DISFLUENCY Q&As
DISFLUENCY Q&A TIMES at the Laemmle Glendale
– Friday 4:20pm & 10:10pm – Writer/Director Anna Baumgarten & Producer Danny Mooney
– Saturday 4:20pm & 10:10pm – Writer/Director Anna Baumgarten & Producer Danny Mooney
– Sunday 4:20pm – Sevag Chahinian (LA Unit Cinematographer), Nathan Alexander (Composer), Monica Gerraffo (Costume Designer)
– Monday 4:20pm – Cast: Will announce names closer to the date.
This week on Inside the Arthouse: Sally Aitken, the director of the inspiring L.A. nature documentary EVERY LITTLE THING.
When is a documentary about hummingbirds more than just another educational nature documentary? In the case of Sally Aitken’s new movie Every Little Thing, we discover that small things are very big things— and you will be more than a little surprised. Hummingbirds’ wings beat fifty times per second, and with astounding high speed photography, they float like gossamer on the screen, captured like tiny, magical sprites. Terry Masear, the film’s subject, runs a hummingbird rescue and she, too, is magical and surprising. These remarkable birds, no bigger than your little finger, become bigger than life as we discover Terry’s care, attention, wisdom, and affection for them. It’s a film that will stay with you long after you leave the theater. Every Little Thing is big and wide and will leave you thinking about how small acts of tenderness and kindness, expressed to the tiniest of creatures, can have giant impacts.
Watch filmmaker Sally Aitken’s recent interview on Inside the Arthouse.
We screen Every Little Thing this Thursday, January 16 in Glendale and begin the regular engagement the next day in Santa Monica. The director, Sally Aitken, and producer, Bettina Dalton, will appear for Q&As after the Thursday, 7:30 PM screening in Glendale as well as after the Friday and Saturday, January 17 and 18, 7 PM shows with subject Terry Masear at the Laemmle Monica Film Center.
New weekly series: Worldwide Wednesdays! Great new films from around the globe.
January 22, 25 & 26, Eat the Night, France, 2024 ~ Pablo, a small-time drug dealer, and his teenage sister Apolline have forged an unbreakable bond through their shared obsession with the online video game Darknoon. When Pablo falls for the mysterious Night, he gets swept up in their liaison, abandoning his sister to deal with the impending shutdown of their digital haven alone. As Pablo’s reckless choices provoke the wrath of a dangerous rival gang, the end of their virtual life draws near, upending their reality. The newest vision from Caroline Poggi & Jonathan Vinel (Jessica Forever) is a bittersweet, apocalyptic love story with a modern MMORPG twist.
January 29, February 1 & 2, Oceans are the Real Continents, Cuba/Italy, 2023 ~ Three stories of migration, exile, and memory develop in the Cuban town of San Antonio De Los Baños, a place that time forgot. Alex and Edith, a young couple in their 30s, build their lives upon small gestures, reminisces, and a deep connection amidst the nation’s ruins. Milagros survives selling peanut cones on the street, spending her days listening to the radio and reading old letters. Nine-year-old best friends Frank and Alain go to school and dream of emigrating to the U.S. to become baseball players.
February 5, 8 & 9, Sujo, Mexico/France/USA, 2024 ~ After a sicario is murdered, four-year-old Sujo is left orphaned and at risk. With his aunt’s help, he survives in the isolated countryside, facing hardship and danger tied to his identity. As a teenager, he rebels and joins the local cartel. As a young man, Sujo seeks to escape his violent past, but when his father’s legacy resurfaces, he confronts the fate that seems destined for him.
February 12, 15 & 16, Ma Mère, France/Portugal/Austria/Spain, 2004 ~ Ma Mère takes place in the Canary Islands, where the film’s family shares a home. The mother Hélène (Isabelle Huppert), cool and in charge, and her teenaged son Pierre (Louis Garrel), a pious Catholic back from boarding school, discuss his father’s infidelity; the next they learn that he has died in a car crash. Hélène launches into a wild series of parties, gradually involving her son in her drugging, drinking and sex-fueled nights out.
February 19, 22 & 23, The Blond Boy from Casbah, France, 2023 ~ Filmmaker Antoine travels to his birthplace, Algiers, with his young son to present his new film: an account of his childhood in mid-20th century Algeria during the country’s civil war. As he wanders through the city, the filmmaker immerses us in the moments of happiness, laughter, and tears of his childhood – spent between school, friends, and his Jewish family. Growing up in the final moments of Algeria’s pre-independence period, the young Antoine discovers his profound fascination with cinema and starts to understand who he truly is.
February 26, 29 & 30, Amal, Belgium, 2023 ~ Amal is a powerful film by acclaimed Belgian-Moroccan director Jawad Rhalib, is a thought-provoking drama that explores the transformative power of education and self-expression. The title character is a teacher who courageously confronts fundamentalism through literature, offering a moving exploration of courage and compassion. Starring Lubna Azabal (The Blue Caftan, Incendies), Fabrizio Rongione (Two Days, One Night), and Catherine Salée (The Unknown Girl), Amal tackles urgent themes of identity, tolerance, and acceptance.
March 5, 8 & 9, My Motherland, France, 2023 ~ The celebrated actress Fanny Ardant plays the role of France, a wealthy Frenchwoman living alone in her Parisian apartment since the death of her husband. When she hears on the radio that the Singa association puts homeless migrants in contact with people who can take them in, she decides, against the advice of her friends and family, to take in Reza, a young Hazara Afghan refugee. Directed by Benoit Cohen, My Motherland is based on his own book Mohammad, My Mother, and Me, which is based on his mother’s experience welcoming a young Afghan refugee. This deeply personal film beautifully captures the complexities of navigating identity and belonging.
