeply.” – Richard Brody, The New Yorker
“A visually arresting exploration of resistance… beautifully shot.” – Manohla Dargis, The New York Times
Moviegoers, start your guesses! The Umpteenth Annual Laemmle Oscar Contest has begun.
The Oscar nominations are out and it was another excellent cinematic year. As always, some categories will be more unpredictable than others. Last year, most contestants 59.5% thought Lily Gladstone would win Best Actress for Killers of the Flower Moon, while only 29.7% correctly divined that Emma Stone would win for Poor Things. This year, Best Picture may be the most challenging category; there are at least six real possibilities. That’s where you come in because it’s time for our Umpteenth Annual Laemmle Oscar Contest! If you, dear cinephile, can accurately predict how the members of the Academy of Motion Picture Arts & Sciences will vote in all 23 categories, (or close to it), all while coping with the fact that Marianne Jean-Baptiste was snubbed for her stupendous turn in Hard Truths, you will win movie passes good at all Laemmle venues! These contests are always close so we have a tie-breaker question: try to guess the running time! The 97th Academy Awards ceremony takes place on Sunday, March 2 and we’ll announce the winners (with snazzy charts) soon afterwards.
A very entertaining way to improve your odds is to watch the Oscar-nominated shorts. We’ll start screening all of them — the animated, live action, and documentary — beginning February 14.
Good luck!
Enter our Top Five Films of 2024 contest! Bonus: Read Greg Laemmle’s list.
All movies free tonight and tomorrow at the Monicas and Royal!
To honor our one-of-a-kind city and its amazing communities, we’re giving you the gift of FREE MOVIES! Thanks to our amazing friends at NEON, catch any film at the Monica Film Center and Royal tonight and tomorrow absolutely free. Come take a much-deserved break and experience the joy of an arthouse film. The offer only applies in-person at the theater box offices. Take the money you would have spent on tickets and donate it to fire relief.
This week on Inside the Arthouse: Sally Aitken, the director of the inspiring L.A. nature documentary EVERY LITTLE THING.
When is a documentary about hummingbirds more than just another educational nature documentary? In the case of Sally Aitken’s new movie Every Little Thing, we discover that small things are very big things— and you will be more than a little surprised. Hummingbirds’ wings beat fifty times per second, and with astounding high speed photography, they float like gossamer on the screen, captured like tiny, magical sprites. Terry Masear, the film’s subject, runs a hummingbird rescue and she, too, is magical and surprising. These remarkable birds, no bigger than your little finger, become bigger than life as we discover Terry’s care, attention, wisdom, and affection for them. It’s a film that will stay with you long after you leave the theater. Every Little Thing is big and wide and will leave you thinking about how small acts of tenderness and kindness, expressed to the tiniest of creatures, can have giant impacts.
Watch filmmaker Sally Aitken’s recent interview on Inside the Arthouse.
We screen Every Little Thing this Thursday, January 16 in Glendale and begin the regular engagement the next day in Santa Monica. The director, Sally Aitken, and producer, Bettina Dalton, will appear for Q&As after the Thursday, 7:30 PM screening in Glendale as well as after the Friday and Saturday, January 17 and 18, 7 PM shows with subject Terry Masear at the Laemmle Monica Film Center.
LOS FRIKIS Q&A’s with the filmmakers and lead actor this weekend in Santa Monica and North Hollywood.
Fri (1/03) 4pm – Los Frikis – Special Screening with Q&A with director Michael Schwartz and star Eros de la Puente
Fri (1/03) 7pm – Los Frikis – Special Screening with Q&A with director Michael Schwartz and star Eros de la Puente
Sat (1/04) 4pm – Los Frikis – Special Screening with Q&A with director Michael Schwartz
Sat (1/04) 7pm – Los Frikis – Special Screening with Q&A with director Michael Schwartz
Fri (1/03) 4:10 pm – Los Frikis – Special Screening followed by Q&A with director Tyler Nilson
Fri (1/03) 7:10 pm – Los Frikis – Special Screening followed by Q&A with director Tyler Nilson
Sat (1/04) 4:10 pm – Los Frikis – Special Screening Q&A with director Tyler Nilson star Eros de la Puente
Sat (1/04) 7:10 pm – Los Frikis – Special Screening Q&A with director Tyler Nilson star Eros de la Puente
GAUCHO GAUCHO filmmakers on Inside the Arthouse.
Acclaimed filmmakers Gregory Kershaw and Michael Dweck, three-time Sundance honorees who previously took audiences to the secret corners of the Italian countryside in search of white truffles with The Truffle Hunters, recently sat down with Inside the Arthouse hosts Greg Laemmle and Raphael Sbarge to talk about their latest striking nonfiction work. Gaucho Gaucho paints an Argentinian western with images and sounds of operatic beauty, building on their earlier success with The Last Race, a film that explored the last stock car racetrack on Long Island.
Kershaw and Dweck’s focus is now on the vast mountains of Argentina, expressed in stunning black-and-white photography, and a small community of gauchos who hold profound connections to the surrounding nature and their own traditions. As older generations dispense their wisdom, the film keeps its eye toward a new generation which continue to fight for their families’ legacies in a modern world.
“These filmmakers have enormous reserves of love and empathy for traditions that miraculously survive in spite of the modern world. And their compassion has never looked more cinematic.” ~ Tomris Laffly, Harper’s Bazaar
“An affecting tone poem which ruminates on the passage of time and the passing of traditions from one generation to the next.” ~ Tim Grierson, Screen International
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