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‘Fiddler’s Journey to the Big Screen,’ the engrossing behind-the-scenes story of one of our finest movie musicals, opens May 6.

April 20, 2022 by Jordan Deglise Moore Leave a Comment

The fall of 2021 marked the 50th anniversary of Fiddler on the Roof, the film Pauline Kael called “the most powerful movie musical ever made.” Narrated by Jeff Goldblum, Fiddler’s Journey to the Big Screen captures the humor and drama of director Norman Jewison’s quest to recreate the lost world of Jewish life in Tsarist Russia and re-envision the beloved stage hit as a wide-screen epic. We have an advance screening of Fiddler’s Journey to the Big Screen May 5 at the Royal followed by week-long engagements at the Royal, Playhouse and Town Center beginning May 6.

For a taste of the film, here’s a clip in which composer John Williams and Jewison discuss enlisting the brilliant violinist Isaac Stern to provide the title character’s music.

We are planning a series of Q&As at the Royal: Thursday, May 5th – evening show for LAJFF – Q&A with Daniel Raim (director), moderated by Hilary Helstein (LAJFF); Fri. May 6 – 7:30pm – Q&A with Daniel Raim (director), Sasha Berman (producer), and Michael Sragow (co-writer, co-producer); Sat. May 7th – 7:30pm – Moderated by film critic Kenneth Turan, Q&A with Daniel Raim (director), Sasha Berman (producer), and Michael Sragow (co-writer, co-producer); Wed. May 11 at 7:30pm – Q&A with Michael Sragow (co-writer, co-producer).

'Fiddler's Journey to the Big Screen,' the engrossing behind-the-scenes story of one of our finest movie musicals, opens May 6.
Director Norman Jewison (pointing) and star Tevye (holding hat) on the set of The Fiddler on the Roof. As seen in Fiddler’s Journey to the Big Screen. A film by Daniel Raim. A Zeitgeist Films release in association with Kino Lorber.

Finally, here’s an excerpt from a rave review Raquel Stecher recently posted on her site Out of the Past:

“Director Daniel Raim continues his quest to champion the art of filmmaking with his latest documentary Fiddler’s Journey to the Big Screen (2022). Narrated by Jeff Goldblum, this documentary takes a deep dive into the making of Fiddler on the Roof (1971), director Norman Jewison’s personal and professional journey and all of the key players who came to together to make one of the greatest musical films of all time.

'Fiddler's Journey to the Big Screen,' the engrossing behind-the-scenes story of one of our finest movie musicals, opens May 6.
Director Norman Jewison (right) and star Tevye on the set of The Fiddler on the Roof. As seen in Fiddler’s Journey to the Big Screen. A film by Daniel Raim. A Zeitgeist Films release in association with Kino Lorber.

“Fiddler on the Roof was the brainchild of composer Jerry Bock, lyricist Sheldon Harnick and writer Joseph Stein. The inspiration came from a selection of short stories by Yiddish writer Sholem Aleichem called Teyve and his Daughters as well as artist Marc Chagall’s 1912 painting The Fiddler. The play opened on Broadway in 1964 and there was some concern that the story would only appeal to a small Jewish audience. However, Fiddler’s tale of a Jewish dairy farmer who attempts to marry off his five daughters in pre-revolutionary Russia, is a story of family, tradition and the inevitability of change. This gave the story a universal appeal and along with the excellent story and top-notch musical numbers, Fiddler was an international success. And naturally it was destined to become a film.

'Fiddler's Journey to the Big Screen,' the engrossing behind-the-scenes story of one of our finest movie musicals, opens May 6.
Filming The Fiddler on the Roof. As seen in Fiddler’s Journey to the Big Screen. A film by Daniel Raim. A Zeitgeist Films release in association with Kino Lorber.

“Fiddler’s Journey to the Big Screen explores the history behind the Broadway show, how Norman Jewison came to be involved, the casting, musical direction, art direction, location scouting, choreography, cinematography and many other elements that came to make the film as well as Fiddler‘s legacy. There is so much here to take in but it never feels overwhelming.

