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You are here: Home / Featured Films

“You will not want to be anywhere else.” Iranian comic drama ‘Hit the Road’ delights, opens Friday at the Royal & Town Center, May 13 at the Claremont.

May 4, 2022 by Jordan Deglise Moore Leave a Comment

Panah Panahi, son and collaborator of embattled Iranian master Jafar Panahi, makes a striking feature debut with this charming, sharp-witted, and deeply moving comic drama. Hit the Road takes the tradition of the Iranian road-trip movie and adds unexpected twists and turns. It follows a family of four – two middle-aged parents and their sons, one a taciturn adult, the other an ebullient six-year-old – as they drive across the Iranian countryside. Over the course of the trip, they bond over memories of the past, grapple with fears of the unknown, and fuss over their sick dog. Unspoken tensions arise and the film builds emotional momentum as it slowly reveals the furtive purpose for their journey. The result is a humanist drama that offers an authentic, raw, and deeply sincere observation of an Iranian family preparing to part with one of their own.

Winner of Best Film at the BFI London Film Festival and an Official Selection at the Cannes Film Festival (Directors’ Fortnight), New York Film Festival, and AFI Fest, Hit the Road began earning accolades the minute it premiered last year:

“Critic’s Pick! From the first jokey moments of Hit the Road until its heartbreaking end you will not want to be anywhere else.” – A.O. Scott, New York Times

"You will not want to be anywhere else." Iranian comic drama 'Hit the Road' delights, opens Friday at the Royal & Town Center, May 13 at the Claremont.

“A love story, a tragicomedy, and a triumph. Panahi films the drama with aesthetic audacity to match his psychological subtlety… unites intimate conflicts and vast landscapes in framings as wry as they are rhapsodic.” – Richard Brody, The New Yorker

"You will not want to be anywhere else." Iranian comic drama 'Hit the Road' delights, opens Friday at the Royal & Town Center, May 13 at the Claremont.

“Sharp and endearing. A warm and realistic comedy, with flashes of the fantastic. Introduces an exciting filmmaker whose journey is just beginning.” — Jacob Oller, Paste

"You will not want to be anywhere else." Iranian comic drama 'Hit the Road' delights, opens Friday at the Royal & Town Center, May 13 at the Claremont.

 “A stunningly assured road movie.“ – Leigh Singer, Sight & Sound

"You will not want to be anywhere else." Iranian comic drama 'Hit the Road' delights, opens Friday at the Royal & Town Center, May 13 at the Claremont.

“A worthy descendant—both stylistic and biological—of Iranian auteur Jafar Panahi, Hit the Road maps its own journey: playful, bittersweet and wholly surprising.“ – Dylan Kai Dempsey, Ioncinema

"You will not want to be anywhere else." Iranian comic drama 'Hit the Road' delights, opens Friday at the Royal & Town Center, May 13 at the Claremont.

“An intimate, frequently funny, poignant and deeply moving piece of work… damned near to being a masterpiece – if it isn’t simply one already.” – John Bleasdale, Cinevue

https://www.youtube.com/watch?v=QdgWGUX4b5M

Leave a Comment Filed Under: Featured Films, Claremont 5, Featured Post, Films, News, Royal, Theater Buzz, Town Center 5

Bring a Friend Back to the Movies ~ THE DUKE, starring Jim Broadbent & Helen Mirren.

April 27, 2022 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and Sony Pictures Classics invite you to Bring a Friend Back To The Movies. Starting this Friday at the Playhouse and Town Center, and May 6 at the Claremont, Monica Film Center and Newhall, buy one ticket to the acclaimed dramatic comedy THE DUKE and one friend — or spouse, sibling, parent, child, etc. — may see the movie with you for free. This offer is only good at the theater box offices, not online, and runs through Thursday, May 12 only.

Bring a Friend Back to the Movies ~ THE DUKE, starring Jim Broadbent & Helen Mirren.

We want to bring audiences back to theaters and remind them that nothing beats seeing a film on a big screen with a friend and the crowd pleaser THE DUKE, which premiered at the Venice and Telluride Film Festivals in 2021 and is certified fresh on Rotten Tomatoes at 95%, is the perfect movie for the purpose. “THE DUKE is a wonderfully warm and funny film,” said Greg Laemmle, “and seeing it in a theatre is the best way to enjoy it. Together with the filmmakers and the distributor, Laemmle Theatres is supporting the Bring a Friend Back program as a great way to remind audiences of the unique pleasure of seeing a movie in a public setting.”

