CHAPERONE star Elizabeth McGovern will participate in a Q&A following the 4:30 pm show and intro the 7:10 pm show on Friday, 4/5. Jenelle Riley from Variety will moderate the Q&A.
LAEMMLE LIVE presents Cellist Armen Ksajikian with Host Rich Capparela in Santa Monica
This is a Free Event!
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LAEMMLE LIVE presents cellist Armen Ksajikian in a solo recital with music by composer/friends. Rich Capparela returns to host this robust program which includes pieces by Sulkhan Tsintsadzè, J.S. Bach, Alan Hovhaness, James Horner, Haim Shtrum, Gabrielle Rosse Owens, Leslie La Barre, Peter Schickele and more.
Admired as much for his artistry and his sense of humor, Armen Ksajikian joined Los Angeles Chamber Orchestra as Associate Principal cello in the 2001-02 season. He is also Associate Principal cello of the Hollywood Bowl Orchestra. He started out his professional career at age 12 with the Abkhazian State Philharmonic in the former Soviet Union. Since 1976, Armen has been very active in LA’s musical life, working with such notables as Heifetz, Rostropovich, Van Cliburn, Pavarotti, Rosza, Giulini, Baryshnikov, Cage, Mancini, Corea, Dudamel, John Williams, Jerry Goldsmith, Randy Newman, Zubin Mehta and James Cameron, and with groups such as the Eagles, Incubus, System Of Down, and with the Duke Ellington, Dancing with the Stars and Academy Awards orchestras.
Armen has appeared as a soloist with the Nacional Orchestre du Brazil, Pacific Symphony, and Hollywood Bowl and Los Angeles Chamber orchestras, and regularly subs with the Los Angeles Philharmonic. He is a member of several ensembles including The Catgut Trio, The Rio Trio, California String Quartet and the award-winning Armadillo String Quartet, with whom he performed Haydn’s complete string quartets in a 34 ½ hour marathon. He made his Carnegie Hall debut premiering a quartet by PDQ Bach in 1999 and has appeared in the Cabrillo, Colorado, Banff, Sitka Summer, Oregon Bach, High Desert, Park City and Venice Film festivals; the Rio International Cello Encounter and Jasper Festival of Music and Wine.
In 1993, Armen made his ‘limousine-driving” debut in James Cameron’s True Lies with Arnold Schwarzenegger and Jamie Lee Curtis and played his own death scene in the movie. Also a busy recording musician – he has over 1,100 movies to his credit. Armen’s performances in less conventional venues include 16-day whitewater tours down the Colorado River in the Grand Canyon, “concerts for grizzlies” inside a clarifier tank of an old pulp mill in Sitka, Copacabana Beach in Rio de Janeiro and at Neverland Ranch. He is particularly proud to have soloed with the Hiland Mountain Women’s String Orchestra at the Hiland Mountain Correctional Center.
This is a Free Event!
RSVP via Eventbrite
Sunday, April 14, 2019
Monica Film Center
1332 2nd Street
Santa Monica
11am – 12 pm
Robert Forster In Person for our 50th Anniversary Screening of MEDIUM COOL, March 27th in West LA
Laemmle Theatres and the Anniversary Classics Series present a 50th anniversary screening of one of the most provocative and explosive films of the late 60s, Haskell Wexler’s MEDIUM COOL followed by a Q&A with Robert Forster.
Wexler was already an Oscar-winning cinematographer of such films as Who’s Afraid of Virginia Woolf?, In the Heat of the Night, and The Thomas Crown Affair when he made his directorial debut with this picture. He also had a background in documentaries, which he put to use in this feature set in Chicago in the summer of 1968, with a climax that takes place during the Democratic convention and the bloody police riot that accompanied it.
The film mixes fact and fiction, documentary footage and staged scenes, as it tells the story of a TV news cameraman, played by Robert Forster, who comes to recognize the moral obligations of a journalist during turbulent times. The film’s co-stars include Peter Bonerz, Marianna Hill, and the late Verna Bloom, who gave an especially poignant performance as an Appalachian woman who becomes involved with Forster. Newcomer Harold Blankenship plays her son, who is befriended by Forster. Wexler wrote the screenplay and acted as his own cinematographer. Oscar winner Verna Fields edited the picture, and Mike Bloomfield composed the score.
The film was controversial but enormously successful. It was rated X by the Classification and Ratings Administration of the MPAA, ostensibly for nudity and language, but Wexler commented that “it was a political X.” It was later re-rated R without cuts.
The New York Times’ Vincent Canby wrote, “The result is a film of tremendous visual impact, a kind of cinematic Guernica, a picture of America in the process of exploding into fragmented bits of hostility, suspicion, fear and violence.” The Los Angeles Times’ Charles Champlin agreed that “Medium Cool provides an astonishingly wide but economical documentation of this particular moment in our history.” And Newsweek’s Joe Morgenstern called it “an exciting piece of work that must be seen by anyone who cares about the development of modern movies.”