“The documentary includes interviews with director Norman Jewison, lyricist Sheldon Harnick, musical director John Williams, actresses Rosalind Harris (Tzeitel), Michele Marsh (Hodel) and Neva Small (Chava) and film critic Kenneth Turan. There are also archival interviews of Jewison back in 2000 as well as actor Topol and art director Robert F. Boyle. The interviews add so much to this documentary. There is nothing quite like firsthand accounts of an important moment in film history. And much like Daniel Raim’s other documentaries, there are illustrations from artist Patrick Mate as well as plenty of archival footage and behind-the-scenes photographs. The documentary is also is chock full of interesting facts even beyond just the making of Fiddler on the Roof. Watching it felt like I was getting two documentaries for the price of one: the making of a film and the biography of its director.”

Read the rest of Ms. Stecher’s review here.

https://www.youtube.com/watch?v=D19flnSG79Q

Leave a Comment Filed Under: Exclusive clip, Featured Films, Featured Post, Filmmaker in Person, Films, Playhouse 7, Press, Q&A's, Royal, Theater Buzz, Town Center 5

“If you want movie studios to make movies that are good, interesting and original, you need to go see them.” Washington Post on ‘Everything Everywhere,’ ‘Massive Talent’ and ‘The Northman.’

April 13, 2022 by Jordan Deglise Moore Leave a Comment

Washington Post columnist Sonny Bunch recently published a compelling piece headlined “If you want original movies to survive, get to a theater this April” about returning to movie theatres.  Laemmle Theatres has been open for just over a year at this point. If you aren’t going to the movies as frequently as you did before the pandemic, you are contributing to trends in distribution that may be irreversible. Bunch’s piece speaks to this better than we can, which is why we’re sharing it. We understand that we have all been through a very traumatic time. It has been tragic and frightening. But we aren’t where we were when the pandemic started. We have effective vaccines and booster shots and plentiful masks that provide an amazing level (granted, not 100%) of protection. Test & Treat is rolling out so that you can get access for treatments that will minimize illness. And theatres are set up with better ventilation systems to more effectively circulate and filter air inside auditoriums.  You can safely return to moviegoing.  So, nu?

From the Post: “Are you sick of comic book movies and other franchises? This month, you actually have a chance to do something about it. A trio of big, original new releases comes to theaters this month. Go see one — or all of them. If these movies fail, our theatrical future will be nothing but the disappointing Morbius and its ilk. And movie lovers who have defaulted to home entertainment even after coronavirus vaccines, rapid tests and high-quality masks have become widely available will have only themselves to blame.

“Going wide this Friday is Everything Everywhere All at Once, the heart-rending and mind-bending new picture from the directorial duo Dan Kwan and Daniel Scheinert, collectively known as Daniels. The writer-director duo, aided by stars Michelle Yeoh, Ke Huy Quan, Stephanie Hsu and Jamie Lee Curtis, have concocted a masterpiece that manages the tricky balance of feeling sui generis and yet familiar. Here we have a movie about a mother (Yeoh) trying to connect emotionally with her daughter (Hsu) and stave off divorce from her husband (Quan) while saving her business from the taxwoman (Curtis) — this is the familiar — all while careening through the multiverse in an effort to ward off a villain filled with nihilistic, creation-destroying malaise who leads a cult that worships an evil everything bagel.

"If you want movie studios to make movies that are good, interesting and original, you need to go see them." Washington Post on 'Everything Everywhere,' 'Massive Talent' and 'The Northman.'

“Everything Everywhere is an earnest — some cynics will suggest saccharine — movie about families, about the difficulty of watching your kids grow up and change into something you’re not, about the love needed to keep generations together. That earnestness is leavened by what can only be described as a supreme, gut-busting silliness, including, among other wild visuals, people who have hot dogs for fingers and a raccoon puppeteering a Benihana-type chef in the style of Ratatouille.

