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Patricia Rozema in person for the new 4K director’s cut restoration of her queer classic WHEN NIGHT IS FALLING + screenings of her latest, MOUTHPIECE.

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We’re proud to soon screen two films by Canadian filmmaker Patricia Rozema: her just-restored 1995 romance When Night is Falling (May 7 at the Royal and May 8 at the NoHo) and her most recent film, Mouthpiece (May 13 & 14 at the Town Center, Monica Film Center, Glendale, and Claremont). Rozema will participate in Q&As after the Tuesday, May 7 and 8 screenings of When Night is Falling at the Royal and NoHo. Tracy E. Gilchrist, VP, Executive Producer of Entertainment for equalpride, will moderate the Royal Q&A.

Long considered to be a pivotal entry in the LGTBQ+ canon, When Night is Falling is a sexy, daring and visually resplendent story about the thrilling temptations of passion. Camille, a Christian academic, is engaged to Martin, a fellow theologian. Then she meets Petra, a flamboyant performer in an avant-garde circus. To her surprise, Camille finds herself falling deeply and almost magically in love. Forced to choose between the woman she wants, and the man who loves her, Camille discovers that the only true duty of the soul is desire.

From WHEN NIGHT IS FALLING.

A Canadian classic that was in Official Competition at the 1995 Berlin International Film Festival, When Night is Falling tells a lesbian story beautifully photographed by Douglas Koch, catching a romantic, wintry Toronto landscape.

Adapted from the play by Amy Nostbakken and Norah Sadava, Mouthpiece follows Cassandra, an aspiring writer who, while struggling to compose a eulogy after the sudden death of her mother, comes to discover that her own rebelliousness is as much a response to the male gaze as her mother’s conformity. Enacting the two sides of Cassandra’s conflicting inner dialogue, playwright-performers Nostbakken and Sadava create a compelling portrayal of the tension between regression and progress that is often found within women.

From MOUTHPIECE

Mark Olson of the L.A. Times just published a good piece about Rozema and her work and also interviewed her, as did Gilchrist for The Advocate:

There’s a scene in Patricia Rozema’s 2018 film Mouthpiece where the main character, Cassandra, is flooded with a memory of her mother, who’s just died. The camera pans the room, lingering on Cassandra’s mother’s books and music. In the frame there appear works by Joni Mitchell, Margaret Atwood, Alice Munro, and the groundbreaking lesbian author, actor, and activist Ann-Marie McDonald, who appeared in Rozema’s first feature, 1987’s I’ve Heard the Mermaids Singing. Through Cassandra’s memories of her mother, Rozema pays tribute to Canada’s great women storytellers, and considering the filmmaker’s body of work, her name belongs among them…Throughout her canon and evident in the restored films is Rozema’s singular poetic film language that includes queer identity, interior monologues, and a duality in her characters or what she refers to as “twoness.” Unburdened by the machine of Hollywood and working from artists’ grants from Canada, Rozema cemented herself as a true auteur out of the gate with I’ve Heard the Mermaids Singing, a self-reflexive and heartfelt comedy about a quirky secretary to a lesbian art gallery owner. The film investigates the nature of art itself, something that Rozema would continue to examine throughout her career.

“But I think I was protecting my ability to make movies, because I was ambitious too. Not for fame or for money but for being able to make movies, which is the best job in the whole fucking world in my mind,” she adds. “I was terrified that I would be shut down. So I was careful, maybe too careful sometimes, so that I think some people wished was different sooner.”

Despite Rozema’s thoughts of being “too careful” at some points, as a progenitor of the Toronto New Wave with the likes of Atom Egoyan and Jeremy Podeswa, her contributions to cinema include making elevated films about queer women with happy or hopeful endings that expanded the notion of fixed sexuality.

“I also spoke quite early about fluidity, a gender continuum, and a sort of orientation continuum,” Rozema says. “At the time, it was very binary: You’re gay or you’re straight. Period. I felt like there’s got to be more colors in this human palette.”

I AM GITMO and BEYOND THE RAGING SEA Q&As May 3-5 at the Monica Film Center..

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BEYOND THE RAGING SEA

Friday May 3 – 7:30 PM

  • Q&A follows with director Maro Orsini, Omar Nour and Omar Samra

Saturday May 4 – 4:30 PM

  • Q&A follows with director Maro Orsini, Omar Nour and Omar Samra, moderated by Alya Alghamdi, Saudi Arabian athlete.
Sunday May 5 – 12:45,* 3:00* and 5:10 with the Q&As following 12:45 and 3:00
  • Q&A follows* with director Maro Orsini, Omar Nour and Omar Samra

I AM GITMO

Friday May 3 – 1:00* and 4:10

  • *Q&A with director Philippe Diaz and Fionnuala D. Ní Aoláin who was UN Special Rapporteur on Human rights and Counterterrorism moderated by journalist Jeremy Kuzmarov.

