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“It’s Not Easy to Show Your Life as Undocumented People. But We are Ready…Because It is Time.” The Filmmaker & the Subjects on the Making of I CARRY YOU WITH ME.

June 30, 2021 by Jordan Deglise Moore Leave a Comment

Based on a true love story, the decades-spanning romance I Carry You with Me begins in Mexico between an aspiring chef and a teacher. Their lives restart in incredible ways as societal pressure propels the couple to embark on a treacherous journey to New York with dreams, hopes, and memories in tow. We’ll open this moving film this Friday at our Playhouse and Town Center theaters, with additional venues in the subsequent weeks.

Reviews have been glowing. “A gay story and a border story, told in the universal language of love, family, and dreams.” (Entertainment Weekly). “Ravishing and unshakable, Ewing’s authentic film feels like the crossbreed between a painful memory and a hopeful dream about a place, a relationship and a fight for acceptance that’s not political but entirely humanistic.” (Remezcla) “Dreams make up both the form and substance of I Carry You with Me, Heidi Ewing’s accomplished narrative feature debut.” (Washington Post)

“It’s Not Easy to Show Your Life as Undocumented People. But We are Ready...Because It is Time.” The Filmmaker & the Subjects on the Making of I CARRY YOU WITH ME.
The director Heidi Ewing, center, on the set of “I Carry You With Me.” Courtesy of Loki Films.

The New York Times recently published a Nicolas Rapold piece headlined “When Truth Melds With Fiction: Making I Carry You with Me. Here is the beginning of the piece:

“Heidi Ewing knew her friends Iván García and Gerardo Zabaleta for seven years before learning the full story of their journey. Iván and Gerardo first fell in love in the 1990s in Mexico, where they had to keep their relationship a secret. They emigrated separately to the United States, with Iván crossing the border first on foot at great risk.

“In New York, the men eventually thrived as restaurateurs, and today run two Williamsburg establishments. But, Ewing learned, the couple remained undocumented, like millions of others.

“Ewing, an Academy Award-nominated filmmaker (“Jesus Camp”), recognized a captivating romance when she saw one. But how could she portray her friends’ in-between status, living in a world that kept forcing them to conceal basic facts of their existence?

“In I Carry You with Me , now in theaters, Ewing found her own in-between path by filming a hybrid fiction. Spanning childhood through adulthood, from Mexico City to New York, it’s the rare movie that both stars actors — Armando Espitia plays Iván and Christian Vázquez plays Gerardo — and the people being portrayed.

“It’s Not Easy to Show Your Life as Undocumented People. But We are Ready...Because It is Time.” The Filmmaker & the Subjects on the Making of I CARRY YOU WITH ME.
Vázquez, left, with Ewing on set. Courtesy of Loki Films

“But the project — Ewing’s first fiction feature — looked a little different at first.

““It was so trial-and-error, because when they first told me their story, my go-to was, ‘This is a beautiful documentary,’” Ewing said one morning at a Lower East Side eatery.

“Beginning around 2013, she filmed significant moments in Iván and Gerardo’s lives — birthdays, restaurant openings, Cinco de Mayo. She also shot interviews with them (carefully lit and partly inspired by “My Dinner with Andre”). While gathering these materials for several years, she continued to make movies with her longtime co-director, Rachel Grady: “Detropia,” “Norman Lear: Just Another Version of You” and “One of Us.”

“Heidi Ewing directed a film about two of her friends and their love story, both following them in real life and using actors to portray them in narrative moments.” Here are the first few paragraphs:

“But her documentary about her friends kept posing certain challenges. Hardly any archival photos or video of Iván and Gerardo existed, for example. And she usually steered clear of documentary productions that did not have a “current-day evolution of a story or narrative,” as she put it.

“There was also the question of doing justice to her friends’ romance.

““You want to see somebody fall in love. A documentary camera is never there — at the bar, the restaurant, the street corner, the subway, the bus, the glance between two people,” Ewing said.

