Special Events Archives – Page 2 Of 12

THE LION IN WINTER 55th Anniversary Holiday Season Screening with Author-Historian Jeremy Arnold November 29.

November 20, 2023 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present the 55th anniversary of The Lion in Winter (1968), the Academy Award-winning historical drama (with comedy undertones) that netted screen legend Katharine Hepburn a third Best Actress Oscar. Hepburn leads a powerhouse cast including acting icon Peter O’Toole, and future major stars Anthony Hopkins and Timothy Dalton in their film debuts. The film plays one night only Wednesday, November 29 at 7:00 PM at the Royal in West Los Angeles, with an introduction by author Jeremy Arnold, who will sign copies of his newly revised book “Christmas in the Movies.”

Set during Christmas 1183, England’s King Henry II (Peter O’Toole) summons a holiday court at Chilon in his continental empire to choose his successor among his three sons: Richard the Lionhearted (Anthony Hopkins), Geoffrey (John Castle), and his favorite, John (Nigel Terry). He releases his wife and the mother of their sons, Eleanor of Aquitaine (Katharine Hepburn) from imprisonment for the occasion. Also in attendance are Henry’s mistress Alais (Jane Merrow), and her brother, the young King Philip of France (Timothy Dalton). As the principals squabble over the succession, intrigue, one-upmanship, and treachery are unleashed in the ensuing power struggle.

Based on a play by James Goldman (a Broadway flop in 1966), the film adaptation by Goldman and director Anthony Harvey, a former film editor (Lolita, Dr. Strangelove) just two years later proved to be a resounding success at both the box office and with critics of the day. Roger Ebert welcomed “a literate script handled intelligently,” while Renata Adler of The New York Times praised the “dramatic and comic energy” on display by the spirited cast. An effusive Charles Champlin of the Los Angeles Times awarded the film “top honors for the most literate movie of the year, and for the finest and most imaginative and fascinating evocation of an historical time and place.” AMPAS bestowed seven nominations including Best Picture, Director, Actor, and Costume Design, with Oscar wins for Goldman’s screenplay, John Barry’s effective music score, and Hepburn’s Best Actress turn (her third win in an historic tie with Barbra Streisand for Funny Girl).

Hepburn recalled what attracted her to the part of Eleanor of Aquitaine, “I think she had what I’ve always held as important: love of life but without sentimentality. She was something I’ve always tried to be–completely authentic.” O’Toole had the unique opportunity to revisit a character he had previously played (a younger Henry II in 1964’s Becket) and triumphed once again. Hepburn would go on to win a fourth Best Actress Oscar in 1981, while O’Toole had to settle for an Honorary Oscar in 2003 among eight nominations. Hopkins would become one of the most acclaimed actors of his generation, winning two Best Actor Oscars in his lengthy career. Dalton enjoyed decades of success and movie immortality when he inherited the role of James Bond in 1987 for two films as Agent 007. In The Lion in Winter all four have a rousing good time, as the Village Voice noted, “scenery chewing has rarely been so artful.”

“Once upon a midnight dreary,” Price, Corman, Karloff & Lorre! THE RAVEN 60th Anniversary Screening October 19.

October 4, 2023 by Jordan Deglise Moore Leave a Comment

Update October 12: This screening has been cancelled.

Laemmle Theatres and the Anniversary Classics Series present the 60th anniversary of THE RAVEN (1963), the fifth film of Roger Corman’s cinematic adaptations of the works of American literary titan Edgar Allan Poe. The movie, written by acclaimed horror, fantasy, and mystery author Richard Matheson, stars horror icons Vincent Price and Boris Karloff in a rare big screen collaboration, and co-stars Peter Lorre, Hazel Court, and future superstar Jack Nicholson early in his career. The horror comedy plays one night only, Thursday, October 19 at 7 PM at the Royal in West Los Angeles. For added fun there will be a Poe/Corman trivia contest before the movie.

Producer-director Roger Corman, who began his career in the 1950s, is one of the most prolific independent filmmakers in movie history. Corman specialized in low budget cinema and is regarded as the “king of the B movie” with a steady diet of exploitation titles that spanned six decades and multiple movie genres. In 1960 he turned to the works of an author he had read and admired growing up, Edgar Allan Poe, the nineteenth century inventor of detective fiction and master of mystery and the macabre, and made a stylish if frugal version of The Fall of the House of Usher, hiring Vincent Price for the lead and acclaimed author Richard Matheson (The Incredible Shrinking Man, I am Legend, Somewhere in Time) to write the screenplay adaptation. The movie’s unexpected critical and commercial success spawned seven more Poe films in five years. The Raven, the fifth film, was released in January 1963 and was the first outright feature-length comic take on Poe’s most celebrated poem. The worldwide reception afforded the poem in 1845 made Poe the most famous American author of the 19th century, and he remains beloved in the 21st century for his pioneering detective fiction, horror tales, and haunting verse.