The film’s reputation continued to grow in later years, with Siskel and Ebert hailing it as “a well-crafted masterpiece.” In 2003 it was added to the National Film Registry of the Library of Congress.
Robert Forster made his film debut as the object of Marlon Brando’s obsession in John Huston’s controversial 1967 film, Reflections in a Golden Eye, which also starred Elizabeth Taylor, Julie Harris, and Brian Keith. Forster continued to work with top directors of the era, co-starring in Robert Mulligan’s The Stalking Moon and George Cukor’s Justine. Later he earned an Oscar nomination for his vivid portrayal in Quentin Tarantino’s Jackie Brown, and he delivered striking performances in David Lynch’s Mulholland Drive and Alexander Payne’s The Descendants. He has continued to make a strong impression in TV series Last Man Standing and the reboot of Twin Peaks, and just last year he bolstered the family drama, What They Had, in which he co-starred with Blythe Danner, Hilary Swank, and Michael Shannon.
Our 50th anniversary presentation of MEDIUM COOL with Robert Forster in person screens Wednesday, March 27, at 7pm at the Royal in West LA. Click here for tickets.
Format: Blu-ray
April Fools’ Double Feature of THE PINK PANTHER and A SHOT IN THE DARK
Laemmle Theatres and the Anniversary Classics Series invite you to celebrate April Fools’ Day with a double feature starring writer-director Blake Edwards’ inspired creation of accidental mayhem, Inspector Clouseau. Peter Sellers plays the inept French detective to comic perfection in the 55th anniversary screenings of THE PINK PANTHER and A SHOT IN THE DARK on April 1 in Pasadena, North Hollywood, and West LA. Showtime information.
THE PINK PANTHER, the first of a series of films with the blundering sleuth, opened in the United States in April 1964 and was an immediate hit.
Audiences thoroughly enjoyed the jewel heist caper, especially the antics of Sellers, who effectively stole the film from an ensemble cast including David Niven as the suave thief Sir Charles Lytton, Robert Wagner as his playboy nephew, Capucine as Clouseau’s philandering wife, and Claudia Cardinale as the exiled Princess Dala, the owner of the fabulous diamond known as “the Pink Panther.”
Variety found the original screenplay by Edwards and Maurice Richlin (Pillow Talk) “intensely funny,” with kudos to the cast and especially Sellers’ “razor-sharp timing.” Location shooting in the Italian Alps by cinematographer Philip Lathrop in lush Technicolor enhanced the comedy.
Of course, the memorable theme music by Henry Mancini is the film’s greatest legacy. Mancini’s original score was Oscar-nominated and won three Grammy awards, as well as inclusion in the Grammy Hall of Fame. The score is ranked #20 in the AFI’s all-time top 100. In addition, the feline character that cavorted across the screen in the merry main title sequence by the DePatie-Freleng animation studio became an Oscar-winning cartoon star. The film was added to the National Film Registry in 2010.
Edwards, Sellers, and Mancini reunited for A SHOT IN THE DARK, the second of their several collaborations that continued into the 1970s.
Director Edwards enlisted William Peter Blatty to co-write a screen version of the French play by Marcel Archard (adapted by Harry Kurnitz for Broadway). Edwards brought along Inspector Clouseau, who was not a character in the original play, and turned Sellers loose in the murder mystery plot.
Commissioner Dreyfus (Herbert Lom), driven to comic psychosis by Clouseau’s ineptitude, and Clouseau’s servant Cato (Burt Kwuok), characters who would become mainstays in the ensuing movie series with Sellers, appear for the first time. Also starring Elke Sommer as the main murder suspect and veteran actor George Sanders as the owner of the chateau where the bodies keep piling up.
The comedy was released in the summer of 1964 and became an even bigger hit than The Pink Panther. The New Yorker praised Edwards and Blatty for “the good sense to toss the foundation stock out the window and let Mr. Sellers run amok…All in all, extremely jolly.” Mancini created a whole new jazzy theme for Clouseau and the main title’s animation sequence was once again crafted by DePatie and Freleng.
So avoid pranks and hoaxes this April Fools’ and see the real comic deal – the Inspector Clouseau Twofer at three Laemmle locations: Royal, NoHo and Pasadena Playhouse. Two delightful comedies for the price-of-one on Monday, April 1.
Buy tickets to the 5pm A SHOT IN THE DARK with admission to the 7:10pm THE PINK PANTHER included here. Or, buy tickets to the 7:10pm THE PINK PANTHER with admission to the 9:30pm A SHOT IN THE DARK included here.
