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A HARD DAY’S NIGHT 60th Anniversary Screening June 25 with pop music expert Domenic Priore.

June 19, 2024 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and the Anniversary Classics Series present the 60th anniversary of A HARD DAY’S NIGHT (1964). Starring the Beatles at the height of Beatlemania, we’ll screen this rock ‘n’ roll movie classic on Tuesday, June 25, 7:30 PM at the historic Royal theatre in West Los Angeles. Directed by Richard Lester from an Oscar-nominated original screenplay by Alun Owen, the milestone film was also aptly nominated for musical scoring. (George Martin lost to Andre Previn for My Fair Lady.)

After the Beatles exploded onto the global stage by early 1964, the British pop group (John Lennon, Paul McCartney, George Harrison, Ringo Starr) conquered the American pop music charts with record-breaking domination, and their appearance on the “Ed Sullivan Show” on American television in February that year cemented their phenomenal popularity. A movie starring the quartet was then put into production in England, planned for a summer release. The finished film, A HARD DAY’S NIGHT, portrays 36 hours in the life of the group as they prepare for a televised variety show concert. Director Richard Lester utilizes several techniques in a semi-documentary style, reinforced by Gilbert Taylor’s black-and-white cinematography, all on dazzling display in the high energy musical comedy.

A HARD DAY’S NIGHT 60th Anniversary Screening June 25 with pop music expert Domenic Priore.

Lester’s approach was fully embraced by film critic Andrew Sarris, who wrote in the Village Voice, “A HARD DAY’S NIGHT (is)… the Citizen Kane of jukebox musicals, the brilliant crystallization of such diverse cultural particles as pop music, rock ‘n’ roll, cinema-verite, the nouvelle vague, free cinema, and studied spontaneity.” Roger Ebert was equally impressed, citing it as “one of the great life-affirming landmarks of the movies.” Bosley Crowther of the New York Times, one of the powerful tastemakers of the era, also raved, calling it “a whale of a comedy…a wonderfully lively and altogether good-natured spoof of the juvenile madness called Beatlemania.” Comparing the Beatles’ clowning to the Marx Brothers, Crowther enthusiastically endorsed the movie as “rollicking, madcap fun.”

The film was highly influential, spawning numerous imitators including the pop group the Monkees‘ television series later in the decade, and the advent of music videos in the 1980s. Lester went onto a long career, helming the second Beatles’ film Help, The Knack, A Funny Thing Happened on the Way to the Forum, Petulia, and The Three (and Four) Musketeers among others. The Beatles, of course, became the most influential and innovative pop musicians of the twentieth century, achieving that lofty status in a single decade, the 1960s, before going their separate ways. A HARD DAY’S NIGHT showcases their dynamic music early in their careers, and, as pointed out by TV Guide, “ the strength of their songcraft is stirring.”

Our guest Domenic Priore is an author, pop music historian, and pop culture commentator. He has contributed to several books and is the co-author of “Riot on Sunset Strip: Rock ‘n’ Roll’s Last Stand in Hollywood.”

A HARD DAY’S NIGHT plays one night only Tuesday, June 25, 7:30 PM at the historic Royal Theatre, celebrating its centennial year, operating continuously as a movie theatre since opening in 1924. Our next attractions include The Secret Garden with guest Agnieszka Holland on June 29, and A Summer Place with film music historian Steven C. Smith on July 11.

Leave a Comment Filed Under: Anniversary Classics, Featured Films, Films, Q&A's, Repertory Cinema, Royal, Theater Buzz

I USED TO BE FUNNY starring Rachel Sennott opens Friday.