Matheson’s story lightens considerably the tone of the mesmeric poem, with the invention of sorcerer characters (Price and Karloff) who duel over Price’s wife (Hazel Court). Peter Lorre, transformed by Karloff into a raven, induces Price to help him break the spell and rescue Court. They are aided by Lorre’s son, played by Nicholson. Corman retained venerable cinematographer Floyd Crosby, production designer Daniel Haller, and composer Les Baxter from the prior Poe films to continue the atmospheric style which marks all the films. Matheson’s choice to inject humor throughout the movie led critics to pick up on the tongue-in-cheek tone, with one reviewer calling it “less of a Raven, and more of a lark.” Leonard Maltin found it a “funny horror satire [with the] climactic sorcerers’ duel a highlight.

This would be Matheson’s final Poe adaptation after writing House of Usher, The Pit and the Pendulum (1961), and Tales of Terror (1962). Price would continue as the principal Poe player to the end of the eight-film series with Tomb of Ligeia in 1964. All the Poe/Corman films entrenched Price as a legendary horrormeister, but in The Raven he would demonstrate his comic chops along with unexpected humorous turns from Boris Karloff and an improvising Peter Lorre. A young Jack Nicholson is the bonus in this affectionate, amusing homage to the genius of Edgar Allan Poe.

National Silent Movie Day: See Restored Classic THE JOHNSTOWN FLOOD September 27.

September 20, 2023 by Jordan Deglise Moore Leave a Comment

In honor of Silent Movie Day, we are presenting screenings of Irving Cummings’ THE JOHNSTOWN FLOOD (1926), a pioneering disaster and special effects movie, starring Janet Gaynor and George O’Brien. A highlight of this year’s San Francisco Silent Film Festival, the film has been restored with a lush musical soundtrack by the Mont Alto Motion Picture Orchestra. We are screening the film September 27 only at our Royal, Glendale, Claremont and Newhall theaters.

THE JOHNSTOWN FLOOD re-creates one of the greatest disasters in American history, when, in 1889, over 2,000 people in Johnstown, Pennsylvania, lost their lives. In her first major role, Gaynor plays a teenage girl smitten with dashing engineer O’Brien, whose pleadings about the imminent collapse of the local dam are ignored. It’s up to Gaynor to ride through the streets à la Paul Revere to warn the townspeople of the imminent disaster. After 97 years, the movie’s flood sequence is still a pre-CGI marvel of optical effects, matte paintings, and miniatures.

THE JOHNSTOWN FLOOD has been newly restored in 4K by The Film Preserve, Ltd. and The Maltese Film Works, from 35mm elements preserved at George Eastman Museum. Noted preservationists Robert Harris and James Mockoski (archivist for Francis Ford Coppola) worked on the restoration.

Academy Award winners and film scholars Ben Burtt (sound designer of Star Wars, Raiders of the Lost Ark, and more) and Craig Barron (visual effects supervisor for The Curious Case of Benjamin Button, Batman Returns, and more), have recorded a 30-minute illustrated conversation deconstructing the movie’s visual effects, that will be screened following the feature.

SOYLENT GREEN 50th Anniversary Screening September 13 with Special Guest Leigh Taylor-Young.

August 30, 2023 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present a 50th anniversary of the prophetic sci-fi classic, ‘Soylent Green.’ The sole surviving cast member, Leigh Taylor-Young, will join to share memories of making this powerful movie. This still-timely film, set in New York in 2022, was one of the first to address issues of pollution, global warming, overpopulation, and an epidemic of homelessness. In many ways it predicted the dark future imagined in ‘Blade Runner,’ made a decade later.

The script was adapted by Stanley R. Greenberg from an acclaimed novel, ‘Make Room! Make Room!,’ by Harry Harrison. The director, Richard Fleischer, was no stranger to science fiction, having made the hit movies ‘20,000 Leagues Under the Sea’ and ‘Fantastic Voyage,’ along with a wide range of films in many different genres. Charlton Heston portrays a police detective trying to solve the murder of an executive at the mysterious Soylent Corporation, which leads him to uncover a diabolical conspiracy. In addition to Leigh Taylor-Young, the supporting cast includes Chuck Connors, Joseph Cotten, Brock Peters, and Paula Kelly. But the most memorable performance is given by Edward G. Robinson, in his final screen appearance.

The Hollywood Reporter declared that the film “conjures a terrifying vision of the future.” Charles Champlin of the Los Angeles Times called the film “a clever, rough, modestly budgeted but imaginative work.” ‘Soylent Green‘ won the Saturn Award for Best Science Fiction Film of the year.