Format: DVD
Francois Truffaut’s THE 400 BLOWS 60th Anniversary Screenings March 20th in Encino, Pasadena, and West LA
Laemmle Theatres and the Anniversary Classics Series present this month’s installment of our Anniversary Classics Abroad program. In keeping with the start of spring, we commemorate Francois Truffaut’s evergreen feature film debut, THE 400 BLOWS, which earned an Academy Award nomination as Best Original Screenplay of 1959.
Truffaut’s autobiographical picture, drawn from events in his own childhood, helped to introduce American audiences to the French New Wave. Truffaut had started as a critic for Cahiers du Cinema along with fellow aspiring directors Jean-Luc Godard, Eric Rohmer and Claude Chabrol. When he unveiled his first feature, he dedicated it to pioneering French critic Andre Bazin.
Critics around the world hailed the arrival of a major new talent. The New York Times’ Bosley Crowther declared, “Not since the 1952 arrival of Rene Clement’s Forbidden Games…have we had from France a cinema that so brilliantly and strikingly reveals the explosion of a fresh creative talent in the directorial field.” Indeed Truffaut won the award for Best Director at the Cannes Film Festival in 1959.
Jean-Pierre Leaud starred as the director’s alter ego, Antoine Doinel, and the character re-appeared in four more films over the course of Truffaut’s career. Albert Remy and Claire Maurier co-star. Another of Truffaut’s frequent collaborators, Henri Decae, provided the lustrous black-and-white cinematography.
The screenplay by Truffaut and Marcel Moussy follows the exploits of Antoine as he battles with his parents, teachers, police, and administrators of the reformatory where he is sent. The director employed an arsenal of fresh cinematic techniques to capture the hero’s irreverent spirit and journey toward liberation. The final freeze frame became one of the most imitated shots in cinema history.
Almost all critics endorsed the film. As Roger Ebert wrote, “The 400 Blows, with all its simplicity and feeling, is in a class by itself.” Directors around the world, including Akira Kurosawa, Luis Bunuel, and Jean Cocteau, also praised Truffaut’s audacious vision. Writing many years later, The New Yorker’s Anthony Lane said, “time has fortified this sharp, slender account of a misbegotten boyhood into one of the unassailable monuments of French cinema.”
THE 400 BLOWS (1959) screens Wednesday, March 20 at 7PM at the Royal, Town Center, and Playhouse. Click here for tickets.
Format: DCP
STYX Q&A with Filmmakers Opening Night at the Royal.
STYX director Wolfgang Fischer and writer Ika Künzel will participate in a Q&A on Friday, 3/15 following the 7:20 pm show.
KRAMER VS. KRAMER 40th Anniversary Screening with Co-stars Justin Henry and JoBeth Williams In Person
Laemmle Theatres and the Anniversary Classics Series present a 40th anniversary screening of the Academy Award-winning best picture of 1979, KRAMER VS. KRAMER. The film, produced by Stanley R. Jaffe, won four other major Oscars — Best Actor Dustin Hoffman, Best Supporting Actress Meryl Streep, Best Director Robert Benton, and Best Adapted Screenplay by Benton, working from the poignant, timely novel by Avery Corman. The film was also named Best Picture of the Year by both the Los Angeles Film Critics Association and the New York Film Critics Circle.
The picture touched a nerve for audiences because it was one of the first films to dramatize changing gender roles and the bitter aftermath of divorce. In the opening scene Joanna Kramer (Streep) leaves her self-centered, workaholic husband Ted (Hoffman), forcing him to take over the primary parenting role with their six-year-old son, Billy (Justin Henry). Although Ted bungles the job at first, he eventually establishes a deep bond with his son that is threatened several months later when Joanna returns and sues for custody of Billy. The tense courtroom scenes build to a riveting dramatic climax with an unexpected denouement. Award-winning cinematographer Nestor Almendros made the most of interior and exterior Manhattan locations.
Benton’s achievement is in finding sharp, telling details that illuminate character and heighten the drama inherent in everyday life. As Frank Rich wrote in TIME magazine, “Benton gives his film its depth and complexity by challenging the audience’s preconceptions and snap opinions at every turn.” David Denby of New York magazine concurred: “The Robert Benton movie is a major dramatic work—startling and emotionally involving.” Leonard Maltin called it an “intelligent, beautifully crafted, intensely moving film…acted to perfection by entire cast.”