“She decided to cast actors to dramatize Iván and Gerardo’s history together. The couple gave their full support.

“It’s Not Easy to Show Your Life as Undocumented People. But We are Ready...Because It is Time.” The Filmmaker & the Subjects on the Making of I CARRY YOU WITH ME.
Christian Vázquez as Gerardo, and Armando Espitia as Iván in “I Carry You With Me.” Courtesy of Alejandro Lopez Pineda/Sony Pictures Classics

Read the rest of the piece on the New York Times website.

https://www.youtube.com/watch?v=FKH-PKU2hsQ

Leave a Comment Filed Under: Claremont 5, Featured Films, Featured Post, Films, Glendale, Newhall, News, NoHo 7, Playhouse 7, Press, Theater Buzz, Town Center 5

The Soul Lift We Need: Joyous Music Documentary SUMMER OF SOUL (…OR, WHEN THE REVOLUTION COULD NOT BE TELEVISED) Opens July 2.

June 23, 2021 by Jordan Deglise Moore Leave a Comment

In his acclaimed debut as a filmmaker, Ahmir “Questlove” Thompson presents a powerful and transporting documentary: part music film, part historical record, created around an epic event that celebrated Black history, culture and fashion. Over the course of six weeks in the summer of 1969, just one hundred miles south of Woodstock, The Harlem Cultural Festival was filmed in Mount Morris Park (now Marcus Garvey Park). The footage was never seen and largely forgotten–until now. SUMMER OF SOUL shines a light on the importance of history to our spiritual well-being and stands as a testament to the healing power of music during times of unrest, both past and present. The feature includes never-before-seen concert performances by Stevie Wonder, Nina Simone, Sly & the Family Stone, Gladys Knight & the Pips, Ray Baretto, Abbey Lincoln & Max Roach and more. SUMMER OF SOUL won both the Grand Jury Prize and the Audience Award for Feature Documentary at this year’s Sundance Film Festival. Laemmle Theatres opens in July 2 at the Claremont, Glendale, Monica Film Center, Newhall, NoHo and Playhouse theaters.

https://www.youtube.com/watch?v=slFiJpAxZyQ&t=3s

Reviews have been rapturous:

“A joyous piece of filmmaking, something that I could have watched for literal hours, and contains quite simply some of the best concert footage ever put on film.” ~ Brian Tallerico, RogerEbert.com

“SUMMER OF SOUL is as thoughtful as it is rousing, a welcome shot of adrenaline to kick off not just a film festival but a new year.” ~ Sheri Linden, Hollywood Reporter

The Soul Lift We Need: Joyous Music Documentary SUMMER OF SOUL (...OR, WHEN THE REVOLUTION COULD NOT BE TELEVISED) Opens July 2.
Sly Stone performs at the Harlem Cultural Festival in 1969, featured in the documentary SUMMER OF SOUL. Photo Courtesy of Searchlight Pictures. © 2021 20th Century Studios All Rights Reserved

“You can come for the music and stay for the politics, or vice versa; either way, it’s a vibrant document of an inspiring event that never loses sight of what that event meant for a community, a city and a culture.” ~ Steve Pond, TheWrap

The Soul Lift We Need: Joyous Music Documentary SUMMER OF SOUL (...OR, WHEN THE REVOLUTION COULD NOT BE TELEVISED) Opens July 2.
Nina Simone performs at the Harlem Cultural Festival in 1969, featured in the documentary SUMMER OF SOUL. Photo Courtesy of Searchlight Pictures. © 2021 20th Century Studios All Rights Reserved

“SUMMER OF SOUL stirringly captures the moment when a sea of people in Harlem heard a grand series of voices and said, Yes.” ~ Owen Gleiberman, Variety)

The Soul Lift We Need: Joyous Music Documentary SUMMER OF SOUL (...OR, WHEN THE REVOLUTION COULD NOT BE TELEVISED) Opens July 2.
Mavis Staples and Mahalia Jackson performing at the Harlem Cultural Festival in 1969, featured in the documentary SUMMER OF SOUL. Photo Courtesy of Searchlight Pictures. © 2021 20th Century Studios All Rights Reserved