Bring a Friend Back to the Movies ~ THE DUKE, starring Jim Broadbent & Helen Mirren.

In acclaimed director Roger Michell’s (Notting Hill, My Cousin Rachel, Blackbird) final feature film before his passing in 2021, THE DUKE is the first film to tell the extraordinary true story of 60-year-old taxi driver Kempton Bunton (Broadbent), who was accused of stealing Francisco Goya’s portrait of The Duke of Wellington from the National Gallery in London; it is the only painting ever stolen from the National Gallery in its 196-year history. The L.A. Times recently published a fascinating piece on the backstory, featuring interviews with the Bunton’s grandson as well as Mirren and Broadbent.

Bring a Friend Back to the Movies ~ THE DUKE, starring Jim Broadbent & Helen Mirren.

THE DUKE stars Academy Award® winners Broadbent (Iris, Another Year) and Mirren (The Queen, The Last Station), with a screenplay by Richard Bean and Clive Coleman. We open the film this Friday at the Playhouse and Town Center and May 6 at the Claremont, Newhall and Monica Film Center. The Bring a Friend Back program is good through Thursday, May 12, only for THE DUKE, and only for in-person ticket purchases.

https://www.youtube.com/watch?v=Xrmwbkq780E

Leave a Comment Filed Under: Featured Films, Featured Post, Films, Playhouse 7, Theater Buzz, Town Center 5

Q&As this Friday with HATCHING filmmaker Hanna Bergholm.

April 26, 2022 by Jordan Deglise Moore Leave a Comment

HATCHING filmmaker Hanna Bergholm will participate in Q&As after the 7:30 PM screening at the Monica Film Center and after the 10:15 PM screening at the Laemmle Glendale on Friday, April 29.

https://www.youtube.com/watch?v=DS1oDoElwqc

 

Leave a Comment Filed Under: Q&A's, Featured Films, Filmmaker in Person, Films, Glendale, Santa Monica, Theater Buzz

Virtual Q&A with the CHARLOTTE filmmakers this Sunday, April 24.

April 22, 2022 by Jordan Deglise Moore Leave a Comment

CHARLOTTE co-directors Tahir Rana and Éric Warin, screenwriter David Bezmozgis and producer Julia Rosenberg will participate in a virtual Q&A on Sunday, April 24. Johanna Schneller of the Globe & Mail will moderate. Click here or scan the QR code below to register.

Virtual Q&A with the CHARLOTTE filmmakers this Sunday, April 24.

Leave a Comment Filed Under: Featured Films, Claremont 5, Films, Playhouse 7, Q&A's, Royal, Theater Buzz, Town Center 5

‘Fiddler’s Journey to the Big Screen,’ the engrossing behind-the-scenes story of one of our finest movie musicals, opens May 6.

April 20, 2022 by Jordan Deglise Moore Leave a Comment

The fall of 2021 marked the 50th anniversary of Fiddler on the Roof, the film Pauline Kael called “the most powerful movie musical ever made.” Narrated by Jeff Goldblum, Fiddler’s Journey to the Big Screen captures the humor and drama of director Norman Jewison’s quest to recreate the lost world of Jewish life in Tsarist Russia and re-envision the beloved stage hit as a wide-screen epic. We have an advance screening of Fiddler’s Journey to the Big Screen May 5 at the Royal followed by week-long engagements at the Royal, Playhouse and Town Center beginning May 6.

For a taste of the film, here’s a clip in which composer John Williams and Jewison discuss enlisting the brilliant violinist Isaac Stern to provide the title character’s music.

We are planning a series of Q&As at the Royal: Thursday, May 5th – evening show for LAJFF – Q&A with Daniel Raim (director), moderated by Hilary Helstein (LAJFF); Fri. May 6 – 7:30pm – Q&A with Daniel Raim (director), Sasha Berman (producer), and Michael Sragow (co-writer, co-producer); Sat. May 7th – 7:30pm – Moderated by film critic Kenneth Turan, Q&A with Daniel Raim (director), Sasha Berman (producer), and Michael Sragow (co-writer, co-producer); Wed. May 11 at 7:30pm – Q&A with Michael Sragow (co-writer, co-producer).

'Fiddler's Journey to the Big Screen,' the engrossing behind-the-scenes story of one of our finest movie musicals, opens May 6.
Director Norman Jewison (pointing) and star Tevye (holding hat) on the set of The Fiddler on the Roof. As seen in Fiddler’s Journey to the Big Screen. A film by Daniel Raim. A Zeitgeist Films release in association with Kino Lorber.

