With humor and compassion, Silver Skies chronicles the unexpected events that occur when a group of eccentric seniors have their lives turned upside down by the sale of their beloved apartment complex.
KATE PLAYS CHRISTINE Filmmaker in Person Opening Weekend at the NoHo 7.
A gripping, nonfiction psychological thriller, Robert Greene’s KATE PLAYS CHRISTINE follows actress Kate Lyn Sheil (House of Cards, The Girlfriend Experience, LISTEN UP PHILIP) as she prepares for her next role: playing Christine Chubbuck, a Florida newscaster who committed suicide live on-air in 1974. As Kate investigates Chubbuck’s story (long rumored to be the inspiration for the classic Hollywood film NETWORK), uncovering new clues and information, she becomes increasingly obsessed with her subject. Winner of a Special Jury Prize at the Sundance Film Festival, KATE PLAYS CHRISTINE is a cinematic mystery that forces us to question everything we see and everything we’re led to believe.
KATE PLAYS CHRISTINE filmmaker Robert Greene will participate in Q&A’s after the 7 PM screenings at the NoHo 7 on Friday and Saturday, September 16 and 17. The Friday Q&A will be moderated by Sundance Documentary Film Program Director Tabitha Jackson. The Saturday Q&A will be moderated by filmmaker Jeff Malmberg (MARWENCOL) and will include Keegan DeWitt, who composed the music for KATE PLAYS CHRISTINE . These Q&A’s are sponsored by the Murray Center for Documentary Journalism.
DANCER’s Sergei Polunin, filmmaker Steven Cantor and artsmeme.com’s Debra Levine at the Monica Film Center September 9 for two Q&A’s.
Party animal, bad boy, ballet genius – Sergei Polunin confounds stereotypes just as his dancing defies belief. Blessed with impossible talent, he was born to be an international star but it was a destiny that nearly eluded him. After an unprecedented rise to the top, the Royal Ballet’s youngest ever principle stunned the dance world when he walked away from a seemingly unstoppable career at the age of 22. The rigors of ballet discipline and the burden of stardom drove this vulnerable young man to the brink of self-destruction. Saved – if not tamed – by his mentor Igor Zelensky, Polunin is dancing again and dazzling audiences in Russia. But now he is ready to enter a bigger stage. Urban rebel, iconoclast, airborne angel, Polunin will turn ballet, “a dying art form,” on its head.
Directed by award-winning documentarian Steven Cantor, Dancer offers a uniquely personal portrait of a most singular man and dancer. From archive footage of Polunin training at the age of six to be an Olympic gymnast, to intimate material shot by his parents, and in-depth interviews with family, friends, colleagues through to footage of Sergei’s life on and off the stage now, we witness every step of Sergei’s journey. We also interview his detractors – those who say that his training methods and preference for practicing alone, do not make him a company player. Polunin is a controversial, divisive character and he is shown in all his complexity.
The film is also a showcase for his extraordinary physical and emotional range. Dance features throughout. The centerpiece of the film, as seen through the lens of David LaChapelle, shot in Hawaii: Polunin dancing to Hozier’s song “Take Me to Church” was leaked online during the Dancer production in February 2015 and generated over 10 million YouTube views within two months.
Director’s statement:
“How do you come to terms with a life definition that was created for you? When you’re the greatest in the world, what else is there left to achieve? To live for? Twenty-five-year-old, world-renowned ballet star, Sergei Polunin, has defined his life through his art, only to question his existence at the opportunity to become legendary. Dancer is an intimate reflection of a talented and charming, but also complex and enigmatic ballet star at a vulnerable crossroads. By tracing through the memories of his life— particularly family and childhood sacrifices in destitute Ukraine— his complicated story unfolds, revealing a young man on the brink. Dancer weaves its narrative arc through archival footage, passionate dance sequences and present day verite scenes and interviews with important figures in Sergei’s life, as well as a remarkable stockpile of family photos and footage taken mostly by Sergei’s hard-driving mother, Galina. Ultimately, the film reveals a complicated, tattooed, young man, with skeletons, a sad past, and a beautiful artistic talent. As Sergei faces an uncertain future of his choosing, does he stick with dance or does he retire on top? The raw, remarkable dancer who captivates our eyes on screen and stage, will show the world where he ultimately decides to turn.”
THE SEVENTH FIRE Q&A and Panel Discussion at the Royal Opening Night.