“Seething through the entire documentary, against the backdrop of a racially turbulent 1960s, is an insistence on a new kind of racial pride and unity across the diaspora, which infuses “Summer” with an honesty and realism.” ~ Tambay Obenson, indieWire

The Soul Lift We Need: Joyous Music Documentary SUMMER OF SOUL (...OR, WHEN THE REVOLUTION COULD NOT BE TELEVISED) Opens July 2.
Gladys Knight & the Pips perform at the Harlem Cultural Festival in 1969, featured in the documentary SUMMER OF SOUL. Photo Courtesy of Searchlight Pictures. © 2021 20th Century Studios All Rights Reserved

“The lack of awareness of this event is another tragic example of black history being ignored. Only this time the record survived, and now we all get to share in it.” ~ Jordan Hoffman, Guardian)

The Soul Lift We Need: Joyous Music Documentary SUMMER OF SOUL (...OR, WHEN THE REVOLUTION COULD NOT BE TELEVISED) Opens July 2.
Hugh Masekela performs at the Harlem Cultural Festival in 1969, featured in the documentary SUMMER OF SOUL. Photo Courtesy of Searchlight Pictures. © 2021 20th Century Studios All Rights Reserved

Leave a Comment Filed Under: Claremont 5, Featured Films, Featured Post, Films, Glendale, Newhall, News, NoHo 7, Playhouse 7, Santa Monica, Theater Buzz

TO KILL A MOCKINGBIRD Screenings June 7-10.

June 3, 2021 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and the Anniversary Classics Series invite you to celebrate the publication of Stephen Farber and Michael McClellan’s new book, Cinema ’62: The Greatest Year at the Movies, with a return to the big screen of one of the cinematic crown jewels from 1962, To Kill a Mockingbird. The film will be shown as a series of one night-only screenings at 7 PM the week of June 7-10 at four Laemmle locations, the Royal, Playhouse, NoHo and Newhall. The authors will introduce all screenings and sign their book, which will be on sale at the events. Acclaimed filmmaker Cecilia Peck, daughter of Gregory Peck, will join the discussion at the Royal screening on June 7.

A box-office smash in its day, To Kill a Mockingbird remains one of the most memorable films in Hollywood history. In 1995 it was selected for the National Film Registry of the Library of Congress, reserved for films of “historical, cultural, or aesthetic significance.” The film was faithfully adapted by playwright Horton Foote from Harper Lee’s beloved, Pulitzer Prize-winning novel about childhood memories in the segregated South of the 1930s. The film version has become so intertwined with the book in the national consciousness that they have blended as “an inescapable part of our cultural DNA.”

Directed by Robert Mulligan and produced by Alan Pakula, the film gave Gregory Peck the iconic role of a lifetime, that of Atticus Finch, the small-town lawyer who heroically defends a black man (Brock Peters as Tom Robinson) accused of raping a white woman, invoking the ire of the bigoted white community. Peck’s performance resonated so strongly that when the American Film Institute conducted a poll of all-time screen heroes, his portrayal of Finch was voted number one, ahead of such screen favorites as Han Solo and James Bond. Peck closely identified with the themes of parenting two young children, and those of social and racial justice at the height of the Civil Rights era. He was awarded a very popular Best Actor Oscar in one of the most competitive Oscar races of the twentieth century.

Among the film’s eight total nominations (including Best Picture and Director) is one for Supporting Actress, which went to screen newcomer Mary Badham as Scout, the impressionable six-year-old daughter of Atticus, and it is through her eyes the story unfolds. Her remarkable performance conveys all the wonderment and innocence of childhood imagination, and she is ably joined by Philip Alford as her brother Jem and John Megna as Dill (a surrogate for Lee’s friend Truman Capote). The rest of the stellar cast includes Colin Wilcox, Frank Overton, Rosemary Harris, Estelle Evans, James Anderson, and in the pivotal role of the mentally damaged “Boo” Radley, Robert Duvall in his screen debut.