Finally, here’s an excerpt from a rave review Raquel Stecher recently posted on her site Out of the Past:

“Director Daniel Raim continues his quest to champion the art of filmmaking with his latest documentary Fiddler’s Journey to the Big Screen (2022). Narrated by Jeff Goldblum, this documentary takes a deep dive into the making of Fiddler on the Roof (1971), director Norman Jewison’s personal and professional journey and all of the key players who came to together to make one of the greatest musical films of all time.

'Fiddler's Journey to the Big Screen,' the engrossing behind-the-scenes story of one of our finest movie musicals, opens May 6.
Director Norman Jewison (right) and star Tevye on the set of The Fiddler on the Roof. As seen in Fiddler’s Journey to the Big Screen. A film by Daniel Raim. A Zeitgeist Films release in association with Kino Lorber.

“Fiddler on the Roof was the brainchild of composer Jerry Bock, lyricist Sheldon Harnick and writer Joseph Stein. The inspiration came from a selection of short stories by Yiddish writer Sholem Aleichem called Teyve and his Daughters as well as artist Marc Chagall’s 1912 painting The Fiddler. The play opened on Broadway in 1964 and there was some concern that the story would only appeal to a small Jewish audience. However, Fiddler’s tale of a Jewish dairy farmer who attempts to marry off his five daughters in pre-revolutionary Russia, is a story of family, tradition and the inevitability of change. This gave the story a universal appeal and along with the excellent story and top-notch musical numbers, Fiddler was an international success. And naturally it was destined to become a film.

'Fiddler's Journey to the Big Screen,' the engrossing behind-the-scenes story of one of our finest movie musicals, opens May 6.
Filming The Fiddler on the Roof. As seen in Fiddler’s Journey to the Big Screen. A film by Daniel Raim. A Zeitgeist Films release in association with Kino Lorber.

“Fiddler’s Journey to the Big Screen explores the history behind the Broadway show, how Norman Jewison came to be involved, the casting, musical direction, art direction, location scouting, choreography, cinematography and many other elements that came to make the film as well as Fiddler‘s legacy. There is so much here to take in but it never feels overwhelming.

“The documentary includes interviews with director Norman Jewison, lyricist Sheldon Harnick, musical director John Williams, actresses Rosalind Harris (Tzeitel), Michele Marsh (Hodel) and Neva Small (Chava) and film critic Kenneth Turan. There are also archival interviews of Jewison back in 2000 as well as actor Topol and art director Robert F. Boyle. The interviews add so much to this documentary. There is nothing quite like firsthand accounts of an important moment in film history. And much like Daniel Raim’s other documentaries, there are illustrations from artist Patrick Mate as well as plenty of archival footage and behind-the-scenes photographs. The documentary is also is chock full of interesting facts even beyond just the making of Fiddler on the Roof. Watching it felt like I was getting two documentaries for the price of one: the making of a film and the biography of its director.”

Read the rest of Ms. Stecher’s review here.

https://www.youtube.com/watch?v=D19flnSG79Q

Leave a Comment Filed Under: Exclusive clip, Featured Films, Featured Post, Filmmaker in Person, Films, Playhouse 7, Press, Q&A's, Royal, Theater Buzz, Town Center 5

Nicolas Cage Comedy ‘The Unbearable Weight of Massive Talent’ – Special Advance Screenings

April 13, 2022 by Jordan Deglise Moore Leave a Comment

Nicolas Cage stars as… Nick Cage in the action-comedy THE UNBEARABLE WEIGHT OF MASSIVE TALENT. Creatively unfulfilled and facing financial ruin, the fictionalized version of Cage must accept a $1 million offer to attend the birthday of a dangerous super-fan (Pedro Pascal). Things take a wildly unexpected turn when Cage is recruited by a CIA operative (Tiffany Haddish) and forced to live up to his own legend, channeling his most iconic and beloved on-screen characters in order to save himself and his loved ones. With a career built for this very moment, the seminal award-winning actor must take on the role of a lifetime: Nick Cage.

We open MASSIVE TALENT on April 22 at the Claremont, Glendale, Newhall, NoHo and Playhouse but are first hosting special advance screenings this Saturday night at those theaters.

