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You are here: Home / Featured Films

Time’s running out to see the “perfect” ‘Petite Maman’ on the big screen.

May 11, 2022 by Jordan Deglise Moore 2 Comments

French filmmaker Céline Sciamma’s follow up to the powerful Portrait of a Lady on Fire is the much different but equally beautiful and uniquely emotional Petite Maman. The protagonist is eight-year-old Nelly, who accompanies her parents to her mother’s childhood home after the death of the grandmother. As Nelly explores the house and nearby woods, she meets a neighbor her own age building a treehouse. What follows is a tender tale of childhood grief, memory and connection.

Time's running out to see the "perfect" 'Petite Maman' on the big screen.

As of Friday we’ll be playing Petite Maman at seven of our eight locations, but unfortunately the engagements may have to be brief. Please read some of the effusive praise of this lovely film and consider enjoying and supporting it as intended, theatrically:

“There isn’t a false note or superfluous image in Petite Maman, which runs a just-right 72 minutes. It’s perfect.” ~ Manohla Dargis, New York Times

Time's running out to see the "perfect" 'Petite Maman' on the big screen.

“It’s a perfect creation in miniature, one that doesn’t have a wasted frame but that also never feels like it’s in a rush.” ~ Alison Willmore, New York Magazine/Vulture

Time's running out to see the "perfect" 'Petite Maman' on the big screen.

“We forget a lot of things when we grow up. This film is a wonderful reminder.” ~ Odie Henderson, RogerEbert.com

Time's running out to see the "perfect" 'Petite Maman' on the big screen.

“Poetry on screen can’t be constructed, or willed into existence. Under the right circumstances, though, it can be allowed. Ms. Sciamma, whose previous feature was the passionate and extravagant Portrait of a Lady on Fire, has created those circumstances.” ~ Joe Morgenstern, Wall Street Journal

“No less than the condition of childhood itself, the movie opens up a world of possibilities, all of them beautiful and beguiling — and over all too soon.” ~ Justin Chang, Los Angeles Times

2 Comments Filed Under: News, Claremont 5, Featured Films, Films, Glendale, Newhall, NoHo 7, Playhouse 7, Santa Monica, Theater Buzz, Town Center 5

Searing, prescient French abortion drama ‘Happening’ arrives just in time.

May 11, 2022 by Jordan Deglise Moore Leave a Comment

Opening just as the expected but still shocking news broke that the Republican appointees to the Supreme Court are ready to begin clawing back women’s rights within a few weeks, Happening could not be more timely or galvanizing. As Mark Olsen wrote recently in the L.A. Times, “Happening is set in 1963 and yet it suddenly feels like a possible window into the future. Directed by Audrey Diwan, who co-wrote the adaptation of Annie Ernaux’s autobiographical novel of the same name, the film follows a young French college student Anne (Anamaria Vartolomei) as she attempts to get an abortion after discovering she is pregnant. Though abortion became legal in France in 1975, in 1963 it very much was not, with potential prison time for the woman, whoever performed the procedure and anyone who helped. Isolated from her friends and family, Anne becomes increasingly driven as the weeks pass by to find a solution to her problem — anything that will allow her to continue on with her life as she planned and fulfill her goal to become a writer…In an emailed statement, Diwan responded to the recent news [from SCOTUS], writing, “The purpose of art is also to bring to light some hidden truths. We all know, time has proven it, that when abortion becomes illegal, women who feel the need for it find other solutions. And not safe ones. I think that those who want to intervene in the abortion debate, whether for or against, should at least know clearly what a clandestine abortion is. We cannot talk about what we don’t know. And I include myself here: before reading Happening, I participated in this conversation for a long time without knowing … I was wrong. We should all know, this must not stay silent.'”

 Searing, prescient French abortion drama 'Happening' arrives just in time.