“Given its visual imagination, emotional range and striking originality, this is exactly the kind of movie that ought to be seen on the biggest screen available with as many people as possible. The communal reaction to Everything Everywhere All at Once is part of its greatness.

“I haven’t seen The Unbearable Weight of Massive Talent or The Northman yet, as they’re both opening April 22, so I can’t recommend them in quite the same way. But they are the sort of movie that should be able to succeed — or at least have a chance at succeeding — in a healthy cinematic environment.

“The Unbearable Weight of Massive Talent is a star-driven, high-concept comedy: Nicolas Cage stars as “Nick Cage,” a former A-lister suffering from some money woes who decides to get his finances in order by attending the birthday party of a wealthy criminal. Unbearable Weight is larded up with massive amounts of talent: In addition to Cage, the film stars fan favorites, including Tiffany Haddish, Ike Barinholtz and Neil Patrick Harris.

"If you want movie studios to make movies that are good, interesting and original, you need to go see them." Washington Post on 'Everything Everywhere,' 'Massive Talent' and 'The Northman.'

“Earning nothing but positives reviews from critics at South by Southwest, the film is primed to take advantage of Cage’s much-praised performance in the criminally under-rewarded Pig and will likely make a nice companion piece with Keith Phipps’s excellent book about the actor’s varied body of work, Age of Cage. Most importantly, it’s the sort of star-driven mid-budget comedy that needs to attract eyeballs if theaters hope to rely on anything other than super-powered freaks to sell popcorn.

“Then there’s The Northman. In some ways, this is the hardest sell for audiences. I loved director Robert Eggers’s The Witch — it’s one of the 10 best movies of the 2010s — and The Lighthouse was a perfect lockdown movie released a few months too early. Audiences have been less enamored of his films than critics: The Witch earned a C-minus from CinemaScore, and neither really took off at the box office.

"If you want movie studios to make movies that are good, interesting and original, you need to go see them." Washington Post on 'Everything Everywhere,' 'Massive Talent' and 'The Northman.'

“But Eggers’s vision is compelling, his style is unique, and someone somewhere has decided it’s worth investing $90 million on a historical epic set in the icy Nordic wastes that stars Alexander Skarsgard, Anya Taylor-Joy, Nicole Kidman, Ethan Hawke and Bjork, and reportedly culminates in a nude swordfight atop an active volcano. To say that this is one of my most anticipated films of the year is to put it mildly; we don’t get too many movies like this anymore.”

Read the rest of piece here.

Leave a Comment Filed Under: Claremont 5, Featured Post, Films, Glendale, Newhall, NoHo 7, Playhouse 7, Royal, Santa Monica, Theater Buzz, Town Center 5

Laemmle Oscar Contest, plus Kevin Costner’s Best Director Oscar Presentation.

March 30, 2022 by Jordan Deglise Moore 3 Comments

Welp, that’s a wrap for the 2022 Oscars and our contest. Laemmle moviegoers were able to foresee the Academy’s choices very accurately with two exceptions: they went for the more conventional Best Picture nominee with CODA over The Power of the Dog and the artier choice with Best Animated Short nominee Windshield Wiper over the family-friendly Robin Robin. The Power of the Dog was in a tight race for Best Adapted Screenplay with eventual winner CODA. Best Original Screenplay split somewhat evenly between Paul Thomas Anderson for Licorice Pizza and eventual winner Kenneth Branagh for Belfast.

See the full results in cool pie charts at laemmle.com/oscars. We’ll announce our winners on this page on Thursday, March 31.