Here’s a clip from the film:

https://www.youtube.com/watch?v=kWkdYnAvg0g

Praise for THE UNBEARABLE WEIGHT OF MASSIVE TALENT:

“The filmmakers pull from every corner of Cage’s filmography to craft something transcendent. – Marya E. Gates, RogerEbert.com

“There’s something for everyone in THE UNBEARABLE WEIGHT OF MASSIVE TALENT. It’s one of the funniest movies of the year.” – Simon Houpt, The Globe and Mail

“Tom Gormican’s nostalgic adventure trip THE UNBEARABLE WEIGHT OF MASSIVE TALENT is a true love letter to every facet of Cage’s past and a tantalizing roadmap to his future.” – Robert Daniels, The Playlist

Regular engagements start April 22 but you can see Cage’s acclaimed comedy first this Saturday night. This is just a sampling of the strong critical response that greeted the film at the South by Southwest Film Festival last month in Austin. As of this writing, MASSIVE TALENT has a 100% rating on Rotten Tomatoes.

It is yet another highlight in the career of sui generis Oscar-winning actor Nick Cage. Even as he was making millions (and, apparently, spending even more) while starring in a series of action movies, he has always made sure to deliver terrific performances in some highly original films. His performance in MASSIVE TALENT reconnects us with the exciting actor from such diverse modern classics as WILD AT HEART, RAISING ARIZONA, MOONSTRUCK, ADAPTATION, BRINGING OUT THE DEAD and PIG.

Click here to read this amazing Reddit AMA Cage did last weekend.

One of the first terrific Hollywood films of the year, MASSIVE TALENT is a non-superhero, non-blockbuster film and so something of an experiment to see if there is still an audience for this kind of movie. If we want these types of idiosyncratic films to be released theatrically in the years ahead, we need to demonstrate that there is an audience for these films, and we need to do it now! Real movies are meant to be seen in a theatre. But comedies truly benefit from the shared experience. And right now, it feels like we could all use a good laugh to distract us for at least a couple of hours from the news.

https://www.youtube.com/watch?v=uNuRgxtoSIo

Leave a Comment Filed Under: Claremont 5, Featured Films, Films, Glendale, Newhall, NoHo 7, Playhouse 7, Theater Buzz

“Dark jewel of 1960s British cinema” THE SERVANT restored and screening at the Royal April 15-21.

April 6, 2022 by Jordan Deglise Moore 1 Comment

“I’m a gentleman’s gentleman and you’re no bloody gentleman!” Upper-crust James Fox thinks he’s found a “treasure” in Jeeves-efficient new butler Dirk Bogarde — just the man to put his life and swankily restored Knightsbridge townhouse in order — though his frightfully stuck-up fiancée Wendy Craig sniffs more than disapprovingly. But after Bogarde’s mini-skirted “sister” Sarah Miles suddenly shows up on Fox’s doorstep, the line of demarcation between Upstairs and Downstairs blurs, in American blacklistee Losey’s pioneering 1963 Mod psychodrama The Servant, the first of three collaborations with playwright Harold Pinter (who can also be glimpsed in a restaurant cameo). With jazz score by John Dankworth (and vocal by his wife Cleo Laine, heard on an eros-arousing LP) and stunning B&W camerawork by Douglas Slocombe (Kind Hearts and Coronets, Man in The White Suit, Raiders of the Lost Ark).

"Dark jewel of 1960s British cinema" THE SERVANT restored and screening at the Royal April 15-21.

“The Servant is a dark jewel of 1960s British cinema with the perfect alchemy of collaborators in director Joseph Losey, screenwriter Harold Pinter, cinematographer Douglas Slocombe, and stars Dirk Bogarde and James Fox. It’s cold as ice, perfectly precise, and chillingly effective. Clearly an influence on Bong Joon-Ho’s later class war masterpiece Parasite, this is an absolutely wicked classic from top to bottom.” – Edgar Wright quoted in Indiewire, reflecting on films that inspired Last Night in Soho

"Dark jewel of 1960s British cinema" THE SERVANT restored and screening at the Royal April 15-21.

***** 5 Stars [highest rating] “Losey’s masterpiece. A perfect storm of perversity. Pre-Persona identity transference and prole pole-positioning, [The Servant] immediately transformed the director from has-been Hollywood exile to European auteur. Everything hits just the right note of louche Britannia, from Losey and cinematographer Douglas Slocombe’s visual expressionism (warped reflections abound; stairwell shadows look like prison bars) to screenwriter Harold Pinter’s pause-as-power-play dialogue to the actors’ character assassinations on class assumptions.” – David Fear, Time Out New York

"Dark jewel of 1960s British cinema" THE SERVANT restored and screening at the Royal April 15-21.

“The nastiest movie ever made. A vile snake pit of appalling manners, lust and degradation. Losey does masterly work in confined spaces… Bogarde’s performance as the scheming servant sets the standard for sly corruption.” – David Denby, The New Yorker

"Dark jewel of 1960s British cinema" THE SERVANT restored and screening at the Royal April 15-21.