That ensemble included Jane Alexander, Oscar-nominated for her performance as a caring neighbor; veteran actors Howard Duff and George Coe; and two actors making their film debuts, JoBeth Williams and Justin Henry. Williams, who has a couple of vivid scenes as an advertising colleague of Hoffman’s, went on to star in two of the most memorable films of the early 1980s—Steven Spielberg’s production of ‘Poltergeist’ and Lawrence Kasdan’s ‘The Big Chill.’ She also co-starred in ‘American Dreamer,’ ‘Teachers’ with Nick Nolte, and ‘Memories of Me’ with Billy Crystal. She has had a long career in the theater, in several powerful television movies, and has also worked behind the camera as director and producer.
Justin Henry became the youngest actor ever to be nominated for an Oscar for his piercing performance as Billy. The New Republic’s Stanley Kauffmann declared that Henry “goes through as wide a range of scenes as he could possibly be asked for, and he is true, absolutely true, every moment. He’s enchanting.” Gene Shalit added, “I have never seen such realistic acting from a child so young.” When he grew older, Henry appeared in such films as John Hughes’ ‘Sixteen Candles,’ ‘Sweet Hearts Dance,’ and in John Frankenheimer’s award-winning TV drama, ‘Andersonville.’ Today he works as an entrepreneur in digital media.
KRAMER VS. KRAMER (1979) plus Q&A with co-stars Justin Henry and JoBeth Williams screens Thursday, March 14 at 7pm at the Laemmle Royal in West LA. Click here for tickets.
LAEMMLE LIVE presents CANTILENA TRIO March 17 in Santa Monica
LAEMMLE LIVE presents Beverly Hills National Auditions Winner CANTILENA TRIO featuring Susan Greenberg, flute; Jon Lee Keenan, tenor; and Kenton Youngstrom, guitar. These three consummate ensemble artists and good friends are favorites among Southern California aficionados. Join us Sunday, March 17 at the Monica Film Center.
The program will include works by Wolfgang Mozart, John Dowland, Vincenzo Bellini, Isaac Albéniz, Gabriel Fauré, Astor Piazzolla, I Bordel 1900, Aaron Copland and Fred Ahlert.
Flutist Susan Greenberg enjoys a versatile career as soloist, chamber musician, symphony player, and recording artist. The Los Angeles Times has described her playing as “brilliant,” “elegant” and “supple,” and has lauded her “panache” and “musical projection.” During her 36 years with the LA Chamber Orchestra, she was a frequent soloist on both flute and piccolo, premiering a concerto for piccolo by Bruce Broughton and performing a concerto for flute, alto flute and piccolo written for her by Gernot Wolfgang. Presently she is the principal flutist with the Santa Monica Symphony and the Vicente Chamber Orchestra. She has performed with the Los Angeles Philharmonic, L.A. Opera, New York City Opera, American Ballet Theater, as well as at the Casals, Ojai and Martha’s Vineyard Music Festivals. he received both her B.A., cum laude, and her M.A. from UCLA. She is the Co-Artistic Director of Chamber Music Palisades, now celebrating its twenty-first season. Ms. Greenberg has recorded for over 500 motion pictures and many TV television shows, including the Simpsons for 25 years.
Versatile tenor Jon Lee Keenan studied Classical Voice and Jazz Bass at UNLV. Jon relocated to Southern California to pursue a career in classical singing, and study vocal arts at the USC Thornton School of Music. Shortly after moving to LA, Jon was selected to join the LA Master Chorale and has been featured as a soloist at Walt Disney Concert Hall in each season since. Recent highlights with the Chorale include the role of “Evangelist” in Bach’s St. Matthew Passion, tenor soloist in Handel’s Messiah and Bach’s Magnificat. Jon recently recorded the role “Gniphos” in the LA Philharmonic’s production of Lou Harrison’s Young Caesar, released internationally in 2018 on The Industry Records. This season’s highlights include appearances with the Corona Del Mar Baroque Festival in Bach’s Magnificat; Various roles in John Cage’s Europeras I and II with the Los Angeles Philharmonic, and an international tour of Lagrime di San Pietro with music by Orlando di Lasso and staging by Peter Sellars.
Kenton Youngstrom, guitarist, composer, and educator is the first in a long line of prize-winning students of Jim Smith at the University of Southern California. While earning his Bachelor of Music and Master of Music degrees, he studied composition with Donald Crockett, arranging with Darniell Pershing, and film scoring with David Raksin. Mr. Youngstrom has performed concerts and recitals with numerous jazz notables such as pianists Taylor Eigsti and Dave Brubeck, flutist Hubert Laws, bassist Scott Colley and guitarist Larry Koonse. Producing credits include the Falla Guitar Trio’s Concord Records LP, “Virtuoso Music for Three Guitars” which won a Record of the Year Award from Stereo Review magazine. Mr. Youngstrom teaches guitar at the Colburn Community School of Performing Arts.
Free Event!
RSVP via Eventbrite
Sunday, March 17, 2019
Monica Film Center
1332 Second Street
Santa Monica, CA
11am – 12pm
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