The transformation of childhood memory into black-and-white screen reality was achieved by the superb craftsmanship of cinematographer Russell Harlan and Oscar winning production design of Alexander Golitzen, Henry Bumstead, and set decoration by Oliver Emert. Elmer Bernstein’s exquisite score also enhances the film’s rich atmosphere and mood. Harper Lee was involved in the film’s preparation and was “very proud and very grateful” for the fidelity of the finished film.

The film received widespread praise, ranging from such varied sources as the mainstream press, presidential adviser and journalist Arthur Schlesinger Jr., Walt Disney, and numerous pop culture publications. Often considered a role model, Atticus Finch is understandably not always seen as an uncomplicated hero. But such reassessments have not diminished the popularity and appeal of To Kill a Mockingbird, which has been elevated to the level of American folklore. Witness the recent PBS poll of millions of viewers who voted it America’s most beloved novel, and Aaron Sorkin’s revisionist stage version that was sold out for the entirety of its two-year, pandemic-shortened Broadway run.

https://www.youtube.com/watch?v=QA86h4mdJ-A

Leave a Comment Filed Under: Anniversary Classics, Featured Films, Featured Post, Films, Newhall, NoHo 7, Playhouse 7, Q&A's, Repertory Cinema, Royal, Special Events

Masking at the Movies.

May 20, 2021 by Jordan Deglise Moore 4 Comments

Now that Laemmle Theatres is fully reopened — all eight theaters at 50% capacity — now is a good time for a reminder that masks are still required in our lobbies and auditoriums by all managers, staff, and customers. The CDC issues recommendations but the state and county have jurisdiction and both the California and L.A. County health departments continue to require that masks be worn indoors regardless of vaccination status. The only exception for moviegoers: when seated in an auditorium while eating or drinking. We are doing our best to supervise with signage and polite verbal reminders when necessary, and fortunately most of our patrons are being very conscientious.

On an individual level, the vaccines are superbly effective and epidemiologists are saying that people who are fully vaccinated should feel really safe and confident being out in public.

On a community level, however, we still haven’t vaccinated a large enough percentage of the population. And that’s not just about the vaccine hesitant. There are also 12-16 year olds who only recently became eligible.

So for the sake of our community, and to really squelch the transmission of the virus, please stay masked up for the time being.

Hopefully, it will be just a few more weeks.

4 Comments Filed Under: Claremont 5, Featured Post, Glendale, Newhall, NoHo 7, Playhouse 7, Royal, Santa Monica, Town Center 5

Back to the Movies: Laemmle Glendale Reopens May 21.

May 12, 2021 by Jordan Deglise Moore Leave a Comment

Next Friday, May 21 we’ll be welcoming moviegoers back to our Glendale theater. We’ll have showtimes and tickets on sale here starting Friday, May 14. The opening slate includes two restorations, the sexy 1969 noir LA PISCINE, starring Alain Delon and Romy Schneider, and the 1973 horror movie GEORGE A. ROMERO’S THE AMUSEMENT PARK; plus the intense Australian mystery THE DRY starring Eric Bana, and the utterly charming, “unabashed crowd-pleaser” DREAM HORSE, starring Toni Collette.
With the opening of Glendale, all eight of our locations have reopened. And with the expansion of our hours of operation, we are essentially fully open. The films that have been held back from release, both arthouse and Hollywood films, are coming out. We really need the public to respond. Vaccination rates in L.A. County are super high. Testing shows that the incidence of the virus is extremely low. We’ve got socially distanced seating. It is safe. It is enjoyable. And it is time to demonstrate support for moviegoing.