The sad, shocking incident during the ceremony overshadowed everything but one thing worth taking a second look at is Kevin Costner‘s presentation of the Best Director Oscar. It was probably the best presentation of the evening. He has won the award himself, of course, 30 years ago for Dances with Wolves. He spoke movingly and deliberately about the experience of seeing movies in theaters and how seeing How the West was Won at the Cinerama Dome inspired him to become an actor and filmmaker. The in-person audience giggles at first, but by the end you could hear a pin drop. Here’s a transcription and video:

You know, about a half-mile from here, I saw my first full-length adult movie. I know what you’re thinking, but I was seven years old and I was away from my parents and wanted to have some fun. It was a cowboy movie called How the West Was Won. And what I witnessed that afternoon in the Cinerama Dome was perfect. The curtain, when we still had them, opened to a film almost four hours long. It had an intermission where the score continued, subtly signaling at one point that the second half was about to start. I don’t know where everyone went, but I wasn’t going to move an inch. I decided that I would not give up my magic seat. I was determined that I would not miss a minute. And as I sat in that dark that afternoon 60 years ago, all I really knew was that I was in careful hands. Little did I know that three directors would be responsible for that epic moment in my life. They fired my imagination, and they captured my heart. That’s what can happen when you direct a movie. You can change a mind. You can change the trajectory of a life, of a career. You can capture a heart. But you can’t do it alone. And directors, tonight’s directors all know the possibilities. They know what’s at stake. It’s why they give their precious time. It’s why they choose to fight through the long days, and the longer nights, and the endless questions, and the inevitable second guessing that comes from those who would do it differently if given half a chance. These five directors have all managed to stay the course. They have all held the line and masterfully given us the gift of a single vision, and for that we honor them.

https://www.youtube.com/watch?v=y52t3CVKeyc&t=167s

3 Comments Filed Under: Claremont 5, Contests, Featured Post, Films, Glendale, Newhall, News, NoHo 7, Playhouse 7, Royal, Santa Monica, Theater Buzz, Town Center 5

“So powerful…the movie detonates before our eyes.” Palme d’Or nominee AHED’S KNEE opens April 1.

March 23, 2022 by Jordan Deglise Moore Leave a Comment

We are opening the Israeli film AHED’S KNEE April 1 at the Glendale, Royal and Town Center and it’s a scorcher. As critic Guy Lodge put it, “Nadav Lapid does not make polite films: they spit and snarl and get way up in your face, brashly and constantly switching tack to disrupt your viewing pleasure, even if that means interrupting their own train of thought.”
A film of radical style and splenetic anger, AHED’S KNEE accompanies a celebrated but increasingly dissociated director (Avshalom Pollak) to a small town in the desert region of Arava for a screening of his latest film. Already anguished by the news of his mother’s fatal illness, he grows frustrated with a speech-restricting form he is encouraged to sign by a local Ministry of Culture worker (Nur Fibak). The confrontation ultimately sends him into a spiral of rage aimed at what he perceives as the censorship, hypocrisy, and violence of the Israeli government.

"So powerful...the movie detonates before our eyes." Palme d'Or nominee AHED'S KNEE opens April 1.

“Cuts to the heart of Lapid’s visceral genius and…points a new path forward for one of the world’s most irrepressible filmmakers.” ~ David Ehrlich, Indiewire

"So powerful...the movie detonates before our eyes." Palme d'Or nominee AHED'S KNEE opens April 1.

“What makes AHED’S KNEE so powerful is the way the movie detonates before our eyes.” ~ Bilge Ebiri, New York Magazine/Vulture

"So powerful...the movie detonates before our eyes." Palme d'Or nominee AHED'S KNEE opens April 1.

“Political outrage fuses with personal anguish in the Israeli director Nadav Lapid’s raucous, hard-edged dramatic rant about a filmmaker in crisis.” ~ Richard Brody, New Yorker

 

"So powerful...the movie detonates before our eyes." Palme d'Or nominee AHED'S KNEE opens April 1.

“It’s a howl of rage.” ~ A.O. Scott, New York Times

"So powerful...the movie detonates before our eyes." Palme d'Or nominee AHED'S KNEE opens April 1.

“AHED’S KNEE is a radical film for an Israeli movie – or for any movie.” ~ Jason Solomons, TheWrap

https://www.youtube.com/watch?v=I6lnWirRxhQ

Leave a Comment Filed Under: Featured Films, Films, Glendale, Royal, Theater Buzz, Town Center 5

Exclusive clip from the upcoming French comedy THE ROSE MAKER.