March 12, 15 & 16, Born for You, Italy, 2023 ~ Born for You tells the moving true story of Luca, a single gay Catholic man who in 2017 adopted Alba, a child with Down syndrome who was abandoned in the hospital shortly after being born. Thirty heterosexual families rejected her before the court decided to entrust her to him: with him, the legal foster care register for singles was inaugurated in Italy. Luca was, in fact, the first case in Italy of a single, gay person successfully adopting a daughter. But his was not a charitable gesture, nor to fight a system set against him and others like him: he simply wanted a family.
April 16, 19 & 20, Love Hotel, Japan, 1985 ~ Newly restored! A tale of two broken souls. A call-girl named Yumi, “night-blooming flower,” and Tetsuro, a married man with a debt to the yakuza, have a violent rendezvous in a cheap love hotel. Years later, haunted by the memory of that night, they reconnect and begin a strange love affair. Determined to finish what they started, they return to the scene of their first macabre passion. With a taste for wicked absurdity and coursing with undercurrents of operatic emotion, at times veering into near-musical territory, Love Hotel is moved by the irrational forces that attract two bodies together. It’s a film with a uniquely materialist sense of eros manifested in Shinji Somai’s long takes, each shot a tightrope-like predicament flushed with earthly tension and livewire physicality. Made in the same year as Typhoon Club, this elegiac erotica is one of Somai’s most bewitching and unnervingly romantic works, a high-water mark of Nikkatsu Studio’s legendary Roman Porno cycle of films.
GAUCHO GAUCHO filmmakers on Inside the Arthouse.
Acclaimed filmmakers Gregory Kershaw and Michael Dweck, three-time Sundance honorees who previously took audiences to the secret corners of the Italian countryside in search of white truffles with The Truffle Hunters, recently sat down with Inside the Arthouse hosts Greg Laemmle and Raphael Sbarge to talk about their latest striking nonfiction work. Gaucho Gaucho paints an Argentinian western with images and sounds of operatic beauty, building on their earlier success with The Last Race, a film that explored the last stock car racetrack on Long Island.
Kershaw and Dweck’s focus is now on the vast mountains of Argentina, expressed in stunning black-and-white photography, and a small community of gauchos who hold profound connections to the surrounding nature and their own traditions. As older generations dispense their wisdom, the film keeps its eye toward a new generation which continue to fight for their families’ legacies in a modern world.
“These filmmakers have enormous reserves of love and empathy for traditions that miraculously survive in spite of the modern world. And their compassion has never looked more cinematic.” ~ Tomris Laffly, Harper’s Bazaar
“An affecting tone poem which ruminates on the passage of time and the passing of traditions from one generation to the next.” ~ Tim Grierson, Screen International
Oscar short-listed FROM GROUND ZERO opens January 3 at the Laemmle Glendale and Monica Film Center.
Palestine’s Official Submission for the 2025 Academy Awards, From Ground Zero is a powerful collection of short films by 22 Palestinian filmmakers living through war in Gaza. Through a unique blend of animation, documentary, and fiction, these stories capture the unyielding steadfastness of the human spirit and enduring creativity that thrives even in the face of relentless devastation. The Academy of Motion Picture Arts & Sciences has short-listed the film in its Best International Feature Film category for the 97th Academy Awards.
Culture Vulture 2025 ~ more screenings, more places!
FLOW may be the best animated film of the year.
It has been another excellent year for animated features. Inside Out 2, The Wild Robot, Look Back, Art College 1994, Chicken for Linda and Memoir of a Snail stand out; Moana 2 just had a record-setting weekend; and we still have The Lord of the Rings: The War of the Rohirrim, The Colors Within and The Day the Earth Blew Up: A Looney Tunes Movie to look forward to.
But, as Yoda said, “there is another.” The adventure-fantasy Flow follows a courageous cat after his home is devastated by a great flood. Teaming up with a capybara, a lemur, a bird, and a dog to navigate a boat in search of dry land, they must rely on trust, courage, and wits to survive the perils of a newly aquatic planet. From the boundless imagination of the award-winning Latvian filmmaker Gints Zilbalodis (Away), Flow is a thrilling animated spectacle as well as a profound meditation on the fragility of the environment and the spirit of friendship and community. Steeped in the soaring possibilities of visual storytelling, it is a feast for the senses and a treasure for the heart and we open it this Friday at the Laemmle Claremont, Glendale, Monica Film Center, and Newhall.
“Critic’s Pick! Grade: A! A movie brimming with sentiment but not sentimentality, this is one of the most moving animated films in recent memory, and, beyond that, groundbreaking too. The anthropomorphic animal characters of 21st century U.S. animated features have nothing on the animal stars of ‘Flow.'” – Christian Blauvelt, Indiewire
“At the risk of sounding hyperbolic, there’s something about the purity of great animated storytelling that can shatter your heart and then make it whole again. (Think Toy Story 3.) Latvian director Gints Zilbalodis’ captivating second feature, Flow, is that kind of marvel, a vividly experiential white-knuckle survival adventure that takes place in a world on the brink of ruin. Told entirely without dialogue, this tale of a cat that evolves from self-preservation to solidarity with a motley crew of other species is something quite special” – David Rooney, The Hollywood Reporter
“Flow is as hard to resist as a pair of plaintive, saucer-shaped eyes peering out from a bundle of fur. Gints Zilbalodis’s second feature is a rousing animated adventure in which a devastating flood obliges an independent cat to seek allies among the animal kingdom. Technical virtuosity is matched by storytelling vigour and dramatic heft in a film with a ready appeal to ailurophiles and animal lovers of all ages.”- Allan Hunter, Screen Daily
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