L.A. Times Culture Columnist & Critic Mary McNamara just published a terrific personal essay on returning to moviegoing headlined “Vaccinated and Back at the Movies, Together.” Here’s a highlight but the whole thing is worth reading:

“Then the lights went down and for two hours it was as if the pandemic did not exist, had never occurred. TOGETHER TOGETHER was sweet and smart and funny enough, but even if I had hated it, I was at the movies. A haven from heartbreak, anxiety and bad weather of all sorts, a place of necessary solitude, romantic anticipation, friendly bonding and familial celebration.

“After a year of crowded isolation, there were no interruptions from kids needing something; no ambient distraction courtesy of nearby leaf-blower or power tool; no hitting pause to check and see if the meatloaf was done yet. Having committed to it, the experience was literally out of my hands. I couldn’t use this time to also sort laundry or check my emails or do the dishes; couldn’t carry this screen from one room to another to see what the dogs were barking at this time or balance it on the counter while I did the dishes.

“I was at the movies and for two glorious hours all I could do was watch and listen and be.”

Moviegoing is unlike anything else and it’s worth preserving, especially moviegoing at locally owned and operated theaters. L.A. cinephiles, we humbly ask for your support.

Leave a Comment Filed Under: Claremont 5, Featured Post, Films, Glendale, Newhall, News, NoHo 7, Playhouse 7, Repertory Cinema, Royal, Santa Monica, Town Center 5

More Matinees, More Movies.

May 6, 2021 by Jordan Deglise Moore 2 Comments

We’re pleased to announce we are restarting daily matinee shows on May 14 at the Claremont 5, NoHo 7, Playhouse 7, Royal and Monica Film Center and daily prime evening shows at the Town Center 5. L.A. County’s reduced COVID-19 infection numbers and move into the yellow tier makes expanded hours possible, giving cinephiles more chances to see movies in public. We aim to have our Glendale theater reopened on May 21.
For the upcoming week, we have, as always, new films for whatever suits your mood and interests:
Comedies: HERE TODAY (Billy Crystal teams up with Tiffany Haddish) and THE PAPER TIGERS (goofy middle-aged dad martial artists out for revenge).
Restored classics: THE STORY OF A THREE DAY PASS, Melvin Van Peebles’ 1968 feature, his first.
Innovative dramas with gifted actors: Andrew Garfield in MAINSTREAM and Lily Taylor in PAPER SPIDERS.
Superb documentaries: STATE FUNERAL, an astonishing look at Stalin’s send off, and THE HUMAN FACTOR, a riveting look at a crucial moment in the Mideast peace process.
Much more: EMILY @ THE EDGE OF CHAOS, writer-comedian Emily Levine’s stand-up/animation hybrid, and ENFANT TERRIBLE, a fictionalization of the short, meteoric life of filmmaker Rainer Werner Fassbinder.

2 Comments Filed Under: Claremont 5, Featured Films, Featured Post, Glendale, News, NoHo 7, Playhouse 7, Royal, Santa Monica, Town Center 5

TOGETHER TOGETHER: Ed Helms, Patti Harrison, and Writer-Director Nikole Beckwith Pre-Recorded Q&A.

April 21, 2021 by Jordan Deglise Moore 1 Comment

Purchase a ticket to #TogetherTogether at Laemmle starting April 23 and see an exclusive pre-recorded intro and Q&A with Ed Helms, Patti Harrison, and writer-director Nikole Beckwith on the big screen! Get your tickets today.

TOGETHER TOGETHER: Ed Helms, Patti Harrison, and Writer-Director Nikole Beckwith Pre-Recorded Q&A.

1 Comment Filed Under: Claremont 5, Featured Films, Featured Post, Films, Newhall, NoHo 7, Playhouse 7, Q&A's

We’re Back and Our Cinematic Cup Runneth Over: Tickets Now on Sale!

April 7, 2021 by Jordan Deglise Moore 4 Comments

After more than a year of mandated closure, Laemmle Theatres is reopening on Friday. Tickets are up for sale and we have a bouquet of wonderful films to see and share as they were meant to be seen and shared …on the big screen! We can do this safely because we are following epidemiologist-approved #CinemaSafe protocols, including reserved seating to ensure physical distancing. We’ve revamped our ticketing system to allow for reserved seating, and you are now able to choose your seats on our site or, if you prefer, at our box offices beginning Friday. We have created step-by-step how-to instructions for those new to online ticketing. You can check out the guide here and we’ll have printed copies available at the theaters.

