A HAPPENING OF MONUMENTAL PROPORTIONS director Judy Greer will participate in Q&A’s after the 7 PM screenings at the Fine Arts and the 8 PM screenings at the Monica Film Center on Friday and Saturday, September 21 and 22.
Tribute to Neil Simon: THE ODD COUPLE (1968) on Thursday, September 13 at the Royal in West LA
Laemmle Theatres and the Anniversary Classics Series pay tribute to the late, great prolific playwright and screenwriter Neil Simon with a 50th anniversary screening of one of his most influential works, THE ODD COUPLE.
This film version of his hit Broadway play about the friction between two divorced men who decide to live together in a Manhattan apartment despite a difference in their personalities was a box office bonanza in 1968, the fourth highest grossing movie that year.
As noted by playwright Harvey Fierstein, “Simon could write a joke that would make you laugh, define the character, the situation, even the world’s problems.” Another successful television producer calls The Odd Couple, “a Master class in character creation.”
Seems like everyone wanted to see the comic complications between the neurotic neat freak Felix, played by Jack Lemmon, and the fun-loving slob Oscar (Walter Matthau). Simon had created those characters in 1965 for the stage, and he earned the first of four Oscar nominations for his screen adaptation. His other nominations were for adapting his plays The Sunshine Boys and California Suite, and for his original screenplay for The Goodbye Girl (a best picture nominee and best actor winner for Richard Dreyfuss in 1977).
Both Lemmon and Matthau would go on to star in several more movies written by Simon, including The Out-of-Towners and The Prisoner of Second Avenue (Lemmon), and Plaza Suite, The Sunshine Boys and California Suite (Matthau).
Gene Saks, a frequent Simon collaborator on Broadway, directed the film version with a spirited cast including Herb Edelman, John Fiedler, Monica Evans and Carole Shelley. Lemmon replaced Art Carney who had originated the role of Felix on the stage, with Matthau reprising his Tony-winning role. Both Lemmon and Matthau garnered acclaim for their performances, and the success of the play and film took Matthau to full-fledged star status after years as primarily a supporting player.
The film’s rousing reception at the box office spawned a hit television series in 1970 with Jack Klugman and Tony Randall, and other incarnations in gender, ethnicity and sexual orientation diversity through the ensuing decades. The 1968 film stands out as a definitive version of Simon’s creation.
Simon drew from his personal life for inspiration, and his works explored the ethos of mid-to-late twentieth century America, often centered in New York. The Odd Couple in particular looks at old-school masculinity on the edge of profound change in American society. There is pathos (as played by Lemmon) underlining the comedy, and the movie touches on those dramatic elements.
In Simon’s obituary, The New York Times noted that he “helped redefine popular American humor with an emphasis on the friction of urban living and the agonizing conflicts of family intimacy.” Among the tributes after his death, actor Treat Williams neatly summarized Simon’s contribution to American culture, “Neil Simon is the Norman Rockwell of comedy. His artistry will only gain ground as the years pass.”
THE ODD COUPLE screens at the Royal theatre in West LA on Thursday, September 13 at 7:00 PM. Discussion on Simon’s career and cultural impact with film critic Stephen Farber and guests TBA. Click here for tickets.
Format: Blu-ray
Q&A’s and Live Dance with Competitive Same-Sex Ballroom Dance Doc HOT TO TROT Screenings.
Friday and Saturday, September 14 and 15: Live Dance Performances and Filmmaker/Cast Q&A’s after the first evening screenings of HOT TO TROT!
PICK OF THE LITTER Q&A’s with the Filmmaker and Poppy the Guide Puppy.
The Royal Theater will host PICK OF THE LITTER Q&A’s after the Friday, August 31, 5:30PM and 7:40PM screenings and after the Saturday, September 1, 3:20PM, 5:30PM and 7:40PM screenings. Director Don Hardy and Poppet the Guide Puppy in attendance!