“One part aristocratic film, one part angry-young-man movie… Mixing techniques as surely as it mixes class (graceful dolly shots are placed side-by-side with the handheld photography), [it evokes] the hysterical confusion of a culture in upheaval.” – Zachary Wigon, Village Voice

https://vimeo.com/168994254

1 Comment Filed Under: Featured Films, Films, News, Press, Repertory Cinema, Royal, Theater Buzz

“So powerful…the movie detonates before our eyes.” Palme d’Or nominee AHED’S KNEE opens April 1.

March 23, 2022 by Jordan Deglise Moore Leave a Comment

We are opening the Israeli film AHED’S KNEE April 1 at the Glendale, Royal and Town Center and it’s a scorcher. As critic Guy Lodge put it, “Nadav Lapid does not make polite films: they spit and snarl and get way up in your face, brashly and constantly switching tack to disrupt your viewing pleasure, even if that means interrupting their own train of thought.”
A film of radical style and splenetic anger, AHED’S KNEE accompanies a celebrated but increasingly dissociated director (Avshalom Pollak) to a small town in the desert region of Arava for a screening of his latest film. Already anguished by the news of his mother’s fatal illness, he grows frustrated with a speech-restricting form he is encouraged to sign by a local Ministry of Culture worker (Nur Fibak). The confrontation ultimately sends him into a spiral of rage aimed at what he perceives as the censorship, hypocrisy, and violence of the Israeli government.

"So powerful...the movie detonates before our eyes." Palme d'Or nominee AHED'S KNEE opens April 1.

“Cuts to the heart of Lapid’s visceral genius and…points a new path forward for one of the world’s most irrepressible filmmakers.” ~ David Ehrlich, Indiewire

"So powerful...the movie detonates before our eyes." Palme d'Or nominee AHED'S KNEE opens April 1.

“What makes AHED’S KNEE so powerful is the way the movie detonates before our eyes.” ~ Bilge Ebiri, New York Magazine/Vulture

"So powerful...the movie detonates before our eyes." Palme d'Or nominee AHED'S KNEE opens April 1.

“Political outrage fuses with personal anguish in the Israeli director Nadav Lapid’s raucous, hard-edged dramatic rant about a filmmaker in crisis.” ~ Richard Brody, New Yorker

 

"So powerful...the movie detonates before our eyes." Palme d'Or nominee AHED'S KNEE opens April 1.

“It’s a howl of rage.” ~ A.O. Scott, New York Times

"So powerful...the movie detonates before our eyes." Palme d'Or nominee AHED'S KNEE opens April 1.

“AHED’S KNEE is a radical film for an Israeli movie – or for any movie.” ~ Jason Solomons, TheWrap

https://www.youtube.com/watch?v=I6lnWirRxhQ

Leave a Comment Filed Under: Featured Films, Films, Glendale, Royal, Theater Buzz, Town Center 5

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This is the way. 🍿 Exclusive Mandalorian & Grogu p This is the way. 🍿 Exclusive Mandalorian & Grogu popcorn tins and collectible figurines. Yours with a Mando Combo purchase! Very limited supply. 

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For the 21st consecutive year, Laemmle will be scr For the 21st consecutive year, Laemmle will be screening the Oscar-Nominated Short Films, opening on Feb. 20th. Showcasing the best short films from around the world, the 2026 Oscar®-Nominated Shorts includes three feature-length programs, one for each Academy Award® Short Film category: Animated, Documentary and Live Action.

ANIMATED SHORTS: (Estimated Running Time: 83 mins)
The Three Sisters
Forevergreen
The Girl Who Cried Pearls
Butterfly
Retirement Plan
 
LIVE ACTION SHORTS (Estimated Running Time: 119 minutes)
The Singers
A Friend Of Dorothy
Butcher’s Stain
Two People Exchanging Saliva
Jane Austin’s Period Drama

DOCUMENTARY SHORTS (Estimated Running Time: 158 minutes)
Perfectly A Strangeness
The Devil Is Busy
Armed Only With A Camera: The Life And Death Of Brent Renaud
All The  Empty Rooms
Children No More: “Were And Are Gone”

Please note that some films may not be appropriate for audiences under the age of 14 due to gun violence, shootings, language and animated nudity.
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Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
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Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
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An “embrace of what makes us unknowable yet worthy of forgiveness,” A LITTLE PRAYER opens Friday at the Claremont, Newhall, Royal and Town Center.

Leaving Laemmle: A Goodbye from Jordan