March 23, 2022 by Jordan Deglise Moore Leave a Comment

On April 1 we’ll open THE ROSE MAKER at the Claremont, Playhouse, Royal and Town Center. Catherine Frot stars as one of France’s greatest artisanal horticulturalists, whose rose business is on the brink of bankruptcy. When her secretary hires three inexperienced ex-convicts, they must team up to rescue the business in this verdant comedy. Enjoy this clip for a whiff:

https://www.youtube.com/watch?v=rbAxOiZ-Irs

Leave a Comment Filed Under: Claremont 5, Exclusive clip, Featured Films, Films, Playhouse 7, Royal, Theater Buzz, Town Center 5

Moviegoers, last chance to catch the Oscar nominated films in theatres.

March 23, 2022 by Jordan Deglise Moore Leave a Comment

For cinephiles, there is nothing like awards season, when studios and distributors release their finest films in hopes of garnering rapturous reviews, capturing audiences’ attention, and earning accolades, none more coveted than an Academy Award. The 2021-2022 season comes to a close this Sunday at 6801 Hollywood Blvd, Hollywood, CA and on a TV screen near you, but there’s still time to see the nominees. We’re playing the animated and live action shorts at the NoHo and bringing them back to Glendale and we have the documentary shorts on Saturday and Sunday at the Royal.  Some of these films, like THE WORST PERSON IN THE WORLD, PARALLEL MOTHERS, LICORICE PIZZA, DRIVE MY CAR and FLEE, are so good they’re worth seeing twice. On Laemmle Virtual Cinema, see LUNANA and ASCENSION.  All terrific. Enjoy!
Moviegoers, last chance to catch the Oscar nominated films in theatres.
Riz Ahmed in Best Live Action Short nominee THE LONG GOODBYE.

Leave a Comment Filed Under: Claremont 5, Featured Films, Featured Post, Films, Glendale, Newhall, NoHo 7, Playhouse 7, Royal, Santa Monica, Theater Buzz, Town Center 5

Stand with Ukraine through Film: THE GUIDE and Ukraine War relief.

March 16, 2022 by Jordan Deglise Moore 1 Comment

We all know of the tragedy that is happening in Ukraine because of the Russian invasion.  Thousands of civilians are dying in the streets while as of today 3,000,000 people are fleeing the country.

Film exhibitors around the country want to do their small part. Working with filmmaker Oles Sanin, who is currently in Ukraine, we have banded together to screen his 2014 Ukrainian film The Guide and will donate 100% of the proceeds to help his fellow Ukrainians. We’ll begin screening the film this Friday at the Monica Film Center. The Guide follows an American boy named Peter and and a blind minstrel, Ivan, who are thrown together by fate during the Stalin-perpetrated genocide in 1930s Ukraine.

Stand with Ukraine through Film: THE GUIDE and Ukraine War relief.

Here’s the official website: STAND WITH UKRAINE THROUGH FILM

Here is a message from the director that will precede the screenings:

https://www.youtube.com/watch?v=7ea5wsqA6xI

Here is the film’s trailer:

https://www.youtube.com/watch?v=CxoWXxdKSZA

1 Comment Filed Under: Charity Opportunity, Claremont 5, Director's Statement, Featured Post, Films, Glendale, Newhall, News, NoHo 7, Playhouse 7, Royal, Santa Monica, Special Events, Theater Buzz, Town Center 5

Brevity is the soul of wit: The 2022 Oscar-nominated short films are now playing everywhere.