A WHALE OF A TALE Filmmaker in Person for Q&A’s.
A WHALE OF A TALE director Megumi Sasaki will participate in Q&A’s at the Music Hall following the 7:40 PM screening on Friday, August 24 and the 5:10 PM screening on Saturday, August 25.
CIELO Q&A’s with Astrophysicists at the Fine Arts.
Astrophysicists Marja Seidel and Johanna Teske will participate in Q&A’s at the Ahrya Fine Arts after the Friday 7:20 CIELO screening (Dr. Seidel) and the Saturday 7:20 show (Dr. Teske). Both have spent time at the Chilean observatory that is featured in the film.
https://www.youtube.com/watch?v=3962T4ZZyUI
Bond Villain Robert Davi in Person with LICENCE TO KILL.
LICENCE TO KILL actor Robert Davi will participate in a Q&A after the screening at the NoHo on Thursday, August 23.
65th Anniversary Screening of SHANE with David Ladd In Person on Sunday, August 26 at the Ahrya Fine Arts
Laemmle Theatres and the Anniversary Classics Series present a 65th anniversary screening of one of the most beloved Westerns of all time, George Stevens’ production of SHANE.
The 1950s happened to be a golden age for cowboy sagas, and as the Hollywood Reporter observed, “George Stevens’ SHANE earns a place along with ‘High Noon’ and ‘The Gunfighter’ as one of the great tumbleweed sagas of the decade.” Or as Leonard Maltin declared decades later, “Classic Western is splendid in every way.”
Alan Ladd, Paramount’s biggest star of the era, plays a mysterious gunfighter who arrives in a small Western town and finds a turf war between the farmers and cattle ranchers who want to drive them off the land.
Shane decides to become a protector of these homesteaders and strikes up a friendship with one family; Van Heflin plays the father, Jean Arthur (in her final screen performance) plays the mother, and young actor Brandon De Wilde plays their son, Joey.
Jack Palance was cast as the villain of the piece, a black-clad gunslinger hired by the cattle ranchers to eliminate Shane, along with the rest of the farmers.
The supporting cast includes gifted character actors Ben Johnson, Edgar Buchanan, Emile Meyer, and Elisha Cook Jr. Ladd received the best reviews of his career for the picture. The Saturday Review wrote, “As Shane, Alan Ladd has one of his best roles and gives what is surely his most rewarding performance.”
Stevens had won the Academy Award for best director of 1951 for ‘A Place in the Sun.’ SHANE gave him his third nomination in the directing category (he would win a second Oscar for ‘Giant’ in 1956).
SHANE earned six nominations in all, including Best Picture and two nods in the supporting actor category, for both Palance and De Wilde. The Oscar-nominated screenplay was written by A.B. Guthrie Jr., who adapted the novel by Jack Schaefer. The picture won the Oscar for the magnificent color cinematography of Loyal Griggs.
In tune with the fashions of the era, Stevens chose to shoot on location in the magnificent Grand Tetons outside Jackson Hole, Wyoming.
Because of the care he took with the production, the film went over budget, and the studio was nervous. But the film turned out to be a box office smash and proved enticing to adult and family audiences alike. Kids who saw the move in 1953 are not likely to forget the emotional ending and young De Wilde’s cry, “Come back, Shane!”
Joining us for a Q&A will be David Ladd, the son of Alan Ladd. David went on to be a popular child actor in the 1950s. He appeared with his father in two films, ‘The Big Land’ and ‘The Proud Rebel;’ he then starred on his own in two family hits, ‘Misty’ and ‘A Dog of Flanders.’ He went on to act in a few films as an adult but then segued into a career as producer and studio executive.
SHANE screens on Sunday, August 26, at 3pm at Ahrya Fine Arts Theatre. Click here for tickets.
Format: DCP
- « Previous Page
- 1
- …
- 45
- 46
- 47
- 48
- 49
- …
- 139
- Next Page »