Actress Leigh Taylor-Young first came to prominence on the popular “Peyton Place” TV series of the 1960s. She made her feature film debut in the hit 1968 comedy, ‘I Love You Alice B. Toklas,’ starring Peter Sellers, written by Paul Mazursky and Larry Tucker. Her other film roles include ‘The Gang That Couldn’t Shoot Straight,’ which marked one of the first screen roles for Robert De Niro, and ‘Jagged Edge,’ starring Glenn Close and Jeff Bridges. She also co-starred in many popular TV series, including “Dallas” and “Picket Fences,” for which she won an Emmy. In recent years she has also been active in humanitarian and spiritual activities for the United Nations and other organizations.

The movie’s trailer posed the question, “What Is the Secret of Soylent Green?” If you don’t know the answer to that question, be sure to attend our 50th anniversary screening. And even if you do know, you will be startled by the movie’s timeliness and engaged by the conversation with our delightful guest speaker.

Laemmle Theatres joining the second National Cinema Day, bringing America’s day at the movies to L.A. this Sunday, August 27.

August 23, 2023 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres is excited to partner with the Cinema Foundation to celebrate the second annual National Cinema Day this Sunday, August 27th.

All seven Laemmle venues will be participating in the one-day event, which celebrates the power of movies to bring us all together, and discounted admissions for all movies in all formats (including Premium Large Format screens) will be no more than $4. What’s more, we’re discounting our fresh popcorn: $2 small, $4 medium and $6 large.

To celebrate the day, choose from any of our movies, including new films opening this weekend like Golda, The Owners, Love Life, Bella! This Woman’s Place is in the House, Mutt, or King Coal. Or catch a newly restored modern classic like Oldboy. Haven’t yet seen box office phenomena Barbie or Oppenheimer? Now you can see them as they were meant to be seen, on a big screen, and for cheap!

For more details, visit NationalCinemaDay.org. Join friends, families, and communities of moviegoers at a Laemmle theater near you.

A-WOP-BOP-A-LOO-BOP! The untold story of the larger-than-life legend who changed music, LITTLE RICHARD: I AM EVERYTHING in theaters April 11.

March 29, 2023 by Jordan Deglise Moore Leave a Comment

There are just a few giants that belong on a Mount Rushmore of rock ‘n’ roll, the people who created a genre of music that electrified the world. One certainty is Chuck Berry. The other is Little Richard. Director Lisa Cortés’ new documentary Little Richard: I am Everything tells the story of the Black queer origins of rock ‘n’ roll, exploding the whitewashed canon of American pop music to reveal the innovator – the originator – Richard Penniman. Through a wealth of archive and performance footage that brings us into Richard’s complicated inner world, the film unspools the icon’s life story with all its switchbacks and contradictions. In interviews with family, musicians, and cutting-edge Black and queer scholars, the film reveals how Richard created an art form for ultimate self-expression, yet what he gave to the world he was never able to give to himself. Throughout his life, Richard careened like a shiny cracked pinball between God, sex and rock ‘n’ roll. The world tried to put him in a box, but Richard was an omni-being who contained multitudes – he was unabashedly everything.

A-WOP-BOP-A-LOO-BOP! The untold story of the larger-than-life legend who changed music, LITTLE RICHARD: I AM EVERYTHING in theaters April 11. — Little Richard at Wrigley Fields, Los Angeles, 2 September 1956.

We’re thrilled to screen Little Richard: I am Everything for one night only at our Claremont, Encino, North Hollywood, Glendale and Newhall theaters. Come experience the movie the Hollywood Reporter called “wildly entertaining;” the Chicago Reader called “exhilarating;” Essence called “profound;” Variety called “exhilarating;” the Toronto Star called “the definitive documentary on a complicated icon;” and Film Threat said “brilliantly connects the past, present and future.”

WHAT THE HELL HAPPENED TO BLOOD, SWEAT & TEARS? opens March 31.

March 22, 2023 by Jordan Deglise Moore Leave a Comment

A fascinating documentary/political thriller with a classic rock band at the heart of the action, What the Hell Happened to Blood, Sweat & Tears? involves the U.S. State Department, the Nixon White House, the governments of Yugoslavia, Romania and Poland and documentary footage that has been suppressed for over 50 years by one or all of the above. We open the film March 31 at the Monica Film Center with special one-night screenings and Q&As April 3 at the NoHo, April 4 at the Claremont and April 5 at the Glendale. The full Q&A schedule is here.