March 9, 2022 by Jordan Deglise Moore Leave a Comment

This Friday we’ll expand our screenings of the 2022 Oscar-nominated short films — live action, animated and documentary — to almost all our venues so cinephiles from throughout L.A. County and beyond can enjoy them theatrically. Robert Abele of the L.A. Times weighed in on his favorites:

Documentaries: “The Queen of Basketball is a joyous portrait of college legend, breakthrough Olympian, and only ever female NBA draftee Lusia “Lucy” Harris, a gifted athlete without a professional league of her own. Harris died in January, but here she’s a wry chronicler of her underappreciated majesty, making Queen a fitting film obituary. Matt Ogens’ percussively energized, heartfelt Audible takes us into the tightknit huddle of high schoolers in the successful football program at the Maryland School for the Deaf, their Big Game preparation a poignant metaphor for the feelings of pride, loss and community that make them different from, but also no different than, any teenager facing an uncertain world…Looking back on a childhood choice (and seizing on a wild coincidence) is the province of veteran experimental filmmaker Jay Rosenblatt’s When We Were Bullies, a wonderfully intimate, collage-styled reckoning with memory, hurt and the ethics of storytelling.”

Brevity is the soul of wit: The 2022 Oscar-nominated short films are now playing everywhere.
From WHEN WE WERE BULLIES. Courtesy of ShortsTV.

Live action: “The nerviest conscience buster is Aneil Karia’s The Long Goodbye, a companion film to actor/rapper Riz Ahmed’s same-named album. He plays one of many members of a large British-South Asian family in a bustling house preparing for a wedding until a violent reality intrudes, leading to a wall-breaking rap about race, history and nationalism that Ahmed delivers like a frontline soliloquy. On the more Black Mirror end of things is KD Davila’s Kafkaesque satire Please Hold, which fuses our blind fascination with all things contactless, online and privatized with our inability to reform a byzantine justice system, following it to a not-too-far-off conclusion for someone like innocent Latino 20-something Mateo (Erick Lopez).”

Brevity is the soul of wit: The 2022 Oscar-nominated short films are now playing everywhere.
From PLEASE HOLD. Courtesy of ShortsTV.

Animation: “Lives marred by cruelty factor into the hand-drawn Boxballet and stop-motion Bestia. The former, from Anton Dyakov, brings together a hulking, banged-up pugilist and an up-and-coming ballerina for a wordless-but-not-soundless meeting of sensitive souls. The latter is Chilean animator Hugo Covarrubias’ slow-burning, textural glimpse — set during the country’s military dictatorship — of the corrosive duality in a policewoman’s daily life with her dog, her body and her demons. The eerie airlessness of the dollhouse-like settings and the porcelain shine on the puppets are memorably unsettling.’

Brevity is the soul of wit: The 2022 Oscar-nominated short films are now playing everywhere.
From BESTIA.

“Influential designer/animator Alberto Mielgo, who sparked the aesthetic of Into the Spider-Verse, is another wizard with texture and visual depth. His meditative The Windshield Wiper poses the question “What is love?” to a man in a café, then seeks clues in a series of vignettes with couples around the world. Mielgo’s urbanized hybrid of the painterly and the digitized is hypnotic and its own example of an artist’s love.’

Brevity is the soul of wit: The 2022 Oscar-nominated short films are now playing everywhere.
From THE WINDSHIELD WIPER.

“British animator Joanna Quinn’s enthusiasm for the wiggly expressiveness of traditional animation, meanwhile, makes her latest romp starring middle-aged feminist factory worker Beryl, Affairs of the Art, a raucous delight. (The last Beryl short was in 2006.) Now hellbent on becoming a “hyperfuturist artiste,” drawing-obsessed Beryl (voiced as ever by Menna Trussler) relays a family history of sibling rivalry, imperiled pets, morbid curiosities and eccentric tastes, while Quinn’s masterful caricatures and love of bulbous bodies in motion would make Da Vinci blush, laugh and be jealous simultaneously. Drawing becomes riotously, beautifully alive in Quinn’s vaudeville of aging and anatomy, but so does the wonderfully personal message delivered through her never-too-late-to-try heroine: There’s power in passion, whenever it strikes you in life.”

Brevity is the soul of wit: The 2022 Oscar-nominated short films are now playing everywhere.
From AFFAIRS OF THE ART.