Saturday May 4 –1:00 & 7:00*

  • Q&A with director Philippe Diaz & cast members Eric Pierpoint and Chico Brown, moderated by journalist Jeremy Kuzmarov.

Sunday May 5 @ 7:15

  • Q&A with director Philippe Diaz & cast members Eric Pierpoint and Chico Brown, moderated by journalist Jeremy Kuzmarov.

‘Photographic Justice: The Corky Lee Story’ Q&As at the Royal and Glendale.

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Photographic Justice: The Corky Lee Story LAEMMLE PANELS

ROYAL:

4/25 Thursday 7:30

Q&A with 

Jennifer Takaki / Director

George Hirose / Executive Producer 

Linda Lew Woo / Producer

Moderated by: Jeff Yang / Author and Friend of Corky Lee

GLENDALE:

4/26 Friday 4:30 

Informal Q&A with 

Jennifer Takaki / Director

George Hirose / Executive Producer 

Linda Lew Woo / Producer

4/27 Saturday 4:30

Q&A with 

Jennifer Takaki / Director

George Hirose / Executive Producer 

Linda Lew Woo / Producer

Moderated by: Chris M. Kwok / Community Organizer

4/28 Sunday 4:30

Informal Q&A with 

Jennifer Takaki / Director

George Hirose / Executive Producer 

Linda Lew Woo / Producer

RESISTANCE: THEY FOUGHT BACK Q&As May 11-13 at the Town Center.

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Resistance: They Fought Back Q&A’s at the Town Center will be hosted on May 11th at 7:10 PM by Co-Director & Executive Producer Paula S. Apsell, Co-Director Kirk Wolfinger, along with Roberta Grossman, Co-Executive Director of Jewish Story Partners, and actress and writer Romy Rosemont. On May 12th at 1:10 PM, Co-Director & Executive Producer Paula S. Apsell and Co-Producer Yael Beals will host a Q&A and on May 13th at 7:10 PM, Co-Director & Executive Producer Paula S. Apsell and Dr. Michael Berenbaum, Professor of Jewish & Holocaust Studies at American Jewish University, will host a Q&A.

The “tender and eye-opening tribute” REMEMBERING GENE WILDER opens Friday at the Royal and Town Center with multiple Q&As.

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This Friday we’re so pleased to open Remembering Gene Wilder at the Royal in West L.A. and the Town Center in Encino. A loving tribute that celebrates the life and legacy of the comic genius behind an extraordinary string of film roles, from his first collaboration with Mel Brooks in The Producers, to the enigmatic title role in the original Willy Wonka and the Chocolate Factory, to his inspired on-screen partnership with Richard Pryor in movies like Silver Streak. It is illustrated by a bevy of touching and hilarious clips and outtakes, never-before-seen home movies, narration from Wilder’s audiobook memoir, and interviews with a roster of brilliant friends and collaborators like Mel Brooks, Alan Alda, and Carol Kane. Remembering Gene Wilder shines a light on an essential performer, writer, director, and all-around mensch.

We have several introductions and Q&As scheduled with executive producer Julie Nimoy, writer Glenn Kirschbaum, and Mr. Wilder’s widow Karen Wilder.

“A hugely enjoyable walk through Gene Wilder’s entire life” – The Broad Street Review

“Tender and eye-opening tribute.” – Jewish Film Institute

REMEMBERING GENE WILDER Q&As

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Remember Gene Wilder Q&A schedule:
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Fri, Mar 22, 7:10pm
Laemmle Royal
Introduction by executive producer Julie Nimoy + Q&A with writer Glenn Kirschbaum
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Sat, Mar 23, 4:10pm
Laemmle Town Center
Introduction by executive producer Julie Nimoy
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Sat, Mar 23, 4:10pm
Laemmle Royal
Q&A with writer Glenn Kirschbaum + Karen Wilder
*
Sat, Mar 23, 7:10pm
Laemmle Town Center
Q&A with writer Glenn Kirschbaum + Karen Wilder
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Sun, Mar 24, 4:10pm
Laemmle Royal
Q&A with Hilary Helstein of the L.A. Jewish Film Festival + Karen Wilder
*

“If You See Only One Beaver Movie This Year …” HUNDREDS OF BEAVERS are coming!

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This week and next we’re delighted to show the sui generis farce Hundreds of Beavers. The March 14 Hundreds of Beavers screening at the Royal, March 15 & 16 late shows in Glendale, March 18 at the NoHo, and March 19 in Claremont will feature Q&As with the filmmakers plus a beaver or two.