Director’s statement:

In early 2020, just prior to the worldwide explosion of COVID 19, Bobby Colomby, an acquaintance and founding member of Blood, Sweat & Tears, called me for a friendly check in. As a fan of the band in its heyday, I innocently asked him, “What the hell happened to Blood, Sweat & Tears?”

Bobby proceeded to tell me the story of the events surrounding the Iron Curtain Tour. He mentioned that a documentary film crew had accompanied the band to shoot material for what was intended to be a theatrical documentary. That film was never released and Bobby had no idea what became of it.

I loved the mystery and intrigue behind this story, but would we be able to find that documentary footage or enough audio/visual material to tell the story effectively? I also love a good treasure hunt. So, as the pandemic was shutting the country down, my team and I began a search. Soon enough, we found references to National General Television Productions as having been the company behind the documentary and that their crew had shot 65 hours of footage during the Iron Curtain Tour.

We cast a wide net around the world to locate this footage, contacting anyone and everyone who had a connection to National General or the film crew, as well as private archives, independent storage facilities and film labs. It was one dead end after another. It appeared that the footage and related elements had completely vanished.

And then, finally, success. While searching for the raw footage, we stumbled upon a pristine print of a 53-minute version of the documentary that had been edited for television syndication. This was an unexpected find as no such version was ever broadcast. A new high-definition transfer was made from this print and watching it provided a fascinating time capsule of our nation, the world, and this group of nine young men on an unprecedented adventure from 50 years earlier. I knew then we had the makings of a fantastic documentary and, indeed, 40 minutes of the “lost” Blood, Sweat & Tears documentary is the backbone of our film.

Some additional heavy digging led us to the Margaret Herrick Library at the Academy of Motion Picture Arts and Sciences, where we ultimately uncovered five raw audio tapes that were recorded live during concerts on the Iron Curtain Tour. The band had a mobile 8-track machine on the tour and we later determined that their engineer had recorded a total of 18 tapes, but only these five were found.

Our search into the private collections of band members and others who were on the Iron Curtain Tour yielded hundreds of never-before-seen photographs and memorabilia. I never gave up hope of finding the 65 hours of original footage. However, after two full years of chasing down every lead and digging deep into vaults across the country as well as government storage facilities in Washington, D.C., Maryland and Virginia, we came up empty. The mystery of what became of that material remains.

This film sheds light on history through a fascinating lens. It’s not a biography of the band, nor is it just for music lovers or fans of Blood, Sweat & Tears. It’s a compelling story that explores a unique moment in time and has surprisingly powerful resonance and parallels to what’s going on in the world today. ~ John Scheinfeld

The 2023 Oscar Shortlisted Documentary Features.

January 3, 2023 by Jordan Deglise Moore Leave a Comment

Since the 2009 Oscars, the Academy of Motion Picture Arts & Sciences has nominated ten feature films per year for Best Picture, the only category to honor more than five titles. The advance notice of the shortlist for the feature documentaries comes close to that kind of inclusivity and we’re happy to shine a projector bulb light on ten of the fifteen of them this month. We currently have a daily engagement of ALL THE BEAUTY AND THE BLOODSHED in Glendale and are adding another this Friday in Claremont. We’ll screen CHILDREN OF THE MIST in Glendale, Santa Monica and Claremont as part of our Culture Vulture series. We will screen ten of the remaining fifteen of these brilliant movies this weekend and next at the Laemmle Glendale and at the Monica Film Center:

ALL THAT BREATHES: Amidst the darkening backdrop of Delhi’s terrible air pollution and escalating violence, two brothers devote their lives to protecting Black Kite raptors.

BAD AXE: An Asian-American family in Trump’s rural America fights to keep their restaurant and American dream alive in the face of a pandemic, neo-Nazis, and generational scars from the Killing Fields.

FIRE OF LOVE: Intrepid scientists/lovers Katia and Maurice Krafft died in a volcanic explosion doing the very thing that brought them together: studying volcanoes by capturing the most explosive imagery ever recorded.

HALLELUJAH: LEONARD COHEN, A JOURNEY, A SONG: A focus on one of his masterpieces.

HIDDEN LETTERS: Two Chinese women try to balance their lives as independent women while confronting the traditional gender roles that define but also oppress them.

THE JANES: Using code names, blindfolds and safe houses, a clandestine network of woman built an underground service for women seeking safe, affordable, illegal abortions.

LAST FLIGHT HOME: A stunning verité account of a family confronting the end of an extraordinary life.

MOONAGE DAYDREAM: A cinematic exploration of Bowie’s genius.

RETROGRADE: The last months of the war in Afghanistan through the experiences of Green Berets and the Afghan officers they trained.

THE TERRITORY: A young Indigenous Brazilian leader and his mentor defend the Amazon and an uncontacted group living deep in the forest.