From executive producers Terrence Malick, Natalie Portman and Chris Eyre comes The Seventh Fire, a fascinating new documentary. When Rob Brown, a Native American gang leader on a remote Minnesota reservation, is sentenced to prison for a fifth time, he must confront his role in bringing violent drug culture into his beloved Ojibwe community. As Rob reckons with his past, his seventeen-year-old protégé, Kevin, dreams of the future: becoming the most powerful and feared Native gangster on the reservation.
The Seventh Fire executive producer Chris Eyre, director Jack Riccobono, and main subject Rob Brown will participate in a special Q&A after the 7:30pm screening at the Royal on Friday, July 29.
Chris Eyre – Executive Producer of The Seventh Fire. Chris Eyre, an enrolled member of the Cheyenne and Arapaho Tribes, is a film director and producer who as of 2012 is chairman of the film department at the Santa Fe University of Art and Design.
Rob Brown – Film subject of The Seventh Fire. Rob is a former Native American gang leader on a remote Minnesota reservation – and, in the film, is sentenced to prison for a fifth time, he must confront his role in bringing violent drug culture into his beloved Ojibwe community.
Naomi Ackerman – Naomi is founder and director of the Advot Project, a registered 501(c) 3 that uses theater to facilitate social change. Her educational curriculum, “Relationships 101,” is currently being implemented in public and private high schools as well as in juvenile detention camps in Southern California.
Fabian Debora – Homeboy’s Director of Substance Abuse—would be a perfect fit for this. Fabian is also an incredibly talented and accomplished artist. His work has been featured across Los Angeles and he also conducts classes for Homeboy trainees regularly at his Downtown studio. Fabian himself was previously gang involved before transforming his life through the Homeboy program.
Joanelle Romero – Joanelle is an award winner director, producer, and writer of American Holocaust: When It’s All Over I’ll Still Be Indian, that made the Academy’s Documentary Branch preliminary shortlist. This is the first and only film to date that addresses the American Indian and Jewish Holocausts. Romero is the only native filmmaker to be so close to an Oscar nod.
WESTERN WEEKEND: A Five Film Round-up of Celebrated Westerns August 12-14 at the Ahrya Fine Arts
Laemmle’s Anniversary Classics presents our tribute to the sagebrush genre with the Anniversary Classics Western Weekend, a five film round-up of some of the most celebrated westerns in movie history.
The star-studded lineup features John Wayne, Clint Eastwood, Clark Gable, Marilyn Monroe, Burt Lancaster, Lee Marvin, Robert Ryan, Kevin Costner, Montgomery Clift, Natalie Wood, Eli Wallach, Lee Van Cleef and others.
The films include John Ford’s masterpiece THE SEARCHERS, popular Oscar winner DANCES WITH WOLVES, spaghetti western supreme THE GOOD, THE BAD AND THE UGLY, and rediscoveries of the irreverent THE PROFESSIONALS and the elegiac THE MISFITS.
So saddle-up for a three day celebration August 12-14; the stagecoach stops at the Ahrya Fine Arts in Beverly Hills. Each program will be introduced by Sheriff Stephen Farber, President of the Los Angeles Film Critics Association.
Schedule:
Date | Title | Tickets |
08/12 at 7:30PM | THE GOOD, THE BAD AND THE UGLY (1966) | Available |
08/13 at 2:15PM | DANCES WITH WOLVES (1990) | Available |
08/13 at 7:15PM | THE PROFESSIONALS (1966) | Available |
08/14 at 2:15PM | THE SEARCHERS (1956) | Available |
08/14 at 5:15PM | THE MISFITS (1961) | Available |
Tickets:
Tickets for individual shows are available NOW on Laemmle.com and at the Ahrya Fine Arts box office:
- Single Ticket: $13
- Premiere Card Holders (Single Ticket): $11
Anniversary Classics Western Weekend Ticket Specials (Available only at Box Office):
- All FIVE films for $40
- Saturday or Sunday Double Feature: TWO films for $20.
- Premiere Card Holders Saturday or Sunday Double Feature: TWO films for $18.