Happening was a critical, commercial and cultural phenomenon in its native France, where it opened in the autumn. The New York Times recently published a piece headlined “In France, a Film Has Women Sharing Their Stories of Abortion: Following the release of Happening, about an illegal abortion in 1963, the country’s contemporary stigma around the procedure is facing scrutiny.” The lede: “Happening, Audrey Diwan’s film about a 1960s back-street abortion in France, isn’t for the fainthearted. In fact, audience members have fainted at several screenings, including at the Venice Film Festival last September, where it won the Golden Lion. ‘It’s often men who say the experience took them to the limit of what they could bear,” Diwan said in a recent interview, “because they had never imagined what it might be like.’…Happening, which aims for a sense of immediacy onscreen, has led artists and activists to speak up about the taboo they feel still surrounds the procedure. ‘There is this constructed social shame that women are meant to feel, Diwan said, ‘and the sense that if we talk about it, we take the risk of calling into question this right, which in the end is never assured.’ In response to Happening, last December, the French feminist magazine Causette devoted a cover story to testimonies from 13 celebrities, under the title: “Yes, I Had An Abortion.” The author Pauline Harmange, who rose to international prominence last year with her debut book “I Hate Men,” also published an essay in March about her own experience, “Avortée” (“Aborted”).”

Searing, prescient French abortion drama 'Happening' arrives just in time.

Some of the abundant praise for Happening:

“Magnificently written, directed, shot and performed, it reminds you that cinema can be such a powerful medium of empathy.” – Zhuo-Ning Su, Awards Daily

Searing, prescient French abortion drama 'Happening' arrives just in time.

“It’s hard to think of a film more necessary in the current moment.” – David Jenkins, Little White Lies

“Deftly adapted by director Audrey Diwan from a novella, Happening is a period piece, but it’s acted and shot with a shivery immediacy.” – Robbie Collin, Daily Telegraph UK

Searing, prescient French abortion drama 'Happening' arrives just in time.
Audrey Diwan

We open Happening at the Claremont, Newhall, Playhouse and Town Center this Friday, May 13 and at the Monica Film Center, Glendale and NoHo on May 20.

Leave a Comment Filed Under: Featured Films, Claremont 5, Director's Statement, Featured Post, Films, Glendale, Newhall, NoHo 7, Playhouse 7, Press, Santa Monica, Theater Buzz, Town Center 5

‘Memoria,’ Apichatpong Weerasethakul’s “latest wonderment,” never to be seen on DVD, Blu-ray or streaming, is coming soon.

May 4, 2022 by Jordan Deglise Moore 1 Comment

Laemmle fans of Thai filmmaker Apichatpong Weerasethakul have just three (3) chances to see his “latest wonderment” Memoria: May 13 at the Laemmle Playhouse; June 3 at the Laemmle NoHo; and June 24 the Laemmle Glendale; the filmmaker and the U.S. distributor Neon have decided the film will never be released on DVD, Blu-ray or a streaming service — read Justin Chang’s rave L.A. Times review to understand why — so do not miss it! Starring Academy Award winner Tilda Swinton, the film is a transfixing drama about a Scottish woman, who, after hearing a loud ‘bang’ at daybreak, begins experiencing a mysterious sensory syndrome while traversing the jungles of Colombia. She begins an investigation to find answers.

'Memoria,' Apichatpong Weerasethakul's "latest wonderment," never to be seen on DVD, Blu-ray or streaming, is coming soon. 'Memoria,' Apichatpong Weerasethakul's "latest wonderment," never to be seen on DVD, Blu-ray or streaming, is coming soon.

Read the last paragraph of Chang’s Times review: “And cinema, as Weerasethakul reminds us, is still a young art, one whose properties and possibilities are still in the process of revealing themselves. An explanation for those strange sounds does materialize, and even coming from a filmmaker who has primed us to expect the otherworldly, it’s something to see — and to hear. A paean to the distant past that unfolds in a rigorous present tense, Memoria finally reveals itself as a vision from the future — a declaration of faith in a medium that hasn’t lost its power to astonish.”

1 Comment Filed Under: News, Featured Films, Films, Glendale, NoHo 7, Playhouse 7, Theater Buzz

“You will not want to be anywhere else.” Iranian comic drama ‘Hit the Road’ delights, opens Friday at the Royal & Town Center, May 13 at the Claremont.