June 12, 2024 by Jordan Deglise Moore Leave a Comment

Actress Rachel Sennott (Shiva Baby, Bottoms) returns to Laemmle screens this Friday at the Monica Film Center, NoHo 7 and Town Center 5 with I Used to Be Funny. She plays an aspiring stand-up comedian and au pair struggling with PTSD as she decides whether or not to join the search for Brooke (Olga Petsa), a missing teenage girl she used to nanny.
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Click here to watch the trailer.
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“Rachel Sennott has the greatest face. It cannot lie, no matter what her characters are saying. That honesty makes her ideal for films with tricky tones… And it’s essential to I Used to Be Funny.” – Johanna Schneller, Globe and Mail
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“In her film debut, [writer-director Ally Pankiw] delivers a full and fulfilling narrative arc that is anchored by a surprisingly complex performance from Sennott.” – Katie Walsh, Tribune News Service

“Pankiw and Sennott bring Sam’s story to life with an inventive yet sensitive approach, creating a sympathetic portrait of someone learning to cope with the tragedies of life and embrace their funny side despite it all.” – Monica Castillo, RogerEbert.com

“A former stand-up herself, Sennott holds a stage with command.” – Amy Nicholson, New York Times

“Healing is not linear, and I Used to Be Funny adeptly displays that process, exploring Sam’s pain without making the experience of watching the film painful, and honestly refreshing exploration of a subject that’s so often brutal to witness.” – Jenny Nulf, Austin Chronicle

“Sennott is perfectly cast, portraying Sam as simultaneously lifeless and hilarious with her default blasé attitude and dry-wit humor.” – Weiting Liu, Little White Lies

Leave a Comment Filed Under: News, Featured Films, Films, NoHo 7, Press, Santa Monica, Theater Buzz, Town Center 5

The “unequivocally beautiful” Senegalese film BANEL & ADAMA opens Friday at the Royal.

June 12, 2024 by Jordan Deglise Moore Leave a Comment

A rare debut feature that premiered in competition at the Cannes Film Festival, and Senegal’s official submission to the 96th Academy Awards, Banel & Adama is a lush and lyrical West African dreamscape, a tragic romance that soars to the heights of longing and descends deep into the realm of myth as it sets its protagonists’ perfect everlasting love on a collision course with their community’s traditions. We’re proud to open it this Friday at the Royal. Click here to see the trailer.

“Unequivocally beautiful. Sy paints breathtaking scenes with her camera, demonstrating a gorgeous way of seeing the world.” – Lovia Gyarke, Hollywood Reporter

“A striking debut that puts Sy on the map. The combination of ethereal voiceover with nature at its most breathtaking evokes our cinema’s philosophical high priest, Terrence Malick.” – Sophie Monks Kaufman, Indiewire

 The "unequivocally beautiful" Senegalese film BANEL & ADAMA opens Friday at the Royal.

“Transfixing… a tragic, evocative love story.” – Robert Daniels, OkayAfrica

“In Ramata-Toulaye Sy’s impressive debut, she’s saying we’re more than flesh and blood – and that if things are falling apart, we can still make sense of it because we’re storytellers.” – Steve Pond, TheWrap

“The directorial debut of French-Senegalese filmmaker Ramata-Toulaye Sy, this is one of those pictures to which the phrase “every frame a painting” might apply.” – Glenn Kenny, RogerEbert.com
The "unequivocally beautiful" Senegalese film BANEL & ADAMA opens Friday at the Royal.

“A cosmic love story. With its balletic choreography of performance and statuesque visual approach, Sy’s film is a work of remarkable composition.”  – Little White Lies

“Wonderfully photographed and vehemently acted, the film is full of ideas. An impressive piece of work from a natural filmmaker.” – Peter Bradshaw, Guardian

“It really gets under your skin.” – Damon Wise, Deadline

“It’s a remarkable performance from Mane, who conveys the mutinous, deluded anger in a young woman who would bend the world around her to her will if she could.” – Wendy Ide, Screen International

Leave a Comment Filed Under: Featured Films, Featured Post, Films, Press, Royal, Theater Buzz

GREEN BORDER + THE SECRET GARDEN – get ready for a weekend with Agnieszka Holland.

June 5, 2024 by Jordan Deglise Moore 3 Comments

Filmmaker Agnieszka Holland will be in town later this month for her latest film, the powerful Green Border. She’ll participate in Q&As after the evening screenings at the Royal on Friday and Saturday, June 28 and 29 and for good measure join us for a Q&A after the June 29 screening of her 1993 family film The Secret Garden, which we’re screening as part of our Anniversary Classics series. One moviegoer might want to ask her how she manages such range, because the movies are quite different.