Movies:
THE GOOD, THE BAD AND THE UGLY – 50th Anniversary
We open our sagebrush weekend with the “third and best of Sergio Leone’s ‘Dollars’ trilogy… the quintessential spaghetti Western,” according to Leonard Maltin. The trilogy became the most popular of the hundreds of European Westerns made in the 1960s and 70s. The Good, the Bad and the Ugly, set during the Civil War in New Mexico, is actually a prequel to A Fistful of Dollars and For a Few Dollars More, all of which starred Clint Eastwood as Blondie, or the Man with No Name. Leone and his screenwriters considered the film a satire with its emphasis on violence and deconstruction of Old West romanticism.
Made in 1966 and released in the U.S. at the end of 1967, the movie was propelled to big box office when composer Ennio Morricone’s main theme became a hit instrumental recording for Hugo Montenegro in 1968. The film had mixed critical reaction in its day but has been reevaluated and embraced through the decades, and is now considered one of the great Westerns. Also starring Lee Van Cleef and Eli Wallach, with cinematography by Tonino Delli Colli.
Screens in a 4K digital restoration on Friday, August 12, at 7:30 PM.
DANCES WITH WOLVES – 25th Anniversary
This film won seven Oscars in 1991, including Best Picture and Best Director Kevin Costner. (It was the first Western to be named Best Picture since Cimarron took the prize in 1931.) It remains one of the most popular Western films of all time, with one of the few positive and honest portrayals of Native American culture. And it is a genuine historical epic that deserves to be seen on the big screen, where its spectacular battle scenes and buffalo hunt can be fully appreciated.
Time magazine’s Richard Schickel praised the film by saying, “As a director, Costner is alive to the sweep of the country and the expansive spirit of the western-movie tradition.”
Special guest speakers at this showing will include actress Mary McDonnell, who was Oscar-nominated for her performance in the film and earned a second nomination for John Sayles’ Passion Fish two years later. Screens Saturday, August 13, at 2:15 PM.
THE PROFESSIONALS – 50th Anniversary
The film was nominated for three Academy Awards in 1966, including Best Director and Best Screenplay for Hollywood veteran (and past Oscar winner) Richard Brooks. This irreverent Western boasts plenty of sardonic humor and turns many of the values of the genre upside down, but it does not skimp on production values or striking cinematography (by Oscar winner Conrad Hall). “Taut excitement throughout” was the verdict of Leonard Maltin.
The four “professionals” of the title are played by Burt Lancaster, Lee Marvin, Robert Ryan, and Woody Strode, with an outstanding supporting cast headed by Jack Palance, Claudia Cardinale, and Ralph Bellamy. And be sure to stay to savor the movie’s last line, drolly delivered by Lee Marvin, one of the great kickers in Western film history. Screens Saturday, August 13, at 7:15 PM.
THE SEARCHERS – 60th Anniversary
One of the finest collaborations of John Wayne and director John Ford is also one of the most influential and admired Westerns in history. At the time of its release, The New York Times’ Bosley Crowther called it “a ripsnorting Western,” but its reputation grew in later years.
In 2008 the American Film Institute named it the greatest of all Westerns. Its story of obsession and revenge influenced many later directors, including Martin Scorsese and Paul Schrader, and one of the most haunting scenes in the film was imitated in George Lucas’s Star Wars. Wayne plays Ethan Edwards, a bitter Civil War veteran who is determined to track down the Comanches who murdered his brother’s family and abducted his two nieces.
The Monument Valley locations where the movie was filmed are now iconic, and Wayne’s portrayal of the relentless, bigoted Edwards is one of his richest performances. The supporting cast includes Jeffrey Hunter, Vera Miles, Ward Bond, and Natalie Wood. Special guest speaker will be Wood’s younger sister, Lana Wood, who plays little Debbie, the girl kidnapped by the Comanches in the film’s opening section. Wood’s other credits include many popular TV series and her role as a Bond girl in Diamonds Are Forever. Screens Sunday, August 14, at 2:15 PM.
THE MISFITS – 55th Anniversary
We close the weekend with a modern take on the oater genre. This 1961 film’s themes of outsiders and non-conformists misplaced in contemporary society, with no new undiscovered frontiers, provide a fitting elegy to the Western.
Directed by John Huston from an original screenplay by playwright Arthur Miller, with apt black-and-white cinematography by Russell Metty, this drama took on a heightened valedictory tone when it became the final film for both co-stars Clark Gable and Marilyn Monroe (married to Miller at the time).