May 4, 2022 by Jordan Deglise Moore Leave a Comment

Panah Panahi, son and collaborator of embattled Iranian master Jafar Panahi, makes a striking feature debut with this charming, sharp-witted, and deeply moving comic drama. Hit the Road takes the tradition of the Iranian road-trip movie and adds unexpected twists and turns. It follows a family of four – two middle-aged parents and their sons, one a taciturn adult, the other an ebullient six-year-old – as they drive across the Iranian countryside. Over the course of the trip, they bond over memories of the past, grapple with fears of the unknown, and fuss over their sick dog. Unspoken tensions arise and the film builds emotional momentum as it slowly reveals the furtive purpose for their journey. The result is a humanist drama that offers an authentic, raw, and deeply sincere observation of an Iranian family preparing to part with one of their own.

Winner of Best Film at the BFI London Film Festival and an Official Selection at the Cannes Film Festival (Directors’ Fortnight), New York Film Festival, and AFI Fest, Hit the Road began earning accolades the minute it premiered last year:

“Critic’s Pick! From the first jokey moments of Hit the Road until its heartbreaking end you will not want to be anywhere else.” – A.O. Scott, New York Times

"You will not want to be anywhere else." Iranian comic drama 'Hit the Road' delights, opens Friday at the Royal & Town Center, May 13 at the Claremont.

“A love story, a tragicomedy, and a triumph. Panahi films the drama with aesthetic audacity to match his psychological subtlety… unites intimate conflicts and vast landscapes in framings as wry as they are rhapsodic.” – Richard Brody, The New Yorker

"You will not want to be anywhere else." Iranian comic drama 'Hit the Road' delights, opens Friday at the Royal & Town Center, May 13 at the Claremont.

“Sharp and endearing. A warm and realistic comedy, with flashes of the fantastic. Introduces an exciting filmmaker whose journey is just beginning.” — Jacob Oller, Paste

"You will not want to be anywhere else." Iranian comic drama 'Hit the Road' delights, opens Friday at the Royal & Town Center, May 13 at the Claremont.

 “A stunningly assured road movie.“ – Leigh Singer, Sight & Sound

"You will not want to be anywhere else." Iranian comic drama 'Hit the Road' delights, opens Friday at the Royal & Town Center, May 13 at the Claremont.

“A worthy descendant—both stylistic and biological—of Iranian auteur Jafar Panahi, Hit the Road maps its own journey: playful, bittersweet and wholly surprising.“ – Dylan Kai Dempsey, Ioncinema

"You will not want to be anywhere else." Iranian comic drama 'Hit the Road' delights, opens Friday at the Royal & Town Center, May 13 at the Claremont.

“An intimate, frequently funny, poignant and deeply moving piece of work… damned near to being a masterpiece – if it isn’t simply one already.” – John Bleasdale, Cinevue

https://www.youtube.com/watch?v=QdgWGUX4b5M

Leave a Comment Filed Under: Featured Films, Claremont 5, Featured Post, Films, News, Royal, Theater Buzz, Town Center 5

Bring a Friend Back to the Movies ~ THE DUKE, starring Jim Broadbent & Helen Mirren.

April 27, 2022 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and Sony Pictures Classics invite you to Bring a Friend Back To The Movies. Starting this Friday at the Playhouse and Town Center, and May 6 at the Claremont, Monica Film Center and Newhall, buy one ticket to the acclaimed dramatic comedy THE DUKE and one friend — or spouse, sibling, parent, child, etc. — may see the movie with you for free. This offer is only good at the theater box offices, not online, and runs through Thursday, May 12 only.

Bring a Friend Back to the Movies ~ THE DUKE, starring Jim Broadbent & Helen Mirren.

We want to bring audiences back to theaters and remind them that nothing beats seeing a film on a big screen with a friend and the crowd pleaser THE DUKE, which premiered at the Venice and Telluride Film Festivals in 2021 and is certified fresh on Rotten Tomatoes at 95%, is the perfect movie for the purpose. “THE DUKE is a wonderfully warm and funny film,” said Greg Laemmle, “and seeing it in a theatre is the best way to enjoy it. Together with the filmmakers and the distributor, Laemmle Theatres is supporting the Bring a Friend Back program as a great way to remind audiences of the unique pleasure of seeing a movie in a public setting.”