Thirty years after her Oscar-nominated film Europa Europa, Holland’s poignant and essential Green Border is set in the treacherous and swampy forests that make up the so-called “green border” between Belarus and Poland. Here refugees from the Middle East and Africa trying to reach the European Union are trapped in a geopolitical crisis cynically engineered by Belarusian dictator Alexander Lukashenko. In an attempt to provoke Europe, refugees are lured to the border by propaganda promising easy passage to the EU. Finding themselves pawns in this hidden war, the lives of Julia, a newly minted activist who has given up her comfortable life; Jan, a young border guard; and a Syrian family intertwine.

“A heart-in-mouth thriller… Agnieszka Holland‘s bruisingly powerful new refugee drama ultimately comes from a place of optimism.” – Jessica Kiang, Variety

GREEN BORDER + THE SECRET GARDEN - get ready for a weekend with Agnieszka Holland.

“A righteous, infuriating and woefully compelling watch.” – Laura Bobiak, Observer

“Profoundly moving, flawlessly executed… if cinema is an empathy machine, to paraphrase the late Roger Ebert, then Agnieszka Holland‘s new film is one precision-tooled specimen.” – Leslie Felperin, The Hollywood Reporter

“A humanitarian masterpiece.” – Damon Wise, Deadline

The Secret Garden follows a young British girl born and reared in India who is returned to her uncle’s English castle after becoming an orphan. She begins exploring the estate and discovers a garden that has been locked and forgotten. Aided by one of the servants’ boys, she begins restoring the garden, and eventually discovers some other secrets of the manor. Writing in the New York Times, Janet Maslin began her review of The Secret Garden this way: “A fawn, a bunny, a lamb: these are among the last things anyone might expect to see in a film directed by Agnieszka Holland, whose other work (including Europa, Europa and Olivier, Olivier) had not a trace of sugarplums in its makeup. Yet Ms. Holland’s film of The Secret Garden is elegantly expressive, a discreet and lovely rendering of the children’s classic by Frances Hodgson Burnett. That book is a paean to the restorative powers of the natural world, and Ms. Holland succeeds in conveying much of its delicate beauty.”

3 Comments Filed Under: News, Anniversary Classics, Filmmaker in Person, Films, Q&A's, Royal, Theater Buzz

THE LOVERS (LES AMANTS) 65th Anniversary Screenings June 19.

June 5, 2024 by Jordan Deglise Moore Leave a Comment

Laemmle Theatres and the Anniversary Classics Abroad Series present 65th anniversary screenings of Louis Malle’s ‘The Lovers‘ (‘Les Amants’) starring Jeanne Moreau, on June 19 for one night only at 7:00 PM in West Los Angeles, Encino, Glendale, Claremont, and Santa Clarita. When first released in the United States in 1959, the film became an art house sensation with frank sexuality and nudity that inflamed the prudish American censors. Those censors, the Catholic Legion of Decency, and the repressive Hollywood Production Code wielded considerable influence at that time, preventing American films from exploring adult themes in a provocative manner.

 THE LOVERS (LES AMANTS) 65th Anniversary Screenings June 19.

The film tells the story of a bored and neglected French upper-middle-class wife and mother (Moreau) who falls for a young archaeologist (Jean-Marc Bory), commencing an affair just hours after their initial meeting. Their extended seminude lovemaking scene was the incendiary element that sparked conservative outrage and crackdowns on theaters showing the film. In one notorious case that was later resolved by the Supreme Court, a suburban Cleveland theater manager was arrested on obscenity charges. When other Ohio communities also banned the film, Variety reported, “It looked like Ohio, for a time, might declare war on France.”

Louis Malle made his feature directorial debut with the crime thriller ‘Elevator to the Gallows’ in 1958, also starring Moreau, so the sensual drama ‘The Lovers‘ as his second film “marked the stylistically conscious Malle apart from his tear-away Nouvelle Vague colleagues” according to Time Out. In ‘The Lovers,’ adapted by novelist Louise de Vilmorin from a 19th century short story, Malle presents a study of “bourgeois emptiness and sexual yearnings,” illuminated by the deft black-and-white cinematography of Henri Decae. Malle would go onto an esteemed career that included such notable films as ‘Murmur of the Heart,’ ‘Lacombe Lucien,’ ‘Atlantic City,’ and ‘Au Revoir Les Enfants’ over the next three decades.