The screenings have become something of a phenomenon, so much so that the New York Times posted a story about them last week. It begins:

“Last week, a bonkers low-budget movie that was shot in black and white and has no Hollywood stars, packed a 200-seat theater on a one-night engagement at the IFC Center in Manhattan. Additional screenings were added.

“Mike Cheslik, the film’s director, and Ryland Brickson Cole Tews, its leading man, don’t have Hollywood connections or sacks of cash. What the two 33-year-old friends do have that helped their film make a splash with its New York debut is a secret weapon that would make a shrewd old-school movie pitchman like William Castle tingle with envy.

“We’re talking beavers. Big ones.

“Two life-size beavers, actually — plus a horse, all played by humans — who took selfies with passers-by on the sidewalk and high-fived audience members in their seats before a screening of Cheslik’s frolicsome farce Hundreds of Beavers.

“At a time when Hollywood and scrappy filmmakers alike are stressing over how to get butts into seats, Cheslik and Tews are counting on a live make-believe beaver fight — a marketing gimmick dressed like a vaudeville act — to sell their movie.” Read the rest of the article here.

The filmmakers and distributor have a genius for marketing, as evidenced by some of the parody posters they’ve assembled:

However, this is not just hype; Hundreds of Beavers is good. As of this writing, it’s at 98% fresh on Rotten Tomatoes.

“A soulful silliness pervades the rootin’, tootin’ live-action cartoon Hundreds of Beavers from Milwaukee filmmakers Mike Cheslik and Ryland Brickson Cole Tews, merry pranksters who deploy a gleefully inventive lo-fi madness to their gag-stuffed wilderness comedy. Pitting a lovestruck fur trapper against a bucktoothed horde, this underground festival hit is a feverish fit of creative buffoonery — you haven’t experienced anything remotely like it.” ~ Robert Abele, Los Angeles Times

“A marvel of slapstick invention that in terms of pure unbridled creativity puts most big-screen comedies to shame.” ~ Nick Schager, The Daily Beast
“Hundreds of Beavers is fueled by a delirious spirit that reminded me sometimes of “It’s a Mad, Mad, Mad, Mad World,” and that’s a high compliment indeed.” ~ Randy Myers, San Jose Mercury News
“Part Guy Maddin, part Chuck Jones — a constant delight.” ~ Alonso Duralde, Breakfast All Day

“On paper, it would hardly be expected to remain funny for eight minutes, let alone 108. But this ingeniously homemade lark never runs out of steam.” ~ Dennis Harvey, Variety

“Hundreds of Beavers starts strange, gets stranger, and yet remains resolutely adorable.” ~ Alexandra Heller-Nicholas, AWFJ.org

REMEMBERING GENE WILDER opens March 22 at the Royal and Town Center with the filmmakers in person.

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We are proud to screen Remembering Gene Wilder, a heartfelt and entertaining portrait of the life and career of the beloved actor, featuring an extensive array of highlights from Wilder’s most memorable films as well as interviews with his closest friends, family, and fellow comedians. We open the documentary on Friday, March 22 at the Laemmle Royal and Town Center. Writer Glenn Kirschbaum will participate in Q&As and producers David Knight and Julie Nimoy will introduce a screening or two. Exact Q&A dates and times TBA.

“I love this film! It’s a warm and wonderful tribute to my dear friend, Gene. Don’t miss it!” – Mel Brooks

“A hugely enjoyable walk through Gene Wilder’s entire life” – The Broad Street Review

“Tender and eye-opening tribute.” – Jewish Film Institute

Remembering Gene Wilder is a loving tribute to Gene Wilder that celebrates his life and legacy as the comic genius behind an extraordinary string of film roles: from his collaborations with Mel Brooks in The Producers, Young Frankenstein, and Blazing Saddles, to his inspired on-screen partnership with Richard Pryor in movies like Silver Streak, to originating the strange and magical title role of the mysterious chocolatier in Willy Wonka and the Chocolate Factory.

Alongside his brilliant career, Remembering Gene Wilder also captures intimate moments from Wilder’s private life, including his Jewish upbringing in Milwaukee, marriage to Gilda Radner, and his final chapter living with Alzheimer’s. Illustrated by a variety of touching and hilarious clips and outtakes from Willy Wonka, Blazing Saddles, and more; never-before-seen home movies; narration by Wilder himself from the audiobook of his memoir; and interviews with some of his most brilliant friends and collaborators, including Mel Brooks, Alan Alda, Carol Kane, and his widow Karen Boyer Wilder, Remembering Gene Wilder reminds us what an essential performer, writer, and director Gene Wilder was, an all-around mensch beloved by all those whose lives he touched.