Bring a Friend Back to the Movies ~ THE DUKE, starring Jim Broadbent & Helen Mirren.

In acclaimed director Roger Michell’s (Notting Hill, My Cousin Rachel, Blackbird) final feature film before his passing in 2021, THE DUKE is the first film to tell the extraordinary true story of 60-year-old taxi driver Kempton Bunton (Broadbent), who was accused of stealing Francisco Goya’s portrait of The Duke of Wellington from the National Gallery in London; it is the only painting ever stolen from the National Gallery in its 196-year history. The L.A. Times recently published a fascinating piece on the backstory, featuring interviews with the Bunton’s grandson as well as Mirren and Broadbent.

Bring a Friend Back to the Movies ~ THE DUKE, starring Jim Broadbent & Helen Mirren.

THE DUKE stars Academy Award® winners Broadbent (Iris, Another Year) and Mirren (The Queen, The Last Station), with a screenplay by Richard Bean and Clive Coleman. We open the film this Friday at the Playhouse and Town Center and May 6 at the Claremont, Newhall and Monica Film Center. The Bring a Friend Back program is good through Thursday, May 12, only for THE DUKE, and only for in-person ticket purchases.

https://www.youtube.com/watch?v=Xrmwbkq780E

Leave a Comment Filed Under: Featured Films, Featured Post, Films, Playhouse 7, Theater Buzz, Town Center 5

Q&As this Friday with HATCHING filmmaker Hanna Bergholm.

April 26, 2022 by Jordan Deglise Moore Leave a Comment

HATCHING filmmaker Hanna Bergholm will participate in Q&As after the 7:30 PM screening at the Monica Film Center and after the 10:15 PM screening at the Laemmle Glendale on Friday, April 29.

https://www.youtube.com/watch?v=DS1oDoElwqc

 

Leave a Comment Filed Under: Q&A's, Featured Films, Filmmaker in Person, Films, Glendale, Santa Monica, Theater Buzz

Virtual Q&A with the CHARLOTTE filmmakers this Sunday, April 24.

April 22, 2022 by Jordan Deglise Moore Leave a Comment

CHARLOTTE co-directors Tahir Rana and Éric Warin, screenwriter David Bezmozgis and producer Julia Rosenberg will participate in a virtual Q&A on Sunday, April 24. Johanna Schneller of the Globe & Mail will moderate. Click here or scan the QR code below to register.

Virtual Q&A with the CHARLOTTE filmmakers this Sunday, April 24.

Leave a Comment Filed Under: Featured Films, Claremont 5, Films, Playhouse 7, Q&A's, Royal, Theater Buzz, Town Center 5

‘Fiddler’s Journey to the Big Screen,’ the engrossing behind-the-scenes story of one of our finest movie musicals, opens May 6.

April 20, 2022 by Jordan Deglise Moore Leave a Comment

The fall of 2021 marked the 50th anniversary of Fiddler on the Roof, the film Pauline Kael called “the most powerful movie musical ever made.” Narrated by Jeff Goldblum, Fiddler’s Journey to the Big Screen captures the humor and drama of director Norman Jewison’s quest to recreate the lost world of Jewish life in Tsarist Russia and re-envision the beloved stage hit as a wide-screen epic. We have an advance screening of Fiddler’s Journey to the Big Screen May 5 at the Royal followed by week-long engagements at the Royal, Playhouse and Town Center beginning May 6.

For a taste of the film, here’s a clip in which composer John Williams and Jewison discuss enlisting the brilliant violinist Isaac Stern to provide the title character’s music.

We are planning a series of Q&As at the Royal: Thursday, May 5th – evening show for LAJFF – Q&A with Daniel Raim (director), moderated by Hilary Helstein (LAJFF); Fri. May 6 – 7:30pm – Q&A with Daniel Raim (director), Sasha Berman (producer), and Michael Sragow (co-writer, co-producer); Sat. May 7th – 7:30pm – Moderated by film critic Kenneth Turan, Q&A with Daniel Raim (director), Sasha Berman (producer), and Michael Sragow (co-writer, co-producer); Wed. May 11 at 7:30pm – Q&A with Michael Sragow (co-writer, co-producer).