Although she had been acting in films for a decade, ‘The Lovers‘ established Moreau’s screen persona as a “commanding, willful, and sultry presence,” propelling her to international stardom. Her career highlights in the 1960s include memorable performances in ‘Jules and Jim,’ ‘La Notte,’ ‘Diary of a Chambermaid’ and ‘The Bride Wore Black.’ As a legacy, the commercial success of ‘The Lovers’ helped popularize foreign language films in the United States in that era, now regarded as the golden age of the art house.

“It is incredible to think that Malle was only 25 years old when he made ‘The Lovers,’ as it seems to hold the wisdom and erotic impulses of a much older man.” ~ Justine Smith, Vague Visages

Leave a Comment Filed Under: News, Abroad, Anniversary Classics, Claremont 5, Featured Films, Featured Post, Films, Glendale, Newhall, Royal, Theater Buzz, Town Center 5

“The future of cinema is where it started: in a movie theater.” ~ ANORA director Sean Baker in his Palme d’Or acceptance speech.

May 29, 2024 by Jordan Deglise Moore Leave a Comment

Over the weekend, writer-director Sean Baker (Tangerine, The Florida Project, Red Rocket) was awarded the Palme d’Or, the top prize, at this year’s Cannes Film Festival for Anora, his comedy about a sex worker. New York Times film critic Manohla Dargis called the film “a giddily ribald picaresque.” In his acceptance speech, Baker spoke eloquently about seeing movies in theaters. You can watch the whole thing online, but here’s the key excerpt:
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“This literally has been my singular goal as a filmmaker for the past 30 years. So I’m not really sure what I’m gonna do with the rest of my life, but I do know that I will continue to fight for cinema because right now, as filmmakers, we have to fight to keep cinema alive. This means making feature films intended for theatrical exhibition. The world has to be reminded that watching a film at home while scrolling through your phone and checking mail, emails and half paying attention is just not the way, although some tech companies would like us to think so. Watching a film with others in a movie theater is one of the great communal experiences. We share laughter, sorrow, anger, fear, and, hopefully, have a catharsis with our friends and strangers, and that’s sacred. So I see the future of cinema is where it started: in a movie theater.”

Leave a Comment Filed Under: Awards, Claremont 5, Festival, Films, Glendale, Moviegoing, Newhall, NoHo 7, Royal, Santa Monica, Theater Buzz, Town Center 5

“A full-tilt melodrama with the passionate vehemence of Victor Hugo or Charles Dickens,” KIDNAPPED opens Friday.

May 29, 2024 by Jordan Deglise Moore 2 Comments

This Friday we open the intense Italian drama Kidnapped: The Abduction of Edgardo Mortara at the Royal and Town Center, which is based on the true story of a Jewish family in 19th century Bologna whose young son was secretly baptized as a baby by his nurse. Years later, the cardinal orders the boy abducted so he can receive a Catholic education. The scandal received wide attention at the time and now gets a terrific film adaptation by Marco Bellocchio (The Wedding Director, The Traitor, Marx Can Wait) which, among other accolades, earned a Palme d’Or nomination at Cannes and a Best Foreign Film nomination at the César Awards.
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“It is a full-tilt melodrama with the passionate vehemence of Victor Hugo or Charles Dickens, which lays bare an ugly formative episode of Europe’s Catholic church: an affair of antisemitism and child abuse.” ~ Peter Bradshaw, Guardian
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“The director, Marco Bellocchio, anchors the period with a somber visual elegance and employs surreal gestures to tease out the psychological and spiritual aspects of the tragedy.” ~ Lisa Kennedy, New York Times
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"A full-tilt melodrama with the passionate vehemence of Victor Hugo or Charles Dickens," KIDNAPPED opens Friday.