Monroe’s portrayal of a lonely divorcee is among her best roles, and Gable’s aging cowboy is considered the greatest performance of his career. He died 12 days after completing filming. A superb ensemble includes Montgomery Clift, Eli Wallach, and Thelma Ritter.
Although a box office failure at the time, the British Film Institute notes that The Misfits “scores…in the remarkable intensity of the performances and the delineation of the characters’ complex relationships. It remains one of the finest works of all involved.” Screens Sunday, August 14, at 5:30 PM.
They flew through the air with the greatest of ease: Trapeze artists and the director of THE FLIGHT FANTASTIC in person for Q&A’s
THE FLIGHT FANTASTIC, a fascinating look at the world of the flying trapeze, centers on one of the greatest acts in circus history, The Flying Gaonas. First performing on a trampoline, the Gaonas went on to become the star attraction for the best circuses in the world, including Ringling Bros. and Barnum & Bailey. Long-time Broadway director (and trapeze flyer) Tom Moore brings their story to life through interviews with family members and colorful archival material.
Meet them and the THE FLIGHT FANTASTIC filmmaker in person:
Q&As with Rob Reiner and his son, Co-screenwriter Nick Reiner, Following Select Screenings of Their New Film BEING CHARLIE 5/7 in Beverly Hills and 5/8 in Encino
BEING CHARLIE director Rob Reiner and his son, co-screenwriter Nick Reiner, will participate in Q&A’s following the 7:10 PM screening at the Ahrya Fine Arts in Beverly Hills on Saturday, May 7th and after the 4:30 PM screening at the Town Center in Encino on Sunday, May 8th.
BREAKFAST AT TIFFANY’S 55th Anniversary Screening ~ A Tribute to Audrey Hepburn and Henry Mancini
Laemmle’s Anniversary Classics presents one of the most iconic romances in movie history, BREAKFAST AT TIFFANY’S (1961), with a 55th anniversary screening as a birthday celebration for its beloved star, Audrey Hepburn, and a tribute to her unique collaboration with the legendary composer Henry Mancini. Besides the image of Hepburn in that famous black Givenchy dress, the most enduring legacy of the movie is the song “Moon River,” composed by Mancini for Hepburn, and a “melody of a lifetime.” Henry Mancini’s widow, Ginny Mancini, and daughter, singer Monica Mancini, will participate in a Q&A before the screening, moderated by LAFCA President Stephen Farber. Want to refresh your memory of this iconic film ahead of the Q&A event? You can find BREAKFAST AT TIFFANY’S on DVD, Blu-Ray, and on a wide range of streaming services that you can access via your streaming box. Streaming services are an excellent way to enjoy classic films in remastered quality and high definition.
BREAKFAST AT TIFFANY’S was adapted from a popular Truman Capote novella and brought to the screen by director Blake Edwards and writer George Axelrod, with considerable alterations to the story about a flighty call girl from the country aspiring to the high life in New York City. Capote had envisioned Marilyn Monroe in the role, but it was Audrey Hepburn who immortalized Holly Golightly for the screen. Henry Mancini, who had a smash hit with his music for Edwards’ television series, Peter Gunn, provided the Oscar and Grammy-winning soundtrack that accompanied her romantic adventures. TIFFANY’S was a box office hit, and was nominated for five Academy Awards, including Hepburn as best actress and best screenplay. Mancini wrote one of the most popular songs of the twentieth century, “Moon River,” with frequent partner lyricist Johnny Mercer, and the pair won an Oscar (double-winner Mancini also won for his score). Hepburn had inspired Mancini for his most famous melody, and TIFFANY’S was the first of four collaborations for them, with CHARADE, TWO FOR THE ROAD, and WAIT UNTIL DARK to follow in the 60s; they remained lifelong friends.
BREAKFAST AT TIFFANY’S, also starring George Peppard, Patricia Neal, Mickey Rooney, and Buddy Ebsen, will screen on Wednesday, May 4, 2016 at the Ahyra Fine Arts theater in Beverly Hills. So join us as we celebrate Audrey Hepburn’s birthday and the creative bond she shared with her “huckleberry friend,” Henry Mancini. Tickets are on sale now.
“A completely unbelievable but wholly captivating flight into fancy composed of unequal dollops of comedy, romance, poignancy, funny colloquialisms and Manhattan’s swankiest East Side areas captured in the loveliest of colors.” (A.H. Weiler, New York Times)
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