'Fiddler's Journey to the Big Screen,' the engrossing behind-the-scenes story of one of our finest movie musicals, opens May 6.
Director Norman Jewison (pointing) and star Tevye (holding hat) on the set of The Fiddler on the Roof. As seen in Fiddler’s Journey to the Big Screen. A film by Daniel Raim. A Zeitgeist Films release in association with Kino Lorber.

Finally, here’s an excerpt from a rave review Raquel Stecher recently posted on her site Out of the Past:

“Director Daniel Raim continues his quest to champion the art of filmmaking with his latest documentary Fiddler’s Journey to the Big Screen (2022). Narrated by Jeff Goldblum, this documentary takes a deep dive into the making of Fiddler on the Roof (1971), director Norman Jewison’s personal and professional journey and all of the key players who came to together to make one of the greatest musical films of all time.

'Fiddler's Journey to the Big Screen,' the engrossing behind-the-scenes story of one of our finest movie musicals, opens May 6.
Director Norman Jewison (right) and star Tevye on the set of The Fiddler on the Roof. As seen in Fiddler’s Journey to the Big Screen. A film by Daniel Raim. A Zeitgeist Films release in association with Kino Lorber.

“Fiddler on the Roof was the brainchild of composer Jerry Bock, lyricist Sheldon Harnick and writer Joseph Stein. The inspiration came from a selection of short stories by Yiddish writer Sholem Aleichem called Teyve and his Daughters as well as artist Marc Chagall’s 1912 painting The Fiddler. The play opened on Broadway in 1964 and there was some concern that the story would only appeal to a small Jewish audience. However, Fiddler’s tale of a Jewish dairy farmer who attempts to marry off his five daughters in pre-revolutionary Russia, is a story of family, tradition and the inevitability of change. This gave the story a universal appeal and along with the excellent story and top-notch musical numbers, Fiddler was an international success. And naturally it was destined to become a film.

'Fiddler's Journey to the Big Screen,' the engrossing behind-the-scenes story of one of our finest movie musicals, opens May 6.
Filming The Fiddler on the Roof. As seen in Fiddler’s Journey to the Big Screen. A film by Daniel Raim. A Zeitgeist Films release in association with Kino Lorber.

“Fiddler’s Journey to the Big Screen explores the history behind the Broadway show, how Norman Jewison came to be involved, the casting, musical direction, art direction, location scouting, choreography, cinematography and many other elements that came to make the film as well as Fiddler‘s legacy. There is so much here to take in but it never feels overwhelming.

“The documentary includes interviews with director Norman Jewison, lyricist Sheldon Harnick, musical director John Williams, actresses Rosalind Harris (Tzeitel), Michele Marsh (Hodel) and Neva Small (Chava) and film critic Kenneth Turan. There are also archival interviews of Jewison back in 2000 as well as actor Topol and art director Robert F. Boyle. The interviews add so much to this documentary. There is nothing quite like firsthand accounts of an important moment in film history. And much like Daniel Raim’s other documentaries, there are illustrations from artist Patrick Mate as well as plenty of archival footage and behind-the-scenes photographs. The documentary is also is chock full of interesting facts even beyond just the making of Fiddler on the Roof. Watching it felt like I was getting two documentaries for the price of one: the making of a film and the biography of its director.”

Read the rest of Ms. Stecher’s review here.

https://www.youtube.com/watch?v=D19flnSG79Q

Leave a Comment Filed Under: Exclusive clip, Featured Films, Featured Post, Filmmaker in Person, Films, Playhouse 7, Press, Q&A's, Royal, Theater Buzz, Town Center 5

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Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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An “embrace of what makes us unknowable yet worthy of forgiveness,” A LITTLE PRAYER opens Friday at the Claremont, Newhall, Royal and Town Center.

Leaving Laemmle: A Goodbye from Jordan