“[Edgardo Mortara’s] tortuous journey gets the respect it deserves in this sensitive and beautifully realized drama.” ~ Kyle Smith, Wall Street Journal
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“With stately restraint, Bellocchio manages to put the audience in an ever-tightening chokehold of tension and outrage.” ~ Wendy Ide, Observer

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“The performances, meanwhile, are exemplary, the screenplay powerful, and each scene is lit like high-era Caravaggio.” ~ Kevin Maher, Times

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“Kidnapped is an expertly paced, gorgeously shot and evocative true story of faith, family, and the power of people coming together to right deeply ingrained wrongs.” ~ Barry Levitt, Empire Magazine

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2 Comments Filed Under: Featured Films, Featured Post, Films, Royal, Theater Buzz, Town Center 5

The Cold War wasn’t just an arms race: TAKING VENICE opens Friday with filmmaker Amei Wallach in person.

May 22, 2024 by Jordan Deglise Moore 2 Comments

This Friday at the Royal and Town Center and June 7 at the Laemmle Glendale we’ll be opening Amei Wallach’s fascinating new documentary about the 1964 Venice Biennale Taking Venice, which, according to Alissa Wilkinson of the New York Times, “feels almost like science fiction, or maybe fantasy. Imagine the U.S. government taking such a keen interest in the fine arts that there may or may not have been an attempt to rig a major international prize for an American artist. A painter, no less!”

Ms. Wallach will participate in a Q&A at the Royal after the 7:20pm screening this Friday.

Last month the Times published an advance piece about Taking Venice by Nina Siegal headlined “Did America Cheat to Win the 1964 Venice Biennale? A new documentary takes a hard look at the persistent rumors around Robert Rauschenberg’s win in Venice in the midst of the Cold War.” Here’s an excerpt:

Did a conspiracy by U.S. State Department officials and art dealers secure a prize for painting for Robert Rauschenberg at the Venice Biennale in 1964?

Unconfirmed rumors of some sort of nefarious plot to that effect swirled in international art circles for years.

The documentary filmmaker Amei Wallach had heard them, and she was curious to know if they held any truth.

“This moment is a kind of urban legend in the art world,” said Wallach in a telephone interview from her home in New York on Long Island. “It was a flashpoint. The story goes: The Biennale had been a Eurocentric party, and this was the first time an outsider broke the code.”

Using archival footage and interviews with important figures involved in the 1964 Biennale, Wallach, the longtime chief art critic for Newsday and an occasional contributor to The New York Times, tried to unravel the mystery, exploring the charged political atmosphere that engendered those persistent claims.

The result is Zeitgeist Films’ Taking Venice, which will have its theatrical release next month in New York and Los Angeles.

The film revisits the Biennale and recreates the scene in which Rauschenberg’s artworks were brought through the Grand Canal by boat to get to the U.S. Pavilion in the Giardini, just in time to qualify for the award.

It also includes shots of the American art delegation flying into Venice in a U.S. military cargo plane filled with monumental Pop Art, and the opening party at the U.S. Consulate.

Wallach interviewed the leader of the 1964 Biennale team, Alice Denney, a Washington insider, who worked with the curator Alan Solomon and the art dealer Leo Castelli to bring Rauschenberg to victory.

“We didn’t cheat,” Denney said in the film, while conceding that a United States agency established to promote American dominance during the Cold War organized the art exhibition with an explicitly political agenda, to ensure that the show would reflect the United States well on the global stage. “We thought with Rauschenberg we had a very good chance.”

“One of the intriguing subplots of the Biennale all through the decades, more than a century, is how art and politics overlap,” said Philip Rylands, former director of the Peggy Guggenheim Collection in Venice, in the film. “There’s a kind of high altitude moment with the American presence in 1964. It reverberates through history.”

Click here to read the full piece.

2 Comments Filed Under: Featured Films, Featured Post, Filmmaker's Statement

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Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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An “embrace of what makes us unknowable yet worthy of forgiveness,” A LITTLE PRAYER opens Friday at the Claremont, Newhall, Royal and Town Center.

Leaving Laemmle: A Goodbye from Jordan