Please note that the animated shorts are not MPAA rated but if they were they’d likely receive an R or NC-17 rating. Only adults will be admitted.

https://vimeo.com/678295462/7a10ce4892

Leave a Comment Filed Under: Claremont 5, Featured Films, Films, Glendale, Newhall, News, NoHo 7, Playhouse 7, Santa Monica, Theater Buzz, Town Center 5

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☘️ WEAR GREEN ☘️ $AVE GREEN ☘️ $2 OFF your concess ☘️ WEAR GREEN ☘️ $AVE GREEN ☘️ $2 OFF your concessions order!

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For the 21st consecutive year, Laemmle will be scr For the 21st consecutive year, Laemmle will be screening the Oscar-Nominated Short Films, opening on Feb. 20th. Showcasing the best short films from around the world, the 2026 Oscar®-Nominated Shorts includes three feature-length programs, one for each Academy Award® Short Film category: Animated, Documentary and Live Action.

ANIMATED SHORTS: (Estimated Running Time: 83 mins)
The Three Sisters
Forevergreen
The Girl Who Cried Pearls
Butterfly
Retirement Plan
 
LIVE ACTION SHORTS (Estimated Running Time: 119 minutes)
The Singers
A Friend Of Dorothy
Butcher’s Stain
Two People Exchanging Saliva
Jane Austin’s Period Drama

DOCUMENTARY SHORTS (Estimated Running Time: 158 minutes)
Perfectly A Strangeness
The Devil Is Busy
Armed Only With A Camera: The Life And Death Of Brent Renaud
All The  Empty Rooms
Children No More: “Were And Are Gone”

Please note that some films may not be appropriate for audiences under the age of 14 due to gun violence, shootings, language and animated nudity.
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Tickets: http://laemmle.com/film/artfully-united | Subscribe: http://bit.ly/3b8JTym | ARTFULLY UNITED is a celebration of the power of positivity and a reminder that hope can sometimes grow in the most unlikely of places. As artist Mike Norice creates a series of inspirational murals in under-served neighborhoods in and around Los Angeles, the Artfully United Tour transforms from a simple idea on a wall to a community of artists and activists coming together to heal and uplift a city.

Tickets: http://laemmle.com/film/artfully-united

RELEASE DATE: 10/17/2025
Director: Dave Benner
Cast: Mike Norice

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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Tickets: http://laemmle.com/film/brides | Subscribe: http://bit.ly/3b8JTym | Nadia Fall's compelling debut feature offers a powerful and empathetic look into the lives of two alienated teenage girls, Doe and Muna, who leave the U.K. for Syria in search of purpose and belonging. By humanizing its protagonists and exploring the complex interplay of vulnerability, societal pressures, and digital manipulation, BRIDES challenges simplistic explanations of radicalization.

Tickets: http://laemmle.com/film/brides

RELEASE DATE: 9/24/2025
Director: Nadia Fall

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

Subscribe to Laemmle's E-NEWSLETTER: http://bit.ly/3y1YSTM
Visit Laemmle.com: http://laemmle.com
Like LAEMMLE on FACEBOOK: http://bit.ly/3Qspq7Z
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Tickets: http://laemmle.com/film/writing-hawa | Subscribe: http://bit.ly/3b8JTym | Afghan documentary maker Najiba Noori offers not only a loving and intimate portrait of her mother Hawa, but also shows in detail how the arduous improvement of the position of women is undone by geopolitical violence. The film follows the fortunes of Noori’s family, who belong to the Hazaras, an ethnic group that has suffered greatly from discrimination and persecution.

Tickets: http://laemmle.com/film/writing-hawa

RELEASE DATE: 10/8/2025

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ABOUT LAEMMLE: Since 1938, Laemmle [Theatres] has been showing the finest independent, arthouse, and international films.

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An “embrace of what makes us unknowable yet worthy of forgiveness,” A LITTLE PRAYER opens Friday at the Claremont, Newhall, Royal and Town Center.

Leaving Laemmle: A Goodbye from Jordan