Friday also marks the opening (not reopening) of our brand-spanking-new Laemmle Newhall Theater, which was completed during the pandemic. We are thrilled to bring great movies to northern L.A. County, and happy for all the SCV residents who will no longer have to make the long drive to Encino or NoHo for non-mainstream films.   For those who would like to join in the opening, we will be livestreaming the ribbon cutting ceremony which is scheduled to take place at 11:00 AM on Friday morning.  You’ll also be able to see patrons coming for our first set of shows. For details, please join the theatre’s Facebook followers here (https://www.facebook.com/laemmlenewhall) for all updates on this new venue.

Among the films you’ll get to enjoy are many of the 2021 Oscar nominees, including three of the Best International Film nominees, ANOTHER ROUND with Mads Mikkelsen, QUO VADIS, AIDA? from Bosnia and Herzegovina, and THE MAN WHO SOLD HIS SKIN from Tunisian-born director Kaouther Ben Hania.  COLLECTIVE, nominated for both Best International Film and Best Documentary is coming next week.  We also have two of the Best Feature Documentary nominees, MY OCTOPUS TEACHER and CRIP CAMP, five of the Best Picture nominees, NOMADLAND, MANK, MINARI, PROMISING YOUNG WOMAN and SOUND OF METAL, and  all of the Oscar-nominated Live Action, Animated, and Documentary shorts.  We are also opening the magical WOLFWALKERS, nominated for Best Animated Feature. Among the non-Oscar contenders are FRENCH EXIT, featuring a never-better Michelle Pfeiffer; the gorgeous Italian-set documentary, THE TRUFFLE HUNTERS; the intimate portrait of the gifted pop star BILLIE EILISH: THE WORLD’S A LITTLE BLURRY; the intense gay-themed South African drama MOFFIE; and the French film SLALOM, a drama set in the world of downhill racing. And if you’re in the mood for some monster movie escapism, we’ve got that for you too with the spectacular GODZILLA VS. KONG.

For those who are still unsure about returning to indoor public spaces, I want you to know that we are still offering films for streaming via the Laemmle Virtual Cinema platform. In fact, a number of the films that we have in theatre this weekend will also be available for at-home viewing. But a few titles that are only available via VOD include MALNI – TOWARDS THE OCEAN, TOWARDS THE SHORE, GRANNY NANNY, THE MALI-CUBA CONNECTION/AFRICA MIA, IT’S FOR YOUR OWN GOOD, LOOKING FOR A LADY WITH FANGS AND A MOUSTACHE, and 15 THINGS YOU DIDN’T KNOW ABOUT BIGFOOT. I hope you’ll check them out.

The pandemic has been hard. Hard for businesses that had to be closed. Hard for the essential workers who kept things going while risking their health. And hardest for those who lost loved ones, had to endure illness, and are still dealing with lingering health issues caused by the virus. If we’re sounding upbeat, please know that we don’t want to paper over any of that pain and grief. But things really do seem to be improving here in L.A. Vaccinations are up. Infections are down. And by and large, people are still following guidelines about continuing to mask up and maintain social distancing. The time is right to slowly and safely begin to return to public spaces, and we aim to be part of that long-sought “return to normalcy.”

Thank you for all the support over the months of the pandemic, and I look forward to seeing you soon at the movies.

Sincerely,

Greg Laemmle

4 Comments Filed Under: Claremont 5, Featured Films, Featured Post, Newhall, News, NoHo 7, Playhouse 7, Royal, Santa Monica

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Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
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Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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An “embrace of what makes us unknowable yet worthy of forgiveness,” A LITTLE PRAYER opens Friday at the Claremont, Newhall, Royal and Town Center.

Leaving Laemmle: A Goodbye from Jordan